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Mapping the Body-Politic of the Raped Woman and the Nation in Bangladesh
gendered embodiments: mapping the body-politic of the raped woman and the nation in Bangladesh Mookherjee, Nayanika . Feminist Review, suppl. War 88 (Apr 2008): 36-53. Turn on hit highlighting for speaking browsers Turn off hit highlighting Other formats: Citation/Abstract Full text - PDF (206 KB) Abstract (summary) Translate There has been much academic work outlining the complex links between women and the nation. Women provide legitimacy to the political projects of the nation in particular social and historical contexts. This article focuses on the gendered symbolization of the nation through the rhetoric of the 'motherland' and the manipulation of this rhetoric in the context of national struggle in Bangladesh. I show the ways in which the visual representation of this 'motherland' as fertile countryside, and its idealization primarily through rural landscapes has enabled a crystallization of essentialist gender roles for women. This article is particularly interested in how these images had to be reconciled with the subjectivities of women raped during the Bangladesh Liberation War (Muktijuddho) and the role of the aestheticizing sensibilities of Bangladesh's middle class in that process. [PUBLICATION ABSTRACT] Show less Full Text Translate Turn on search term navigation introduction There has been much academic work outlining the complex links between women and the nation (Yuval-Davis and Anthias, 1989; Yuval-Davis, 1997; Yuval-Davis and Werbner, 1999). Women provide legitimacy to the political projects of the nation in particular social and historical contexts (Kandiyoti, 1991; Chatterjee, 1994). This article focuses on the gendered symbolization of the nation through the rhetoric of the 'motherland' and the manipulation of this rhetoric in the context of national struggle in Bangladesh. -
Uhm Phd 9519439 R.Pdf
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality or the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely. event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. MI48106·1346 USA 313!761-47oo 800:521-0600 Order Number 9519439 Discourses ofcultural identity in divided Bengal Dhar, Subrata Shankar, Ph.D. University of Hawaii, 1994 U·M·I 300N. ZeebRd. AnnArbor,MI48106 DISCOURSES OF CULTURAL IDENTITY IN DIVIDED BENGAL A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAII IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN POLITICAL SCIENCE DECEMBER 1994 By Subrata S. -
Roquiah Sakhawat Hossein1 to Taslima Nasrin
ASIATIC, VOLUME 10, NUMBER 1, JUNE 2016 From Islamic Feminism to Radical Feminism: Roquiah Sakhawat Hossein1 to Taslima Nasrin Niaz Zaman2 Independent University, Bangladesh Abstract This paper examines four women writers who have contributed through their writings and actions to the awakening of women in Bangladesh: Roquiah Sakhawat Hossein, Sufia Kamal, Jahanara Imam and Taslima Nasrin. The first three succeeded in making a space for themselves in the Bangladesh tradition and carved a special niche in Bangladesh. All three of them were writers in different genres – poetry, prose, fiction – with the last best known for her diary about 1971. While these iconic figures contributed towards women’s empowerment or people’s rights in general, Taslima Nasrin is the most radically feminist of the group. However, while her voice largely echoes in the voices of young Bangladeshi women today – often unacknowledged – she has been shunned by her own country. The paper attempts to explain why, while other women writers have also said what Taslima Nasrin has, she alone is ostracised. Keywords Islamic feminism, radical feminism, gynocritics, purdah, 1971, Shahbagh protests In this paper, I wish to examine four women writers who have contributed through their writings and actions to the awakening of women in Bangladesh. Beginning with Roquiah Sakhawat Hossein (1880-1932), I will also discuss the roles played by Sufia Kamal (1911-99), Jahanara Imam (1929-94) and Taslima Nasrin (1962-). The first three succeeded in making a space for themselves in the Bangladesh tradition and carved a special niche in Bangladesh. All three of them were writers: Roquiah wrote poems, short stories, a novel, as well as prose pieces; Sufia Kamal was primarily a poet but also wrote a number of short 1 There is some confusion over the spelling of her name. -
2021 Banerjee Ankita 145189
