DOCSLIB.ORG

02512186 Henny Fitriani.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
02512186 Henny Fitriani.Pdf fipEHPUSTAKAAN FTS? VU HAD! 4!I/BELi TGL. terima :__*£j:.JL^^_ NO. JUDUU J2S&L Z\7-oooxs:UdpI { TUGAS AKHIR NO. !NV. «i NO. j>-"•'.'••-' PASAR SENI DAN KERAJINAN Dl PONTIANAK PENEKANAN PADA KARAKTER ARSITEKTUR TRADISIONAL RUMAH MELAYU KALBAR SEBAGAI LANDMARK KOTA PONTIANAK ART MARKET AND HANDYCRAFT IN PONTIANAK EMPHASIZE ON THE TRADITIONAL ARCHITECTURE CHARACTERISTICS OF WEST BORNEO MALAY HOUSE AS LANDMARK OF PONTIANAK DisiiS&frOleh : HENNY FITRIANI 02 512 186 Dosen Pembimbing : IR. HANIF BUDIMAN, MSA JURUSAN ARSITEKTUR FAKULTAS TEKNIK SIPIL DAN PERENCANAAN UNIVERSITAS ISLAM INDONESIA JOGJAKARTA 2007 rilLIK PCRPINTAKAAH II FAKULTAS' TCKrUK fPii m LEMBAR PENGESAHAN TUGAS AKHIR PASAR SENI DAN KERAJINAN Dl PONTIANAK PENEKANAN PADA KARAKTER ARSITEKTUR TRADISIONAL RUMAH MELAYU KALBAR SEBAGAI LANDMARK KOTA PONTIANAK ART MARKET AND HANDYCRAFT IN PONTIANAK EMPHASIZE ON THE TRADITIONAL ARCHITECTURE CHARACTERISTICS OF WEST BORNEO MALAY HOUSE AS LANDMARK OF PONTIANAK Diajukan sebagai syarat untuk memperoleh gelar S-1 (Strata Satu) yang telah diseminarkan pada tanggal 10 September 2007 Disusun Oleh : HENNY FITRIANI 02 512 186 Jogjakarta, September 2007 Mengetahui Menyetujui Ketua Jurusan Arsitektur Dosen Pembimbing Ir. Hastuti Saptorini, MT Ir. Hanif Budiman, MSA JtflLAMJW'(FEcRS<EM(BJW{AN .KUPERSEMBAHKAN TUGAS AKHIR INI UNTUK. T\edua Orang Tuaku Tercinta : JAyahku Sanusi (Basuni dan l6unda Mas JfanisjaR Kakak- Kakak'Ku Versayang : LiCyaJismarani, Jimddan JaCu Sunujljie, ST Lidya Isnarni dan MuCyadi Jfartono. STP Linia Tri <Yuniarni) JLmdddnAdeJLdeftne^fc Kc-ponakan - kcponafjan %u yang Cucu : 94ucfRH Jlmmar (Rizfyittdfi (Ramadhan flura 'Kanaya jltas dukungan semangat, materi serta do'a- do'a dan segaCa pengorBanan tanpa pamrifi yang telah engkau Berifcan dengan tutus dan ifijitas PRAKATA Jfcak Alhamdulilahirobbila'lamin, berkat rahmat, hidayah, inayah dan ridhomu dari Allah SWT yang maha menguasai dan mengatur segalanya, laporan tugas Akhir ini dapat selesai dengan waktu yang telah ditentukan. Ya Allah, semoga dengan selesainya tugas akhir ini dapat memberikan ilmu dan pengalaman yang bermanfaat sebagai penerapan teori yang diperoleh selama dibangku kuliah. Semoga laporan ini dapat menjadi bekal yang bermanfaat bagi umat serta dapat berguna bagi siapapun yang membutuhkannya. Selaku penyusun saya sudah berusaha mempersembahkan dengan sebaik-baiknya. Akan tetapi kami menyadari masih banyak kekurangan dan kekeliruan oleh karena keterbatasnya ilmu dan pengalaman yang telah diperoleh. Untuk itu saya mohon petunjuk, saran dan kritik guna menyempurnakan laporan ini. Selesainya laporan ini tak lepas dari bantuan, petunjuk dan dukungan dari orang lain. Untuk itu tak lupa saya persembahkan ungkapan rasa terima kasih kepada : 1. Ibu Ir.Hastuti Saptorini, M Arch selaku ketua jurusan Arsitektur. 2. Bapak i> •Hifamf fiuHmj-. usn selaku dosen pembimbing yang telah memberikan banyak arahan, masukan dan petunjuk serta dukungan selama tugas akhir. 3. Ibu / Hi. Rvu' •ih.m.uiun mi, selaku dosen penguji yang telah banyak memberikan masukan dalam penyusunan tugas akhir. 