UNI STUDENTS Sumptuous Classic Glen Tetley's and All 26 Years and Under
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Facing Jazz, Facing Trauma: Modern Trauma and the Jazz Archive
Facing Jazz, Facing Trauma: Modern Trauma and the Jazz Archive By Tyfahra Danielle Singleton A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Comparative Literature and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Judith Butler, Chair Professor Chana Kronfeld Professor Linda Williams Fall 2011 Facing Jazz, Facing Trauma: Modern Trauma and the Jazz Archive Copyright © 2011 by Tyfahra Danielle Singleton Abstract Facing Jazz, Facing Trauma: Modern Trauma and the Jazz Archive by Tyfahra Danielle Singleton Doctor of Philosophy in Comparative Literature University of California, Berkeley Professor Judith Butler, Chair ―Facing Jazz, Facing Trauma‖ posits American jazz music as a historical archive of an American history of trauma. By reading texts by Gayl Jones, Ralph Ellison, Franz Kafka; music and performances by Louis Armstrong and Billie Holiday; the life, art and films of Josephine Baker, and the film The Jazz Singer (1927), my goal is to give African American experiences of trauma a place within American trauma studies and to offer jazz as an extensive archive of testimony for witnessing and for study. Initially, I explore the pivotal historical moment where trauma and jazz converge on a groundbreaking scale, when Billie Holiday sings ―Strange Fruit‖ in 1939. This moment illuminates the fugitive alliance between American blacks and Jews in forming the historical testimony that is jazz. ―Strange Fruit,‖ written by Jewish American Abel Meeropol, and sung by Billie Holiday, evokes the trauma of lynching in an effort to protest the same. -
THE CHANGING BUSINESS of BANDS 1 for Almost 100 Years the Music and Recording Industries Were Seen As Synonymous. the Decline O
THE CHANGING BUSINESS OF BANDS 1 THE CHANGING BUSINESS OF BANDS: HOW NEW GROUPS START, GROW, AND SUCCEED USING SOCIAL MEDIA For almost 100 years the music and recording industries were seen as synonymous. The decline of the recording industry over the last two decades is one of the most well documented collapses in modern business (e.g. Arango, 2009; Goldman, 2010; Kennedy, 2009; Janssens, Vandaele & Beken, 2009). The ripple effects of consumers’ titanic shift in buying habits away from physical copies of recorded music to downloading single recordings and creating free customized streaming music feeds online have permanently altered the value proposition of recorded music. The situation is a paradox, for while artists find it more and more difficult (and less and less profitable) to sell songs and albums, the public’s demand for music is greater than ever. The consumer-driven reset of the recorded music market, which now pays pennies for songs compared to dollars in the past, has forced artists to seek new revenue sources, without the traditional support of record labels. Fortunately for the countless number of new musical performers entering today’s market, the Internet has made it possible for independent artists to connect with smaller and more passionate groups of fans who become a ready-made market ready to hear (and purchase) the music they create. Inexpensive and widely available digital recording technology and low-cost Internet marketing platforms like Facebook and Twitter have made record labels obsolete for all but the biggest artists. Now, the THE CHANGING BUSINESS OF BANDS 2 music industry is transcending physical boundaries, moving from a commodity-based model to an intellectual property-based one; seismic shifts of power, away from giant corporations and into the hands of individuals and small groups. -
Eric Nemeyer's
