DOCSLIB.ORG

Catalogue.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Catalogue.Pdf Modern & contemporary artists 20th September till 5th October 2019 Published on the occasion of a Contemporary group exhibition titled "17" at Galleri Kaya. ©Galleri Kaya, Dhaka Photography: Galleri Kaya Design: Karukrit Published by: Director, Galleri Kaya, Dhaka, 2019. Contact: Galleri Kaya House 20 Road 16 Sector 4 Uttara Dhaka 1230 Bangladesh. Mobile: +88 01752 684 900 Tel: 88-02- 58956902 E-mail [email protected] www.facebook.com/gallerikaya Printed in Bangladesh Aminul Islam-1931-2011 Murtaja Baseer-1932 Qayyum Chowdhury-1932-2014 Samarjit Roy Choudhury-1937 Hashem Khan-1941 Rafiqun Nabi-1943 Hamiduzzaman Khan-1946 Kalidas Karmakar-1946 Chandra Shekhar Dey-1952 Mohammad Eunus-1954 Jamal Ahmed-1955 Kazi Rakib-1955 Ranjit Das-1956 Ahmed Shamsuddoha-1958 Sheikh Afzal Hossain-1960 Shishir Bhattacharjee-1960 Mohammad Iqbal-1967 Aminul Islam 1931-2011 Rhytham of forgotten music-1 Oil on board 58 x 78cm Signed in English l.r. & on back 1962 Aminul Islam 1931-2011 Rhytham of forgotten music-2 Oil on board 60 x 75cm Signed in English l.r. & on back 1963 Murtaja Baseer b 1932 Women-4 Oil pastel on paper 50 x 70cm Signed in English l.r 2019 Murtaja Baseer b 1932 Women-4 Oil pastel on paper 50 x 70cm Signed in English l.r 2019 Qayyum Chowdhury 1932-2014 Untitled Indigenous pigment on canvas 76 x 76cm Signed in Bangla l.l 2006 Qayyum Chowdhury 1932-2014 Nature Acrylic on canvas 90 x 90cm Signed in Bangla l.l 2011 Samarjit Roy Choudhury b 1937 Opera star’s Acrylic on canvas 92 x 92cm Signed in English l.r 2015 Samarjit Roy Choudhury b 1937 Symphony in painting Acrylic on canvas 90 x 90cm Signed in English l.r 2013 Samarjit Roy Choudhury b 1937 Drawing Ink on paper 70 x 50cm Signed in English l.r 2015 Hashem Khan b 1941Baul Acrylic on canvas 71 x 117cm Signed in English & bangla l.r 2019 Hashem Khan b 1941 Birds Acrylic on canvas 64 x 94cm Signed in English & bangla l.r 2018 Rafiqun Nabi b 1943 Rocks Watercolor on paper 76 x 56cm Signed in English l.l. 2016 Rafiqun Nabi b 1943 Goats Watercolor on paper 76 x 36cm Signed in English l.r. 2016 Rafiqun Nabi b 1943 Tokai Mixed media on paper 97 x 150cm Signed in Bangla l.l 2018 Hamiduzzaman Khan b 1946 Chittagong hill tracts area Watercolor on paper 34 x 20cm Signed in English l.r. 1963 Hamiduzzaman Khan b 1946 A view from Mirpur Watercolor on paper 66 x 43cm Signed in English l.r. 1967 Hamiduzzaman Khan b 1946 Sadarghat Watercolor on paper 80 x 53cm Signed in English l.l. 1968 Hamiduzzaman Khan b 1946 Summit Acrylic on canvas 122 x 96cm Signed in Bangla l.r. 2019 Kalidas Karmakar b 1946 Untitled Indigenous