4. ;4v,,n .n-r-a ibunda icnintaatas dukungan semangat, materi serta do'a - do'a dan segala pengorbanan tanpa pamrih yang telah engkau berikan dengan tulus dan ikhlas. IV 5. Kakak - Kakak Ku tersayang •*',' i. ifi, a> vmi^ dan 'K,i Yocn, serta Abang - abang Ipar Ku :MasjJu, -sangAdi, Vang i en dan Keponakan - keponakan Ku yang lucu -lucu :4am, \//(« Aura 6. Kduarya Hesar f;u di Pontianak dan di Sintang ....Atas dukungan Semangat, dan DoaNya hingga akhirnya Henny dapat menyelesaikan pendidikan ini. 7. MPSatta^o. st u-daniosc;atas segala bantuan do'a, semangat dan dukungan yang selalu kau berikan dan menjadi seseorang yang mengisi hah - hariku selama ini dengan sabamya menemaniku dalam susah dan senang. u is my best, my love. 8. Bang Jo n Patner's, Omen Thanks banget udah bantuin henny.Moga sukses aja ya 9. Anak - anak kost Wisma Ibu Siti .Mangin Thank's atas komputernya, Maya Akhirnya kita dapat melewati ini semua N yang lainnya thank's untuk kebersamaan kita selama ini, thank"s for all, met berjoeang dan semoga sukses. 10.Teman - teman seperjuangan di Studio : Yuli, Akrom, Bang Nando, N Risa, yang telah bersama - sama menghadapi pahit manisnya dalam mengerjakan tugas akhir ini. Mas Agung thank's atas tukar pikirannya n ojeknya He....he...., Mas Didi, Mas Riza, Echie, Doel, Bima, Ujo, Efin, N yang lainnya Jangan lupa ama "Henny" yang kecil ini ya walau jarak telah memisahkan kita.... thank's guy's nsukses ya... 11 Sobat - sobat Ku Pardian Oktaviana, ST ( v_na ), Vidya Puspita, ST ( V_di ), Mahendrata, ST ( Mahe_gembul ), Teman - teman SMU ku Oka Setio N, Amd ( Oka ), Destarini Utami ( Uut ) Thank's udah kasi henny support ampe akhirnya henny dapat menyelesaikan ini semua. 12. Pihak-pihak lain yang telah turut membantu kelancaran Tugas Akhir ini, semoga Allah SWT membalas dan melipat gandakan amal dan kebaikan yang telah diberikan, Amin... Penulis menyadari bahwa tugas akhir ini bukanlah satu yang sempurna,masih banyak kekurangan dan kekeliruan karena terbatasnya ilmu dan pengalaman yang dimiliki penulis.Maka dari itu penulis mengharapkan kritik dan saran yang membangun untuk meningkatkan kesempumaan Laporan Tugas Akhir ini. Akhir kata , penulis berharap semoga laporan ini dapat bermanfaat bagi penulis pribadi dan semua pembaca sebagai bahan referensi Amien Jogyakarta, September 2007 Penyusun Henny Fitriani VI PASAR SENI DAN KERAJINAN DI PONTIANAK Karakter Arsitektur Tradisional Rumah Melayu Kalbar Sebagai Landmark Kota Pontianak Penyusun : Henny Fitriani Pembimbing : Ir. Hanif Budiman, MSA ABSTRAK "Bumi Khatulistiwa "merupakan julukan yang diberikan pada Propinsi Kalimantan Barat ( Kota Pontianak ) yang terkenal sebagai salah satu kota di Indonesia yang dilalui oleh garis bujur ( 0°) sebagai pusat titik kulminasi matahari dan merupakan salah satu kota tujuan wisata yang kaya akan keanekaragaman seni, budaya dan adat istiadat.Beranekaragamnya obyek wisata yang dimiliki terutama obyek wisata budaya, wisata sejarah dan wisata alam. Tugu khatulistiwa merupakan salah satu obyek wisata yang dimanfaatkan sebagai tempat menyaksikan peristiwa titik kulminasi matahari pada bulan maret dan September sedangkan sungai kapuas sebagai wisata bahari untuk menikmati kehidupan masyarakat pinggiran sungai dan menikmati terbenamnya matahari di ufuk barat.Selain wisata alam Pontianak juga kaya akan seni dan budaya seperti : Aneka kerajinan, aneka upacara adat dan masih banyak lagi seni dan budaya yang memerlukan perhatian dari semua pihak.Agar kekayaan ini tidak punah begitu saja dan