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8Escuela De Diseño DISEÑAESCUELA DE DISEÑO DISEÑAESCUELA DE DISEÑO 8REVISTA Pontificia Universidad Católica de Chile 8REVISTA Pontificia Universidad Católica de Chile DISEÑA Diciembre 2014 El Color Proyecto financiado por FONDART, Convocatoria 2014. ISSN: 0718-8447 El Color www.revistadisena.com Urbanos Diseño y Estudios de Arquitectura Facultad 8 _ _ DISEÑAESCUELA DE DISEÑO 8REVISTA Pontificia Universidad Católica de Chile Directora de la revista _ Ximena Ulibarri _ Editor _ Renato Bernasconi Autores de artículos y entrevistados _ Jonathan Glancey _ Nadinne Canto Patricio Pozo _ Ximena Ulibarri _ Mercedes Rico _ Oscar Ríos _ Nicholas Fox Weber _ Rodrigo Galecio _ Ingrid Calvo _ Gonzalo Puga _ Lina Cárdenas Renata Pompas _ Lia Luzzatto _ Mónica Bengoa _ José Luis Caivano _ Laura Novik Alex Blanch _ Paz Cox _ Humberto Eliash _ Catalina Mansilla _ Nicole Cristi Sofía Bravo _ Carla Cordua _ Claudio Rolle _ Fotografía _ Omar Faúndez Guy Wenborne _ Sauerbruch Hutton _ Jan Bitter _ Annette Kisling _ Andreas Lechtape _ Haydar Koyupinar _ Busse _ Merklit Mersha _ The Davis Enterprise Living Goods _ Estudio Olafur Eliasson _ Eduardo Vilches _ The Josef and Anni Albers Foundation _ Sedat Pakay _ Gonzalo Puga _ © bernanamoglu-Fotolia.com David La Chapelle _ Mauricio Serra _ Humberto Eliash _ Ximena Rebolledo Ilustraciones _ Xaviera López _ Contribuyeron con la publicación _ Fondo Nacional de Desarrollo Cultural y las Artes; FONDART, Convocatoria 2014. 2 DISEÑA PROYECTOS 3 Instrucciones para la publicación Revista Diseña [ EDITORIAL ] 4 El Color [ DESTACADOS ] Miradas cruzadas al color de artículos Escuela de Diseño, Ximena Ulibarri 160 Paz Cox Pontificia Universidad Católica de Chile Si usted desea publicar en la Revista Diseña, puede enviar su artículo a Directora 6 La Tierra del Color Escuela de Diseño, Pontificia Universidad [ PROYECTOS ] El color en la arquitectura Ximena Ulibarri Jonathan Glancey [ ENFOQUES ] 166 Católica de Chile, Los Navegantes Diseñadora, Profesora Escuela de Diseño UC popular de Chile 1919 o al e-mail [email protected], 16 La iluminación en la ciudad Humberto Eliash Comité Editorial adjuntando los siguientes datos: nombre Nadinne Canto Color de un paisaje textil: completo, email y teléfono de contacto. Mario Ubilla Olafur Eliasson 174 Una lectura estética del trabajo Los trabajos recibidos serán Decano Facultad de Arquitectura, 28 seleccionados por un comité designado Diseño y Estudios Urbanos UC El espacio es solo luz de color en Luz Méndez por la Revista considerando su interés y José Manuel Allard Patricio Pozo Catalina Mansilla calidad. Los autores serán contactados Director Escuela de Diseño UC en caso de ser seleccionados. José Rosas El color a través de la luz Color y ciudad insistir en el muro 40 [ ENTREVISTA ] [ EMERGENTES ] 182 Se les informará los pasos a seguir Director Centro del Patrimonio Cultural UC Turandot, puesta en escena de Nicole Cristi como también las correcciones y Carlos Hinrichsen Roberto Oswald El color que trasciende: La tierra modificaciones, de ser necesario. 194 Director Relaciones Internacionales DuocUC, Ximena Ulibarri Sofía Bravo Las colaboraciones, antes de su Senador del Consejo Internacional de publicación, deben cumplir las Asociaciones de Diseño Industrial, Director 56 Entrevista Tom Dixon siguientes normas: de Diseño de Design Innovation en la región Mercedes Rico Wittgenstein sobre los colores [ LIBROS ] 200 • Los artículos enviados deben ser de América Latina Ximena Ulibarri Carla Cordua originales e inéditos y de exclusiva Alex Moreno Azul. Historia de un color responsabilidad de su autor. Profesor Escuela de Arquitectura UC Naturaleza, artificio y domesticación 202 [ DESTACADOS ] 64 Claudio Rolle • Adjuntar un currículum breve que Hans Muhr según Eduardo Vilches incorpore título profesional Director Espacio Físico e Infraestructura UC Oscar Ríos (indicando universidad), título de Patricio Pozo [ INSERTO ] Homenaje al cuadrado – Diez obras posgrado (indicando universidad), Profesor Escuela de Diseño UC y Escuela de Josef Albers: solamente de Josef Albers afiliación (indicando categoría Diseño UDP [ DOSSIER ] 76 Detalles del libro editado en New académica) y cualquier afiliación experimentando con el color Comité Científico Haven por Ives-Sillman, Inc. en 1962. institucional relevante. Nicholas Fox Weber Eduardo Castillo • Incluir las citas en el texto de 84 El color y la cultura visual moderna Profesor Escuela de Diseño UC y Departamento acuerdo a lo estipulado en el manual de Diseño U. de Chile. Diseñador UC; Magíster Rodrigo Galecio de la American Psychological en Artes Visuales, U. de Chile. Cuatro aproximaciones a la Teoría de Association (APA). 