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The e-journal of analog and digital sound. no.23 2009 Ladies and gentlemen, the Beatles. Bob Gendron Reviews the Beatles Remasters TONE A 1 NO.23 2 0 0 9 PUBLISHER Jeff Dorgay EDITOR Bob Golfen ART DIRECTOR Jean Dorgay r MUSIC EDITOR Ben Fong-Torres ASSISTANT Bob Gendron MUSIC EDITOR M USIC VISIONARY Terry Currier STYLE EDITOR Scott Tetzlaff C O N T R I B U T I N G Tom Caselli WRITERS Kurt Doslu Anne Farnsworth Joe Golfen Jesse Hamlin Rich Kent Ken Kessler Hood McTiernan Rick Moore Jerold O’Brien Michele Rundgren Todd Sageser Richard Simmons Jaan Uhelszki Randy Wells UBER CARTOONIST Liza Donnelly ADVERTISING Jeff Dorgay WEBSITE bloodymonster.com tonepublications.com Editor Questions and Comments: [email protected] 800.432.4569 © 2009 Tone MAGAZIne, LLC All rights reserved. TONE A 2 NO.23 2 0 0 9 features Old School: Love Those LED’s 10 The SAE 2200 By Jerold O’Brien Please Please Me: 21 The Beatles Remasters Reviewed By Bob Gendron 104 Simon Drake Talks About 40 Naim’s Music Label: Embracing Past and Future Technologies By Jeff Dorgay Dealers That Mean Business: 21 85 We visit Nuts About HiFi (on the cover) By Jeff Dorgay Budget Gear: 90 Rotel RA-1520 Integrated Amplifier and RDC-1520 CD Player By Mark Marcantonio A Visit to Rega: 104 Roy Gandy’s Model of Efficiency By Jeff Dorgay 7. NEW CONTRIBUTORS 8. PUBLISHER’S LETTER 9. TONE TOON By Liza Donnelly TONE A 3 NO.23 2 0 0 9 tone style An Afternoon With the Focal 67 Grande Utopia EM By Jeff Dorgay The B&W Panorama 71 The Fantastic Soundbar By Jeff Dorgay The Olympus E-P1 74 DSLR Performance, Compact Size By Jeff Dorgay TomTom for the iPhone 78 Let Your iPhone be Your Guide By Jeff Dorgay 67 The Sound of the Future 79 of Radio: WiFi Is Here By Ben Fong-Torres RedEye’s Remote System 81 Grab This All In One By Jeff Dorgay Little City Coffee: 82 Austin’s Best Roast. -
TX-NR828 Table of Contents
Contents AV RECEIVER Safety Information and Introduction ............2 TX-NR828 Table of Contents...........................................6 Connections .................................................14 Turning On & Basic Operations..................24 Instruction Manual Playback........................................................32 Advanced Operations ..................................56 Controlling Other Components...................82 Appendix.......................................................91 Internet Radio Guide Remote Control Codes En Safety Information and Introduction 9. Do not defeat the safety purpose of the polarized B. If liquid has been spilled, or objects have fallen or grounding-type plug. A polarized plug has two into the apparatus, WARNING: blades with one wider than the other. A grounding C. If the apparatus has been exposed to rain or TO REDUCE THE RISK OF FIRE OR ELECTRIC type plug has two blades and a third grounding water, SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN prong. The wide blade or the third prong are D. If the apparatus does not operate normally by OR MOISTURE. provided for your safety. If the provided plug does following the operating instructions. Adjust CAUTION: not fit into your outlet, consult an electrician for only those controls that are covered by the TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT replacement of the obsolete outlet. operating instructions as an improper REMOVE COVER (OR BACK). NO USER-SERVICEABLE 10. Protect the power cord from being walked on or adjustment of other controls may result in PARTS INSIDE. REFER SERVICING TO QUALIFIED pinched particularly at plugs, convenience damage and will often require extensive work SERVICE PERSONNEL. receptacles, and the point where they exit from by a qualified technician to restore the the apparatus. apparatus to its normal operation, 11. -
MCX-C15 Owner UB.Book Page 1 Tuesday, April 20, 2004 9:32 PM
00_MCX-C15_Owner_UB.book Page 1 Tuesday, April 20, 2004 9:32 PM UB MCX-C15 Distributed Audio Controller MCX-C15 MENU VOL 1 234 FAVORITES OWNER'S MANUAL 00_MCX-C15_Owner_UB.book Page 1 Tuesday, April 20, 2004 9:32 PM CONTENTS INTRODUCTION INTRODUCTION ADVANCED OPERATIONS FEATURES .............................................2 SYSTEM OPTIONS .............................46 MusicCAST SYSTEM OVERVIEW.....3 Auto Play function.................................. 46 The server ................................................. 4 Auto Level Control function................... 46 The client .................................................. 4 Selecting the output ................................ 47 The amplifier ............................................ 4 Sleep mode.............................................. 48 SUPPLIED ACCESSORIES..................5 DISPLAY SETTINGS..........................49 LISTENING TO Before using the remote control ............... 6 Adjusting the display contrast ................ 49 MUSIC Replacing the battery in the Screen Saver function ............................. 50 remote control ...................................... 6 SYSTEM SETTINGS ...........................51 CONTROLS AND FUNCTIONS ..........7 Checking system information ................. 51 Front panel................................................ 7 Resetting to the factory presets............... 52 Rear panel................................................. 8 CHECKING NETWORK Bottom panel ............................................ 9 SETTINGS ........................................54 -