dapat diteruskan oleh generasi mendatang, sehingga diperlukan satu wadah yaitu pasar seni dan kerajinan yang kontekstual dengan karakter arsitektur tradisional rumah melayu kalbar sebagai landmark kota agar kota pontianak memiliki icon yang dapat dinikmati oleh wisatawan secara visual. Tahap skematik desain, gagasan ide bentuk pada gubahan masa dicapai dengan transformasi bentuk dari rumah tradisional suku melayu. Massa bangunan Pasar Senidan Kerajinan diwujudkan sebagai kompleks bangunan yang diikat oleh open space untuk menunjukkan dan mendukung proses interaksi dan berorientasi pada jalan utama - sungai kapuas dan tugu khatulistiwa - sungai kecil.Kosep penzoningan mengacu pada rumah tradfisional melayu kalbar. Pada tahap pengembangan desain, pembagian ruang dikelompokkan berdasarkan jenis dan sifat kegiatannya yang terbagi kedalam 4 blok massa dengan pertimbangan memudahkan pengguna dalam beraktifitas, mempertegas fungsi- fungsi yang ada didalamnya serta memudahkan pengontrolan dan tidak saling mengganggu pengguna yang lain. Entrance site di bagi tiga yaitu main entrance dan side entrance dan back entrace. Main entrance di letakkan di sebelah utara dan menghadap ke jalan utama ( Jin. Khatulistiwa ) dengan tujuan memudahkan aksebilitas, efisiensi, dan kenyamanan baik pengunjung maupun pengelola. Side entrance digunakan untuk pengunjung, diletakkan di sebelah timur yang dapat diakses melalui kawasan tugu khatulistiwa dan back entrace diletakkan disisi selatan yaitu akses dari arah sungai kapuas, ini untuk mempermudah pengunjung yang datang dari kawasan pinggiran sungai. Untuk memaksimalkan nilai efisiensi pada fasilitas komersial, ruang retail yang dijual lebih dominan yaitu sekitar 3.442,176 m2 atau mencapai lebih dari 60 %dari total luas lantai. Penampilan bangunan pada fasade masih mengacu pada konsep awal yaitu bangunan tradisional yang memiliki ciri khas pada penggunaan bentuk atap, ornamen - ornamen ukiran dan bentuk bangunan itu sendiri berupa rumah panggung dengan penggunaan material kayu ulin yang member! kesan natural menyatu dengan lingkungan. Vll DAFTAR ISI HALAMAN JUDUL j LEMBAR PENGESAHAN jj HALAMAN PERSEMBAHAN jjj PRAKATA jv ABSTRAK vii DAFTAR ISI vii BAB IPENDAHULUAN 1.1. Batasan Judul 1 1.2. Latar Belakang 2 1.2.1. Pariwisata , Seni dan Budaya di Kalimantan Barat 2 1.2.2. Tinjauan Pasar Seni dan Kerajinan 5 1.2.3. Tinjauan Pasar Seni dan Kerajinan di Pontianakdengan Karakter Arsitektur Tradisional Rumah Melayu Kalbar sebagai Landmark Kota Pontianak 7 1.3. Permasalahan 12 1.3.1. Permasalahan Umum 12 1.3.2. Permasalahan Khusus 13 1.4. Tujuan dan Sasaran 13 1.4.1. Tujuan 13 1.4.2. Sasaran 13 1.5. Pembahasan 14 1.5.1. Metoda Pengumpulan Data 14 1.5.2. Metoda Pembahasan 14 1.5.3. Lingkup Pembahasan 14 1.6. Identifikasi Proyek 15 1.6.1. Site 15 1.6.2. Fasilitas yang akan diwadahi 16 1.6.3. Pengguna 16 1.7. Studi Kasus 17 Vlll 1.7.1. StudyObject 17 1.7.1.1. Pasar Seni Sukowati Bali 17 1.7.1.2. Pasar Seni Ancol Jakarta
Load more

Recommended publications
  • The Assesment of Measurement Application for Timber
