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Katabasis in Eliot's the Waste Land
“I had not thought death had undone so many”: Katabasis in Eliot’s The Waste Land Research Thesis Presented in partial fulfillment of the requirements for graduation with research distinction in English in the undergraduate colleges of The Ohio State University by Noah Mastruserio The Ohio State University May 2018 Project Advisor: Professor Sebastian Knowles, Department of English 1 Introduction Of the many works referenced in Eliot’s The Waste Land, Dante’s Divine Comedy holds the most prominent position. Eliot’s dedication to Pound on the title page alludes to a line from Purgatorio, and Dante makes an appearance in every section of the poem, either by direct quote or veiled allusion. Such an association brings Dante’s journey through the Underworld to the forefront of the mind when reading The Waste Land, and provides one of the easiest avenues toward unpacking the poem’s density. But I propose that the poem’s exploration of the Underworld extends beyond a kinship to Dante and toward a deeper structural and thematic debt to the narrative of the katabasis, the descent into the Underworld. I suggest that the five parts of The Waste Land can be united via a traditional katabasis narrative, a narrative of metamorphosis and self-refinement. The katabasis is only one of the many classical and mythological structures Eliot employs throughout the poem. Already thoroughly explored in criticism are his use of the Grail legend1 and the burial and rebirth of a dying god figure. Less so is the appearance of the katabasis in the poem. The poem’s debt to Dante is obvious, but the presence of katabasis extends beyond Eliot quoting pieces of Inferno. -
Magical Practice in the Latin West Religions in the Graeco-Roman World
Magical Practice in the Latin West Religions in the Graeco-Roman World Editors H.S. Versnel D. Frankfurter J. Hahn VOLUME 168 Magical Practice in the Latin West Papers from the International Conference held at the University of Zaragoza 30 Sept.–1 Oct. 2005 Edited by Richard L. Gordon and Francisco Marco Simón LEIDEN • BOSTON 2010 Th is book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Magical practice in the Latin West : papers from the international conference held at the University of Zaragoza, 30 Sept.–1 Oct. 2005 / edited by Richard L. Gordon and Francisco Marco Simon. p. cm. — (Religions in the Graeco-Roman world, ISSN 0927-7633 ; v. 168) Includes indexes. ISBN 978-90-04-17904-2 (hardback : alk. paper) 1. Magic—Europe—History— Congresses. I. Gordon, R. L. (Richard Lindsay) II. Marco Simón, Francisco. III. Title. IV. Series. BF1591.M3444 2010 133.4’3094—dc22 2009041611 ISSN 0927-7633 ISBN 978 90 04 17904 2 Copyright 2010 by Koninklijke Brill NV, Leiden, Th e Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to Th e Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. -
ΤΑΡΤΑΡΟΣ in Greco-Roman Culture, Second Temple Judaism, and Philo of Alexandria* Clint Burnett (Boston College)
Going Through Hell; ΤΑΡΤΑΡΟΣ in Greco-Roman Culture, Second Temple Judaism, and Philo of Alexandria* Clint Burnett (Boston College) Tis article questions the longstanding supposition that the eschatology of the Second Temple period was solely infuenced by Persian or Iranian eschatology, arguing instead that the litera- ture of this period refects awareness of several key Greco-Roman mythological concepts. In particular, the concepts of Tartarus and the Greek myths of Titans and Giants underlie much of the treatment of eschatology in the Jewish literature of the period. A thorough treatment of Tartarus and related concepts in literary and non-literary sources from ancient Greek and Greco-Roman culture provides a backdrop for a discussion of these themes in the Second Tem- ple period and especially in the writings of Philo of Alexandria. I. Introduction Contemporary scholarship routinely explores connections between Greco- Roman culture and Second