94 Carla Cordua • Insertar al final del artículo la lista de los colores de J. W. v. Goethe Profesora Titular Escuela de Filosofía U. de Chile. Ingrid Calvo referencias con todos los datos Doctor en Filosofía U. Complutense de Madrid. ordenados de acuerdo a lo estipulado en Miembro de número de la Academia Chilena de Principios de color en proyectos de el manual de la American Psychological la Lengua; Premio Nacional de Humanidades y 102 Gonzalo Puga Association (APA). Ciencias Sociales. Lina Cárdenas • Si el autor lo considera pertinente, puede Pablo Cosgaya Gonzalo Puga incorporar en lista aparte la bibliografía, Profesor Titular Carrera de Diseño Gráfico es decir, las fuentes relacionadas con Universidad de Buenos Aires Magenta: un color que no es 110 su tema de investigación que no fueron Victor Margolin Renata Pompas citadas en el artículo. Profesor Emérito U. de Illinois en Chicago Lia Luzzatto • Las imágenes son de responsabilidad de Ph.D. en Historia del Diseño Union Institute Sobre restricciones y paletas cromáticas quien escribe el artículo y deberán contar Hugo Palmarola 118 con la autorización correspondiente de su Diseñador UC; Magíster en Historia del Diseño Mónica Bengoa autor adjuntando nombre o fuente. UNAM. Color y apariencia en la construcción Horacio Torrent 134 cognitiva del mundo visual Ensayos, Artículos o Profesor Titular, Escuela de Arquitectura UC José Luis Caivano Investigaciones: Doctor en Arquitectura U. Nacional de Rosario; Deben tener un máximo de 3.500 Magíster en Arquitectura UC. Control de calidad del color en la palabras, incluyendo un resumen del 144 producción y retail textil: Más allá artículo de 100 palabras y siete Dirección y Diseño del proyecto del control visual palabras clave. Ximena Ulibarri Lina Cárdenas Obras o Proyectos: Editor Gestión global de las tendencias color. Renato Bernasconi 150 Deben contar con una memoria pantoneview.com de un máximo de 2.000 palabras Producción gráfica Laura Novik (sección enfoques) o de 1.500 (sección Rosa María Espinoza Alex Blanch emergentes). Ambos casos incluyen un Fotografía resumen del artículo de 100 palabras y Omar Faúndez siete palabras clave. Traducción al inglés José Ignacio Molina Imágenes: Corrección de estilo Las imágenes (o renders) deben tener Carlos Jorquera una resolución mínima de 300 dpi en el formato que se utilice: 23 cm (máximo) Impresora Ograma Ltda. Impresión y preprensa y 10 cm (mínimo), más una leyenda que 1.000 ejemplares _ diciembre 2014 explique el contenido de cada una. Revista DISEÑA número 8 es una publicación que cuenta con el financiamiento del Fondo Nacional de Desarrollo Cultural y las Artes; FONDART, Convocatoria 2014. El Color DISEÑA NÚMERO 8 Ximena Ulibarri _ Directora Revista Diseña _ Director, Diseña Magazine. La octava edición de Revista Diseña presenta algunas de las principales ideas generadas en el siglo XIX La edición exhibe además proyectos sobresalientes, tales como los que desarrolla el estudio de en torno al tema central de la entrega, el color, explorando sus variables y sus aplicaciones, muchas de arquitectura Sauerbruch Hutton en Alemania, y también otros que analizan el trabajo de grandes artistas ellas provenientes del pensamiento filosófico y de connotados intelectuales y creadores como J. W. von internacionales, entre los cuales resalta Olafur Eliasson, autor de la instalación “The Weather Project”, Goethe, personalidad recurrente en las siguientes páginas. Además, los autores se refieren a experiencias presentada en la Tate Modern de Londres en 2003, una de las cuatro obras que el diseñador Patricio Pozo ocurridas en el transcurso del siglo XX que condujeron a cambios importantes en todas las expresiones ha seleccionado para comentar en esta edición. del arte, así como en la arquitectura y el diseño, proyectando la mirada de una época y sus transiciones. En el ámbito del diseño de iluminación se distingue la obra del profesional nacional Douglas Leonard, Paralelamente, la revista da a conocer contenidos que poseen un carácter más científico y técnico, los que así como la del escenógrafo argentino Roberto Oswald, recientemente fallecido. En este último caso, el dan cuenta de la forma en que el color es percibido; finalmente, un gran número de artículos corresponde registro visual que realiza Diseña durante el proceso de reposición de la puesta en escena de Turandot a estudios, obras y proyectos. permite apreciar el color que Oswald hacía emerger a través de la luz. En su texto, Ingrid Calvo cita a John Gage, quien afirma que la Teoría de los colores de Goethe es la obra que El contacto con los materiales provoca otra percepción del color, lo cual se observa particularmente en la más influyó para que los científicos y el público en general prestaran atención a una serie de fenómenos obra de Mónica Bengoa a partir de las dimensiones que utiliza y la rigurosidad con que trabaja el detalle, cromáticos,
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