ATLANTA Artsmemorial ARTS CENTER JANUARY 1976

Total Page:16

File Type:pdf, Size:1020Kb

ATLANTA Artsmemorial ARTS CENTER JANUARY 1976 AtlantaTHE MONTHLY MAGAZINE OF THE ATLANTA MEMORIAL ARTS CENTER Arts JANUARY 1976 Of Special Interest AT THE CENTER im___________________ ALLIANCE THEATRE COMPANY Alliance Theatre Kicks Off Season with 'The Last Meeting of the Knights of the White Magnolia' On January 15, the Alliance Theatre begins its 1976 season at the Atlanta Memorial Arts Center with a fantastically funny and completely new work—The Meeting of the Knights of the White Magnolia. The production is made possible through the American Play­ wrights Theatre, an organization that promotes the production of new plays by regional member theatres before the rights become tied up for years on Broadway. The Last Meeting of the Knights of the White Magnolia has been scheduled to open on Broadway this spring and will be presented in at least fifteen theatres across the country this year. It has already played to Dallas audiences in addition to a tremendously acclaimed run at Washing­ ton D. C.’s Arena Stage. In White Magnolia, Preston Jones, a significant new voice in the American theatre, and the play’s author, looks at the raucous, discombobulated meeting of a fraternal lodge and its remaining seven members. The play, part of a trilogy about life and mores in a small Texas town, deals with these seven deadbeats as they try ineffectually to carry on a faded tradition of white sheets and blazing crosses (they found the KKK too liberal). Devoted to domino playing, drinking and reminiscing the “good of times” during their meetings, the fiction of a brotherhood is frittered f/ott r 6e.it fure away—the eventual break-up of the group is a moving experience. The characters are O a so well developed that one can imagine their lives extending beyond their shabby y aianwwL meeting room. Things may have been mis­ guided and silly in the lodge hall but that was better than empty, leaving a group of small people to face their small lives. The playwright has not created characters, but authentic people, laughable for all their Tiffany&Co. PHIPPS PLAZA faults and rich in their idiosyscrycies- the ATLANTA Life Insurance is the most personal product you'll ever buy ... make sure your agent is a professional who cares about you. Tom Flournoy,III,CLU 2 Peachtree St. Atlanta 18TH CENTURY STYLE DOUBLE BONNET SECRETARY faithfully reproduced by Henredon, where pride in one's work will never be a thing of the past. $1165. playgoer will find himself completely involved in their plight. Preston Jones is being heralded by critics as an important new spokesman in We bid you American theatre. What William Inge did for Kansas, and Thornton Wilder did for New Hampshire, Jones is doing for small­ town Texas. The meanness of the big city WELCOME! or the sweet-scented decadence of the Deep South have yet to infect Preston Jones’ We're so happy you've rural landscapes. In his early years, Jones kicked around the Lone Star State as a come to our collections worker for the highway department and a of beautiful clothes for the scale operator at cattle auctions before he joined the Dallas Theatre Center in 1962 as entire family, home fashions, an actor. Two seasons ago, when he was gifts and antiques too. put in charge of programming the Theatre Center’s experimental house, the play- Do stay for luncheon or tea wrighting urge struck. Mr. Jones says of at our Bird Cage restaurant, himself, “Well, I’ve always had a lot of open every shopping day. stories in may head, but never much time to put them down. I finally siad, ‘Gosh, I Lord & Taylor, Phipps Plaza might as well try my hand at a West Texas Peachtree Road between play’ ”—the result of which is the trilogy from which White Magnolia is taken. Wieuca and Lenox Roads The play will be directed by Fred 266-0600 Chappell, Artistic Director of the Alliance Theatre’s 1976 season, and will run Monday through Saturday through January 31. 