Women Who Build Things: Gestural Controllers, Augmented Instruments

Women Who Build Things: Gestural Controllers, NIME Proceedings Template for LaTeX Augmented Instruments, and Musical Mechatronics SarahBen Reid Trovato ⇤ SaraG.K.M. Sithi- TobinAmnuai† Lars ThørväldAjay Kapur‡ Institute for Clarity in Institute for Clarity in The Thørväld Group California InstituteDocumentation of the Arts CaliforniaDocumentation Institute of the Arts California1 Thørväld Institute Circle of the Arts Valencia,1932 Wallamaloo CA Lane P.O.Valencia, Box 1212 CA Hekla,Valencia, Iceland CA [email protected], New Zealand [email protected], Ohio 43017-6221 larst@affi[email protected] [email protected] webmaster@marysville- ohio.com Lawrence P. Leipuner Sean Fogarty Anon Nymous Brookhaven Laboratories NASA Ames Research Center Redacted ABSTRACTBrookhaven National Lab Moffett Field In Women Composers 8600and Music Datapoint Technology Drive in the United States This paper presents a P.O.collection Box of 5000 hardware-based technologiesCalifornia for 94035[15], Elizabeth Hinkle-SanTurner Antonio, provides Texasa detailed 78229 account of the work live [email protected] developed by women over the last few [email protected] The and contributions of over [email protected] hundred women composers working field of music technology and interface design has a significant gender with technology in the United States. She emphasizes that these imbalance, with men greatly outnumbering women. The purpose of women—and others around the world—have been largely omitted ABSTRACT fromPlease concert read programming, the comments festivals, in the conferences, nime-template.tex educational this paper is to promote the visibility and representation of women in file to see how to create the CCS Concept Classifi- This paper provides a sample of a LATEX document for the textbooks, and curricula. In exploring the relationship between gender this field, and to encourage discussion on the importance of cations! mentorshipNIME conference and role models series. for It conforms,young women somewhat and girls loosely, in music to and technology, one can trace the evolution of the word ‘technology’ technology.the formatting guidelines for ACM SIG Proceedings. It is an from a term used in the 19th century to refer generally to the “skills of alternate style which produces a tighter-looking paper and bakers,1. INTRODUCTION farmers, and teachers, as well as engineers” [6] to one that in was designed in response to concerns expressed, by authors, theThe earlyproceedings 20th centuryare came the recordsto be representative of a conference. of male ACM-identity seeks and Authorover page-budgets. Keywords It complements the document Author’s masculinityto give these [32 conference]. Regrettably, by-products this gendered a uniform, relationship high-quality between Gestural(Alternate) controller, Guide Augmented to Preparing instrument, ACM Mechatronic, SIG Proceedings WomenUs- technologyappearance. and To mascu dolinity this, ACMpersists has today, some and rigid women requirements are often— ing LATEX2✏ and BibTEX. This source file has been written evenfor theif unconsciously format of— thereduced proceedings to “mere onlookers” documents: or “consumers” there is a with the intention of being compiled under LAT X2 and CCS Concepts E ✏ ofspecified technology format while (balancedthe men are doublethe active columns), participants, a specifiedinventors, and set BibTeX. buildersof fonts [3 (Arial2] [6]. or Helvetica and Times Roman) in certain • SocialTo make and bestprofessional use of this topics sample → document,Women; • runHardware it through → Emerging technologies; • Applied computing → Sound and music specifiedAs educators sizes in (for the instance,field of music 9 point technology, for body the copy). importance of LATEX and BibTeX, and compare this source code with your computing; acknowledgingThe good newsthis potential is, with bias only and a handfulactively ofresearching manual set-and compiled PDF file. A compiled PDF version is available to 1 A documentingtings, the Lwomen’sTEX document achievements class in file music handles technology all of cannot this for be help you with the ‘look and feel.’ The paper submit- understated.you. In doing so, we are able to make steps toward establishing 1.ted INTRODUCTION to the NIME conference must be stored in an a moreThe diverse remainder and truly of this representative document field is concerned[15][11]. The with purpose show- of A4-sized PDF file, so North Americans should take A Over the last few decades, a large number of new digital music thising, paper in the is context to expand of anon “actual”the work document, being done the to LpromoteTEXcom- and care not to inadvertently generate letter paper-sized mands specifically available for denoting the structure of a controllers and instruments have been built. Many of these new celebrate women’s contributions to music technology, focusing on a PDF files. This paper template should prevent that from proceedings paper, rather than with giving rigorous descrip- projects and advances—ranging from wearable gestural controllers to particular subset of the field that is not yet thoroughly documented: happening if the pdflatex program is used to generate the tions or explanations of such commands. mechatronicPDF file. music-makers—were designed and built by women. women who build hardware-based technologies for live performance. Nevertheless,The abstract there remains should a preferably significant gender be between imbalance 100 in andthe field 200 The authors acknowledge that this collection of individuals and ofwords. music technology and interface design, with men far outnumbering projects2. THE is by noBODY means OFcomprehensive. THE PAPER Due to the fact that there is women. Evidence of this can be seen in academic conferences [5][8], notTypically, a substantial the body body ofof pre a-existing paper isresearch organized in thisinto area a(and hierar- in an higher education music technology programs [2][3], and throughout attemptchical structure,to expand beyond with numbered what has oralready unnumbered been published) headings the musicAuthor technology Keywords-related job fields [25]. authorsfor sections, solicited subsections, suggestions on sub-subsections, projects and artists and incorporating even smaller new NIME,It is important proceedings, to note that LA TthisEX, inequality template is more than strictly an issue hardwaresections.-based The commandtechnologies\section from theirthat personal precedes and this academic para- 2 of participation: many of the contributions and accomplishments of communities.graph is part This of yielded such a a hierarchy. substantial collectionLATEX handles of work, the albeit num- one thatbering is biased and placement toward the of authors’ these headings community for and you, geographical when you womenCCS in Concepts this field are reduced in value or otherwise overshadowed by their male counterparts, resulting in a lack of equal visibility and location.use the appropriateThe authors acknow headingledge commands that this bias around is present, the titles and are of Applied computing Sound and music comput- committedthe headings. to mitigating If you it want as much a sub-subsection as possible for future or smaller work. part representation• —even for those! who are actively contributing [15]. ing; Performing arts; Information systems Music toThe be work unnumbered presented inin yourthis paper output, is organized simply by append project an-type aster- into Author Tara Rodgers remarks• that both ‘technology’ and ‘music’! are typicallyretrieval; thought of as being predominantly male, and that the threeisk to main the categories: command name. Examples of both numbered and “trenchancy of associated gendered stereotypes seems to gain force unnumbered headings will appear throughout the balance Dr. Trovato insisted his name be first. 1. Gestural Controllers: new interfaces with which to trigger, when⇤ these fields converge” [37]. Lack of equal visibility and the of this sample document. Becausesynthesize the entire, or otherwise articleis control contained sound; in the document presence†The secretary of gendered disavows stereotyping any makes knowledge it difficult of thisfor young author’s women ac- tions. environment,2. Augmented you canInstruments indicate: acoustic the start instruments of a new that paragraph have been to feel confident in their learning environment, find role models and This author is the one who did all the really hard work. with a blankelectronically line in youraugmented input thro file;ugh that the is use why of sensors; this sentence and mentors‡ [15], and results in biased educational and creative forms3. aMechatronic separate paragraph. Instruments: instruments that produce sound programming. In turn, this may dissuade many young women from using automatic mechanical parts, such as motors and gears. cultivating their interests and pursuing studies in technology-related 1Two of these, the \numberofauthors and \alignau- A number of the individuals presented span multiple categories and fields [13]. thor commands, you have already used; another, \bal- haveancecolumns prolific bodies, will of bework. used For in the your purpose very of lastthis paper, run of only LAT EoneX orto two ensure projects balanced per artist column will be highlighted. heights on the last page. Licensed under a Creative Commons Attribution 2This is the second footnote. It starts a series of three 4.0 International

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