    i THE ASSESMENT OF MEASUREMENT APPLICATION FOR TIMBER TRADITIONAL MALAY HOUSE YUSNANI BT HUSLI A thesis submitted in fulfillment of the requirements for the award of the degree of Bachelor of Civil Engineering Faculty of Civil Engineering and Earth Resources University Malaysia Pahang MEI 2011 ii “I hereby declare that I have read this thesis and in my opinion this thesis is sufficient in terms of scope and quality for the award of the degree of Bachelor of Civil Engineering” Signature : ……………………………. Name of Supervisor : MR MOHAMMAD AFFENDY BIN OMARDIN Date : 4 MEI 2011 iii “I hereby declare that I have read this thesis and in my opinion this thesis is sufficient in terms of scope and quality for the award of the Degree of Civil Engineering & Earth Resources”. I also certify that the work described here is entirely my own except for excerpts and summaries whose sources are appropriately cited in the references.” Signature :………………………… Name : YUSNANI BT HUSLI Date : 4 MEI 2011 iv ACKNOWLEDGEMENT Firstly, thanks to Allah S.W.T., my lovely family and friends who has inspired me to accomplished this final year project as a requirement to graduate and acquire a bachelor degree in civil engineering from University Malaysia Pahang (UMP). And do not forget also to thanks a lot to my adored and beloved supervisor MOHAMMAD AFFENDY BIN OMARDIN. During this final year project, we face lots of impediment and many meaningful challenges. There are lots of lacks and flaws due to the first time exposure towards this project. With his present teachings and guidance, has made my final year project progress gone smooth and recognized by the university.
    [Show full text]
  • The Spreading of Vernacular Architecture at the Riverways Of
    Indonesian Journal of Geography Vol. 5151 No.No. 2,3, August December 2019 2019 (199-206) (385 - 392) DOI: http://dx.doi.org/10.22146/ijg.44914http://dx.doi.org/ 10.22146/ijg.43923 RESEARCH ARTICLE Thee Eect Spreading of Baseline of Vernacular Component Architecture Correlation at the on theRiverways Design of of South GNSS Sumatra, IndonesiaNetwork Conguration for Sermo Reservoir Deformation Monitoring Yulaikhah1,3, Subagyo Pramumijoyo2, Nurrohmat Widjajanti3 Maya Fitri Oktarini 1Ph.D. Student, Doctoral Study Program of Geomatics Engineering, Department of Geodetic Engineering, Universitas Sriwijaya, Palembang, Indonesia Faculty of Engineering, Universitas Gadjah Mada, Indonesia 2Department of Geological Engineering, Faculty of Engineering, Universitas Gadjah Mada, Indonesia 3Department of Geodetic Engineering, Faculty of Engineering, Universitas Gadjah Mada, Yogyakarta, Indonesia Received: 2019-03-13 Abstract: The development of past settlements was supported by riverways connecting many Accepted: 2019-12-09 regions with ethnic diversities. Inter-ethnic dissemination and contact created new cultural Received: 2019-05-18 Abstract e condition of the geological structure in the surrounding Sermo reservoir shows combinations. In the southern part of Sumatra, there are two types of stilt houses: highland Accepted: 2019-07-29 that there is a fault crossing the reservoir. Deformation monitoring of that fault has been carried architecture and lowland architecture. Both architectures are developed by different ethnic out by conducting GNSS campaigns at 15 monitoring stations simultaneously. However, those Keywords: groups spread along different riverways. This study focuses on identifying and analyzing the Vernacular Architecture, campaigns were not well designed. With such a design, it took many instruments and spent influence of the riverway in the typology of the vernacular stilt house.
