2007 Spring Issue Classmates’ Home Destroyed by Tornado
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Mow!,'Mum INN Nn
mow!,'mum INN nn %AUNE 20, 1981 $2.75 R1-047-8, a.cec-s_ Q.41.001, 414 i47,>0Z tet`44S;I:47q <r, 4.. SINGLES SLEEPERS ALBUMS COMMODORES.. -LADY (YOU BRING TUBES, -DON'T WANT TO WAIT ANY- POINTER SISTERS, "BLACK & ME UP)" (prod. by Carmichael - eMORE" (prod. by Foster) (writers: WHITE." Once again,thesisters group) (writers: King -Hudson - Tubes -Foster) .Pseudo/ rving multiple lead vocals combine witt- King)(Jobete/Commodores, Foster F-ees/Boone's Tunes, Richard Perry's extra -sensory sonc ASCAP) (3:54). Shimmering BMI) (3 50Fee Waybill and the selection and snappy production :c strings and a drying rhythm sec- ganc harness their craziness long create an LP that's several singles tionbackLionelRichie,Jr.'s enoughtocreate epic drama. deep for many formats. An instant vocal soul. From the upcoming An attrEcti.e piece for AOR-pop. favoriteforsummer'31. Plane' "In the Pocket" LP. Motown 1514. Capitol 5007. P-18 (E!A) (8.98). RONNIE MILSAI3, "(There's) NO GETTIN' SPLIT ENZ, "ONE STEP AHEAD" (prod. YOKO ONO, "SEASON OF GLASS." OVER ME"(prod.byMilsap- byTickle) \rvriter:Finn)(Enz. Released to radio on tape prior to Collins)(writers:Brasfield -Ald- BMI) (2 52. Thick keyboard tex- appearing on disc, Cno's extremel ridge) {Rick Hall, ASCAP) (3:15). turesbuttressNeilFinn'slight persona and specific references tc Milsap is in a pop groove with this tenor or tit's melodic track from her late husband John Lennon have 0irresistible uptempo ballad from the new "Vlaiata- LP. An air of alreadysparkedcontroversyanci hisforthcoming LP.Hissexy, mystery acids to the appeal for discussion that's bound to escaate confident vocal steals the show. -
Neil Foster Carries on Hating Keith Listens To
April 2017 April 96 In association with "AMERICAN MUSIC MAGAZINE" ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK Chuck Berry, Capital Radio Jazzfest, Alexandra Palace, London, 21-07-79, © Paul Harris Neil Foster carries on hating Keith listens to John Broven The Frogman's Surprise Birthday Party We “borrow” more stuff from Nick Cobban Soul Kitchen, Jazz Junction, Blues Rambling And more.... 1 2 An unidentified man spotted by Bill Haynes stuffing a pie into his face outside Wilton’s Music Hall mumbles: “ HOLD THE THIRD PAGE! ” Hi Gang, Trust you are all well and as fluffy as little bunnies for our spring edition of Tales From The Woods Magazine. WOW, what a night!! I'm talking about Sunday 19th March at Soho's Spice Of Life venue. Charlie Gracie and the TFTW Band put on a show to remember, Yes, another triumph for us, just take a look at the photo of Charlie on stage at the Spice, you can see he was having a ball, enjoying the appreciation of the audience as much as they were enjoying him. You can read a review elsewhere within these pages, so I won’t labour the point here, except to offer gratitude to Charlie and the Tales From The Woods Band for making the evening so special, in no small part made possible by David the excellent sound engineer whom we request by name for our shows. As many of you have experienced at Rock’n’Roll shows, many a potentially brilliant set has been ruined by poor © Paul Harris sound, or literally having little idea how to sound up a vintage Rock’n’Roll gig. -
UEP Unites European to Screen in Britain Work and Orchestrations
who have a three-year deal for the - - Chappell, Island Pilot, Polydor territories of Belgium, Holland and Luxem- Personnel Changes bourg. This was put together by Negram's Goose’ In World Deal A&R chief Karel Hendrikse. ‘Snow LONDON — The new general manager of A Pilot publishing arm has also been set LONDON — A musical interpretation of Chappell Music division will be Tony LONDON — A world production agreement up (Pilot Music), and again a number of “The Snow Goose,” the most famous story Roberts, effective September 1st. He was concluded this week between Pilot agreements have been concluded. written by the late American novelist Paul has resigned his chief executive duties at Music Productions and Polydor. The con- | Chappell has taken the subpublishing Gallico, has been recorded by RCA here