10:00 a.m. to 600 p.m. In past seasons at the Alliance Theatre, Monday and Thursday Fred Chappell has directed such outstand­ ing productions as A Midsummer Night’s evenings until 900 p.m. Dream, The Crucible, The Boyfriend, Romeo and Juliet, Cat on a Hot Tin Roof, Oh, Coward!, Jacques Brel, and Tobacco Road. Mr. Chappell returns to the Alliance Theatre after opening Don Tucker’s new musical Same Painted Pony in New York. He recently completed his second highly successful summer season as Artistic Director of the Cortland Repertory Theatre in Cortland, New York. In addi­ tion to his work as director of various off- Broadway productions and other major theatre productions around the country, Mr. Chappell is an accomplished actor as well. He appeared on Broadway in Theatre Atlanta’s production of Red, White and Maddox; with Vincent Price in Oliver; with Ann Miller in Marne: and Bob Cummings and Mamie Van Doren in How to Succeed in Business without Really Trying. Mr. Chappell will direct the majority of the season with guest directors 18th (Century ‘Pegency chair with faux bamboo turnings from our 'Baker furniture collection. fA volume 400 page 'Baker Book, $15.00. 430 (^Merchandise etMart, Chicago 60654- ‘Distinguished manufacturer and distributor through your interior designer or furniture retailer. Showrooms in cAtlanta, Chicago, Cleveland, “Dallas, Qrand ‘papids, SHigh ‘Point, ^Houston, bos <5Angeles, efMiami, J\(ew york, ‘Philadelphia, San Francisco. to be announced. The Miracle Worker, the life story of Helen Keller, playing from Sears February 5 to February 21 will follow The Last Meeting of the Knights of the White Magnolia. Other plays to be presented are To Be Young, Gifted and Black; The Skin So many ways to of Our Teeth; The Time of Your Life; and Shop at Sears The Tempest. Season subscriptions will be available at the Art Center Box Office and and SAVE! the Alliance Theatre business offices at 15 16th-Street. 7 BIG DEPT. STORES Subscription tickets will also be availabe open every night and Sunday afternoons on January 2 at various shopping malls throughout the city, as well as Peachtree 19 Appliance Catalog Stores Center, Central City Park, Underground all around the Atlanta area Atlanta, Colony Square, the new Buck­ head Park, and other locations in the 24 Hour Catalog Shopping Atlanta area. Theatre and motel marquees by phone from home, call 892-4242 in the city will be proclaiming this day as Alliance Theatre Day, and women Surplus, Bargain Stores representing the Theatre Guild will be with closeouts from catalog and stores manning information booths to aid Atlanta theatregoers and promote the Special Services Alliance Theatre bicentennial season of SEARS CARPET CLEANING plays. The Honorable Mayor Maynard call 351-4082 Jackson has officially declared January 2, 1976, Alliance Theatre Day in recognition SEARS DRAIN & SEWER SERVICE of the service theTheatre has rendered to call 875-6601 the city in past years. He hopes that support of the South’s leading quality thea­ SEARS DRIVING SCHOOL tre will grow still further in the future. To call 352-3400 top off January 2 as Alliance Theatre Day, FLOWERS BY SEARS a telethon will be held at Lenox Square call 325-0337 (Atlanta) with booths and displays to better acquaint or 422-0656 (Marietta) the Atlanta public with the 1976 Alliance Theatre’s Salute to America Season. Sea­ SEARS MEAT & FROZEN FOOD son ticket information will be available at call 325-5359 Lenox Square and elsewhere in the city on that date in addition to the Arts Center SEARS RENT-A-CAR Box Office and the Theatre itself. Call call 261-6700 (Buckhead) or 659-5010 (Downtown) 892-2797 for information. ATLANTA CHILDREN'S THEATRE SEARS TERMITE & PEST CONTROL call 351-4082 Androcles and the Lion, a bright fast- PLEASE SEE YOUR TELEPHONE DIRECTORY paced musical for the young, is the current FOR MANY MORE production of the Atlanta Children’s Theatre, running January 6 through February 18 on the Alliance Theatre stage of the Memorial Arts Center. Adapted by Aurand Harris, the play is based on an Italian tale written in the style of Commedia dell’arte. This form of drama was born in Italy in the middle of FROM THE PRESTIGE PACESETTER. PHONE 881-9900 f ’ TWO ON THE ISLES Heller has 2 local offices in the Caribbean and 6 in the Southeast to give you on-the-spot business loans. LENDING MORTGAGE DEPARTMENT DEPARTMENT • Accounts Receivable • Real Estate Loans Financing • Land Acquisition Loans • Equipment Leasing • First and Second • Inventory Loans Mortgages • Overseas Financing • Construction Loans of Georgia ■llUUH Atlanta, Georgia: 100 Northcreek, Suite 640. 