    [Show full text]
  • Malay Garden As Tourism Product in Malaysia
    Malay Garden as Tourism Product in Malaysia Ahmad Zamil Zakaria, Ismail Hafiz Salleh, Mohd Sabrizaa Abd Rashid Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Seri Iskandar Campus, 32610 Perak, Malaysia [email protected] Abstract This study introduces the concept of Malay garden design in the eyes of tourists, particularly from the inside and outside the country. The objectives are to explain the relationship between cultural tourism and cultural landscape and how to produce the concept of landscape design as a new tourism product to become tourist attractions in Malaysia by using the old Malay manuscripts and an observation to the old houses of the Malay community in Peninsular Malaysia. Finally, researchers are ready to offer ideas to the planning and development of new tourism products based on local culture especially the Malays culture. Keywords: Malay Gardens; Malay Landscape; Cultural Tourism; Tourism Products eISSN 2514-751X © 2018. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open-access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by- nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment- Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia DOI: https://doi.org/10.21834/aje-bs.v3i10.316 Zakaria, A.Z., et.al. / Asian Journal of Environment-Behaviour Studies (ajE-Bs), 3(10) Sep / Oct 2018 (p89-98) 1.0 Introduction Currently, there are various design concepts in the field of landscape architecture.
    [Show full text]
  • Malay House, an Uniqueness of Architetural Design Form
    Volume: III, Nomor : 1, Halaman: 19 - 24 , Februari 2011. Malay House, an Uniqueness of Architectureal Design Form Yohannes Firzal MALAY HOUSE, AN UNIQUENESS OF ARCHITETURAL DESIGN FORM Yohannes Firzal University of Riau, Indonesia: [email protected] Abstract Malay houses almost always identifying through building raise on the pile, saddle roof and repeated gable-finials decorative that make them as a local distinct uniqueness. This uniqueness, which could be the strongest features, have brought significant cultural value and influencies to the development of building architecture. Gable horn, part of gable-finials, known as traditional roof decorative element has architectural similarities in the broad area coverage. Not only in traditional building of the archipelago, but also found strong evidence has similarities with decorative elements used on gable-finials in the region surrounding Astronesia such as; South East Asia, Malanesia, Micronesia, Polynesia and Madagascar. This has made identifying characteristic strong decorative elements. Gable horn become one hallmark of traditional architecture Astronesia region. Values contained not only from an architectural point of view, but can develop in accordance with their respective regional culture. The study was based on literature review and field surveyed to observed the presence of gable horn of Malay architecture traditional building. How variant element that can be encountered and became the origin to architectural presedent. Indeed, eventhough there are some varieties and forms of architectural elements throughout the archipelago, three major elements of raise on the pile, saddle roof and gable finial are become the most important characteristic of Malay house. Keywords – gable-finials, traditional architecture I. INTRODUCTION Traditional compound, where Malay house spread on, was created respons to the actual housing need and community aspiration.
