Deux Chefs-D'œuvre De L'ancienne Collection
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Hermitage Magazine 27 En.Pdf
VIENNA / ART DECO / REMBRANDT / THE LANGOBARDS / DYNASTIC RULE VIENNA ¶ ART DECO ¶ THE LEIDEN COLLECTION ¶ REMBRANDT ¶ issue № 27 (XXVII) THE LANGOBARDS ¶ FURNITURE ¶ BOOKS ¶ DYNASTIC RULE MAGAZINE HERMITAGE The advertising The WORLD . Fragment 6/7 CLOTHING TRUNKS OF THE MUSEUM WARDROBE 10/18 THE INTERNATIONAL ADVISORY BOARD OF THE STATE HERMITAGE Game of Bowls 20/29 EXHIBITIONS 30/34 OMAN IN THE HERMITAGE The State Hermitage Museum, St. Petersburg. Inv. № ГЭ 9154 The State Hermitage Museum, St. Petersburg. Inv. Henri Matisse. 27 (XXVII) Official partners of the magazine: DECEMBER 2018 HERMITAGE ISSUE № St. Petersburg State University MAGAZINE Tovstonogov Russian State Academic Bolshoi Drama Theatre The Hermitage Museum XXI Century Foundation would like to thank the project “New Holland: Cultural Urbanization”, Aleksandra Rytova (Stella Art Foundation, Moscow) for the attention and friendly support of the magazine. FOUNDER: THE STATE HERMITAGE MUSEUM Special thanks to Svetlana Adaksina, Marina Antipova, Elena Getmanskaya, Alexander Dydykin, Larisa Korabelnikova, Ekaterina Sirakonyan, Vyacheslav Fedorov, Maria Khaltunen, Marina Tsiguleva (The State Hermitage Museum); CHAIRMAN OF THE EDITORIAL BOARD Swetlana Datsenko (The Exhibition Centre “Hermitage Amsterdam”) Mikhail Piotrovsky The project is realized by the means of the grant of the city of St. Petersburg EDITORIAL: AUTHORS Editor-in-Chief Zorina Myskova Executive editor Vladislav Bachurov STAFF OF THE STATE HERMITAGE MUSEUM: Editor of the English version Simon Patterson Mikhail Piotrovsky -
Winter 2016-2017 $7.9 9 Intelligent Collector
HERITAGE AUCTIONS | WINTER 2016-2017 $7.9 9 INTELLIGENT COLLECTOR STEVE McQUEEN Book, Auction Thomas Moran Max Ember Auction Previews Spotlight Painting Captures The Fascinating Collection Willis, Stallone, McMurtry, ‘The King of Cool’ America’s Wild Frontier of a Hollywood Writer Spillane, Ruth, Kerouac HERITAGE AUCTIONS HERMLUXURY BOUTIQUEÈS The Heritage Boutique is your unrivaled resource for high-quality, genuine Hermès handbags on the secondary market — fully guaranteed and delivered to you immediately. Shop and purchase outright at HA.com/Luxury, or visit us at 445 Park Avenue in New York. Heritage will also buy your Hermès handbags, or you may wish to consign to our upcoming auctions. Inquiries: 212.486.3500 HA.com/Luxury DALLAS | NEW YORK | BEVERLY HILLS | SAN FRANCISCO | CHICAGO | PARISPALM BEACH| GENEVA | PARIS | AMSTERDAM | GENEVA | HONGAMSTERDAM KONG | HONG KONG 43965 38188 44 contents HIGHLIGHTS AUCTION PREVIEWS Vintage Posters: My How to Bid Estates: The Max Ember 40 Favorite Things 18 28 Collection Director of Vintage Posters Grey Smith Hollywood writer’s fascination with reveals the tales behind these seven early 20th century art and objects treasures Novelists: McMurtry’s rooted in era’s drive to modernity 19 Typewriters Author used portable Hermes 3000s to Pop Culture: King of Cool write Lonesome Dove Asian Art: Michael York 44 In this excerpt from the bio-graphic 31 Collection novel Steve McQueen: Full-Throttle Classically trained actor sharing Cool, Dwight Jon Zimmerman Literature: Mickey Spillane imperial Chinese -
CUBISM and ABSTRACTION Background
015_Cubism_Abstraction.doc READINGS: CUBISM AND ABSTRACTION Background: Apollinaire, On Painting Apollinaire, Various Poems Background: Magdalena Dabrowski, "Kandinsky: Compositions" Kandinsky, Concerning the Spiritual in Art Background: Serial Music Background: Eugen Weber, CUBISM, Movements, Currents, Trends, p. 254. As part of the great campaign to break through to reality and express essentials, Paul Cezanne had developed a technique of painting in almost geometrical terms and concluded that the painter "must see in nature the cylinder, the sphere, the cone:" At the same time, the influence of African sculpture on a group of young painters and poets living in Montmartre - Picasso, Braque, Max Jacob, Apollinaire, Derain, and Andre Salmon - suggested the possibilities of simplification or schematization as a means