Alexis Duo Songlist 4 Non Blondes What's up Abba Dancing Queen
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4 Non Blondes What's up Abba Medley Mama
4 Non Blondes What's Up Abba Medley Mama Mia, Waterloo Abba Does Your Mother Know Adam Lambert Soaked Adam Lambert What Do You Want From Me Adele Million Years Ago Adele Someone Like You Adele Skyfall Adele Turning Tables Adele Love Song Adele Make You Feel My Love Aladdin A Whole New World Alan Silvestri Forrest Gump Alanis Morissette Ironic Alex Clare I won't Let You Down Alice Cooper Poison Amy MacDonald This Is The Life Amy Winehouse Valerie Andreas Bourani Auf Uns Andreas Gabalier Amoi seng ma uns wieder AnnenMayKantenreit Barfuß am Klavier AnnenMayKantenreit Oft Gefragt Audrey Hepburn Moonriver Avicii Addicted To You Avicii The Nights Axwell Ingrosso More Than You Know Barry Manilow When Will I Hold You Again Bastille Pompeii Bastille Weight Of Living Pt2 BeeGees How Deep Is Your Love Beatles Lady Madonna Beatles Something Beatles Michelle Beatles Blackbird Beatles All My Loving Beatles Can't Buy Me Love Beatles Hey Jude Beatles Yesterday Beatles And I Love Her Beatles Help Beatles Let It Be Beatles You've Got To Hide Your Love Away Ben E King Stand By Me Bill Withers Just The Two Of Us Bill Withers Ain't No Sunshine Billy Joel Piano Man Billy Joel Honesty Billy Joel Souvenier Billy Joel She's Always A Woman Billy Joel She's Got a Way Billy Joel Captain Jack Billy Joel Vienna Billy Joel My Life Billy Joel Only The Good Die Young Billy Joel Just The Way You Are Billy Joel New York State Of Mind Birdy Skinny Love Birdy People Help The People Birdy Words as a Weapon Bob Marley Redemption Song Bob Dylan Knocking On Heaven's Door Bodo -
Via Mystica Konfirmanddag I Domkyrkan, Göteborg 30 Januari 2010
Via Mystica Konfirmanddag i domkyrkan, Göteborg 30 januari 2010 arrangörer: Göteborgs stift, Svenska Kyrkans Unga, Kultursamverkan, Teologiskt Forum, Skolkyrkan, Ungdomsdialog, Göteborgs Domkyrka och Sensus LedarhaLedarhandledningndledning Varför ett ledarhandledningledarhandledning???? Tanken med ledarhandledningen är att det ihop med konfirmandboken Via mystica ska vara en hjälp i förberedelserna inför Via Mystica -mässan. Målet är att konfirmanderna ska ha fått hjälp till någon form av förförståelse för att få ut så mycket som möjligt av gudstjänsten. Om inte konfirmandgruppen använder boken Via Mystica, så är det lämpligt att ledaren har ett exemplar av boken. Hänvisningar finns även till ledarhandledningsboken vägledning i texten nedan. Böckerna finns att köpa på Verbum. Via mystica mässan omfattar centrala kristna teman som skapelse, synd, frälsning, förlåtelse, nattvard och evigheten. Några modeller för hur man kan förbereda sigsig:::: Väv in förberedelserna inför mässan i din ordinarie konfirmandkurs och låt det förstärka olika ämnesområden under konfirmandtidens gång. Arbeta med mässan som tema på ert weekendläger och arbeta med musiken och texten koncentrerat. Använd andakterna i konfirmandgruppen för att förbereda inför mässan. Lyssna på musiken och sammanfatta texten för konfirmanderna under detta moment. Berättelsens styrka Tanken med Via Mystica – både med gudstjänsten och boken – är att presentera kristen tro som en resa. En resa eller en berättelse där vi kan foga in oss själva och våra liv. Vi tror att berättelsen har en enorm pedagogisk styrka och därför är det den största av berättelser – frälsningshistorien. Musiken Det är bra om konfirmanderna satt sig in lite i vad låtarna handlar om inför Via mystica -mässan. Det gör det lättare att hänga med och känna sig delaktiga i mässan. -
Songs by Artist