    [Show full text]
  • Rethinking the Rituals in the Malay House
    Sustainable Development and Planning VIII 249 Rethinking the rituals in the Malay House M. F. Kholid, S. S. Zubir & R. Ab. Rahman Centre of Studies for Architecture, Faculty of Architecture, Planning and Surveying, Universiti Teknologi MARA Selangor, Malaysia Abstract The fact that the Malay rituals are practiced in daily life, rather than symbolically performed, insinuates the strong correlation of the traditional principle. The everyday life is a point of reference. It indicates the domestic sphere where the common and ordinary are projected, advocating the significance of dwelling as an artifact that spatially frames the rituals; in this case the traditional house where its evolution into modern dwelling acknowledges the multiple layering of the rituals’ perception. This paper intends to analyze the performance of rituals and how these are spatially practiced in the modern context. Eleven traditional houses were investigated based on their interior layout. The ‘Kampung Boy’ series by Lat were used as a pictorial evidence of traditional lifestyle, reflecting the layout of the houses. Suggested embedded rituals, which are still significant in the present day are then represented in three manifestoes where the modern Malay house in Kuala Lumpur acts as the background and a single Malay family becomes the characters. These manifestoes were finally developed as critical tools and tested into three projects of low, medium and high-rise development. The dichotomy between traditionalist, idealist, and realist gave emergence to a new paradigm towards the representation of rituals in the modern Malay house. In fact, the projects were counterproposal of the existing housing scheme (particularly in Malaysia) where the notions of rituals altered the banality of standardization.
    [Show full text]
  • The Islamic Influence in the Architectural Design of Rumah Gadang
    e-ISSN 2721-0952 th The 5 International Conference INNOVATION RESEARCH FOR SCIENCE, TECHNOLOGY, AND CULTURE The Islamic Influence in The Architectural Design of Rumah Gadang Isham Shah Hassana1*, Rahayu Hassan1, Nik Hasnira Nik Paa1 and Siti Nurul Hana Ramli2 1Center of Architecture Technology, Politeknik Port Dickson, Malaysia 2ULPL, Politeknik Port Dickson, Malaysia *Corresponding author: [email protected] Abstract. Islam brings upon harmony and peace to humanity. From an architectural perspective, harmony is valued based on how a space designed to bring comfort, peace and protection to the occupants. A comfortable home is a necessity. The design of a house has to plan by taking into consideration the physical factors, environment and the major needs of the occupants. Unfortunately, nowadays the design of the modern Malay houses has neglected the factor of harmony. The design of the modern Malay houses no longer takes into consideration factors such as climate, the Malay culture, religious restrictions and the comfort of the occupants. This has consequently produced designs of buildings, which are not conducive to be occupants. The solution to this problem is the Malay heritage architecture. This research will look into the benefits of the Malay architecture, specifically the Minangkabau architecture in Negeri Sembilan. The main advantage of the Minangkabau architecture is the ability of the craftsmen in understanding the needs of the environment while designing the houses. The living culture that is Islamic based has blended well among the Malays and the craftsmen have successfully materialised it in designing the Malay houses. Generally, the Minangkabau architecture clearly follows the Islamic concept in providing harmony and comfort to the occupants.
    [Show full text]
  • The Traditional Malay House
    LIM JEE YUAN THE TRADITIONAL MALAY HOUSE- alaysia, like most other devel- ulation - those in most need of afford- tending to emphasize use-values rather oping countries, is faced with able housing. than market-values. massive housing problems. Conventional housing solutions have The traditional Malay house serves About 40 percent of the population of largely failed to house the majority in the housing needs of the majority of Kuala Lumpur, the capital of Malaysia, the Third World because they are too people living in rural areas of Malaysia. live in slums and squatter settlements. expensive, inappropriate, or tied to a It was evolved by the Malays over the Profiteering and speculation in hous- market controlled by speculators. Tra- generations, and adapted to their own ing have pushed house prices beyond ditional housing solutions, however, needs, culture, and environment. the means of most Malaysians. A 1982 have continued to serve many in the Basically a timber house with a post analysis of the total market demand for Third World. Traditional houses are in and lintel structure raised on stilts, with housing in Kuala Lumpur revealed 40 many ways the antithesis of conven- wooden, bamboo, or thatched walls percent was for housing stock for tional modern houses: cheap to con- and a thatched roof, the house is investment and speculation. The year struct, making intensive use of labour designed to suit the tropical climate. before, half of all land converted for rather than capital; adapted to the Ventilation and solar-control devices, housing in Malaysia was held by individual needs of the occupant; and and low thermal capacity building speculators.
