MP3: the Definitive Guide
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Frank Zappa and His Conception of Civilization Phaze Iii
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2018 FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III Jeffrey Daniel Jones University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2018.031 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Jones, Jeffrey Daniel, "FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III" (2018). Theses and Dissertations--Music. 108. https://uknowledge.uky.edu/music_etds/108 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. -
Peer-To-Peer Systems and Massively Multiplayer Online Games
Peer-to-Peer Systems and Massively Multiplayer Online Games Speaker: Jehn-Ruey Jiang CSIE Department National Central University P2P Systems Client/Server Architecture GET /index.html HTTP/1.0 HTTP/1.1 200 OK ... Server Clients 3/66 Peer-to-Peer Architecture Gateway Server Peers 4/66 The architectures Server-based architecture Client-Server / Server-Cluster Problems: Limited resources All loads are centered on the server Server-based architecture has low scalability. The setup and maintenance cost is high. Peer-to-Peer (P2P) architecture Advantages: Distributing loads to all users Users consume and provide resources P2P architecture has high scalability. The setup and maintenance cost is low. The Client Side Today‟s clients can perform more roles than just forwarding users requests Today‟s clients have: more computing power more storage space Thin client Fat client 6/66 Evolution at the Client Side DEC‟S VT100 IBM PC PC @ 4-core 4GHz @ 4.77MHz No storage 300GB HD 360k diskettes „70 „80 2008 7/66 What Else Has Changed? The number of home PCs is increasing rapidly Most of the PCs are “fat clients” As the Internet usage grow, more and more PCs are connecting to the global net Most of the time PCs are idle How can we use all this? Peer-to-Peer (P2P) 8/66 What is peer-to-peer (P2P)? “Peer-to-peer is a way of structuring distributed applications such that the individual nodes have symmetric roles. Rather than being divided into clients and servers each with quite distinct roles, in P2P applications a node may act as both -
Important Notice Regarding Software
Important Notice Regarding Software The software package installed in this product includes software licensed to Onkyo & Pioneer Corporation (hereinafter, called “O&P Corporation”) directly or indirectly by third party developers. Please be sure to read this notice regarding such software. Notice Regarding GNU GPL/LGPL-applicable Software This product includes the following software that is covered by GNU General Public License (hereinafter, called "GPL") or by GNU Lesser General Public License (hereinafter, called "LGPL"). O&P Corporation notifies you that, according to the attached GPL/LGPL, you have right to obtain, modify, and redistribute software source code for the listed software. ソフトウェアに関する重要なお知らせ 本製品に搭載されるソフトウェアには、オンキヨー & パイオニア株式会社(以下「弊社」とします)が 第三者より直接的に又は間接的に使用の許諾を受けたソフトウェアが含まれております。これらのソフト ウェアに関する本お知らせを必ずご一読くださいますようお願い申し上げます。 GNU GPL / LGPL 適用ソフトウェアに関するお知らせ 本製品には、以下の GNU General Public License(以下「GPL」とします)または GNU Lesser General Public License(以下「LGPL」とします)の適用を受けるソフトウェアが含まれております。 お客様は添付の GPL/LGPL に従いこれらのソフトウェアソースコードの入手、改変、再配布の権利があ ることをお知らせいたします。 Package List パッケージリスト alsa-conf-base glibc-gconv alsa-conf glibc-gconv-utf-16 alsa-lib glib-networking alsa-utils-alsactl gstreamer1.0-libav alsa-utils-alsamixer gstreamer1.0-plugins-bad-aiff alsa-utils-amixer gstreamer1.0-plugins-bad-bluez alsa-utils-aplay gstreamer1.0-plugins-bad-faac avahi-autoipd gstreamer1.0-plugins-bad-mms base-files gstreamer1.0-plugins-bad-mpegtsdemux base-passwd gstreamer1.0-plugins-bad-mpg123 bluez5 gstreamer1.0-plugins-bad-opus busybox gstreamer1.0-plugins-bad-rawparse -
Macworld JULY 1999 Macworld JULY 1999 5 Contacts
NEW: SUPER SLIM G3 POWERBOOKS MACWORLD MORE NEWS, MORE REVIEWS JULY 1999 JULY MAC OS ROADMAP • PRO SC Macworldwww.macworld.co.uk ANNERS • REMOVABLE DRIVES • PALM • MP3 DRIVES • PALM ANNERS • REMOVABLE • PIRATES TheThe BestBest … new technologies for your Mac Mac OS 8.6 QuickTime 4 MP3 music Mac OS X Sherlock 2 PowerPC G4 Palm pilots Mac Why this handheld is for you Apple: the movie! We preview the new flick that pits Steve Jobs vs Bill Gates JULY 1999 £4.99 THE BEST NEW TECHNOLOGIES REVEALED Make the most of your Mac – prepare now to read me first Simon Jary, editor-in-chief get the latest top techs working in your Mac: pple only shows off stuff that’s going V-Twin/Sherlock… You promised this stuff three and a half years ago! to ship”, boasted Apple UK’s PR manager Michael Spindler was Apple CEO in those days, for God’s sake. Blackburn A at the launch of the latest system Rovers weren’t just in the Premiership – they were the champions. NEWS: Apple’s Mac OS roadmap. upgrade (see page 51) and the new slim Three and a half years is a very long time indeed in computing. And now PowerBook G3 (page 50). His shipping we’re going to get all that old stuff sold to us as something new this autumn. REVIEWS: QuickTime 4 Pro, OS X Server, forecast referred to a couple of the new features Forget streaming, I should have been steaming. Apple promises we’ll be seeing in the successor But no, I wasn’t mad. -