Bertha Karaoke Hire Songs by Artist Jannz Entertainment DiscID Title Artist 1380 Take On Me A Ha 200 Boogie Oogie Oogie A Taste Of Honey 1731 Chiquitita Abba 332 Dancing Queen Abba 1732 Fernando Abba 1733 Gimme Gimme Gimme (A Man After Midnight) Abba 1734 Honey Honey Abba 683 I Have A Dream Abba 841 Knowing Me Knowing You Abba 959 Mamma Mia Abba 1354 Super Trouper Abba 1396 Thank You For The Music Abba 1570 Waterloo Abba 1441 The Look Of Love ABC 115 Back In Black ACDC 168 Big Balls ACDC 352 Dirty Deeds Done Dirt Cheap ACDC 619 High Voltage ACDC 781 I'ts A Long Way To The Top ACDC 981 Meltdown ACDC 1189 Rock 'n Roll Dream ACDC 1329 Stiff Upper Lip ACDC 1699 You Shook Me All Night Long ACDC 56 All That She Wants Ace Of Base 1311 Stand And Deliver Adam & The Ants 906 Lonely Pup (In A Christmas Shop) Adam Faith 1236 Seven Spanish Angels Adam Harvey & Troy Cassar Daley 826 Killer Adamski 264 Chasing Pavements Adele 1735 Hello Adele 1736 Lovesong Adele 955 Make You Feel My Love Adele 1196 Rolling In The Deep Adele 1202 Rumour Has It Adele 1234 Set Fire To The Rain Adele 1290 Someone Like You Adele 1520 Turning Tables Adele 149 Because I Got High Afroman 603 Here In My Heart Al Martino 1415 The Closer You Get Alabama 769 Ironic Alanis Moressette Song List Generator® Printed 3/11/2020 Page 1 of 46 Licensed to Jann Rau Bertha Karaoke Hire Songs by Artist Jannz Entertainment DiscID Title Artist 554 Hand In My Pocket Alanis Morissette 1182 Right Through You Alanis Morissette 95 You Learn Alanis Morissette 286 You Oughta Know Alanis Morissette 182 -
Bob Dylan: the 30 Th Anniversary Concert Celebration” Returning to PBS on THIRTEEN’S Great Performances in March
Press Contact: Harry Forbes, WNET 212-560-8027 or [email protected] Press materials; http://pressroom.pbs.org/ or http://www.thirteen.org/13pressroom/ Website: http://www.pbs.org/wnet/gperf/ Facebook: http://www.facebook.com/GreatPerformances Twitter: @GPerfPBS “Bob Dylan: The 30 th Anniversary Concert Celebration” Returning to PBS on THIRTEEN’s Great Performances in March A veritable Who’s Who of the music scene includes Eric Clapton, Stevie Wonder, Neil Young, Kris Kristofferson, Tom Petty, Tracy Chapman, George Harrison and others Great Performances presents a special encore of highlights from 1992’s star-studded concert tribute to the American pop music icon at New York City’s Madison Square Garden in Bob Dylan: The 30 th Anniversary Concert Celebration in March on PBS (check local listings). (In New York, THIRTEEN will air the concert on Friday, March 7 at 9 p.m.) Selling out 18,200 seats in a frantic, record-breaking 70 minutes, the concert gathered an amazing Who’s Who of performers to celebrate the 30th anniversary of the enigmatic singer- songwriter’s groundbreaking debut album from 1962, Bob Dylan . Taking viewers from front row center to back stage, the special captures all the excitement of this historic, once-in-a-lifetime concert as many of the greatest names in popular music—including The Band , Mary Chapin Carpenter , Roseanne Cash , Eric Clapton , Shawn Colvin , George Harrison , Richie Havens , Roger McGuinn , John Mellencamp , Tom Petty , Stevie Wonder , Eddie Vedder , Ron Wood , Neil Young , and more—pay homage to Dylan and the songs that made him a legend. -
Blurred Lines: on Downstream Infringement and the Disgorgement of Profits by Peter Rybolt
Downstream Infringement More Blurred Lines: On Downstream Infringement And The Disgorgement Of Profits By Peter Rybolt n copyright, as well as trademark litigation, liti- products than the rights-holder, an award of plaintiff’s gants and finders of fact face the often bewil- losses may be inadequate to Idering task of determining the extent to which ensure deterrence.2 Thus the downstream infringers—those companies one or purpose of disgorgement is, at ■ Peter Rybolt, more steps removed from the creative work at is- least in part, to ensure that an Vice President, sue—may have benefited when someone upstream infringer cannot benefit unfair- Analysis Group, Inc., has usurped another’s