    [Show full text]
  • Southeast Asia
    International Journal of Latest Engineering and Management Research (IJLEMR) ISSN: 2455-4847 www.ijlemr.com || Volume 02 - Issue 09 || September 2017 || PP. 41-44 Roofs as Sustainable Design Elements in Vernacular Architecture of Southeast Asia Prof. Kanika Bansal Professor, Chitkara School of Planning & Architecture, Chitkara University, Punjab, India Abstract: Sustainability emerges as one of the most crucial challenges in the modern day architecture and planning. It is based on the understanding that our resources are limited and we have a great responsibility to future generations. The knowledge that can be gained from wisdom of older generations through the lessons of vernacular architecture serves as a strong tool for application to buildings of the future. In view of the dimensions of sustainability i.e. social, economic etc., many vernacular elements can be adapted if not altogether adopted for providing sustainable solutions. Southeast Asian countries and archipelagos have a treasure of such sustainable traditional and vernacular architecture. The traditional people of Southeast Asia have adopted various techniques and strategies in vernacular architecture that are sustainable by unknowingly adhering to basic architectural principles of energy efficiency and utilizing locally available materials and resources. Their built forms are unique, significantly the roof forms that are derivative of the historical, environmental and geographical context in which they exist. The structures so made not only adapt to the climate but also expresses the socio-cultural and economical aspects of the society. Traditionally, these roofs have given advantage to this built environment which is an intelligent response of the people to their knowledge rooted in the vernacular architecture.
    [Show full text]
  • 20 the Future of Traditional Malay House Design In
    Infrastructure University Kuala Lumpur Research Journal Vol.6 No.1 2018 THE FUTURE OF TRADITIONAL MALAY HOUSE DESIGN IN PENINSULAR MALAYSIA ‘Adil Farizal Md Rashid and Zulkifli Hanafi Faculty of Architecture and Built Environment, Infrastructure University Kuala Lumpur ABSTRACT Heritage is an item needs to be preserved. Malay traditional house has been slowly faded from the Malaysian development since its independence in 1957. Malay traditional house is one of the most unique house designs that can be found in Asia. It is Malay’s heritages that are very important to be preserved and conserved. The significant of Malay traditional house is selected as a reference is that traditional house is closely related with Malaysia as a whole and thus become an iconic identity. Most houses were built of timber construction using the Malay’s traditional carpentry experts because they are the pioneer in this type of construction. That is why it is no wonder that the best architectural house design using timber is Malay’s traditional timber house. It is hoped with this reference and analysis of this type of house will make a better house design for future generation and what can be learned from the ‘natural wisdom’ of the original Malay traditional house carpenters. In 2008, the numbers of recorded well preserved and conserved Traditional Malay House is declining. Thus, it is very worrying that their numbers will be lower in future and becoming extinct. Only some few efforts either by individuals or governments will try to maintain and contain this physical heritage. It is crucial that without enough join effort of those who are afford to have and maintain the house only will sustain the heritage and thus the Malaysian identity.