Temple Judaism, but one aspect of this investiga- tion that has not received the attention it deserves is eschatology. Te view that the eschatology of the Second Temple period was shaped largely by Persian es- chatology remains dominant in the feld.1 As James Barr has observed, “Many of the scholars of the ‘biblical theology’ period, were very anxious to make it clear that biblical thought was entirely distinct from, and owed nothing to, Greek thought. … Iranian infuence, however, seemed … less of a threat.”2 Tis is somewhat surprising, given that many Second Temple Jewish texts, including the writings of Philo of Alexandria, mention eschatological con- cepts developed in a Greco-Roman context. Signifcant among these are the many references to the Greco-Roman subterranean prison of Tartarus and the related mythology of the Titans and Giants. -
Travel As Hell: Exploring the Katabatic Structure of Travel Fiction Warwick Frost and Jennifer Laing
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals... Travel as Hell: Exploring the Katabatic Structure of Travel Fiction Warwick Frost and Jennifer Laing Introduction Literature contributes to and influences our imaginings of travel, both in a positive and negative sense. Many novels depict travel in terms of ‘hell,’ depicting journeys that are exhausting, dangerous, and nightmarish. This narrative can be explored using the concept of the katabasis. Drawn from Ancient Greek mythology, it literally means ‘the descent,’ and more generally a journey to hell and back. 1 The underworld is a ‘realm of death,’ where sacrifices are often demanded and the ‘other’ is encountered. 2 Where the traveller returns, they are usually irrevocably changed by the experience. Erling Holtsmark observes that the central motif of these sojourns is identity: “The journey is in some central, irreducible way a journey of self-discovery, a quest for a lost self.”3 Through suffering, the traveller learns what they are capable of and understands themselves more deeply. The reader also absorbs the lesson that while travel is not necessarily straight-forward or enjoyable, the difficult passages and twists are intrinsically rewarding and enlightening. The mythic concept of the katabasis has been applied more broadly to cover fictional journeys drawn from many cultures and across different forms of 4 media, including books and film. It also appears to apply across genres, Dr Warwick Frost is an Associate Professor in the Department of Marketing and Tourism and Hospitality at La Trobe University. -
Late Sophocles: the Hero's Evolution in Electra, Philoctetes, and Oedipus
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE Late Sophocles Late Sophocles The Hero’s Evolution in Electra, Philoctetes, and Oedipus at Colonus Thomas Van Nortwick University of Michigan Press Ann Arbor Copyright © Thomas Van Nortwick 2015 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and ex- cept by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2018 2017 2016 2015 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Van Nortwick, Thomas, 1946– . Late Sophocles : the hero’s evolution in Electra, Philoctetes, and Oedipus at Colonus / Thomas Van Nortwick. pages cm Includes bibliographical references and index. ISBN 978- 0- 472- 11956- 1 (hardcover : alk. paper) — ISBN 978- 0- 472- 12108- 3 (ebook) 1. Sophocles— Criticism and interpretation. 2. Sophocles. Electra. 3. Sophocles. Oedipus at Colonus. 4. Sophocles. Philoctetes. I. Title. PA4417.V36 2015 882'.01— dc23 2014049364 For Nathan Greenberg colleague, mentor, and friend Preface Oh children, follow me. I am your new leader, as once you were for me. (Sophocles, Oedipus at Colonus 1542– 431) Sophocles’s Oedipus at Colonus ends with his most famous character walking serenely through the central doors of the stage building (skēnē) in the Theater of Dionysus and into the grove of the Eumenides. -
Devising Descent Mime, Katabasis and Ritual in Theocritus' Idyll 15 Hans Jorgen Hansen a Thesis Submitted to the Faculty of Th