Bell/Arista, which he had held for two tract was signed by Polydor U.K. managing rights for the territories of U.K., Scan- with 82 members of the London Symphony years; a successor has not yet been named. director Freddie Haayen and A&R chief Jim dinavia, Japan, Australia, South Africa, Orchestra including a 50-piece string sec- Roberts' realm at Chappell wil be the ex- Cook and Pilot president Miki Dallon. This deal set is for straight Canada and Mexico. was up tion. pansion of contemporary repertoire in tan- Deal a two years and calls by the head of Chappell U.K. Roland Ren- Gallico gave his approval to the project dem with continued exploitation of the on Dallon to produce a minimum of 40 titles nie and will run for a straight two years with before his death in July at his French company’s huge standard catalogs. -
MISSISSIPPI LEGISLATURE REGULAR SESSION 2010 By
MISSISSIPPI LEGISLATURE REGULAR SESSION 2010 By: Senator(s) Horhn, Burton, Butler, To: Rules Dearing, Fillingane, Frazier, Jackson (11th), Jackson (32nd), McDaniel, Simmons SENATE CONCURRENT RESOLUTION NO. 642 1 A CONCURRENT RESOLUTION CELEBRATING AND COMMENDING THE CAREER 2 OF LEGENDARY GOSPEL MUSIC STARS THE JACKSON SOUTHERNAIRES. 3 WHEREAS, The Jackson Southernaires, one of America's most 4 outstanding gospel recording groups, was formed by Frank Crisler 5 in 1940 in Jackson, Mississippi, and are currently celebrating 6 their 70-year Anniversary; and 7 WHEREAS, The Jackson Southernaires were the first Gospel 8 group in the State of Mississippi to use the guitar, base, drum 9 and keyboard in their stage performances. Over a 70-year span, 10 The Jackson Southernaires have shared the stage with more than 15 11 members. In 1965, it was Frank Williams who introduced Huey 12 Williams to the music of The Jackson Southernaires; Huey was 13 singing with the Southern Gospel Singers during that time. It was 14 in the late 1960s, after Huey joined The Jackson Southernaires, 15 that their music caught the attention of Duke/Peacock Records. In 16 1968 the group released the single Too Late, which became one of 17 Duke/Peacock Records' largest selling albums; and 18 WHEREAS, in 1972, on the ABC/Dunhill Label, the album Look 19 Around was released and in 1974, Save My Child was released. The 20 albums Look Around and Save My Child charted nationally and 21 brought the group worldwide acclaim. In 1975, Malaco Records 22 signed The Jackson Southernaires as the first Gospel group for 23 this blues and R&B record company. -
MISSISSIPPI LEGISLATURE REGULAR SESSION 2008 By
MISSISSIPPI LEGISLATURE REGULAR SESSION 2008 By: Representatives Coleman (65th), Bailey, To: Rules Broomfield, Calhoun, Campbell (72nd), Clark, Clarke, Coleman (29th), Espy, Evans (70th), Evans (91st), Gardner, Harrison, Holloway, Huddleston (30th), Middleton, Robinson, Scott, Smith (27th), Straughter, Thomas, Watson, Wooten, Brown HOUSE CONCURRENT RESOLUTION NO. 102 1 A CONCURRENT RESOLUTION COMMENDING AND CONGRATULATING MALACO 2 RECORDS ON RECEIVING A MARKER ON THE MISSISSIPPI BLUES TRAIL. 3 WHEREAS, Malaco Records, which is based in Jackson, 4 Mississippi, was honored on Tuesday, April 8, 2008, with a marker 5 on the Mississippi Blues Trail; and 6 WHEREAS, The Mississippi Blues Trail was created by the 7 Mississippi Blues Commission under the leadership of Governor 8 Haley Barbour and is designed to preserve the state's musical 9 heritage through historical markers and interpretive sites; and 10 WHEREAS, the roots of Malaco Records originated with 11 Cofounder Tommy Couch, Sr., who began booking R&B bands at the 12 University of Mississippi as Social Chairman of Pi Kappa Alpha 13 Fraternity; and 14 WHEREAS, after Mr. Couch graduated from college, he came to 15 Jackson to work as a pharmacist and formed a booking agency called 16 Malaco Productions with his brother-in-law, Mitchell Malouf; and 17 WHEREAS, in 1966, Malaco moved into recording and Couch's 18 fraternity brother, Gerald "Wolf" Stephenson, joined as a partner, 19 and in Malaco's initial years, it focused on leasing masters to 20 labels such as I Do Not Play No Rock 'N Roll by down-home 21 bluesman, Mississippi Fred McDowell; and 22 WHEREAS, Malaco found its niche in the early 1980s when it 23 signed Texan Z.Z. -