404-261-6840 ■ Birmingham, Ala. ■ Miami, Fla. ■ Columbia, S.C. ■ New Orleans, La. ■ Jacksonville, Fla. ■ San Juan, P.R. ■ Kingston, Jamaica THE ALLIANCE THEATRE COMPANY DAVID BISHOP, Producing Director presents THE LAST MEETING OF THE KNIGHTS OF THE WHITE MAGNOLIA by PRESTON JONES with Bob Lawrence Mitchell Edmonds Theodore Martin Alfred Hinckley J. Frank Lucas David Harscheid Philip Pleasants Brad Blaisdell Jim Baker Directed by FRED CHAPPELL Production Designer Lighting by MICHAEL STAUFFER MICHAEL LAYTON Costume Designer Production Stage Manager PATRICIA McMAHON stephen j. McCorkle Production Manager Technical Director DAN B. SEDGWICK ERIK MAGNUSON IN 1907, JACK DANIEL’S NEPHEW said, “All Goods Worth Price Charged.” We’re still saying it in times like these. Mr. Lem Motlow put this slogan on jugs and crocks of his uncle’s whiskey. You see, he knew that no other whiskey was made with pure, iron-free water. And that other distiller mellowed his product through hard maple charcoal before aging. Mr. Motlow knew value when he saw it.
Recommended publications
  • Frank Zappa and His Conception of Civilization Phaze Iii
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2018 FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III Jeffrey Daniel Jones University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2018.031 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Jones, Jeffrey Daniel, "FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III" (2018). Theses and Dissertations--Music. 108. https://uknowledge.uky.edu/music_etds/108 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies.
    [Show full text]
  • The Music of Frank Zappa MUGC 4890-001 • MUGC 5890-001 Dr
    The Music of Frank Zappa MUGC 4890-001 • MUGC 5890-001 Dr. Joseph Klein" III. Social and Cultural Context" Cultural Context — 1940s & 50s: Post-War Period " Cultural Context — 1940s & 50s: Family and Lifestyle" Cultural Context — 1940s & 50s: Cold War & “Red Menace”" Cultural Context — 1940s & 50s: Cold War & “Red Menace”" Cultural Context — 1950s: B Movies" Cultural Context — 1950s: B Movies" “Zombie Woof”! “Cheepnis”! “The Radio is Broken”! Overnite Sensation ! (1973)! ! Roxy & Elsewhere ! (1974)! The Man From Utopia ! (1983)! Cultural Context — 1960s: Civil Rights Movement" Cultural Context — 1960s: Great Society, Viet Nam War" Cultural Context — 1960s: Hippie Culture & Flower Power" Cultural Context — 1970s: Watergate, Recession" Cultural Context — 1970s: Disco Era" Cultural Context — 1990s: Collapse of the Soviet Union" Archetypes in the Project/Object" § Suzy Creamcheese" §! Hippies" §! Plastic People" §! Pachucos" §! Lonesome Cowboy Burt" §! Bobby Brown" §! Jewish American Princess" §! Catholic Girls" §! Valley Girl" §! Charlie (“kinda young, kinda wow…”)" §! Debbie" §! Thing-Fish (composite archetypes)" “Who Needs the Peace Corps?” (We’re Only In It for the Money, 1968)" I'll stay a week and get the crabs and! Take a bus back home! I'm really just a phony! But forgive me! 'Cause I'm stoned Every town must have a place! Where phony hippies meet! Psychedelic dungeons! Popping up on every street! GO TO SAN FRANCISCO . How I love ya, How I love ya! How I love ya, How I love ya Frisco!! How I love ya, How I love ya! What's there to live for?! How I love ya, How I love ya! Who needs the peace corps?! Oh, my hair is getting good in the back! Think I'll just DROP OUT! Every town must have a place! I'll go to Frisco! Where phony hippies meet! Buy a wig & sleep! Psychedelic dungeons! On Owsley's floor Popping up on every street ! Walked past the wig store! GO TO SAN FRANCISCO .