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ The Santiniketan ashram as Rabindranath Tagore’s politics Banerjee, Ankita Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 24. Sep. 2021 THE SANTINIKETAN ashram As Rabindranath Tagore’s PoliTics Ankita Banerjee King’s College London 2020 This thesis is submitted to King’s College London for the Degree of Doctor of Philosophy List of Illustrations Table 1: No of Essays written per year between 1892 and 1936. -
1. Introduction
Notes 1. Introduction 1. ‘Diaras and Chars often first appear as thin slivers of sand. On this is deposited layers of silt till a low bank is consolidated. Tamarisk bushes, a spiny grass, establish a foot-hold and accretions as soon as the river recedes in winter; the river flows being considerably seasonal. For several years the Diara and Char may be cultivable only in winter, till with a fresh flood either the level is raised above the normal flood level or the accretion is diluvated completely’ (Haroun er Rashid, Geography of Bangladesh (Dhaka, 1991), p. 18). 2. For notes on geological processes of land formation and sedimentation in the Bengal delta, see W.W. Hunter, Imperial Gazetteer of India, vol. 4 (London, 1885), pp. 24–8; Radhakamal Mukerjee, The Changing Face of Bengal: a Study in Riverine Economy (Calcutta,1938), pp. 228–9; Colin D. Woodroffe, Coasts: Form, Process and Evolution (Cambridge, 2002), pp. 340, 351; Ashraf Uddin and Neil Lundberg, ‘Cenozoic History of the Himalayan-Bengal System: Sand Composition in the Bengal Basin, Bangladesh’, Geological Society of America Bulletin, 110 (4) (April 1998): 497–511; Liz Wilson and Brant Wilson, ‘Welcome to the Himalayan Orogeny’, http://www.geo.arizona.edu/geo5xx/ geo527/Himalayas/, last accessed 17 December 2009. 3. Harry W. Blair, ‘Local Government and Rural Development in the Bengal Sundarbans: an Enquiry in Managing Common Property Resources’, Agriculture and Human Values, 7(2) (1990): 40. 4. Richard M. Eaton, The Rise of Islam and the Bengal Frontier 1204–1760 (Berkeley and London, 1993), pp. 24–7. 5. -
Syllabus for Bcs (Written) Examination 1/210 সূচিপত্র
SYLLABUS FOR BCS (WRITTEN) EXAMINATION সবয়শষব হোলনোগোদ: ২৩.০৮.২০২১ চিপত্র [Contents] (ক) আবচিক চবষয়স맂হ [Compulsory Subjects] ক্র: চবষয় ককোড চবষয়য়র নোম ꧃ষ্ঠোন ম্বর নং [Subject Code] [Subject Name] 1. 001 বাাংলা১ ম পত্র [Bangla 1st Paper] ৪ 2. 002 বাাংলা২ য় পত্র [Bangla 2nd Paper] ৪ 3. 003 ইাংরেজি [English] ৫ 4. 005 বাাংলারেশ জবষয়াবজল [Bangladesh Affairs] ৬-৭ 5. 007 আিাজ জিক জবষয়াবজল [International Affairs] ৮-৯ 6. 008 গাজিজিক 뷁জি [Mathematical Reasoning] ১০ 7. 009 মানজিক েিা [Mental Ability] ১১-১২ 8. 010 িাধােি জবজ্ঞান ও প্র뷁জি [General Science and Technology] ১৩-১৫ (খ) পদ-সংচিষ্ট চবষয়স맂হ [Post Related Subjects] [�鷁 কোচরগচর/য়পশোগত কযোডোয়রর জন্য (For Professional/Technical Cadre Only)] ক্র: চবষয় ককোড চবষয়য়র নোম ꧃ষ্ঠা নম্বর নং [Subject Code] [Subject Name] 1. 111 বাাংলা ভাষা ও িাজিিয [Bangla Language and Literature] ১৬ 2. 121 ইাংরেজি [English] ১৭ 3. 131 আেজব [Arabic] ১৮ 4. 141 ফোসী [Persian] ১৯ 5. 151 িাংস্কৃি [Sanskrit] ২০ 6. 161 পাজল [Pali ২১ 7. 171 মরনাজবজ্ঞান [Psychology] ২২-২৩ 8. 181 ইজিিাি [History] ২৪-২৫ 9. 191 ইিলারমে ইজিিাি ও িাংস্কৃজি [Islamic History & Culture] 26-27 10. 201 ইিলামী জশা [Islamic Studies] 28-29 11. 211 েশনজ [Philosophy] 30-31 12. 221 জশা [Education] 32-33 13. 231 প্রত্নিত্ত্ব [Archaeology] 34-36 14. -
South Asia Multidisciplinary Academic Journal, 9 | 2014 Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Gl
South Asia Multidisciplinary Academic Journal 9 | 2014 Imagining Bangladesh: Contested Narratives Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Globalization Lala Rukh Selim Electronic version URL: https://journals.openedition.org/samaj/3725 DOI: 10.4000/samaj.3725 ISSN: 1960-6060 Publisher Association pour la recherche sur l'Asie du Sud (ARAS) Electronic reference Lala Rukh Selim, “Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Globalization”, South Asia Multidisciplinary Academic Journal [Online], 9 | 2014, Online since 22 July 2014, connection on 21 September 2021. URL: http://journals.openedition.org/samaj/3725 ; DOI: https://doi.org/10.4000/samaj.3725 This text was automatically generated on 21 September 2021. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Gl... 1 Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Globalization Lala Rukh Selim Introduction 1 The art of Bangladesh embodies the social and political changes that have transformed the country/region through history. What was once a united state of Bengal is now divided into two parts, the sovereign country of Bangladesh and the state of West Bengal in India. The predominant religion in Bangladesh is Islam and that of West Bengal is Hinduism. Throughout history, ideas and identifications of certain elements of culture as ‘tradition’ have played an important role in the construction of notions of identity in this region, where multiple cultures continue to meet. The celebrated pedagogue, writer and artist K. -