Luther Ingram
THE PITIFULS Hold My Heart To The Fire LocoBop L2I-012 Malaco Records’ house band in Jackson, MS was one of the best tight knit rhythm sections that southern studios were noted for in the 1960s and ‘70s. James Stroud (drums), Carson Whitsett (keyboards), Dino Zimmerman (guitar), and Don Barrett (bass) shaped hits by ZZ Hill, Dorothy Moore, Paul Simon, Paul Davis, Little Milton, Bobby Blue Bland, Johnnie Taylor, and Eddie Floyd. In the early 1980s, Stroud seized an opportunity to work with some of Nashville’s biggest names. Barrett, Zimmerman, and Whitsett, coincidently but individually, made Nashville their home as well. No longer a unit, they independently recorded with KT Oslin, Eddie Rabbitt, Janis Ian, Kathy Mattea, BB King, Eric Clapton, Suzy Bogguss, John Mayall, and Waylon Jennings. Whitsett also collaborated with Dan Penn, Tony Joe White, and others writing hits for Solomon Burke, Lorrie Morgan, John Anderson, Joe Cocker, and Conway Twitty. THE NEXT FOOL I FORGOT TO BE YOUR LOVER In 1996, Whitsett, Zimmerman, and Barrett reunited for a CLEAN SLATE one-off project with drummer Jimmy Hyde of Eddie SMOKE FILLED ROOM Rabbitt’s band and keyboardist Gene Sisk (Sawyer Brown, LOVE AT WORK The Judds, Earl Scruggs). Dubbing themselves The THE PITIFULS Pitifuls, they recorded this album in Memphis with Grammy- HOLD MY HEART TO THE FIRE award-winning engineer Danny Jones. THEY SAY BACKSLIDIN' Don Barrett sings lead on the majority of tracks, alternating I'M GONNA LOVE YOU OUT OF HIS LIFE with the grittier Jimmy Hyde. Except for Barrett's I'm Gonna Love You Right Out Of His Life and the Soul classic I Forgot To Be Your Lover, all songs were penned by Carson Whitsett, some in tandem with Dan Penn, Larry Byrom, Gary Nicholson, and others. -
Comments from Book Owners (2007)
Comments 2007 Second Quarter Greg…..just got the book….what an amazing project….can’t tell you how much I appreciate being included in the text. Best of luck to you with it. Many thanks Duke Duke Bardwell (Greek Fountains) Greg, While in high school (67-68) I played sax with the Originals where I became friends with Wilson Rodgers. I followed Wilson to play bass with the Platters (Buck Ram's) where we got tight with Duke Hall who, with Wilson created Black & Blue. I was the original bass player and stage director of the band. (BTW, the photo you have of the group has Duke's wife standing in for Linda Green (who was not available for the hasty photo). I worked for short periods with the Monzas and the Peace Corp. The Peace Corp was a seasoned and talented group with Freddy Owens as their primary front man (Freddie and I knew each other from the 2nd grade. I was a too much of a hippy at the time and didn't really fit in with those guys but it was musically a blast. That was the end of my "beach music" days as I eventually drifted into jazz and moved to Florida where there was more opportunity for work. Gary Champion Gary, Thanks, we appreciate getting updated information. Do we have your tenures with both the Originals Monzas and Black & Blue in the band directories? If not, please forward the correct info, We would love to publish any other 60s era photos you have with any of the bands. -
Luther Ingram
The Anderson Brothers Baby I Love You LocoBop L2I-011 The Anderson Brothers, Stefan and Joe, were Shreveport, Louisiana natives. Stefan Anderson was an amazingly gifted singer (a stronger, bigger-voiced Joe Cocker). Younger brother Joe had a huskier, lighter voice that was otherwise very similar to Stefan’s. Both brothers were accomplished songwriters as well. The Andersons migrated to Jackson, Mississippi in 1968, where they remained fixtures on the music scene for many years. Stefan released a few singles on Capitol and Stax, but the brothers never recorded together until 1977 when London-based producers Tim Whitsett and Chick Churchill, joined by Whitsett’s brother Carson, cut their first album ‘Lock ‘Em Away’ at Malaco Studios in Jackson (released by British label DJM in 1978). The follow-up, ‘Baby I Love You’ was recorded in 1978. Like the first album, The Andersons are backed by the crack Malaco rhythm section, whose