    [Show full text]
  • A Spasso Con Frank
    Giordano Montecchi A SPASSO CON FRANK Melologo underground intorno al grande Frank Zappa da Baltimora reinvenzioni zappiane di Giorgio Casadei e Emilio Galante 0 [SENZA MUSICA] A Mister Edgard Varèse, 188 Sullivan Street, New York. Agosto 1957 Gentile Signore, forse ricorderà la mia stupida telefonata dello scorso gennaio... Mi chiamo Frank Zappa e ho 16 anni. Le sembrerà strano ma è da quando ho 13 anni che mi interesso alla sua musica. All’epoca l’unica formazione musicale che avevo era qualche rudimento di tecnica del tamburo. Negli ultimi due anni però ho composto alcuni brani musicali utilizzando una rigorosa tecnica dei dodici suoni con risultati che ricordano Anton Webern. Ho scritto due brevi quartetti per fiati e una breve sinfonia per legni ottoni e percussioni. Ultimamente guadagno qualche soldo per mantenermi con la mia blues band, The Blackouts. Dopo il college conto di continuare a comporre e penso mi sarebbero veramente utili i consigli di un veterano come lei. Se mi permettesse di farle visita anche solo per poche ore gliene sarei molto grato. Le sembrerà strano ma penso proprio di avere qualche nuova idea da offrirle in materia di composizione. La prego di rispondermi il più presto possibile perché non resterò a lungo a questo indirizzo. La ringrazio per l’attenzione. Cordiali saluti Frank Zappa Jr. ................... 2 1 PEACHES EN REGALIA [VAMP] I duri del rock lo sentono come loro proprietà esclusiva, come profeta anti- establishment. Gli accademici lo tollerano in quanto compositore... un’eccezione! per il mondo del rock. Chi lo vuole un giullare simbolo della trasgressione più anarcoide.....
    [Show full text]
  • Compositions-By-Frank-Zappa.Pdf
    Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish).
    [Show full text]
  • Absolutely Free the Mothers of Invention
    Absolutely Free The Mothers Of Invention original release Verve V/V6 5013 (LP), June 1967 current release Zappa ZR 3835 (CD), July 2012 This album was recorded at TTG Studios it came time to do the second album they spent a in Los Angeles in November 1966. At that grand total of $11,000. We had one day with 15 time, the Mothers consisted of Jimmy Carl minutes per song to do the vocals.2 Black (drums, vocals), Ray Collins (vocals), Roy Estrada (bass, vocals), Jim Fielder On the other hand, Absolutely Free had a (twelve-string guitar), Bunk Gardner (wood- higher promotion budget — $25,000 — and winds), Billy Mundi (drums), Don Preston reached #41 on the album chart. (keyboards), and FZ (guitar, vocals). Jim The cover art is by FZ himself. Fielder quit the band in February 1967, so I am doing the complete layout on the album his name does not appear in the credits. Jim cover this time . I went out and charged $130 [Motorhead] Sherwood’s name appears in worth of art supplies to MGM, which gives me smaller type than the others; he had been like a complete studio up there in this dingy little promoted from roadie to band member hotel room that I’m staying in. Yesterday I sat in between the time the album was recorded my chair for thirteen and a half hours. I’m doing and the time it was released. Other musi- the mechanicals, the whole bullshit for putting cians heard on the album are John Balkin this thing together.