pigment on canvas 145 x 60cm Signed in English l.l. 2006 Kalidas Karmakar b 1946 The lady & the bird Indigenous pigment on canvas 76 x 76cm Signed in English l.r. 2006 Chandra Shekhar Dey b 1952 Waiting in Atumn Acrylic on canvas 127 x 114cm Signed in English m.r. 2018 Chandra Shekhar Dey b 1952 Riverine Watercolor on paper 76 x 56cm Signed in Bangla & english l.r. 2019 Chandra Shekhar Dey b 1952 Lady & the lamp Watercolor on paper 76 x 56cm Signed in Bangla & english l.r. 2019 Chandra Shekhar Dey b 1952 Drawing pencial on paper 25 x 55cm Signed in Bangla & english u.l. 2019 Mohammad Eunus b 1954 Shawlar Galpa-1 Oil on canvas 102 x 76cm Signed in English l.r. 2019 Mohammad Eunus b 1954 Shawlar Galpa-2 Oil on canvas 102 x 76cm Signed in English l.r. 2019 Jamal Ahmed b 1955 Before the storm Mixed media on paper 76 x 56cm Signed in English l.r. 2019 Jamal Ahmed b 1955 Love Acrylic on canvas 88 x 90cm Signed in English l.r. 2016 Jamal Ahmed b 1955 Riverbank Mixed media on canvas 76 x 61cm Signed in English l.r. 2019 Jamal Ahmed b 1955 Gipsy Mixed media on paper 70 x 50cm Signed in English l.r. 2019 Kazi Rakib b 1955 Still life with a leaf Acrylic & object on canvas 76 x 91cm Signed in Bangla l.r. 2012 Ranjit Das b 1956 Drawing Charcoal on paper 35 x 50cm Signed in English l.r. 2019 Ranjit Das b 1956 He - 1 Oil on canvas 177 x 130cm Signed in English l.r. 1991 Ranjit Das b 1956 The girl Acrylic on canvas 81 x 61cm Signed in English l.r. 2019 Ahmed Shamsuddoha b 1958 Nature Acrylic on canvas 69 x 69cm Signed in English l.l. 2018 Ahmed Shamsuddoha b 1958 Golden Bengal Watercolor on paper 75 x 55cm Signed in English l.r. 2018 Sheikh Afzal Hossain b 1960 Rowing Watercolor on paper 76 x 56.cm Signed in English l.l. 2016 Sheikh Afzal Hossain b 1960 Sundarban Acrylic on canvas 102 x 82cm Signed in English l.r. 2018 Sheikh Afzal Hossain b 1960 Horse Charcoal on paper 70 x 50cm Signed in English l.r. 2018 Sheikh Afzal Hossain b 1960 Women Acrylic on canvas 69 x 69cm Signed in English l.r. 2019 Sheikh Afzal Hossain b 1960 Sitting girl Mixed media on paper 50 x 70cm Signed in English l.r. 2019 Shishir Bhattacharjee b 1960 Untitled-1 Acrylic on canvas 61 x 51cm Signed in English l.l. 2017 Shishir Bhattacharjee b 1960 Untitled-2 Ink on paper 70 x 50cm Signed in English l.r. 2013 Shishir Bhattacharjee b 1960 From the mountain Watercolor on paper 50 x 38cm Signed in English l.r. 2018 Mohammad Iqbal b 1967 Innocence-1 Charcoal on paper 76 x 56cm Signed in English l.r. 2018 Mohammad Iqbal b 1967 Innocence-2 Charcoal on paper 70 x 50cm Signed in English l.l. 2018 Mohammad Iqbal b 1967 Untitled Mixed media on paper 76 x 56cm Signed in English l.l. 2018 .