Devising Descent Mime, Katabasis and Ritual in Theocritus’ Idyll 15 Hans Jorgen Hansen A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Classics. Chapel Hill 2010 Approved by: Dr. William H. Race Dr. Owen Goslin Dr. Werner Riess Abstract Hans Jorgen Hansen: Devising Descent: Mime, Katabasis and Ritual in Theocritus’ Idyll 15 (Under the direction of Dr. William H. Race) In this thesis I investigate the genres and structure of Theocritus’ fifteenth Idyll, as well as its katabatic and ritual themes. Though often considered an urban mime, only the first 43 lines exhibit the formal qualities of mime found in Herodas’ Mimiambi, the only other surviving corpus of Hellenistic mime. The counterpoint to the mimic first section is the Adonia that makes up the last section of the poem and amounts to an urban recasting of pastoral poetry. A polyphonic, katabatic journey bridges the mimic and pastoral sections and is composed of four encounters that correspond to ordeals found in ritual katabases. The structure of the poem is then tripartite, beginning in the profane world of the household mime, progressing through the liminal space of the streets and ending in the sacred world of the Adonia. This progression mirrors Theocritus’ evolution from Syracusan mimic poet to Alexandrian pastoral poet. ii Table of Contents Introduction 1 Chapter 1: Mime and Structure in the Adoniazusae 6 1.1: Introduction 6 1.2.1: The Formal Features of Herodas’ Poetry 12 1.2.2: Homophony and Herodas’ Fourth Mimiamb 21 1.3.1: Theocritus’ Household-Mime 26 1.3.2: The Streets of Alexandria and Theocritus’ Polyphonic Mime 32 1.4: Conclusion 41 Chapter 2: Katabasis and Ritual in the Adoniazusae 44 2.1: Introduction 44 2.2: The Katabatic Structure, Characters and Imagery of Theoc. -
Either a Daimon, Or a Hero, Or Perhaps a God:” Mythical Residents of Subterranean Chambers
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 15 | 2002 Varia “Either a Daimon, or a Hero, or Perhaps a God:” Mythical Residents of Subterranean Chambers Yulia Ustinova Electronic version URL: http://journals.openedition.org/kernos/1385 DOI: 10.4000/kernos.1385 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 2002 ISSN: 0776-3824 Electronic reference Yulia Ustinova, « “Either a Daimon, or a Hero, or Perhaps a God:” Mythical Residents of Subterranean Chambers », Kernos [Online], 15 | 2002, Online since 21 April 2011, connection on 01 May 2019. URL : http://journals.openedition.org/kernos/1385 ; DOI : 10.4000/kernos.1385 Kernos Kemos 15 (2002), p. 267-288. "Either a Daimon, or a Hero, or Perhaps a God:" Mythical Residents of Subterranean Chambers In his list of seers who uttered gods' orders and messages to mortals not only when alive, but also after their death, Strabo1 mentions "...Amphiaraos, Trophonios, Orpheus, Musaios, and the god of the Getae, formerly Zalmoxis, a Pythagorean, who is in our time Dekaineos, the diviner of Byrebistas... ,,2 Aristides groups together Trophonios, Amphiaraos, Amphilochos and the Asclepiads.3 Celsus includes Zalmoxis, Mopsos, Amphilochos, Amphiaraos, and Trophonios in his register of mortals who died and were nevertheless worshiped, whieh makes Origen wonder, "whether one of these is either a daimon, or a hero, or perhaps a god, more active than mortals" (ft ècr'tt nç èv 'toîç 'tOtQU'tOlÇ Eï'tE 8atllcov Eï'tE llPcoÇ Eï'tE Kat 8E6ç, èVEPYéOv 't!Va lldÇova ft Ka'teX av8pco1tov;).4 The bewilderment of Origen 'is reasonable, given the elusiveness of these figures. -
Dr. Athena Hadji Full CV