    [Show full text]
  • RWSO STARR Wniolmmti BIOL
    RWSO STARR WniOlMMti BIOL «W M«»«*»® »’ M MOTHS«« OT IH««««®« • »amk sm** - ■• «ÜKK^VOMMM -■••’ HOWAKO KAYIAM SAM WMOtMWOO» AYNSUV OVWBA« , 6ÍO8GÍ MH« TMS MOYAS'J’HUHAMMO«*« ORCHtJT1A DIVADLO NEJEN K SMÍCHU Sito piayaM MMS S4tto©M> SWaFsw 1. SEMI-FRAUDULENT/DIRECT-FROM- 1. A NUN SUIT PAINTED ON SOME 233 HOLLYWOOD OVERTURE 1. TOURING CAN MAKE YOU CRAZY OLD BOXES 1 143 Z WOULD YOU LIKE A SMACK? 143 2. MAGIC FINGERS 3 56 2. MYSTERY ROACH 1 REDNECK EATS 333 3. MOTORHEAD'S MIDNIGHT RANCH J. DANCE OF THE ROCK * ROLL SM«T1irw INTERVIEWERS 4. CENTERVILLE 241 4. DEW ON THE NEWT8 WE GOT 1:10 4. THIS TOWN IS A SEALED TUNA 5. SHE PAINTED UP HER PACE 142 1. I'M STEALING THE TOWELS 2:14 S. THE LAD SEARCHES THE NIGHT FOR 0:41 SANDWICH (protoQU») 048 E JANETS BIG DANCE NUMBER 1:18 Z DENTAL HYGEINE DILEMMA •:12 HIS NEWTS I 5. TUNA FISH PROMENADE 240 7. HALF A DOZEN PROVOCATIVE 1 DOES THIS KIND OF LIFE LOOK • THE GIRL WANTS TO FIX HIM SOME BROTH 1:10 S. DANCE OF THE JUST PLAIN FOLKS SQUATS 137 INTERESTING TO YOU? 3.00 311 7. THE GIRL'S DREAM 0:56। 7. THIS TOWN IS A SEALED TUNA & MYSTERIOSO 0:43 4. DADDY. DADDY. DADDY E LITTLE SCRATCHY SWEATERS SANDWICH 030 & SHOVE IT RIGHT IN 242 S. PENIS DIMENSION GREEN & COURDUROY PONCE 141 8. THE SEALED TUNA BOLERO 1:40 10. LUCY'8 SEDUCTION OF A BORED 8. WHAT WILL THIS EVENING BRING ME 8. STRICTLY GENTEEL (th# Iinan) 11 09 9.
    [Show full text]
  • Charles Ulrich a Guide to the Recorded Works of Frank Zappa
    A Guide To The The Recorded Works Big Of Frank Note Zappa Charles Ulrich vancouver :: new star books :: 2018 New Star Books Ltd. 107 – 3477 Commercial Street 1517 – 1574 Gulf Road Vancouver, BC V5N 4E8 canada Point Roberts, WA 98281 usa www.NewStarBooks.com Copyright Charles Ulrich 2018. All rights reserved. No part of this work may be repro- duced, stored in a retrieval system or transmitted, in any form or by any means, without the prior written consent of the publisher or a licence from the Canadian Copyright Licensing Agency (Access Copyright). The publisher acknowledges the financial support of the Canada Council for the Arts and the British Columbia Arts Council. Cataloguing information for this book is available from Library and Archives Canada, www.collectionscanada.gc.ca. Cover design & illustration by Rayola Creative Printed and bound in Canada by Friesens Printing Published Mother’s Day 2018 :: Second printing, with corrections, August 2018 . Contents introduction: Frank Zappa’s jeff simmons 86 Project/Object ix Civilization Phaze III 89 The Touring Chronology xxviii working version 90 Acknowledgments xli ali n. askin 99 Conceptual Continuity 719 Absolutely Free 1 ‘Congress Shall Make No Law . .’ 104 igor stravinsky 4 Cruising With Ruben & The Jets 108 jim fielder 7 ray collins 110 Ahead Of Their Time 12 Dance Me This 118 jim ‘motorhead’ sherwood 14 tuvan throat singing 119 Anyway The Wind Blows 712 kaigal-ool khovalyg, anatolii Apostrophe(’) 18 kuular, kongar-ool ondar 122 ralph humphrey 20 Disconnected Synapses 720 ruben
    [Show full text]
  • Barking Pumpkin Discography
    Barking Pumpkin Discography Barking Pumpkin was Frank Zappa’s label in the 1980s until his death in 1993. Originally distributed by CBS, its distribution switched to Capitol in 1984. Early releases (part of CBS numbering system): PW2 37336 – Tinsel Town Rebellion – Frank Zappa [5/81] 2-LP set. Fine Girl/Easy Meat/For the Young Sophisticate//Love of My Life/I Ain’t Got No Heart/Panty Rap/Tell Me You Love Me//Dance Contest/The Blue Light/Tinsel Town Rebellion/Pick Me, I’m Clean//Bamboozled by Love/Brown Shoes Don’t Make It/Peaches III PW2 37537 – You Are What You Is – Frank Zappa [9/81] 2-LP set. FW 38066 – Ship Arriving Too Late to Save a Drowning Witch – Frank Zappa [5/82] No Not Now/Valley Girl/I Come from Nowhere//Drowning Witch/Envelopes/Teen-Age Prostitute W3X 38289 – Shut Up ‘n Play Yer Guitar – Frank Zappa [1982] 3-LP set. Originally sold as three separate volumes by mail order. (BPR 1111, 1112 and 1113). FW 38403 – The Man from Utopia – Frank Zappa [3/83] Cocaine Decisions/The Dangerous Kitchen/Tink Walks Amok/The Radio is Broken/Moggio//The Man from Utopia Meets Mary Lou/Stick Together/SEX/The Jazz Discharge Party Hats/We Are Not Alone FW 38820 – London Symphony Orchestra Vol. I – Frank Zappa [6/83] Sad Jane/Pedro’s Dowry/Envelopes//Mo & Herb’s Vacation: First Movement/Mo & Herb’s Vacation: Second Movement/Mo & Herb’s Vacation: Third Movement 74200 Series (distributed by Capitol): SVBO-74200 – Them or Us – Frank Zappa [1984] 2-LP set.