IIUIUIIIIIIIIIII Ill 0109100008
IIUIUIIIIIIIIIII Ill 0109100008 564 LIVING TRAl Bangla calendar to ease tax collection. Actually no one knows when and how this day of celebration began. Baishakh is the first month of the Bangla calendar. Most of the events in rural Bangladesh still take place according to this calendar. Baishakh is considered to be the most auspicious month for undertaking any business venture. The day starts with partaking of a heavy breakfast of cheera, gur and yogurt. Then people get dressed to go to the fairs which take place every year at an appointed place, it being inevitably either the cool shade of a banyan tree or a riverfront usually at the bend of a river. The fair brings commodities of every sort, food of every variety, and sweets of endless kinds. The sight of clay dolls and toys made of plastic and rubber delight the children. A small boy hanging on to his father's arm stubbornly insisting on buying a toy of his liking, his father cannot afford, is a common sight. But tears vanish as soon as the boy sees his favorite puppet show or a clown wearing a mask. Each year the celebration of Pahela Baishakh turns into a human sea in parts of Dhaka. In the morning, processions called Prabhat Pheri come out with many fanfares. Cultural programs are organized to celebrate the New Year. Baishakhi melas (fairs) are held in the city. People of all ages throng these melas to buy toys, handicrafts, and sweets. Snake charmers, jugglers, and magicians mesmerize the enthusiastic crowd. We are describing how Pahela Baishakh was celebrated in Dhaka in the 1ast three years (2004, 2005 and 2006). -
54 157 - Ministry of Liberation War Affairs
1.00 Demands for Grants and Appropriations 2018-19 Grant No - 54 157 - Ministry of Liberation War Affairs Allocations and Activities 1। Main functions of the Ministry of Liberation War Affairs are: a. Preparation of the list of freedom fighters, publication in the gazette and preservation of declared list; b. Formulation of rules and guidelines related to rights and benefits of the freedom fighters; c. Providing allowances, grants and other facilities to the freedom fighter; d. Preparation of guidelines for the preservation of history of War of Independence, and preservation of documents of liberation war; e. Undertaking various activities to uphold the true history of liberation war to the present and future generations; f. Undertaking and implementing various projects for the welfare of the freedom Fighters; g. Ensuring the preservation of quota for employment for the freedom fighters and their children and grandchildren in government, autonomous and semi-autonomous bodies, h. Construction of Independence Tower and other memorial towers of war of independence, preservation and maintenance of the burial sites/mass graves of liberation war; and i. Celebration of the Independence and National day in appropriate manner including Victory Day, Shahid Intellectual Day and Mujibnagar Day. 2। The revised budget allocation [Operating and Development] from FY 2015-16 to FY 2017-18 and the proposed allocation [Operating and Development] for FY 2018-19 of the Ministry of Liberation War Affairs are shown below: (Taka in Thousand) Financial Year Operating Development Total Recurrent Capital Financial Liabilities Assets 2015-16 Revised Budget 2225,48,63 305,57,55 2531,06,18 2228,71,41 302,31,77 3,00 0 2016-17 Revised Budget 2746,06,16 236,85,78 2982,91,94 2750,07,34 232,81,60 3,00 0 2017-18 Revised Budget 3573,85,69 274,99,00 3848,84,69 3582,31,69 266,49,00 4,00 0 2018-19 Budget 3710,70,00 550,00,00 4260,70,00 3728,33,00 532,33,00 4,00 0 3। In FY 2018-19, following important activities/projects/programs are scheduled to be implemented: a. -
CURRICULUM of MFA Program