BABY I LOVE YOU credits include "Mr. Big Stuff" (Jean Knight), “Groove Me" MISSISSIPPI MISERY (King Floyd), ‘”Rhymin’ Simon” (Paul Simon), “Ring My ANOTHER DAY Bell” (Anita Ward), and "Misty Blue" (Dorothy Moore). Backing vocals were provided by Rhodes, Chalmers, BACK ON STAGE Rhodes (Al Green, The Bee Gees). CAN'T TELL THE TRUTH IT'S LOVE The album contains numerous potential singles in a gumbo BLACK CAT BLUES style of pop, rock & roll, R&B, and honky-tonk-country. CAPTURE ME There are traces of Bob Seger, Joe Coker, Bruce Hornsby, Boz Scaggs, and Steely Dan here. Stefan’s stellar vocal SOMEONE TO CARE performances on BABY I LOVE YOU and the ballads WITH THESE HANDS ANOTHER DAY and IT'S LOVE are as compelling as they are timeless. -
Fern Kinney Groove Me Mp3, Flac, Wma
Fern Kinney Groove Me mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Funk / Soul Album: Groove Me Country: Australia Released: 1979 Style: Disco, Soul MP3 version RAR size: 1575 mb FLAC version RAR size: 1932 mb WMA version RAR size: 1813 mb Rating: 4.9 Votes: 631 Other Formats: APE AIFF AHX VQF AA WMA DMF Tracklist Hide Credits Groove Me A 8:51 Written-By – King Floyd Let's Keep It Right There B 2:34 Written-By – C. Whitsett*, J. Strickland* Companies, etc. Manufactured By – WEA Records Pty. Limited Distributed By – WEA Records Pty. Limited Published By – ATV Northern Songs Credits Producer – Carson Whitsett, Tommy Couch, Wolf Stephenson Notes ℗ 1979 Produced for Malaco Records Manufactured and Distributed by WEA Records Pty. Limited Barcode and Other Identifiers Matrix / Runout (Runouts Side A): STERLING MX191033 DSKO716-1 TKD-401-A Matrix / Runout (Runouts Side B): MX191034 DSKO716-2 TKD-401-B Matrix / Runout (A Side Label): MX191033 Matrix / Runout (B Side Label ): MX191034 Other versions Category Artist Title (Format) Label Category Country Year 401 Fern Kinney Groove Me (12") T.K. Disco 401 US 1979 Groove Me (7", 100107 Fern Kinney Atlantic 100107 New Zealand 1979 Single) Groove Me (7", WEA, Malaco WEA 79101 Fern Kinney WEA 79101 Canada 1979 Promo) Records Groove Me (7", WEA 79101 Fern Kinney WEA WEA 79101 UK 1979 Single) WEA 79101, Groove Me (7", WEA, Malaco WEA 79101, Fern Kinney Netherlands 1979 M-1085 Single) Records M-1085 Related Music albums to Groove Me by Fern Kinney 1. Stereo 8 - Groove Diggin' / Get Above Yourself 2. -
Alejandro Fernandez
COMPILED BY KRISTINA TUNZI ktunzi @billboard.com DEATHS Dixon and recording for Alligator Records. Alvin Batiste, 74, pioneering avant -garde In 1998, Bell was awarded the Blues Music jazz clarinetist and longtime university Award for traditional male artist of the year. music teacher, died May 6 of an apparent He is survived by 10 grandchildren, in- heart attack at his New Orleans home. cluding guitarist /vocalist Lurrie Bell. Born in New Orleans, Batiste became immersed in the city's music and was con- Carson Whitsett, 62, Southern key - sidered a founder of its modern jazz scene. boardist, songwriter and producer, died He toured with such greats as Ray Charles, May 8 in Nashville of a brain tumor. Guitar Slim, Billy Cobham and Cannon- Born in Mississippi, Whitsett began his CELEBRATING bá YEARS OF ball Adderley. career as a member of his brother Tim's Batiste didn't release a major -label band, Tim Whitsett Sc. the Imperials. After FERNANDEZ album until 1993's "Late" for Columbia a stint as a session musician at Stax Records, ALEJANDRO Records. He lived his life primarily as an Whitsett joined Malaco Records and played educator, teaching music at Southern Uni- in the Malaco house band for 20 years, work- versity, where he created the Batiste Jazz ing with such artists as Anita Ward, Z.Z. Institute, and at the New Orleans Center Hill and Johnnie Taylor. for Creative Arts as lead teacher in jazz in- Whitsett earned success as a songwriter strumental music. as well, having written or co- written for a Batiste is survived by his wife of 53 variety of artists including Etta James, Ruth years, Edith Chatters Batiste, and three Brown, Wilson Pickett, Barbara Mandrell, children: Marcia Wilson, Alvin Jr. -
CHUCK LEAVELL the Tree Man Interview Plus CD & Book Reviews Included 12 NEW SONGS for DOWNLOAD the Wildroots Are Back!