work. Often, the results at tri- ly from his wrongful act.3 Los Angeles, CA al are contradictory. We first review the history and Yet the disgorgement remedy E-mail: peter.rybolt@ purpose of the disgorgement remedy, identifying ten- is not intended to be punitive. sion in the case law and statutes when the subject To ensure an equitable, rather analysisgroup.com turns from competitors to downstream infringers. than punitive, outcome, the We look at three well-known cases from the world of law provides for an apportion- recorded music—including the recent Blurred Lines ment of defendant’s profits between those profits de- decision—highlighting unexplained differences in rived from the infringement and those derived from oth- the treatment of record companies when songwriters er, presumably legitimate, sources. As a matter of form, are accused of infringement. We then review our un- plaintiff’s burden is to establish only the infringer’s gross derstanding of how firms capture value, and illustrate revenue; the infringer must identify deductible expenses how that understanding can lend guidance to juries in as well as any “elements of profit attributable to factors assessing the profits to be disgorged. -
2020 Pony Finals Green Pony Hunter.Xlsx
2020 USEF Pony Finals Small Green Pony Hunter OVERALL STANDINGS Model Under Saddle Over Fences Rank No. Pony Rider J1 J2 J3 Total 25% J1 J2 J3 Total 25% J1 J2 J3 Total 50% Overall 1 363 PEPSI LILY EPSTEIN 84.00 81.50 82.36 247.86 247.86 82.95 85.74 84.33 253.02 253.02 85.26 85.58 85.05 255.89 511.78 1012.66 2 385 ABBY DABBY DOO KOLBIE WATSON 82.50 77.00 80.80 240.30 240.30 85.10 79.91 86.35 251.36 251.36 82.96 82.28 81.80 247.04 494.08 985.74 3 441 DF CRUSH SIENNA ROSSANO 85.00 86.00 88.14 259.14 259.14 86.30 85.66 80.00 251.96 251.96 76.99 73.37 80.88 231.24 462.48 973.58 4 765 DREAM BIG REAGAN JARRETT 86.00 84.00 86.56 256.56 256.56 84.10 85.94 87.15 257.19 257.19 73.88 76.67 78.90 229.45 458.90 972.65 5 396 DRESSED IN GOLD MCKAYLA BROMBACH 82.00 84.00 87.60 253.60 253.60 83.95 84.97 82.36 251.28 251.28 78.78 74.47 79.27 232.52 465.04 969.92 6 458 IN MY DREAMS LUCA ENDZWEIG 86.00 77.00 77.60 240.60 240.60 85.30 87.24 86.00 258.54 258.54 66.38 80.08 74.47 220.93 441.86 941.00 7 755 MINION KATHRYN GOODEN 84.00 81.00 78.56 243.56 243.56 77.10 75.57 74.00 226.67 226.67 60.29 71.17 75.11 206.57 413.14 883.37 8 505 HONDO THE MAGNIFICENT KAITLYN LINCK 83.00 79.00 77.06 239.06 239.06 87.10 83.02 77.00 247.12 247.12 64.92 65.56 67.56 198.04 396.08 882.26 9 691 CLOVERMEADE HEARTBREAKER REILLY ROBERTSON 87.00 82.00 87.10 256.10 256.10 83.10 83.98 80.00 247.08 247.08 62.24 63.36 62.85 188.45 376.90 880.08 10 972 LOAFERS LODGE SWEET PEA SAVANNAH JURS 82.00 79.00 79.27 240.27 240.27 81.55 80.55 78.92 241.02 241.02 57.31 61.16 60.03 178.50 357.00 -
Chanson Anglaise Engagée
SUNDAY, BLOODY SUNDAY U2 1983 I can't believe the news today. I can't close my eyes and make it go away. How long, how long must we sing this song ? How long ? 'Cause tonight we can be as one. Broken bottles under children's feet. Bodies strawn across a dead end street. But I won't heed the batle call. It puts my back up, puts my back up against the wall. Sunday, bloody Sunday. Sunday, bloody Sunday. And the battle's just begun. There's many lost, but tell me who has won ? The trenches dug within our hearts. And mother's children, brothers, sisters torn apart. Sunday, bloody Sunday. Sunday, bloody Sunday. How long, how long must we sing this song ? How long ? 