    [Show full text]
  • Frank Zappa Sex and Popular Music Book Chapter
    »MAKE A SEX NOISE HERE«: FRANK ZAPPA, SEX AND POPULAR MUSIC Paul Carr Throughout his controversial career, Frank Zappa was often associated with provocative music, which challenged society's understanding of the First Amendment. Although his very public confrontation with the Parents Music Resource Centre (PMRC) in September 1985 is probably the pinnacle of his antipathy toward state prescribed restrictions, it is apparent that his entire compositional portfolio is littered with both overt and more subliminal ref- erences to sex. One of the first instances of this practice occurred in 1964 after Zappa was arrested and imprisoned for producing an audiotape of si- mulated sexual acts while still a jobbing musician, and was to continue for the next three decades. There is a matrix of sexual reference to Zappa's oeuvre, with examples ranging from seemingly immature references to sex,1 to quasi-moral narratives about sexually transmitted diseases,2 to sex as a conduit for social and religious satire,3 to sustained science fiction visions of sexual dystopia,4 to conspiracy driven accounts of the rise of AIDS,5 to humorous narratives about sex appliances,6 to the voyeuristic orgasm through torture dystopia of »The Torture Never Stops« on Zoot Allures (1976). Zappa rationalized his liberalistic views on sex by stating that the ›sex equals sin‹ propaganda instilled by pressure groups such as the PMRC only resulted in the institutionalization of the »neurotic misconception that keeps pornographers in business« (Courier 2002: 416) and that lack of sex had the potential to result in some of the USA's social problems.
    [Show full text]
  • Conceptual Continuities: Tropes, Themes, and Obsessions
    The Music of Frank Zappa (MUGC 4890-027/5890-028) 01/17/15 Dr. Joseph Klein — Spring 2015 CONCEPTUAL CONTINUITIES: TROPES, THEMES, AND OBSESSIONS Vegetables (& fruit) • String Beans to Utah: “Truck Driver Divorce” (Them or Us); “No Not Now” (Thing Fish) • “Mr. Green Genes” (Uncle Meat) • “Call Any Vegetable” (Absolutely Free) • Pumpkins: Barking Pumpkin records; “Invocation & Ritual Dance of the Young Pumpkin” (Absolutely Free) • Potatoes: Bobby (“head like a potato”); Thing Fish • “The Duke of Prunes” (Absolutely Free) • “Peaches en Regalia” (Hot Rats, etc.) Other types of food • Lumpy Gravy • “Cruisin’ For Burgers” (Uncle Meat) • “This Town is a Sealed Tuna Sandwich” (200 Motels) • Cheese: “The Voice of Cheese” (Uncle Meat); liner notes to You Are What You Is • Burnt Weeny Sandwich • Cigarettes & coffee • “Latex Solar Beef” (Fillmore East June 1971) Animals • Poodles: “Cheepnis” (Roxy and Elsewhere); “Dirty Love” (Apostrophe’); “The Poodle Lecture” (Baby Snakes) • Patricia, the dog in the high chair (Them Or Us, The Perfect Stranger, Francesco Zappa) • “Evelyn, A Modified Dog” (One Size Fits All) • “Toads of the Short Forest” (Weasels Ripped My Flesh; “Camarillo Brillo”) • “Mud Shark” (Fillmore East June 1971) • Pigs and Ponies (Lumpy Gravy) • “The Pleated Gazelle” (200 Motels) • “Penguin in Bondage” (Roxy and Elsewhere) • Greggery Peccary (Studio Tan) • Weasels Ripped My Flesh • Hot Rats • “Echidna’s Arf (Of You)” (One Size Fits All) Oral fixation • Food (see above) • Uncle Meat cover • Dental Floss: “Montana” (Overnite Sensation) •
    [Show full text]
  • We're Only It in for the Money