of pointing out essential features at the expense of insignificant ones. Both Cezanne and the Africans indicated the possibility of abstracting certain qualities of the subject, using lines and planes for the purpose of emphasis. But if a subject could be analyzed into a series of significant features, it became possible (and this was the great discovery of Cubist painters) to leave the laws of perspective behind and rearrange these features in order to gain a fuller, more thorough, view of the subject. The painter could view the subject from all sides and attempt to present its various aspects all at the same time, just as they existed-simultaneously. We have here an attempt to capture yet another aspect of reality by fusing time and space in their representation as they are fused in life, but since the medium is still flat the Cubists introduced what they called a new dimension-movement. -
Art Market Trends Tendances Du Marché De L'art
Art market trends Tendances du marché de l'art THE WORLD LEADER IN ART MARKET INFORMATION Art market trends Tendances du marché de l'art 2005 $ 4.15 billion (€ 3.38 billion) 3.38 (€ billion 4.15 $ worldwide: auctions Art Fine at Turnover offer. on lots 320,000 of volume stable practically billion, vs. 3.6 $ billion the previous year, In despite 2005 the a turnover for record-breaking! Fine are gures Art sales fi The exceeded 4 $ well. so performed never has market art international The a million dollars, compared with compared in only 393 2004 dollars, a and million than more for hammer the under went lots 477 than less into of a rise sales 1 multiplication $ exceeding No million 19% the from translated ation on in recorded infl 2004. price This following already year, last 10.4%* of increase came on the of back a progression price incredible This Tendances du marché de l'art de marché du Tendances Art market trends trends market Art Artprice Global Index: Paris - New York - London (1994 - 2005) Base January 1994 = 100 - Quarterly data Artprice Indices are calculated with the Repeated Sales method (Econometric calculations on sales/resales of similar works) 10 000 $, 10 et 56% en deçà de 000 $.2 Ce segment est en 2005 en publiques ventes ont adjugés été moins de cette cette année, faisant suite aux d’affaires 19% mondial, de une hausse élévation déjà des A prix l’origine de de cette 10,4% incroyable progression du chiffre (3,38 d’euro) dollars de milliards milliards 4,15 : mondiales enchères Artaux Fine de ventes des Produit présentés. -
Number 25 Update
NUMBER 25 UPDATE CLICK HERE TO FIND THE LATEST NEWS W ΔΓ David Ghezelbash Archéologie EXHIBITION ANCIENT WORKS OF ART FROM THE MEDITERRANEAN SEA At the Galerie David Ghezelbash 12 rue Jacob TO 75006 Paris France 04/26/2013 Mobile + 33 (0)6 88 23 39 11 [email protected] FROM www.davidghezelbash.com 06/01/2013 BID AT WWW.DROUOTLIVE.COM FREE SERVICE AND WITHOUT EXTRA FEES BID AT DROUOT ANYWHERE ! LA GAZETTE DROUOT INTERNATIONAL WWW.GAZETTE-INTERNATIONAL.CN PARIS - NICE ACROSS THE ORIENT Important fragment of the torso of a General of the Delta, gouverner of de Upper Egypt named Psamtik. Greywacke. Egypt, 30th dynasty, 4th century BC. H. 63 cm Remained in Private French collection since 1906. WEDNESDAY 5 JUNE 2013 DROUOT Experts: Archeology: Daniel LEBEURRIER - Islam: Alexis RENARD 1, rue de la Grange-Batelière - 75009 Paris - Tel. +33.(0)1.47.70.81.36 - Fax : +33.(0)1.42.47.05.84 - Site : www.boisgirard.com - E-mail : [email protected] Authorised auctioneers : Isabelle Boisgirard et Pierre-Dominique Antonini - N° agrément 2001-022 THE MAGAZINE CONTENTS CONTENTS ART MARKET - MAGAZINE 68 RESULTS Recent bids have included a large number of world records, not only for Old Masters (dominated by Jacobus Vrel), but also for contemporary artists like Adami – not to mention drawing, a distinctly French speciality! MEETING 124 In two decades, Bill Pallot, the most talked- about antique dealer in the media, has built up a collection that may be highly disparate at first glance, but is truly fascinating. We explore this cabinet of curiosities. -
WE the Moderns' Teachers' Pack Kettle's Yard, 2007 WE the Moderns: Gaudier and the Birth of Modern Sculpture