'Cause tonight we can be as one. Tonight, tonight. Sunday, bloody Sunday. Sunday, bloody Sunday. Wipe the tears from your eyes. Wipe your tears away. Wipe your bloodshot eyes. Sunday, bloody Sunday. Sunday, bloody Sunday. And it's true we are immune. When fact is fiction and T.V. is reality. And today the millions cry. We eat and drink while tomorrow they die. The real battle just begun. To claim the victory Jesus won. On a Sunday, bloody Sunday. Sunday, bloody Sunday. Thème évoqué : Le texte fait référence aux événements du dimanche 13 janvier 1972, à Londonderry (Irlande du Nord), où 13 civils furent tués et 13 autres furent blessés par les soldats britanniques alors qu'ils faisaient une manifestation en faveur des droits civiques et de la présomption d'innocence de membres de l'IRA, considérés comme coupables d'actes terroristes sans qu'il y ait de preuve, et emprisonnés sans procès. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
265 Edward M. Christian*
COPYRIGHT INFRINGEMENT ANALYSIS IN MUSIC: KATY PERRY A “DARK HORSE” CANDIDATE TO SPARK CHANGE? Edward M. Christian* ABSTRACT The music industry is at a crossroad. Initial copyright infringement judgments against artists like Katy Perry and Robin Thicke threaten millions of dollars in damages, with the songs at issue sharing only very basic musical similarities or sometimes no similarities at all other than the “feel” of the song. The Second Circuit’s “Lay Listener” test and the Ninth Circuit’s “Total Concept and Feel” test have emerged as the dominating analyses used to determine the similarity between songs, but each have their flaws. I present a new test—a test I call the “Holistic Sliding Scale” test—to better provide for commonsense solutions to these cases so that artists will more confidently be able to write songs stemming from their influences without fear of erroneous lawsuits, while simultaneously being able to ensure that their original works will be adequately protected from instances of true copying. * J.D. Candidate, Rutgers Law School, January 2021. I would like to thank my advisor, Professor John Kettle, for sparking my interest in intellectual property law and for his feedback and guidance while I wrote this Note, and my Senior Notes & Comments Editor, Ernesto Claeyssen, for his suggestions during the drafting process. I would also like to thank my parents and sister for their unending support in all of my endeavors, and my fiancée for her constant love, understanding, and encouragement while I juggled writing this Note, working full time, and attending night classes. 265 266 RUTGERS UNIVERSITY LAW REVIEW [Vol. -
The Inner Light: the Beatles, India, Gurus, and the Legacy
The Inner Light: The Beatles, India, Gurus, and the Legacy John Covach Institute for Popular Music, University of Rochester Arthur Satz Department of Music Eastman School of Music Main Points The Beatles’ “road to India” is mostly navigated by George Harrison John Lennon was also enthusiastic, Paul somewhat, Ringo not so much Harrison’s “road to India” can be divided into two kinds of influence: Musical influences—the actual sounds and structures of Indian music Philosophical and spiritual influences—elements that influence lyrics and lifestyle The musical influences begin in April 1965, become focused in fall 1966, and extend to mid 1968 The philosophical influences begin in late 1966 and continue through the rest of Harrison’s life Note: Harrison began using LSD in the spring of 1965 and discontinued in August 1967 Songs by other Beatles, Lennon especially, also reflect Indian influences The Three “Indian” songs of George Harrison “Love You To” recorded April 1966, released on Revolver, August 1966 “Within You Without You” recorded March, April 1967, released on Sgt Pepper, June 1967 “The Inner Light” recorded January, February 1968, released as b-side to “Lady Madonna,” March 1968 Three Aspects of “Indian” characteristics Use of some aspect of Indian philosophy or spirituality in the lyrics Use of Indian musical instruments Use of Indian musical features (rhythmic patterns, drone, texture, melodic elements) Musical Influences Ravi Shankar is principal influence on Harrison, though he does not enter the picture until mid 1966 April 1965: Beatles film restaurant scene for Help! Harrison falls in love with the sitar, buys one cheap Summer 1965: Beatles in LA hear about Shankar from McGuinn, Crosby (meet Elvis, discuss Yogananda) October 1965: “Norwegian Wood” recorded, released in December on Rubber Soul. -