Load more

Recommended publications
  • Syllabus for Bcs (Written) Examination 1/210 সূচিপত্র
    SYLLABUS FOR BCS (WRITTEN) EXAMINATION সবয়শষব হোলনোগোদ: ২৩.০৮.২০২১ চিপত্র [Contents] (ক) আবচিক চবষয়স맂হ [Compulsory Subjects] ক্র: চবষয় ককোড চবষয়য়র নোম ꧃ষ্ঠোন ম্বর নং [Subject Code] [Subject Name] 1. 001 বাাংলা১ ম পত্র [Bangla 1st Paper] ৪ 2. 002 বাাংলা২ য় পত্র [Bangla 2nd Paper] ৪ 3. 003 ইাংরেজি [English] ৫ 4. 005 বাাংলারেশ জবষয়াবজল [Bangladesh Affairs] ৬-৭ 5. 007 আিাজ জিক জবষয়াবজল [International Affairs] ৮-৯ 6. 008 গাজিজিক 뷁জি [Mathematical Reasoning] ১০ 7. 009 মানজিক েিা [Mental Ability] ১১-১২ 8. 010 িাধােি জবজ্ঞান ও প্র뷁জি [General Science and Technology] ১৩-১৫ (খ) পদ-সংচিষ্ট চবষয়স맂হ [Post Related Subjects] [�鷁 কোচরগচর/য়পশোগত কযোডোয়রর জন্য (For Professional/Technical Cadre Only)] ক্র: চবষয় ককোড চবষয়য়র নোম ꧃ষ্ঠা নম্বর নং [Subject Code] [Subject Name] 1. 111 বাাংলা ভাষা ও িাজিিয [Bangla Language and Literature] ১৬ 2. 121 ইাংরেজি [English] ১৭ 3. 131 আেজব [Arabic] ১৮ 4. 141 ফোসী [Persian] ১৯ 5. 151 িাংস্কৃি [Sanskrit] ২০ 6. 161 পাজল [Pali ২১ 7. 171 মরনাজবজ্ঞান [Psychology] ২২-২৩ 8. 181 ইজিিাি [History] ২৪-২৫ 9. 191 ইিলারমে ইজিিাি ও িাংস্কৃজি [Islamic History & Culture] 26-27 10. 201 ইিলামী জশা [Islamic Studies] 28-29 11. 211 েশনজ [Philosophy] 30-31 12. 221 জশা [Education] 32-33 13. 231 প্রত্নিত্ত্ব [Archaeology] 34-36 14.
    [Show full text]
  • South Asia Multidisciplinary Academic Journal, 9 | 2014 Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Gl
    South Asia Multidisciplinary Academic Journal 9 | 2014 Imagining Bangladesh: Contested Narratives Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Globalization Lala Rukh Selim Electronic version URL: https://journals.openedition.org/samaj/3725 DOI: 10.4000/samaj.3725 ISSN: 1960-6060 Publisher Association pour la recherche sur l'Asie du Sud (ARAS) Electronic reference Lala Rukh Selim, “Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Globalization”, South Asia Multidisciplinary Academic Journal [Online], 9 | 2014, Online since 22 July 2014, connection on 21 September 2021. URL: http://journals.openedition.org/samaj/3725 ; DOI: https://doi.org/10.4000/samaj.3725 This text was automatically generated on 21 September 2021. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Gl... 1 Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Globalization Lala Rukh Selim Introduction 1 The art of Bangladesh embodies the social and political changes that have transformed the country/region through history. What was once a united state of Bengal is now divided into two parts, the sovereign country of Bangladesh and the state of West Bengal in India. The predominant religion in Bangladesh is Islam and that of West Bengal is Hinduism. Throughout history, ideas and identifications of certain elements of culture as ‘tradition’ have played an important role in the construction of notions of identity in this region, where multiple cultures continue to meet. The celebrated pedagogue, writer and artist K.