Dr. Athena Hadji, CV CURRICULUM VITAE Dr. ATHENA HADJI Academic CYA, Greek Heritage Hellenic Open University, History of Art and Architecture National School of Public Administration, Urban Anthropology ISRF Research Fellow 2018, Contemporary Graffiti and Street Art Curator of Contemporary Art Author Archaeology, Anthropology, History of Art, Ph.D., University of California Berkeley March 2018 TABLE OF CONTENTS SHORT CV 3 DETAILED PAST POSITIONS 6 UNIVERSITY TEACHING 6 RESEARCH 7 CURATORIAL WORK 8 OUTREACH 9 MANAGEMENT/ ADMINISTRATIVE POSITIONS 9 SUPPLEMENTARY EDUCATION: SEMINARS AND TRAINING COURSES 10 PUBLICATIONS LIST 10 ACADEMIC 13 TRANSLATIONS 18 WORKS OF FICTION (IN GREEK) 18 OTHER WRITING (IN GREEK) 18 AWARDS 19 MUSEUM WORK 19 FIELDWORK 19 LABORATORY TRAINING AND WORK 20 CONFERENCE PLANNING AND IMPLEMENTATION 21 DOCTORAL DISSERTATION SUPERVISING COMMITTEE 21 RESEARCH/ TEACHING INTERESTS 21 PROFESSIONAL INTERESTS 21 PROFESSIONAL AFFILIATIONS/ ASSOCIATIONS 21 2 SHORT CV Personal information Name and Title: Athena Hadji, Dr., Professor Linkedin and Athena Hadji/ Αθηνά Χατζή skype: Education 2000 – 2004: Ph.D., Interdisciplinary Graduate Group in Ancient History and Mediterranean Archaeology (AHMA), University of California, Berkeley, GPA 3.791/4.0. 1998 – 1999: M.A., AHMA, UC Berkeley, GPA 3.5/4.0. 1993 – 1997: B.A., National University of Athens, Department of History and Archaeology, Major: Archaeology and History of Art, 8.1/10. 1993: Entered university in rank 1 in nationwide exams, score 6227/6400. Graduated from high school, GPA 20/20. Current teaching 2018 Summer Course, The Present Past: Re-imagining Greece through heritage, College Year in Athens (CYA). 2017- Adjunct Professor, History of Art and Architecture in Greece from Prehistory to present times, Studies in Hellenic Civilization, Hellenic Open University 2016- Visiting Professor, Civil Servants’ training seminar “Urban crisis”. -
Steensenep Spreads.Pdf
OPENINGS: INTO OUR VERTICAL COSMOS SASHA STEENSEN ESSAY PRESS EP SERIES #40 ESSAY PRESS EP SERIES CONTENTS In the Essay Press EP Series, we give extended space and time to some of our favorite authors currently developing new book-length projects. Introduction iv Series Editors Maria Anderson 1 ear-wise 5 Andy Fitch Ellen Fogelman 2 going to hell 11 Aimee Harrison Courtney Mandryk 3 from birth forward 19 Victoria A. Sanz 4 the black echo 34 Travis Sharp Ryan Spooner 5 the poem below 45 Randall Tyrone 6 oh, morning 57 Works Cited 62 Series Assistants Cristiana Baik Author Bio 66 Ryan Ikeda Christopher Liek Cover Image “Nautilus,” ink on paper, Courtney Mandryk Cover Design Courtney Mandryk Layout Aimee Harrison synonym for remedy, something that puts an end to an ailment. But it comes from the Latin cura, which simply means care. The body cares for itself, repairs itself, during sleep. I had to learn to care for a body that failed to make space for its own repair. When INTRODUCTION I couldn’t sleep, reading held a place open for me. I mostly lived there. During the day, I was less awake, and at night I was rapt in words, wrapped in a blanket of books. This essay is a record of that reading, of that care. here are secrets inside sleep. Each night we Tmeet them, but at daybreak they revert to secrets once again. The insomniac knows she is missing something other than sleep, but she can’t know what, exactly. I wrote this essay during a recent bout of insomnia that lasted a little over six months. -
Underworld Radcliffe .G Edmonds III Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Greek, Latin, and Classical Studies Faculty Research Greek, Latin, and Classical Studies and Scholarship 2018 Underworld Radcliffe .G Edmonds III Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: https://repository.brynmawr.edu/classics_pubs Part of the Classics Commons Custom Citation Edmonds, Radcliffe .,G III. 2019. "Underworld." In Oxford Classical Dictionary. New York/Oxford: Oxford University Press. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/classics_pubs/123 For more information, please contact [email protected]. Underworld Radcliffe G. Edmonds III In Oxford Classical Dictionary, in Oxford Research Encyclopedia of Classics. (Oxford University Press. April 2019). http://dx.doi.org/10.1093/acrefore/9780199381135.013.8062 Summary Depictions of the underworld, in ancient Greek and Roman textual and visual sources, differ significantly from source to source, but they all draw on a common pool of traditional mythic motifs. These motifs, such as the realm of Hades and its denizens, the rivers of the underworld, the paradise of the blessed dead, and the places of punishment for the wicked, are developed and transformed through all their uses throughout the ages, depending upon the aims of the author or artist depicting the underworld. Some sources explore the relation of the world of the living to that of the dead through descriptions of the location of the underworld and the difficulties of entering it. By contrast, discussions of the regions within the underworld and existence therein often relate to ideas of afterlife as a continuation of or compensation for life in the world above. -
Interpv31issue1 1 29 04 (Page 1)
Volume 31 Issue 1 Interpretation, Inc. 11367-1597 U.S.A. Flushing, N.Y. Queens College 31/1 A JOURNAL OF POLITICAL PHILOSOPHY Interpretation Fall 2003 3 Ronald Hamowy Two Whig Views of the American Revolution: Adam Ferguson’s Response to Richard Price Discussion: 37 Patrick Coby Mind Your Own Business: The Trouble with Justice in Plato’s Republic 59 Sean Steel Katabasis in Plato’s Symposium Book Reviews: 85 Martin Yaffe The Beginning of Wisdom: Reading Genesis by Leon R. Kass 93 Mera Flaumenhaft Colloquial Hermeneutics: Eva Brann’s Odyssey 103 Wayne Ambler Our Attraction to Justice Devin Stauffer The Idea of Enlightenment: Hanover, PAHanover, 17331 109 Fall 2003 Fall U.S. POSTAGE U.S. POSTAGE Non-Profit Org. A Post-Mortem Study by Permit No. 4 Robert C. Bartlett PAID A JOURNAL OF POLITICAL PHILOSOPHY Editor-in-Chief Hilail Gildin, Dept. of Philosophy, Queens College Associate Editor Erik Dempsey General Editors Seth G. Benardete (d. 2001) • Charles E. Butterworth • Hilail Gildin • Leonard Grey • Robert Horwitz (d. 1978) • Howard B. White (d. 1974) Consulting Editors Christopher Bruell • Joseph Cropsey • Ernest L. Fortin (d. 2002) • John Hallowell (d. 1992) • Harry V. Jaffa • David Lowenthal • Muhsin Mahdi • Harvey C. Mansfield • Arnaldo Momigliano (d. 1987) • Michael Oakeshott (d. 1990) • Ellis Sandoz • Leo Strauss (d. 1973) • Kenneth W. Thompson International Editors Terence E. Marshall • Heinrich Meier Editors Wayne Ambler • Maurice Auerbach • Robert Bartlett • Fred Baumann • Amy Bonnette • Eric Buzzetti • Susan Collins • Patrick Coby • Elizabeth C’de Baca Eastman • Thomas S. Engeman • Edward J. Erler • Maureen Feder-Marcus • Pamela K. Jensen • Ken Masugi • Carol M. -
Lecture 9 Good Morning and Welcome to LLT121 Classical Mythology
Lecture 9 Good morning and welcome to LLT121 Classical Mythology. In our last exciting class, we were discussing the various sea gods. You’ll recall that, in the beginning, Gaia produced, all by herself, Uranus, the sky, Pontus, the sea and various mountains and whatnot. Pontus is the Greek word for “ocean.” Oceanus is another one. Oceanus is one of the Titans. Guess what his name means in ancient Greek? You got it. It means “ocean.” What we have here is animism, pure and simple. By and by, as Greek civilization develops, they come to think of the sea as ruled by this bearded god, lusty, zesty kind of god. Holds a trident. He’s seriously malformed. He has an arm growing out of his neck this morning. You get the picture. This is none other than the god Poseidon, otherwise known to the Romans as Neptune. One of the things that I’m going to be mentioning as we meet the individual Olympian gods, aside from their Roman names—Molly, do you have a problem with my drawing? Oh, that was the problem. Okay, aside from their Roman names is also their quote/unquote attributes. Here’s what I mean by attributes: recognizable features of a particular god or goddess. When you’re looking at, let’s say, ancient Greek pottery, all gods and goddesses look pretty much alike. All the gods have beards and dark hair. All the goddesses have long, flowing hair and are wearing dresses. The easiest way to tell them apart is by their attributes.