February Issue
SUPER CD! PLAY THE BEST GAMES FOR FREE! WIN Macworld MORE NEWS, MORE REVIEWS Office FEBRUARY 2001 FEBRUARY 2001 MACWORLD GAME HALL OF FAME • 2-PAGE SCREENS • 3D SCANS • NORTON 6.0 • PHOTOSHOP TEXT 6.0 • PHOTOSHOP SCREENS • 3D SCANS NORTON • 2-PAGE MACWORLD GAME HALL OF FAME Macworldwww.macworld.co.uk Games! Our fave entertainment titles, and what’s coming next! Super-size your screen 14 monster monitors tested, from £489 How to scan 3D objects Take your images to a new dimension Norton Utilities 6.0 Mac system saver reviewed Warp Photoshop text Three simple steps to complex effects read me first Simon Jary USB and FireWire are far more important editor-in-chief than a couple of hundred extra megahertz registering on your Mac’s beige dashboard Upgrade your mentality he sad news that brave Mac-upgrade maker That Apple logo is multicoloured, which should Newer Technology has ceased trading wasn’t alert you to the fact that my Power Mac is decidedly entirely unexpected. There’s little point upgrad- beige – and not one of those blue-&-white models that T ing your Mac’s processor nowadays, despite the were released when Steve Jobs let Apple designer proliferation of long-lasting older models. Don’t get me Jonathan Ive out of his polycarbonate cage. The beige wrong – if you own a pre-G3 Mac, you desperately need doesn’t bother me. My home office is cream and to upgrade. But the upgrade you really need is to a new brown, so it fits in rather nicely. Only the silver Hewlett- computer, not a faster processor. -
The Music of Frank Zappa MUGC 4890-001 • MUGC 5890-001 Dr
The Music of Frank Zappa MUGC 4890-001 • MUGC 5890-001 Dr. Joseph Klein" III. Social and Cultural Context" Cultural Context — 1940s & 50s: Post-War Period " Cultural Context — 1940s & 50s: Family and Lifestyle" Cultural Context — 1940s & 50s: Cold War & “Red Menace”" Cultural Context — 1940s & 50s: Cold War & “Red Menace”" Cultural Context — 1950s: B Movies" Cultural Context — 1950s: B Movies" “Zombie Woof”! “Cheepnis”! “The Radio is Broken”! Overnite Sensation ! (1973)! ! Roxy & Elsewhere ! (1974)! The Man From Utopia ! (1983)! Cultural Context — 1960s: Civil Rights Movement" Cultural Context — 1960s: Great Society, Viet Nam War" Cultural Context — 1960s: Hippie Culture & Flower Power" Cultural Context — 1970s: Watergate, Recession" Cultural Context — 1970s: Disco Era" Cultural Context — 1990s: Collapse of the Soviet Union" Archetypes in the Project/Object" § Suzy Creamcheese" §! Hippies" §! Plastic People" §! Pachucos" §! Lonesome Cowboy Burt" §! Bobby Brown" §! Jewish American Princess" §! Catholic Girls" §! Valley Girl" §! Charlie (“kinda young, kinda wow…”)" §! Debbie" §! Thing-Fish (composite archetypes)" “Who Needs the Peace Corps?” (We’re Only In It for the Money, 1968)" I'll stay a week and get the crabs and! Take a bus back home! I'm really just a phony! But forgive me! 'Cause I'm stoned Every town must have a place! Where phony hippies meet! Psychedelic dungeons! Popping up on every street! GO TO SAN FRANCISCO . How I love ya, How I love ya! How I love ya, How I love ya Frisco!! How I love ya, How I love ya! What's there to live for?! How I love ya, How I love ya! Who needs the peace corps?! Oh, my hair is getting good in the back! Think I'll just DROP OUT! Every town must have a place! I'll go to Frisco! Where phony hippies meet! Buy a wig & sleep! Psychedelic dungeons! On Owsley's floor Popping up on every street ! Walked past the wig store! GO TO SAN FRANCISCO . -
A Spasso Con Frank