    [Show full text]
  • CURRICULUM of MFA Program
    CURRICULUM TWO-YEAR MASTER OF FINE ART IN GRAPHIC DESIGN Department of Graphic Design University of Dhaka Curriculum Submitted By Department of Graphic Design Faculty of Fine Art University of Dhaka Dhaka-1000 Bangladesh i Curriculum | Preface Graphic design is one of the most diverse and solicited subjects of fine arts. In today's social, economic, cultural, political and every other practical contexts the necessity of Graphic Design is inevitable. Whatever we do in our personal or professional life, it must have an artistic representation. For artistic presentation, promotion and publicizing of any product Graphic Design plays the most vital role. So this subject is important from both practical and aesthetic point of views. For unique, creative and artistic design composition - a graphic designer must have strong grammatical and theoretical base of this subject. Department of Graphic Design, Faculty of Fine Art, Dhaka University is working on educating graphic designers of national and international standard since 1948. Department of Graphic Design, Dhaka University offers Bachelor of Fine Art Honours (4 years), Masters of Fine Art (2 years) and PhD programs. In today's global context planning and developing curriculum of world standard is a very challenging work. Then, through continuous assessment - addition and deletion of various courses and topics to ensure professional skill development is a more challenging, complex and difficult task. However, to maintain the standard that Department of Graphic Design has always maintained since its beginning, and to provide all the facilities of modern global context, we have taken this challenge happily. We are very pleased to represent this curriculum as an outcome of the undertaken challenge.
    [Show full text]
  • Exhibition Catalogue
    14th Anniversary Exhibition A selection of works done between 1953 to 2018 by 38 modern & contemporary artists 14th Anniversary Exhibition A selection of works done between 1953 to 2018 by 38 modern & contemporary artists 27th July till 12th August 2018 Exhibition sponsor Published on the occasion of the inauguration of the 14th Anniversary Exhibition of Galleri Kaya. © www.facebook.com/gallerikaya Printed in Bangladesh. Abdus Shakoor Shah- 1947 Ahmed Shamsuddoha-1958 Ajit Seal-1959 Aloptogin Tushar-1968 Anisuzzaman-1972 Ashraful Hasan-1977 Atin Basak-1966 Atul Dodiya- 1959 Bijan Chowdhury-1931-2012 Chandra Shekhar Dey -1952 Debdas Chakraborty-1933-2008 Goutam Chakraborty-1965 Hamidur Rahman- 1928-1988 Hamiduzzaman Khan-1946 Hashem Khan-1941 Jamal Ahmed-1955 Kamaluddin-1977 Kazi Rakib-1955 K.G. Subramanyan-1924-2016 M.F. Husain-1915-2011 Mohammad Eunus-1954 Mohammad Iqbal-1967 Monirul Islam-1943 Murtaja Baseer-1932 Nazlee Laila Mansur -1952 Nitun Kundu-1935-2006 Rabin Mondal-1929 Rafiqun Nabi-1943 Ranjit Das-1956 Ratan Mojumder-1954 Samarjit Roy Choudhury-1937 Shahanoor Mamun-1986 Shambhu Acharya-1954 Sheikh Afzal Hossain-1960 Shishir Bhattacharjee-1960 Shohag Parvez-1981 Somnath Hore-1921-2006 Syed Jahangir-1935 14. A. E. No. 01 Abdus Shakoor Shah (B. 1947) Village poetry Signed in English u.r., 2018 121 x 46cm Acrylic on canvas Provenance : Artist collection, Dhaka 05 14. A. E. No. 02 Ahmed Shamsuddoha (B. 1958) Nature Signed in English l.l., 2017 122 x 76cm Acrylic on canvas Provenance : Galleri Kaya, Dhaka 06 03 04 06 05 14. A. E. No. 03 14. A. E. No. 04 14.