Eric Nemeyer’s WWW.JAZZINSIDEMAGAZINE.COM August-September 2018 JAZZ HISTORY FEATURE ArtArt Blakey,Blakey, PartPart 88 Interviews SteveSteve WilsonWilson Jazz Standard, September 6--9 RufusRufus ReidReid Jazz Standard, September 13--1616 Comprehensive DirectoryDirectory of NY ClubS, ConcertS MikeMike SternStern Spectacular Jazz Gifts - Go To www.JazzMusicDeals.com To Advertise CALL: 215-887-8880 December 2015 Jazz Inside Magazine www.JazzInsideMagazine.com 1 COVER-2-JI-15-12.pub Wednesday, December 09, 2015 15:43 page 1 MagentaYellowBlacCyank ORDER THIS 200+ Page Book + CD - Only $19.95 Call 215-887-8880 To Advertise CALL: 215-887-8880 August-September 2018 Jazz Inside Magazine www.JazzInsideMagazine.com 1 Eric Nemeyer’s Jazz Inside Magazine ISSN: 2150-3419 (print) • ISSN 2150-3427 (online) August-September 2018 – Volume 9, Number 6 Cover Photo and photo at right of Mike Stern By Ken Weiss Publisher: Eric Nemeyer Editor: Wendi Li Marketing Director: Cheryl Powers Advertising Sales & Marketing: Eric Nemeyer Circulation: Susan Brodsky Photo Editor: Joe Patitucci Layout and Design: Gail Gentry Contributing Artists: Shelly Rhodes Contributing Photographers: Eric Nemeyer, Ken Weiss Contributing Writers: John Alexander, John R. Barrett, Curtis Daven- port; Alex Henderson; Joe Patitucci; Ken Weiss. ADVERTISING SALES 215-887-8880 Eric Nemeyer – [email protected] ADVERTISING in Jazz Inside™ Magazine (print and online) Jazz Inside™ Magazine provides its advertisers with a unique opportunity to reach a highly specialized and committed jazz readership. Call our Advertising Sales Depart- ment at 215-887-8880 for media kit, rates and information. SUBSCRIPTION INFORMATION SUBMITTING PRODUCTS FOR REVIEW Jazz Inside™ (published monthly). To order a subscription, call 215-887-8880 or visit Companies or individuals seeking reviews of their recordings, books, videos, software Jazz Inside on the Internet at www.jazzinsidemagazine.com. -
EMDR & the Relational Imperative 2005
RT4117 half title page 7/20/05 3:50 PM Page 1 EMDR AND THE RELATIONAL IMPERATIVE RT4117_Prelims.fm Page ii Monday, July 18, 2005 12:41 PM RT4117 title page 7/21/05 8:44 AM Page 1 EMDR AND THE RELATIONAL IMPERATIVE The Therapeutic Relationship in EMDR Treatment Mark Dworkin Foreword by Francine Shapiro New York London RT4117_Discl.fm Page 1 Monday, August 1, 2005 12:56 PM Published in 2005 by Published in Great Britain by Routledge Routledge Taylor & Francis Group Taylor & Francis Group 270 Madison Avenue 2 Park Square New York, NY 10016 Milton Park, Abingdon Oxon OX14 4RN © 2005 by Taylor & Francis Group, LLC Routledge is an imprint of Taylor & Francis Group Printed in the United States of America on acid-free paper 10987654321 International Standard Book Number-10: 0-415-95028-7 (Hardcover) International Standard Book Number-13: 978-0-415-95028-2 (Hardcover) Library of Congress Card Number 2005004356 No part of this book may be reprinted, reproduced, transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging-in-Publication Data Dworkin, Mark, 1950- EMDR and the relational imperative : the therapeutic relationship in EMDR treatment / Mark Dworkin. p. cm. Includes bibliographical references and index. ISBN 0-415-95028-7 (hardbound) 1. -
Festival 30000 Lp Series 1961-1989
AUSTRALIAN RECORD LABELS FESTIVAL 30,000 LP SERIES 1961-1989 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, OCTOBER 2015 Festival 30,000 LP series FESTIVAL LP LABEL ABBREVIATIONS, 1961 TO 1973 AML, SAML, SML, SAM A&M IL IMPULSE SODL A&M - ODE SINL INFINITY SASL A&M - SUSSEX SITFL INTERFUSION SARL AMARET SIVL INVICTUS ML, SML AMPAR, ABC PARAMOUNT, SIL ISLAND GRAND AWARD KL KOMMOTION SAT, SATAL ATA LL LEEDON AL, SAL ATLANTIC SLHL LEE HAZLEWOOD INTERNATIONAL SAVL AVCO EMBASSY LYL, SLYL, SLY LIBERTY SBNL BANNER DL LINDA LEE BCL, SBCL BARCLAY SML, SMML METROMEDIA BBC BBC PL, SPL MONUMENT SBTL BLUE THUMB MRL MUSHROOM BL BRUNSWICK SPGL PAGE ONE CBYL, SCBYL CARNABY PML, SPML PARAMOUNT SCHL CHART SPFL PENNY FARTHING SCYL CHRYSALIS PJL, SPJL PROJECT 3 MCL CLARION RGL REG GRUNDY NDL, SNDL, SNC COMMAND RL REX SCUL COMMONWEALTH UNITED JL, SJL SCEPTER CML, CML, CMC CONCERT-DISC SKL STAX CL, SCL CORAL NL, SNL SUN DDL, SDDL DAFFODIL QL, SQL SUNSHINE SDJL DJM EL, SEL SPIN ZL, SZL DOT TRL, STRL TOP RANK DML, SDML DU MONDE TAL, STAL TRANSATLANTIC SDRL DURIUM TL, STL 20TH CENTURY-FOX EL EMBER UAL, SUAL, SUL UNITED ARTISTS EC, SEC, EL, SEL EVEREST SVHL VIOLETS HOLIDAY SFYL FANTASY VL VOCALION DL, SDL FESTIVAL SVL VOGUE FC FESTIVAL APL VOX FL, SFL FESTIVAL WA WALLIS GNPL, SGNPL GNP CRESCENDO APC, WC, SWC WESTMINSTER HVL, SHVL HISPAVOX SWWL WHITE WHALE SHWL HOT WAX IRL, SIRL IMPERIAL 2 Festival 30,000 LP series FL 30,001 THE BEST OF THE TRAPP FAMILY SINGERS, VOL.