'WE the Moderns' Teachers' Pack Kettle's Yard, 2007 WE the moderns: Gaudier and the birth of modern sculpture 20 January - 18 March 2007 Information for teachers • What is the exhibition about? 2 • Key themes 3 • Who was Gaudier? 4 • Gaudier quotes 5 • Points of discussion 6 • Activity sheets 7-11 • Brief biography of the artists 12-18 1 'WE the Moderns' Teachers' Pack Kettle's Yard, 2007 What is the exhibition about? "WE the moderns: Gaudier-Brzeska and the birth of modern sculpture", explores the work of the French sculptor in relation to the wider continental context against which it matured. In 1911, aged 19, Gaudier moved to London. There he was to spend the rest of his remarkably concentrated career, which was tragically cut short by his death in the trenches four years later. These circumstances have granted the sculptor a rather ambiguous position in the history of art, with the emphasis generally falling on his bohemian lifestyle and tragic fate rather than on his artistic achievements, and then on his British context. The exhibition offers a fresh insight into Gaudier's art by mapping its development through a selection of works (ranging from sculptures and preparatory sketches to paintings, drawings from life, posters and archival material) aimed at highlighting not only the influences that shaped it but also striking affinities with contemporary and later work which reveal the artist's modernity. At the core of the exhibition is a strong representation of Gaudier's own work, which is shown alongside that of his contemporaries to explore themes such as primitivism, artists' engagement with the philosophy of Bergson, the rendition of movement and dynamism in sculpture, the investigation into a new use of space through relief and construction by planes, and direct carving. -
Alastair Duncan
Alastair Duncan was for many years an offi cer ART DECO and consultant of Christie’s, New York, and is now an COMPLETE independent consultant on the decorative arts of the 19th contents ART DECO and 20th centuries. He is the author of many books on the Art – Deco period, including Art Nouveau and Art Deco Lighting, introduction 6 ceramics 206 Art Deco Furniture, American Art Deco and Art Nouveau and ALASTAIR rené buthaud 214 COMPLETE Art Deco Bookbinding (all published by Thames & Hudson). media and masters 12 clarice cliff 216 DUNCAN émile decoeur 220 THE DEFINITIVE GUIDE TO THE DECORATIVE Other titles of interest furniture and interior viktor schreckengost 224 ARTS OF THE 1920s AND 1930s decoration 14 pierre chareau 23 lighting 228 ALASTAIR DUNCAN American Art Deco donald deskey 28 albert cheuret 234 Alastair Duncan 34 ART DECO maurice dufrène jean perzel 238 With 502 illustrations, paul dupré-lafon 38 simonet frères 242 233 in colour Straddling two World Wars and the Great Depression, jean-michel frank 42 ushering in the Jazz Age and the era of the automobile paul-théodore frankl 48 textiles 246 and skyscraper, fomenting in the great cities of Europe and Art Deco Furniture eileen gray 52 ivan da silva bruhns 255 America and shaping everything from the Golden Gate Bridge to the humble desk lamp, the story of Art Deco is the The French Designers robert mallet-stevens 56 gunta stölzl 260 story of our modern world. Alastair Duncan martine (paul poiret) 60 With 312 illustrations, charlotte perriand 62 silver, metal, lacquer 68 in colour Art Deco was the most deliberately elaborate of 20th-century eugène printz 66 and enamel 264 decorative styles. -
The Salon of Drawing, Painting and Sculpture