    [Show full text]
  • Annual Report 2001
    I C D D R , B : C E N T R E F O R H E A L T H A N D P O P U L A T I O N R E S E A R C H A N N U A L R E P O R T 2 0 0 1 Annual Report 2001 Mission Statement The fundamental mission of the Centre is to develop and disseminate solutions to major health and population problems facing the world, with emphasis on simple and cost-effective methods of prevention and management Available online http://www.icddrb.org I C D D R , B : C E N T R E F O R H E A L T H A N D P O P U L A T I O N R E S E A R C H A N N U A L R E P O R T 2 0 0 1 Chief Editor David A. Sack [email protected] Managing Editor M. Shamsul Islam Khan [email protected] Editors M.A. Rahim M. Shamsul Islam Khan Peter Thorpe Cover Design, Page Lay-out and Desktop Processing Asem Ansari Photographs Asem Ansari Fakrul Alam Printing and Publication Asem Ansari M.A. Rahim Talut Solaiman Secretarial Assistance M. Al Mamun M. Mahfuzul Hassan Scanning and Pre-print Processing Dot Net Limited Printed at Print Link Printers © 2002 ICDDR,B: Centre for Health and Population Research May 2002 ISBN 984-551-240-2 Publisher ICDDR,B: Centre for Health and Population Research GPO Box 128, Dhaka 1000 Mohakhali, Dhaka 1212, Bangladesh Phone: (880-2) 881 1751-60 Fax: (880-2) 882 3116, 882 6050, and 881 1686 Email: [email protected] Website: http://www.icddrb.org ICDDR,B: Centre for Health and Population Research publishes a journal, two newsletters, scientific reports, monographs, working papers, and special publications on subjects relating to diarrhoeal diseases, population, reproductive health, and nutrition.
    [Show full text]
  • Faculty of Fine Arts at Jahangirnagar University, Saver, Dhaka
    FACULTY OF FINE ARTS AT JAHANGIRNAGAR UNIVERSITY, SAVER, DHAKA BY shariful haque Seminar II Submitted in partial fulfillment of the requirements For the degree of Bachelor of Architecture Department of Architecture BRAC University August 2011 INSTITUTE OF FINE ARTS, JAHANGIRNAGAR UNIVERSITY AT SAVAR. A Thesis Dissertation submitted to the Department of Architecture in partial fulfilment of the requirement for the degree of Bachelor of Architecture (B. Arch) in the Faculty of BRAC University, Dhaka. The textual and visual content of the design dissertation is the intellectual output of the student mentioned below unless otherwise mentioned. Information given within this Design Dissertation is true to the best knowledge of the student mentioned below. All possible efforts have been made by the author to acknowledge the dissertation in any form belongs to its author. Contents within this design dissertation can be reproduced for academic purposes only without written consent from the author. A.K.M. SHARIFUL HAQUE Id 05308009 Department of architecture BRAC University, Dhaka. Abstract Art plays an immense role in the life of society being a special, relatively independent and extremely complex phenomenon. It performs a number of extremely important functions. It is instrumental in the shaping of a definite world-view in individuals, in their understanding of phenomena of social reality, in developing their moral, political and other ideas. It develops creative thinking and ability for independent evaluation of reality and enriches man's spiritual world. Acknowledgement I acknowledge a lot of people without whom this dissertation would have been impossible. I would like to thank my Prof. Fuad H.
    [Show full text]
  • A Qualitative Study on Advancement of Scholastic Arts and Its Observances: the Perspective of Bangladesh
    Information and Knowledge Management www.iiste.org ISSN 2224-5758 (Paper) ISSN 2224-896X (Online) Vol.6, No.1, 2016 A Qualitative Study on Advancement of Scholastic Arts and its Observances: The Perspective of Bangladesh Arafat Hosen Lecturer, Department of Graphics Design and Multimedia Shanto-Mariam University of Creative Technology, Bangladesh Abstract The study has attempted to provide information how academic system has been initiated in fine art practices in Bangladesh, geographically which was a part of the greater of Bengal in Moghul era and thereafter in British colonial period, was a province of the South Asian Indian sub-continent. The history of art practices in Bangladesh eventually involves the sub continental perspective. Our cultural tradition has an admirable heritage compared to the general identity of Bangladesh in the world map as a country afflicted by poverty and crises. The artists working in various media and cultural workers of this country are earning out the responsibility to keep this honor continuing. It can be said without doubt that our fine artists are playing a visible and leading role in the contemporary world of cultural activities in this country. The tendency to experiment and to accept the context of our country is gradually beginning to be instilled within young artists through various encouraging effort. In the field of sculpture and printmaking, the desire to create has overcome the shortage of materials and is being expressed in many ways. Keywords: Scholastic, Historical Integration, Practices and Scrutinizing, Arts and Culture 1. Prologue Traditional art practices in the past had been mostly patronized by rulers of different era.