Tanz Interpret Titel Langsamer Walzer Simply Red If You Don't Know Me
Tanz Interpret Titel Langsamer Simply Red If You Don’t Know me By Now Walzer Take That Love Ain’t Here Anymore Hildegard Knef Für Mich Soll’s Rote Rosen Regnen Hayley Westenra Dark Waltz Jennifer Rush Still Slade Every Day The Eagels Take It To The Limit Curtis Stigers I Wonder Why Paul Mc Cartney Mull Of Kintyre D. C. Lewis See The Day SIA My Love RUMBA Take That How Deep Is Your Love Phil Collins Another Day In Paradise / In The Air Tonight Triggerfinger I Follow Rivers Max Can’t Wait Until Tonight Queen I Want To Break Free Black Wonderful Life Beach Boys Kokomo Livingston Broken Tina Turner Goldeneye / Missing You Boyzone No Matter What Marlon Roudette New Age Robbie Williams Something Stupid Geri Halliwell Calling Puppini Sisters Sway Jason Donovan Sealed With A Kiss Mana Mariposa / Celoso Roy Orbison California Blue BLUES Scissor Sisters I Don’t Feel Like Dancing Robbie Williams Candy Matt imons Catch And release Peter Schilling Terra Titanic Mark Ronson Uptown Funk Louane Avenir Bus Stop Feat. Carl Kung Fu Fighting Douglas Nelly Furtado All Good Things Candi Staton Young Hearts Run Free Depeche Mode Enjoy The Silence Justin Timberlake Can’t Stop Nelly Furtado All Good Things Maggie Reilly Everytime We Touch WIENER Loona Hijo de la Luna WALZER Pixie Lott Cry Me Out Blue Breathe Easy Marshall & Alexander Resta / In Italy Doris Day Que Sera (Whatever Will Be) Metallica Nothing Else Matters The Corrs Runaway Kelly Clarkson Breakaway Nelly Furtado In Gods Hands Kylie Minogue & Nick Where The Wild Roses Grow Caven CHA CHA CHA Cher Shoop Shoop Song Caro Emerald A Night Like This Peter Fox Haus Am See Debelah Morgan Dance With Me Mana El Rey Tiburon Hot Banditoz Veo Veo Eruption One Way Ticket DNCE Cake By The Ocean Robin Thicke Blurred Lines Carlos Santana Smooth The Pussycat Dolls Perhaps Perhaps Perhaps Carlos Santana Corazon Espinado / Smooth Marc Anthony I Need To Know Jennifer Lopez Let’s Get Loud Gotye Feat. -
Jackie Classic 100 - 2020
Jackie Classic 100 - 2020 Jackie Classic 100 1 – 10 1. Bohemian Rhapsody – Queen 2. I Gotta Feeling – Black Eyed Peas 3. Love is all around – Wet Wet Wet 4. You’re the one that I want - John Travolta & Olivia Newton John 5. It wasn’t me – Shaggy 6. Rivers of Babylon – Boney M 7. Relax – Frankie Goes to Hollywood 8. Can’t get you out of my Head – Kylie 9. Eye of the Tiger – Survivor 10. Poker face – Lady Gaga Jackie Classic 100 11 – 20 11. Imagine – John Lennon 12. Believe – Cher 13. YMCA – Village People 14. Don’t you want me – Human League 15. Day Tripper – Beatles 16. Price Tag – Jessie J 17. Two Tribes – Frankie Goes to Hollywood 18. Crazy – Gnarls Barkley 19. Heart of Glass – Blondie 20. Bad Romance – lady Gaga Jackie Classic 100 21 – 30 21. It’s now or never – Elvis Presley 22. Baby one more Time – Britney Spears 23. Careless Whisper – George Michael 24. Somebody that I used to know – Gotye 25. Another Brick in the Wall – Pink Floyd 26. Forget You – Cee Lo Green 27. Hey Jude – Beatles 28. Karma Chameleon – Culture Club 29. Don’t stop believing – Journey 30. Dancing Queen – Abba Jackie Classic 100 - 2020 Jackie Classic 100 31 – 40 31. Wonderwall – Oasis 32. Firework – Katy Perry 33. Come on Eileen – Dexy’s Midnight Runners 34. Wannabe – Spice Girls 35. Counting Stars – OneRepublic 36. I Feel Love – Donna Summer 37. Call me Maybe – Carly Rae Jepson 38. Don’t Stop moving’ – S Club 7 39. Hit me with your Rhythm Stick – Ian Dury & the Blockheads 40.