The Salon of Drawing, Painting and Sculpture From 8 to 12 november 2017 Palais Brongniart 28 Place de la Bourse 75002 Paris www.finearts-paris.com Press contact : FAVORI - 233, rue Saint Honoré 75001 – T +33 1 42 71 20 46 1 Grégoire Marot - Nadia Banian [email protected] Summary page 03 FINE ARTS PARIS The Salon of Drawing, Painting and Sculpture Fair page 06 List of 34 exhibitors in alphabetical order page 40 General Information / Contact 2 FINE ARTS PARIS The Salon of Drawing, Painting and Sculpture Brongniart with FINE ARTS PARIS which will take place from 8 to 12 November 2017. From a Renaissance sculpture to an 18th century painting or a Cubist drawing, schools. Origin of the project: The organizers of this new fair are none other than those who created the Salon du Dessin, the international scope of which has contributed to making Paris one of the major centres for this domain. Because they believe in the future of Paris and in specialized fairs, they have decided to apply the fundamental principles and demands that governed the organization of the Salon du Dessin to this event: • the stands are drawn by lot; • a comfortable setting, conceived without ostentation and on a human scale; • a vetting committee comprised of well known specialists who are not exhibitors. and reveal the wealth of the three major disciplines, painting, drawing and sculpture which will be freely associated on each of the stands. Diversity and quality are the hallmarks of this new fair, whether in media, periods, subjects on view, but also budgets because museum quality works exhibited by major galleries can be shown alongside “discoveries” by young dealers presented at lower prices. -
Cubism and Australian Art and Its Accompanying Book of the Same Title Explore the Impact of Cubism on Australian Artists from the 1920S to the Present Day
HEIDE EDUCATION RESOURCE Melinda Harper Untitled 2000 National Gallery of Victoria, Melbourne Purchased through the National Gallery of Victoria Foundation by Robert Gould, Benefactor, 2004 This Education Resource has been produced by Heide Museum of Modern Art to provide information to support education institution visits to the exhibition Cubism & Australian Art and as such is intended for their use only. Reproduction and communication is permitted for educational purposes only. No part of this education resource may be stored in a retrieval system, communicated or transmitted in any form or by any means. HEIDE EDUCATION RESOURCE Heide Education is committed to providing a stimulating and dynamic range of quality programs for learners and educators at all levels to complement that changing exhibition schedule. Programs range from introductory tours to intensive forums with artists and other arts professionals. Designed to broaden and enrich curriculum requirements, programs include immersive experiences and interactions with art in addition to hands-on creative artmaking workshops which respond to the local environs. Through inspiring programs and downloadable support resources our aim is to foster deeper appreciation, stimulate curiosity and provoke creative thinking. Heide offers intensive and inspiring professional development opportunities for educators, trainee teachers and senior students. Relevant links to VELS and the VCE are incorporated into each program with lectures, floor talks and workshops by educators, historians and critics. Exclusive professional development sessions to build the capacity and capability of your team can be planned for your staff and potentially include exhibition viewings, guest speakers, catering, and use of the Sidney Myer Education Centre. If you would like us to arrange a PD just for your group please contact the Education Coordinator to discuss your individual requirements. -
Lambert-Rucki's Artistic Vision of the Ottoman
BBogusławogusław RR.. ZZagórskiagórski Polish Institute of Word Art Studies JEAN (JAN) LAMBERT-RUCKI’S ARTISTIC VISION OF THE OTTOMAN WOMEN’S WORLD OF SELÂNIK1) THE CITY – THESSALONIKI OR SELÂNIK? n the 8th of November, 1912, the feast of Saint Demetrius, the city regarded as the second most important city of the , ﺳﻼﻧﯿﻚ of Selânik OOttoman Empire (together with Smyrna/İzmir), was surrendered to the Greek army by Tahsin Paşa, commander of the Turkish garrison. Several hours later, the rival Bulgarian army entered the suburbs of Selânik from another direction and, according to anecdotal evidence, TahsinPaşa could only inform the Bulgarian official envoys that: “I only had one Selânik, which I have already surrendered.” Greeks and Bulgarians, allied nations during the First Balkan War (1912–1913), were fighting together for new possessions, detaching them piece by piece from the living body of the Ottoman Empire. Selânik, the magnificent prize grabbed by the Greeks was to be returned; the Bulgar- ians, in turn, were allowed to occupy the port of Kavala on the Aegean Sea with its hinterland (Western Thrace). In later times, this served as a bone of contention between the two nations; at present it is in Greece. The Bulgarian troops were granted guest status in Selânik by the Greeks and a hospital for treating their wounded soldiers. 