CHUCK LEAVELL The Tree Man Interview Plus CD & Book Reviews Included 12 NEW SONGS FOR DOWNLOAD The WildRoots are back! SESSIONS Volume 1 FEATURING Victor Wainwright w John Oates w Beth McKee w Nick Black Stephen Dees w Patricia Ann Dees w Charlie DeChant Billy Livesay w Mark Hodgson w Robert “Top” Thomas Anthony “Packrat” Thompson w Chris Merrell With special guests: Michael Shrieve w Lucky Peterson w Bryan Bassett Pat Harrington w Eddie Zyne w Todd Sharp w David Kent w Greg Gumpel “Every now and again a pile of songs will come along that just stops me in my tracks, and that’s what The Wildroots Sessions Vol.1 is for me. It’s one of those discs that can really lift the darkness. If, by chance you’re feeling down, you won’t be after this record is done with you. …Stunning.” - ROCK DOCTOR (John Kereiff) “With a guest list that’s mind boggling, you couldn’t get a better set if Paul Shaffer rounded up his SNL/Letterman pals and enlisted them to have a party. This set makes every hour after hours and the party never ends. Simply smoking.” - Midwest Record (Chris Spector) “With excellent songwriting, stellar performances, and wide-ranging styles, it is an album easily recommended for everyone.” - Blues Blast Magazine (Anita Schlank) Get your copy today! WildRootsRecords.com The WildRoots are back! SESSIONS Volume 1 FEATURING Victor Wainwright w John Oates w Beth McKee w Nick Black Stephen Dees w Patricia Ann Dees w Charlie DeChant Billy Livesay w Mark Hodgson w Robert “Top” Thomas Anthony “Packrat” Thompson w Chris Merrell With special guests: Michael Shrieve w Lucky Peterson w Bryan Bassett Pat Harrington w Eddie Zyne w Todd Sharp w David Kent w Greg Gumpel “Every now and again a pile of songs will come along that just stops me in my tracks, and that’s what The Wildroots Sessions Vol.1 is for me. -
Birthplace of the Blues
REST YOUR SOUL Jackson has many options for your overnight stay, the WELCOME TO THE GEN-UINE, BONA-FIDE, historic King Edward Hotel, now the Hilton Garden Inn, was a hub for music and used as a recording studio many years ago. You’ll find a Mississippi Blues Trail marker just outside BIRTHPLACE the front entrance acknowledging its historic significance. More recently, The Westin Jackson opened its doors in the OF THE BLUES downtown area. Its architectural design pays homage to the music. Don’t miss the “Music Legends of Mississippi” innovative program, which celebrates the birthplace of America’s Music by showcasing exact replica guitars from legendary Mississippi pioneers of American music. Musicians include Muddy Waters, Elvis Presley, B.B. King, Jimmy Buffet and Marty Stuart. You can play one of these guitars in the comfort of your own room. What a way to connect to the music! FEED YOUR SOUL You can’t visit Jackson, Mississippi without experiencing some good down-home cooking. Bully’s Restaurant has served the African American community for close to 40 years, the doors are open to all and the food is enjoyed by everyone! You can find Mr. Bully standing behind the counter with his bouffant cap on and a smile. This James Beard Foundation award- winning restaurant serves fresh collards, turnips and mustard greens, cornbread, neckbones, meatloaf, spaghetti, oxtails, turkey wings, cornbread dressing, macaroni and cheese, fried green tomatoes, yams and homemade fruit cobblers. That’s not all, but you get the picture! The Big Apple Inn is in the heart of where the Blues began.