Giordano Montecchi A SPASSO CON FRANK Melologo underground intorno al grande Frank Zappa da Baltimora reinvenzioni zappiane di Giorgio Casadei e Emilio Galante 0 [SENZA MUSICA] A Mister Edgard Varèse, 188 Sullivan Street, New York. Agosto 1957 Gentile Signore, forse ricorderà la mia stupida telefonata dello scorso gennaio... Mi chiamo Frank Zappa e ho 16 anni. Le sembrerà strano ma è da quando ho 13 anni che mi interesso alla sua musica. All’epoca l’unica formazione musicale che avevo era qualche rudimento di tecnica del tamburo. Negli ultimi due anni però ho composto alcuni brani musicali utilizzando una rigorosa tecnica dei dodici suoni con risultati che ricordano Anton Webern. Ho scritto due brevi quartetti per fiati e una breve sinfonia per legni ottoni e percussioni. Ultimamente guadagno qualche soldo per mantenermi con la mia blues band, The Blackouts. Dopo il college conto di continuare a comporre e penso mi sarebbero veramente utili i consigli di un veterano come lei. Se mi permettesse di farle visita anche solo per poche ore gliene sarei molto grato. Le sembrerà strano ma penso proprio di avere qualche nuova idea da offrirle in materia di composizione. La prego di rispondermi il più presto possibile perché non resterò a lungo a questo indirizzo. La ringrazio per l’attenzione. Cordiali saluti Frank Zappa Jr. ................... 2 1 PEACHES EN REGALIA [VAMP] I duri del rock lo sentono come loro proprietà esclusiva, come profeta anti- establishment. Gli accademici lo tollerano in quanto compositore... un’eccezione! per il mondo del rock. Chi lo vuole un giullare simbolo della trasgressione più anarcoide..... -
Zvukový Formát Mp3
UNIVERZITA PARDUBICE DOPRAVNÍ FAKULTA JANA PERNERA KATEDRA ELEKTROTECHNIKY, ELEKTRONIKY A ZABEZPEČOVACÍ TECHNIKY V DOPRAVĚ ZVUKOVÝ FORMÁT MP3 BAKALÁŘSKÁ PRÁCE AUTOR PRÁCE: Petr Gregar VEDOUCÍ PRÁCE: RNDr. Jan Hula 2007 UNIVERZITY OF PARDUBICE JAN PERNER TRAFFIC FACULTY DEPARTMENT OF ELECTRICAL AND ELECTRONICAL ENGINEERING AND SIGNALLING IN TRANSPORT SOUND FORMAT MP3 BACHELOR WORK AUTOR: Petr Gregar SUPERVIZOR: RNDr. Jan Hula 2007 PROHLÁŠENÍ Tuto práci jsem vypracoval samostatně. Veškeré literární prameny a informace, které jsem v práci využil, jsou uvedeny v seznamu použité literatury. Byl jsem seznámen s tím, že se na moji práci vztahují práva a povinnosti vyplývající ze zákona č. 121/2000 Sb., autorský zákon, zejména se skutečností, že Univerzita Pardubice má právo na uzavření licenční smlouvy o užití této práce jako školního díla podle § 60 odst. 1 autorského zákona, a s tím, že pokud dojde k užití této práce mnou nebo bude poskytnuta licence o užití jinému subjektu, je Univerzita Pardubice oprávněna ode mne požadovat přiměřený příspěvek na úhradu nákladů, které na vytvoření díla vynaložila, a to podle okolností až do jejich skutečné výše. Souhlasím s prezenčním zpřístupněním své práce v Univerzitní knihovně Univerzity Pardubice. V Pardubicích dne 8. 5. 2007 …..…………………………… Petr Grgear SOUHRN Bakalářská práce se zabývá popisem kódování digitálně uložených zvukových dat podle standardu MPEG – 1 Layer III (MP3) a strukturou takto vytvořeného souboru. V úvodní části jsou popsány základní pojmy jako zvuk, vnímání zvuků lidským uchem, způsob záznamu zvuku v číslicové formě či princip reprodukce zvuku. Druhá část se věnuje historii formátu od počátků jeho vývoje až do současnosti. Následuje vlastní popis standardu MP3. Významnou výhodou formátu MP3 jsou i tzv. -
Isma Internet Streaming Media Alliance
ISMA INTERNET STREAMING MEDIA ALLIANCE Output Document Number TD00105 November 2007 TITLE: ISMA Ultravox Part 2: Ultravox 3.0 Protocol Specification Status: Provisional Specification © 2007 ISMA12/14/2007ISMA Ultravox Part 2: Ultravox 3 Protocol Provisional Specification 1 Table of Contents Abstract...........................................................................................................................3 1 Ultravox Protocol.........................................................................................................4 1.1 Overview...............................................................................................................4 1.2 Ultravox Frames....................................................................................................4 1.3 Encrypted Messages (Payload for any classes 3-15)...............................................5 2 Ultravox Broadcaster Protocol......................................................................................6 2.1 POST Headers.......................................................................................................6 2.1.1 Required Headers............................................................................................7 2.1.2 Optional Arguments........................................................................................7 2.2 Response Codes.....................................................................................................7 2.3 Response Headers..................................................................................................8 -
Analisis Implantación Software Libre