    “We're Only In It For the Money”--Frank Zappa and the Mothers of Invention (1968) Added to the National Registry: 2005 Essay by Ed Komara (guest post)* Original album cover Original label Frank Zappa In 1967, California rock was concentrated in two contrasting cities. One was San Francisco, home of the Grateful Dead and the Jefferson Airplane, and of the then-new magazine “Rolling Stone.” The other was Los Angeles, where lived the Beach Boys, including Brian Wilson, and the Mothers of Invention led by Frank Zappa (1940-1993). In the first two Mothers of Invention albums for MGM-Verve (“Freak Out!” [1966] and “Absolutely Free” [1967]), Zappa chronicled the local “freak” scene while it thrived through 1966. After the crackdown on the music venues that freaks patronized, Zappa and the Mothers went to New York City for several performing residencies. From there, Zappa looked with distaste on the San Francisco “hippie” scene, and had concerns for the youths participating in it. “We’re Only In It For The Money” was what Zappa made of what he observed of the hippie scene. From the disembodied voices that begin the album to the fading last tone of the closing track, “The Chrome Plated Megaphone of Destiny,” Zappa held up a musical mirror to mock every hippie and hippie-wanna-be who migrated to San Francisco during the Summer of Love. “What’s the Ugliest Part of Your Body?” Zappa asks twice on the album as a doo-wop question. His answer each time was “I think it’s your mind.” Zappa appropriated without apology two of the most-played records of 1967, the Beatles’s album “Sgt.
    [Show full text]
  • ATLANTA Artsmemorial ARTS CENTER FEBRUARY 1976 Leggitro E Staceatv I __ 4 S * 1 —— 1 ?
    THEAtlanta MONTHLY MAGAZINE OF THE ATLANTA ArtsMEMORIAL ARTS CENTER FEBRUARY 1976 leggitro e staceatv i __ 4 s * 1 —— 1 ? .. -U... s 7 J; , _ar== . g‘ j-j —z =fL —ZT-..--.-. X] ---------- 4 * p **?«« — . I: ---- z 3fe .. /%; .....z pp:-£---------------...... /V1—*♦- -------------......... — Of Special Interest AT THE CENTER ELSA PERETTI m________________ OPENS HER HEART ATLANTA COLLEGE OF ART FOR VALENTINE’S DAY Art College Studio Set Up 18 karat gold heart To Print Posters on a 15-inch Visitors to the Memorial Arts Center may notice the colorful new Atanta chain, College of Art posters displayed outside $148. the Museum, box office, and Galleria entrances. These posters represent the end­ product of the newest addition to the art college’s facilities, the Sixteenth Street Silkscreen Studio. The Printmaking department presently accomodates equipment for etching, metalplate and stone lithography and silkscreen; this newly added studio, located around the corner from the Arts Center, is equipped to process and print large-sized (42 by 62 inches) silkscreen posters. ATLANTA PHIPPS PLAZA Add $2. for shipping & handling plus sales tax Basically set up as an instructional Design Copyright, Tiffany & Co., 1976 facility, the studio is available to advanced printmaking students to design and print posters commissioned by various members of the Arts Alliance to promote up-coming Regenstein’s salutes the Atlanta Symphony and the outstanding leader­ events, as well as commissions from ship of its League and Women's Associa­ outside clients. Members of the faculty act tion presidents—David Goldwasser and as student advisors, helping with design Mrs. William B. Wylly—overseers of the aesthetics, professional presentation, and Symphony’s 1976 Individual Gifts giving technical guidance.
    [Show full text]