    [Show full text]
  • The Islamic Influence in the Architectural Design of Rumah Gadang
    JOJAPS eISSN 2504-8457 Journal Online Jaringan COT POLIPD (JOJAPS) THE ISLAMIC INFLUENCE IN THE ARCHITECTURAL DESIGN OF RUMAH GADANG 1 2 2 ISHAM SHAH , NUR ATIKAH SEMAN & SITI NURUL HANA RAMLI 1COT Politeknik Port Dickson 2ULPL Politeknik Port Dickson [email protected] __________________________________________________________________________________________________________________________________ Abstract Islam brings upon harmony and peace to humanity. From an architectural perspective, harmony is valued based on how a space designed to bring comfort, peace and protection to the occupants. A comfortable home is a necessity. The design of a house has to plan by taking into consideration the physical factors, environment and the major needs of the occupants. Unfortunately, nowadays the design of the modern Malay houses has neglected the factor of harmony. The design of the modern Malay houses no longer takes into consideration factors such as climate, the Malay culture, religious restrictions and the comfort of the occupants. This has consequently produced designs of buildings, which are not conducive to be occupants. The solution to this problem is the Malay heritage architecture. This research will look into the benefits of the Malay architecture, specifically the Minangkabau architecture in Negeri Sembilan. The main advantage of the Minangkabau architecture is the ability of the craftsmen in understanding the needs of the environment while designing the houses. The living culture that is Islamic based has blended well among the
    [Show full text]
  • Malay Building Design Reflecting the Importance of Women in the Malay Manuscript
    International Journal of Academic Research in Business and Social Sciences Vol. 8 , No. 8, August 2018, E-ISSN: 2222-6990 © 2018 HRMARS Malay Building Design Reflecting the Importance of Women in the Malay Manuscript Siti Rabiatul Adawiah binti Jaffar, Arba’ie bin Sujud, Salmah Jan Noor Muhammad, Kamariah binti Kamarudin, Nadiatul Shakinah binti Abdul Rahman To Link this Article: http://dx.doi.org/10.6007/IJARBSS/v8-i8/4620 DOI: 10.6007/IJARBSS/v8-i8/4620 Received: 11 June 2018, Revised: 29 July 2018, Accepted: 30 July 2018 Published Online: 18 August 2018 In-Text Citation: (Jaffar, Sujud, Muhammad, Kamarudin, & Rahman, 2018) To Cite this Article: Jaffar, S. R. A. binti, Sujud, A. bin, Muhammad, S. J. N., Kamarudin, K. binti, & Rahman, N. S. binti A. (2018). Malay Building Design Reflecting the Importance of Women in the Malay Manuscript. International Journal of Academic Research in Business and Social Sciences, 8(8), 639–646. Copyright: © 2018 The Author(s) Published by Human Resource Management Academic Research Society (www.hrmars.com) This article is published under the Creative Commons Attribution (CC BY 4.0) license. Anyone may reproduce, distribute, translate and create derivative works of this article (for both commercial and non-commercial purposes), subject to full attribution to the original publication and authors. The full terms of this license may be seen at: http://creativecommons.org/licences/by/4.0/legalcode Vol. 8, No. 8, August 2018, Pg. 639 - 646 http://hrmars.com/index.php/pages/detail/IJARBSS JOURNAL HOMEPAGE Full Terms & Conditions of access and use can be found at http://hrmars.com/index.php/pages/detail/publication-ethics 639 International Journal of Academic Research in Business and Social Sciences Vol.
    [Show full text]
  • The Influence of Perpatih Custom on the Design of Traditional Malay Houses in Negeri Sembilan, Malaysia
    Research on Humanities and Social Sciences www.iiste.org ISSN (Paper)2224-5766 ISSN (Online)2225-0484 (Online) Vol.6, No.2, 2016 The Influence of Perpatih Custom on the Design of Traditional Malay Houses in Negeri Sembilan, Malaysia Othman Mohd Nor Raja Nafida Raja Shahminan Department of Architecture, Faculty of Built Environment, Universiti Teknologi Malaysia, Skudai, Johor, Malaysia Abstract The migration of the community of Minangkabau to Tanah Melayu had brought with them several influences into the local community such as culture and architecture. A significant cultural essence that had influenced the community in Negeri Sembilan is Pepatih Custom which is still practiced by the community nowadays. It plays various roles in the people’s lives including unity, family units according to the “suku”, marriages, deaths and how to inherit land and houses. In designing the traditional Malay houses in Negeri Sembilan, the family activities, as well as the community as a whole are thoroughly considered. A house is not perceived only as a place to stay but also a gathering place for other occasions such as weddings, funerals and deaths. The private and public areas are separated harmoniously from the aspects of architecture and religion. The strength of the design of the traditional Malay houses is also frequently depicted in verses and proverbs in the system of Pepatih Custom that relates to “kuat rumah kerana sendi rosak sendi rumah binasa” which means the community has to stand together in whatever situation and if they do not they will be weak and chaotic. Just like the role of “sendi” or joints of a house, they have to be designed perfectly because if the joints are loosely built the whole structure of the house would collapse.
    [Show full text]