CURRICULUM TWO-YEAR MASTER OF FINE ART IN GRAPHIC DESIGN Department of Graphic Design University of Dhaka Curriculum Submitted By Department of Graphic Design Faculty of Fine Art University of Dhaka Dhaka-1000 Bangladesh i Curriculum | Preface Graphic design is one of the most diverse and solicited subjects of fine arts. In today's social, economic, cultural, political and every other practical contexts the necessity of Graphic Design is inevitable. Whatever we do in our personal or professional life, it must have an artistic representation. For artistic presentation, promotion and publicizing of any product Graphic Design plays the most vital role. So this subject is important from both practical and aesthetic point of views. For unique, creative and artistic design composition - a graphic designer must have strong grammatical and theoretical base of this subject. Department of Graphic Design, Faculty of Fine Art, Dhaka University is working on educating graphic designers of national and international standard since 1948. Department of Graphic Design, Dhaka University offers Bachelor of Fine Art Honours (4 years), Masters of Fine Art (2 years) and PhD programs. In today's global context planning and developing curriculum of world standard is a very challenging work. Then, through continuous assessment - addition and deletion of various courses and topics to ensure professional skill development is a more challenging, complex and difficult task. However, to maintain the standard that Department of Graphic Design has always maintained since its beginning, and to provide all the facilities of modern global context, we have taken this challenge happily. We are very pleased to represent this curriculum as an outcome of the undertaken challenge. -
Empire's Garden: Assam and the Making of India
A book in the series Radical Perspectives a radical history review book series Series editors: Daniel J. Walkowitz, New York University Barbara Weinstein, New York University History, as radical historians have long observed, cannot be severed from authorial subjectivity, indeed from politics. Political concerns animate the questions we ask, the subjects on which we write. For over thirty years the Radical History Review has led in nurturing and advancing politically engaged historical research. Radical Perspec- tives seeks to further the journal’s mission: any author wishing to be in the series makes a self-conscious decision to associate her or his work with a radical perspective. To be sure, many of us are currently struggling with the issue of what it means to be a radical historian in the early twenty-first century, and this series is intended to provide some signposts for what we would judge to be radical history. It will o√er innovative ways of telling stories from multiple perspectives; comparative, transnational, and global histories that transcend con- ventional boundaries of region and nation; works that elaborate on the implications of the postcolonial move to ‘‘provincialize Eu- rope’’; studies of the public in and of the past, including those that consider the commodification of the past; histories that explore the intersection of identities such as gender, race, class and sexuality with an eye to their political implications and complications. Above all, this book series seeks to create an important intellectual space and discursive community to explore the very issue of what con- stitutes radical history. Within this context, some of the books pub- lished in the series may privilege alternative and oppositional politi- cal cultures, but all will be concerned with the way power is con- stituted, contested, used, and abused. -
HIROSHIMA (A Tale of Nuclear Devastation)
留 学 生 紹 介 HIROSHIMA (a tale of nuclear devastation) Division of Bio-chemistry,Faculty of Oral and maxillo facial surgery. SULTANA SARA ・Well, I t ried t o stop time com- pletely,but now its almost the ending t i m e t o w r i t e s o m e t h i n g f o r students of Dental school in J ournal S HIG AKUBU- very well than me but as a foreig n NEWS . S o, i decided to write student I want to share my experi- about me,, It has many thing s to do ence with you !! with having a boring (i mean won- ・Hiroshima, the one of the big g est derful) life. (Ha !! J ust kidding of city in J apan. Offcourse one of the course) beautiful city also. The people who ・To beg in, I turned twenty eig ht, am want to visit Hiroshima now mig ht a wife, mother of one boy and 2nd be surprised to see its beauty now. year student of Niig ata university But the city was not like this after 6 (feeling proud) toward earning a th aug ust 1945. it was the time 8.15 phd deg ree. Anywayz, today I like when the clock stopped. to share one cock and bull story,, ・It was the worst thing that did by (habing doubt ?? )Its about the story the American during any world war about Hiroshima. Thoug h I am sure so far. every japanees knows the story ・There are a lot of innocent people killed who never know why they were killed, they never even in the dream cannot imag ine that why they are suffering still now, they effect of the bombing are still continued in new g eneration.