Josh Abrahams Discography
Josh Abrahams Discography Just Managing 99 Reade Street PHW New York City, NY 10013 [email protected] (212) 571-3591 ARTIST RELEASES: Puretone Stuck In A Groove – Single Illustrious/Sony/V2 # 5 US Dance Charts Puretone Stuck In A Groove - Album Illustrious/Sony/V2/Festival Puretone Addicted to Bass Gut/V2/Sony #2 UK – Silver Sales #1 US Dance Charts Josh Abrahams Sweet Distorted Holiday - Album Prozaac/Shock Josh Abrahams Addicted to Bass Prozaac/Shock #15 Australia – Platinum Sales Josh Abrahams The Satyricon - Album WWU/Edel Josh Abrahams Thrillseeker - Single Prozaac/Shock Josh Abrahams Headroom Prozaac/Shock FSOM Chapter One - Album Volition/Sony FSOM Prologue - Album Independent FSOM Avatar - EP Candyline/Shock FSOM Beyond – EP Two Thumbs Records Shivarati/Track 6 – Single 12” Bassliners You’re My 303 - Single Prozaac The Pagan One Small Step – Single 12” Two Thumbs Records The Pagan Going Bezerk – Single 12” Two Thumbs Records Mr Clean The Clean – EP MMR The Edison Project Don't Be Afraid – Single Interdance/EMI Revolution Revolution Of Love – Single Volition/Sony Josh Abrahams & Pure Harmony - Album Bloom Lani Zaitman PRODUCTION: Baz Luhrman The Sunscreen Song EMI Add Prod, Engineer, Program, Keys #1 Single UK Baz Luhrman Something For Everybody – LP Produce, Engineer, Program, Mix, Arrange, Platinum Sales UK, Gold Sales US Sitar, Keys, Bass, Remix Amiel Audio Out – Album Produce, Engineer, Program, Mix Festival Bass. Keys. BV Amiel Obsession (I Love You) – Single, Produce, Engineer, Program, Mix, Keys Festival #15 Australia -
Perfect Match
THE OFFICIAL From the editors of Pro Sound News & Pro Audio Review day1 friday edition ServingA ESthe 137th AeS ConventionDA • october ILY 9-12, 2014 los angeles convention center, los angeles, ca +BREAKING NEWS PERFECT Download the official AES Mobile app for the latest news and information from AES. MATCH: Revitalized AES, Revitalized LA By Clive Young It’s been 12 years since the Audio Engineering Society Convention last was held at the Los Angeles Convention Center. Much as the surrounding area has changed MPEG-H 3D Legendary producer/engineer/musician Alan Parsons used his keynote address with the development of the yesterday as a call to arms for sound professionals—and audio technology Downtown area, so has pro audio. companies—to demand the bar be raised for commercial consumption of As a result, the 137th AES Con- Audio Ready music. For full coverage of the 137th AES Convention Opening Ceremony, see the vention opens its doors today to keynote story on page 3 and the awards story on page 42. for Launch new generations of engineers, stu- dents and exhibitors from all over By Steve Harvey the world who have never experi- MPEG-H 3D Audio is about Olive Caps AES Presidential enced in Los Angeles the excite- to hit the market, reported ment of visiting the one conven- Schuyler Quackenbush of tion that focuses solely on sound. Audio Research Labs during Year With LA Return “I couldn’t be more happy a tutorial on the opening day By Strother Bullins, Educated in piano performance that we’re back in the revitalized of the AES Convention. -
An Introduction to Music Technology
An Introduction to Music Technology An Introduction to Music Technology provides a clear overview of the essential elements of music technology for today’s musician. It is designed to provide music students with the background necessary to apply technology in their creating, teaching, and performing. This book focuses on five topics that underlie the hardware and software in use today: Sound, Audio, MIDI, Synthesis and Sampling, and Computer Notation and Computer- Assisted Instruction. In addition, there is an appendix that covers necessary computer hardware and software concepts. Features: • Thorough explanations of key topics in music technology • Content applicable to all software and hardware, not linked to just one piece of software or gear • In-depth discussion of digital audio topics, such as sampling rates, resolutions, and file formats • Explanations of standard audio plug-ins including dynamics processors, EQs, and delay- based effects • Coverage of synthesis and sampling in software instruments • Pedagogical features, including: – Further Reading sections that allow the student to delve deeper into topics of interest – Suggested Activities that can be carried out with a variety of different programs – Key Terms at the end of each chapter – What do I need? Chapters covering the types of hardware and software needed in order to put together Audio and MIDI systems – The companion website contains links to audio examples that demonstrate various concepts, step-by-step tutorials, relevant hardware, software, and additional audio and video resources. Dan Hosken is Professor of Music at California State University, Northridge, where he teaches courses in music technology, electronic music, composition, and theory. As an educator, he is an active member of the Association for Technology in Music Instruction (ATMI).