    [Show full text]
  • Exhibition Catalogue
    53 GRAPHICS from Bangladesh & India 21st September till 5th October 2018 Exhibition sponsor Published on the occasion of a group art exhibition titled "53 Graphics from Bangladesh & India" ©Galleri Kaya, Dhaka Photography: Khaled Design: Karukrit Published by: Director, Galleri Kaya, Dhaka. Contact: Galleri Kaya House 20 Road 16 Sector 4 Uttara Dhaka 1230 Bangladesh. Mobile: +88 01752 684 900 Tel: 88-02- 58956902 E-mail [email protected] www.facebook.com/gallerikaya Printed in Bangladesh M.F. Husain-1915-2011 Haren Das-1921-1993 Somnath Hore-1921-2006 Safiuddin Ahmed-1922-2012 K.G. Subramanyan-1924-2016 Amitabha Banerjee-1928-2013 Mohammad Kibria-1929-2011 Murtaja Baseer-1932 Sanat Kar-1935 Dipak Banerjee-1936 Ganesh Haloi-1936 Lalu Prasad Shaw-1937 Suhas Roy-1936-2016 Manu Parekh-1939 Sunil Das-1939-2015 Niranjan Pradhan-1940 Monirul Islam-1943 Rafiqun Nabi-1943 Mahmudul Haque-1945 Abul Barq Alvi-1949 Shahabuddin Ahmed-1950 Adita Basak-1953 Bimal Kundu-1954 Ratan Mojumder-1954 Manoj Dutta-1956 Atul Dodiya- 1959 Pradip Maitra-1959 Wakilur Rahman-1961 Atin Basak-1966 Rashid Amin-1966 Srikanta Paul-1971 Anisuzzaman-1972 Nagarbasi Barman-1973 Jayanta Naskar-1975 Sheikh Mohammad Rokonuzzaman-1976 Ruhul Amin Tarek-1981 Md. Ariful Islam-1993 Md. Ashraful Alam Rana-1993 Kamrul Khan-1994 The current prints’ show carries a distinct trait because of some high ranking Indian printmakers’ attention-grab- Giants of Indian-Bangladeshi prints under one roof bing works with several Bangladeshi technically advanced printmakers’ works. Takir Hossain Indian Printmakers At the mega show MF Husain’s two prints denote a number of archetypal horses with vigorous movements.
    [Show full text]
  • Relevance of Ibsen to Contemporary Bangladesh: a Study of Brand
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by NORA - Norwegian Open Research Archives Relevance of Ibsen to Contemporary Bangladesh: A Study of Brand By Ahmed Ahsanuzzaman Submitted in partial fulfilment of the requirements for the degree MPhil in Ibsen Studies Centre for Ibsen Studies University of Oslo, Norway November 2008 ii Contents Acknowledgements iv Chapter One. Introduction 1 1.1 Preamble 1 1.2 Theorising the Claim and the Basic Question 2 1.3 Theoretical Design 3 1.4 Selection of Material 6 1.5 History of Bangladesh—a Short Account 7 1.6 Politics of Fundamentalism and Women in Bangladesh 11 1.7 Ibsen Performances in Bangladesh before Brand 13 1.7 Relevance of Brand 16 Chapter Two: Bangladesh's History: a Sociolinguistic Approach 17 2.1 Introduction 17 2.2 Bhattācāarya's Study 18 2.3 Roy's Book 20 2.4 Banu's Findings 21 2.5 Latif's Conclusion and Roy's Elaboration 22 2.6 Lalon Shah's Baul Songs 24 2.7 Ahmed's Book (ed.) on Religion-based Politics and Rise of Fundamentalism 27 2.8 Islamic Fundamentalism and Jamaat-i-Islami 31 2.9 Militant Fundamentalist Activities in Bangladesh in the Recent Past 34 2.10 Conclusion 37 Chapter Three: The Performance 38 3.1 Introduction 38 3.2 Are the Norwegian Elements really Norwegian? 38 3.3 The Audience Creation of Performance 39 3.4 A Note on the Audience 57 3.5 Conclusion 57 Chapter Four: Relevance of Brand to Contemporary Bangladesh 58 4.1 Introduction 58 4.2.