1) The author extends his warmest thanks to the Comité Jean Lambert-Rucki in Paris and to the Archives of the Academy of Fine Arts in Kraków for their help in gathering source materials for this article. Jean (Jan) Lambert-Rucki’s artistic vision 213 Selânik, known as Thessaloniki in Greek, is an ancient sea port with a rich history. -
The Yves Saint Laurent and Pierre Bergē Collection
26 September 2008 THE YVES SAINT LAURENT AND PIERRE BERGĒ COLLECTION “Pierre Bergé and I wished for our selection to reflect our favourite pieces and for it to evolve with them, quality being the only criterion to guide us.” Yves Saint Laurent Paris - Christie's is honoured to announce the sale of the Yves Saint Laurent and Pierre Bergé Collection, which will take place in Paris on the 23rd, 24th and 25th February 2009 at the Grand Palais, in association with the Pierre Bergé & Associates auctioneers. As in many instances where an artist’s signature style defines a décor, the word “Collection″ is uniquely deserved by that of Yves Saint Laurent and Pierre Bergé. The works of art found in their respective apartments at the rue de Babylone and the rue Bonaparte, were brought together to become one of the most important collections ever to come onto the art market. A reflection of 50 years of passionate and detailed search for rare and unique pieces, this shared collection is a truly moving exhibition of their shared eye. It is one of the most sumptuous private collections of our time, a French paragon of quality and taste, consisting of masterpieces of Modern Art, Art Deco, European furniture and works of art, antiquities, Old Master and 19th century paintings and drawings. The works, amounting to more than 700 in total, are estimated at between 200 and 300 million Euros. Yves Saint Laurent bequeathed his joint share of the Collection to the Pierre Bergé – Yves Saint Laurent Foundation. Pierre Bergé has since decided to put the entire Collection up for sale and to create a new foundation dedicated mainly to scientific research and the fight against AIDS. -
Imogen Racz Volume 1
HENRI LAURENS AND THE PARISIAN AVANT-GARDE IMOGEN RACZ NEWCASTLE UNIVERSITY LIBRARY 099 19778 0 -' ,Nesis L6 VOLUME 1 Thesis submitted for the degree of PhD. The University of Newcastle. 2000. Abstract This dissertation examines the development of Henri Laurens' artistic work from 1915 to his death in 1954. It is divided into four sections: from 1915 to 1922, 1924 to 1929, 1930 to 1939 and 1939 to 1954. There are several threads that run through the dissertation. Where relevant, the influence of poetry on his work is discussed. His work is also analyzed in relation to that of the Parisian avant-garde. The first section discusses his early Cubist work. Initially it reflected the cosmopolitan influences in Paris. With the continuation of the war, his work showed the influence both of Leonce Rosenberg's 'school' of Cubism and the literary subject of contemporary Paris. The second section considers Laurens' work in relation to the expanding art market. Laurens gained a number of public commissions as well as many ones for private clients. Being site specific, all the works were different. The different needs of architectural sculpture as opposed to studio sculpture are discussed, as is his use of materials. Although the situation was not easy for avant-garde sculptors, Laurens became well respected through exposure in magazines and exhibitions. The third section considers Laurens in relation to the depression and the changing political scene. Like many of the avant-garde, he had left wing tendencies, which found form in various projects, including producing a sculpture for the Ecole Karl Marx at Villejuif.