Libro Blanco Software libre en España. Libro Blanco del Software Libre en España 2003 Derecho de Autor © A.Abella, J. Sánchez, R.Santos y M.A.Segovia Permiso para copiar, distribuir y/o modificar este documento bajo los términos de la Licencia de Documentación Libre GNU, Versión 2 o cualquier otra versión posterior publicada por la Free Software Foundation; con las Secciones Invariantes 1. Principales conclusiones 2. Pan, piedras y software libre 3. Repercusión socioeconómica del software libre 4. El futuro del software libre en España 5. Desafíos a superar por el software libre y siendo Libro Blanco software libre en España 2003 el texto de la Cubierta Frontal, y sin texto de la Cubierta Posterior. Una copia de la licencia es incluida en la sección titulada "Licencia de Documentación Libre GNU". 2003© A.Abella, J.Sanchez, R.Santos y M.A. Segovia Libro Blanco software libre en España 2003. Versión 0.997-2003 1.Objetivo del libro blanco .....................................................................6 2.Conclusiones del libro blanco .............................................................7 Conclusiones generales.................................................................................7 Conclusiones políticas....................................................................................8 Conclusiones técnicas y empresariales.......................................................9 3.Patrocinadores ...................................................................................11 4.Introducción. El software y el software -
Release 0.23~Git Max Kellermann
Music Player Daemon Release 0.23~git Max Kellermann Sep 24, 2021 CONTENTS: 1 User’s Manual 1 1.1 Introduction...............................................1 1.2 Installation................................................1 1.3 Configuration...............................................4 1.4 Advanced configuration......................................... 12 1.5 Using MPD................................................ 14 1.6 Advanced usage............................................. 16 1.7 Client Hacks............................................... 18 1.8 Troubleshooting............................................. 18 2 Plugin reference 23 2.1 Database plugins............................................. 23 2.2 Storage plugins.............................................. 24 2.3 Neighbor plugins............................................. 25 2.4 Input plugins............................................... 25 2.5 Decoder plugins............................................. 27 2.6 Encoder plugins............................................. 32 2.7 Resampler plugins............................................ 33 2.8 Output plugins.............................................. 35 2.9 Filter plugins............................................... 42 2.10 Playlist plugins.............................................. 43 2.11 Archive plugins.............................................. 44 3 Developer’s Manual 45 3.1 Introduction............................................... 45 3.2 Code Style............................................... -
A Reference for the Scene Page 1
WareZ101.org - A Reference For The Scene Page 1 Home *Articles* Downloads Discussion Forum Search Links Contact Us December 17 2006 07:38:33 What are these files I downloaded? How do I "open" them? Login This article will discuss the following popular download formats: Username *Official Scene Releases (RAR splits) Password *Single ZIP Files *Single RAR Files *Single TAR Files Login *ISO Files *BIN/.CUE Files Not a member *IMG Files (CD's, 700 MB and under) yet? *IMG Files (DVD's, 4.4 GB and under) Click here to *MDF/.MDS Files register. *CCD/.IMG/.SUB Files *MP3/.M3U Files Forgotten your *WMA Files password? *OGG Files Request a new *AVI Files one here. *MPG/.MPEG Files *VCD Files & Folders Users Online *SVCD Files & Folders *VOB/.IFO/.BUP Files Guests Online: 1 --- No Members Online Official Scene Release Format Registered Example: Members: 94 Newest Member: NoX Latest Articles Coded Anti- Piracy The Bittorrent Bible... Secrets of the Pirat... How to use Daemon Tools How to Convert DVDs ... Member Poll What's your primary source of warez? FTP Servers (Public) FTP Servers (Private) http://warez101.org/readarticle.php?article_id=36 17/12/2006 06:39:09 PM WareZ101.org - A Reference For The Scene Page 2 HTTP Servers Torrent Sites E-Mule Sites P2P Application(s) IRC Servers Other You must login to vote. Shoutbox You must login to post a message. 5cr3w3d DATE: 02/09/2006 17:52 Testing 1-2-3 I have somehow NOTE: This particular release contains 3CD's, as you can see above. Your particular release may not have found my way these folders, all the RAR's, .NFO and .SFV files may be in a single folder with no subfolders.