    [Show full text]
  • Dutch-Bangla Bank Limited
    Dutch-Bangla Bank Limited Board Secretariat, Head Office, Dhaka Unpaid/Uncollected/Unclaimed Dividend Amount for the year 2009 Name of the sharesholders/ Securities Nominee If Net amount SL# Father's Name BO/Folio Number Permanent & Contact Address holders any of Dividend 1 RAFIQUL ISLAM KHAN LATE MD. BELAYET KHAN 05-000108 402.66 2 S.M. MASUDUL HAQUE M A SALAM 05-000172 105 SULTAN AHMED ROAD MAULAVIPARA 402.66 3 SAJEDA YUSUF MD YUSUF 05-000235 AO#-1B,H#-14,R#-11,SE#-7, UTTARA. 805.32 4 MD.RASHEDUZZAMAN MD ASGHAR ALI 05-000239 PLOT NO-96,RASOOL PUR,DHAKA,JA TTRABARI 805.32 D-15/A RAILWAY OFFICER`S COLONY SHAJAHANPUR, 5 SATYA BRATA NARAYAN CHOWDHURY AL-HAJ M.A. SAMAD 05-000576 DHAKA-1217 1610.64 FLAT NO. K-9, BAILY RITZ, 1 NEW BAILY ROAD, 6 MD. ZAKARIA Helal Uddin Ahmed 05-000659 DHAKA-1217. 1207.98 HOUSE-37(2ND FL.),BLOCK-KHA, P.C.CULTURE 7 MS. NASREEN HUSSAIN 05-001261 HOUSING SOCICTY, SHAKERTEK,MOHAMMADPUR 402.66 GA, B-2, E/5, AGARGAON NEW COLLONI, SHER-E 8 R.M.SHIBLEE MEHDI 05-001390 BANGLA NAGAR 1207.98 391, ELEPHANT ROAD ISMAIL MANSION 2ND FLOOR, 9 MD. TOFAZZAL HOSSAIN BHUYAN Gopendra Narayan Chowdhury 05-001391 SHOP NO-15 805.32 6/C, RUSSELL LODGE, 32/4-A, SHAHJAHAN ROAD 10 MR. M. I. AKRAM 1201470000013799 MOHAMMADPUR 805.32 BUILDING NO -2, HOUSE NO 22 GOVT PRINTING 11 KHANDAKER MOFEJUL ISLAM 1201470001896684 PRESS STAFF QUT. TEJGAON I/A 402.66 FLAT-5A BOROBARI,134/B, WEST KAFRUL,NEAR OF 12 MD.
    [Show full text]
  • Film Programme Curated by Shanay Jhaveri, Assistant
    Dhaka Art Summit 2016 report 1 2 Contents Samdani Art Foundation & Dhaka Art Summit................................p. 4 3rd Edition of the Dhaka Art Summit, 2016 - At a glance.........p. 5-9 Dhaka Art Summit 2016 - Programme Overview.....................p. 10-43 Dhaka Art Summit 2016 - Exhibition Guide.....................................p. 44 Dhaka Art Summit 2016 - Videos...................................................p. 45-48 Dhaka Art Summit 2016 - Visitor Comments............................p. 49-53 Dhaka Art Summit 2016 - Team.......................................................p. 54-62 Dhaka Art Summit - Achievements.....................................................p. 63 Dhaka Art Summit 2016 - Press......................................................p. 64-87 Partners.........................................................................................................p. 88 Samdani Art Foundation - Beyond the Summit......................p. 89-90 Dhaka Art Summit 4th Edition, 2018...................................................p. 91 Front cover: Ayesha Sultana, Outside the Field of View - VI (detail), 2014, courtesy of the artist and Experimenter Lef page: Solo Projects, Sandeep Mukherjee, The Sky Remains, 2015-2016. Commissioned and produced by the Samdani Art Foundation for the Dhaka Art Summit 2016. Courtesy of the artist, Dhaka Art Summit, Samdani Art Foundation and Project 88, Mumbai. Photo credit: Sandeep Mukherjee 3 Samdani Art Foundation & Dhaka Art Summit The Samdani Art Foundation is a registered private trust in Dhaka that aims to increase artistic engagement between Bangladesh and the rest of the world. Founded in 2011 by collector couple Nadia and Rajeeb Sam- dani, the foundation has enabled Bangladeshi artists to expand their creative horizons and for international artists and art professionals to engage with Bangladesh. Bangladesh was a country founded in 1971 and born from a desire to speak its own language - and the foundation exists to give support to this voice, which anyone can learn unlike a race or a religion.
    [Show full text]
  • Bangladesh Map Pdf 2019
    Bangladesh map pdf 2019 Continue This article is about the People's Republic of Bangladesh. Other uses: Bangladesh (ibility). Country South Asia coordinates: 24°N 90°E / 24°N 90°E / 24; 90 Bangladeshগণজাতী বাংলােদশ People's Republic (Bengali)Gônoprojatontri Bangladesh Flag Emblem Anthem: Amar Sonar Bangla (Bengal)My Golden Bengal March: Notuner GaanThe Song of Youth[1]Official Seal of the Government of Bangladesh Capital and largest cityDhaka23°45′50N 90°23′20E / 23.76389° N 90.38889° E / 23.76389; 90.38889Official language and national languageBengali[2]Regional languagesChittagonianSylhetiRangpuriEthnic groups (2011[3])98% Bengalis 2% minorities Chakmas Biharis Marmas Santhals Mros Tanchangyas Bawms Tripuris Khumis Kukis Garos Bisnupriya Manipuris Religion (2011[5])90.5% Islam (State religion)[4]8.5% Hinduism0.6% Buddhism0.4% ChristianityDemonym(s)BangladeshiGovernmentUnitarydominant-party parliamentaryconstitutional republic• President Abdul Hamid• Prime Minister Sheikh Hasina• House Speaker Shirin Chaudhury• Chief Justice Syed Mahmud Hossain LegislatureJatiya SangsadIndependence from Pakistan• Declared 26 March 1971• V-Day 16 December 1971• Current constitution 16 December 1972 Area • Total148,460[6] km2 (57,320 sq mi) (92nd)• Water (%)6.4Population• 2018 estimate161,376,708[7][8] (8th)• 2011 census149,772,364[9] (8th)• Density1,106/km2 (2,864.5/sq mi) (7th)GDP (PPP)2020 estimate• Total$864.883 billion[10] (30th)• Per capita$5,139[10] (135th)GDP (nominal)2020 estimate• Total$317.768 billion[10] (40th)• Per capita$1,888[10] (140th)Gini (2016)32.4[11]mediumHDI (2018) 0.614[12]medium · 135thCurrencyBangladeshi taka (৳) (BDT)Time zoneUTC+6 (BST)Date formatdd-mm-yyyy ADDriving sideleftCalling code+880ISO 3166 codeBDInternet TLD.bd.বাংলাWebsitebangladesh.gov.bd This article contains silent)), officially the People's Republic of Bangladesh is a South Asian country.
    [Show full text]