That Meddlesome Bird OFFICE of CULTURALLY and LINGUISTICALLY RESPONSIVE INITIATIVES
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1950S Playlist
1/10/2005 MONTH YEAR TITLE ARTIST Jan 1950 RAG MOP AMES BROTHERS Jan 1950 WITH MY EYES WIDE OPEN I'M DREAMING PATTI PAGE Jan 1950 ENJOY YOURSELF (IT'S LATER THAN YOU THINK) GUY LOMBARDO Jan 1950 I ALMOST LOST MY MIND IVORY JOE HUNTER Jan 1950 THE WEDDING SAMBA EDMUNDO ROS Jan 1950 I SAID MY PAJAMAS (AND PUT ON MY PRAY'RS) TONY MARTIN/FRAN WARREN Jan 1950 SENTIMENTAL ME AMES BROTHERS Jan 1950 QUICKSILVER BING CROSBY/ANDREWS SISTERS Jan 1950 CHATTANOOGIE SHOE SHINE BOY RED FOLEY Jan 1950 BIBBIDI-BOBBIDI-BOO PERRY COMO Feb 1950 IT ISN'T FAIR SAMMY KAYE/DON CORNELL Feb 1950 RAG MOP LIONEL HAMPTON Feb 1950 THE THIRD MAN THEME ANTON KARAS Feb 1950 MY FOOLISH HEART GORDON JENKINS Feb 1950 THE CRY OF THE WILD GOOSE FRANKIE LAINE Feb 1950 THE FAT MAN FATS DOMINO Feb 1950 DADDY'S LITTLE GIRL MILLS BROTHERS Feb 1950 MUSIC MUSIC MUSIC TERESA BREWER Mar 1950 THE THIRD MAN THEME GUY LOMBARDO Mar 1950 CANDY AND CAKE MINDY CARSON Mar 1950 MY FOOLISH HEART BILLY ECKSTINE Mar 1950 IF I KNEW YOU WERE COMIN' I'D'VE BAKED A CAKE EILEEN BARTON Mar 1950 WANDERIN' SAMMY KAYE Mar 1950 DEARIE GUY LOMBARDO Apr 1950 COUNT EVERY STAR HUGO WINTERHALTER Apr 1950 HOOP-DEE-DOO PERRY COMO Apr 1950 BEWITCHED BILL SNYDER Apr 1950 PETER COTTONTAIL GENE AUTRY Apr 1950 ARE YOU LONESOME TONIGHT BLUE BARRON May 1950 THE OLD PIANO ROLL BLUES HOAGY CARMICHAEL/CASS DALEY May 1950 BEWITCHED DORIS DAY May 1950 VALENCIA TONY MARTIN May 1950 I DON'T CARE IF THE SUN DON'T SHINE PATTI PAGE May 1950 I WANNA BE LOVED ANDREWS SISTERS May 1950 BONAPARTE'S RETREAT KAY STARR Jun 1950 MONA -
CASH BOX 26 WEST 47Th STREET
VOLUME XIV FEBRUARY 1, 1953 NUMBER 20 tars in the folk field in recent months whose “Indian Love Call” on the Iin- it not only in the folk hut also in the shown with Lew Chudd (center) presi- . K. Makela (right), his manager. His in 1 Tell” backed with “All That I Ask Is Sympathy”. www.americanradiohistory.com Here’s How Wurlitzer’s Low Pressure Tone Arm Plus the 2 Mil Zenith Cohra Stylus 2 MIL STYLUS RIDES FREELY ON SHOULDER OF 45 RPM FINE GROOVE RECORD en Hundreds The Rudolph Wurlitzer Company • North Tonawanda, N. Y. www.americanradiohistory.com FIRST CLASS PERMIT No. 43309 (Sec. 34.9, P. L. & R.) NEW YORK, N. Y. BUSINESS REPLY CARD NO POSTAGE STAMP NECESSARY IF MAILED IN THE UNITED STATES 4c—POSTAGE WILL BE PAID BY— THE CASH BOX 26 WEST 47th STREET NEW YORK (19). N. Y. www.americanradiohistory.com OPERATORS: FOR YOUR CONTINUED PROFITS — MAIL THIS POSTCARD NOW! O nO OO *vj Ui Ui K) — ADDRESS ^ > ^I— £ C» NAME OE RECORD HERE CDM CD Co £ > « ? ARTIST ^ o> OR P CD > CA ^ BAND I a S c/> » mX 73 CD HERE CD CD < > www.americanradiohistory.com The CashBox February 7, 1953 Volume XIV Number 20 • PUBLISHED EVERY WEEK BY Speediest Wav To Bigger The Cash Box Puhlishing Co., Inc. 26 West 47th Street, New York 36, N. Y. (All Phones: JUdson 6-2640) JOE ORLECK • And Better Profits: CHICAGO OFFICE 32 West Randolph St., Chicago 1, III. (All Phones: DEarborn 2-0045) BILL GERSH • LOS ANGELES OFFICE 6363 Wilshire Blvd., Los Angeles, Cal. -
The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS MARCH 1, 2021 | PAGE 1 OF 18 INSIDE BILLBOARD COUNTRY UPDATE [email protected] What’s Up With Strait Talk With Songwriter Dean Dillon Bryan’s ‘Down’ >page 4 As He Awaits His Hall Of Fame Induction Academy Of Country Life-changing moments are not always obvious at the time minutes,” says Dillon. “I was in shock. My life is racing through Music Awards they occur. my mind, you know? And finally, I said something stupid, like, Raise Diversity So it’s easy to understand how songwriter Dean Dillon (“Ten- ‘Well, I’ve given my life to country music.’ She goes, ‘Well, we >page 10 nessee Whiskey,” “The Chair”) missed the 40th anniversary know you have, and we’re just proud to tell you that you’re going of a turning point in his career in February. He and songwriter to be inducted next fall.’ ” Frank Dycus (“I Don’t Need Your Rockin’ Chair,” “Marina Del The pandemic screwed up those plans. Dillon couldn’t even Rey”) were sitting on the front porch at Dycus’ share his good fortune until August — “I was tired FGL, Lambert, Clark home/office on Music Row when producer Blake of keeping that a secret,” he says — and he’s still Get Musical Help Mevis (Keith Whitley, Vern Gosdin) pulled over waiting, likely until this fall, to enter the hall >page 11 at the curb and asked if they had any material. along with Marty Stuart and Hank Williams Jr. He was about to record a new kid and needed Joining with Bocephus is apropos: Dillon used some songs. -
Astern Illinois University the Keep
Eastern Illinois University The Keep May 1980 5-2-1980 Daily Eastern News: May 02, 1980 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_1980_may Recommended Citation Eastern Illinois University, "Daily Eastern News: May 02, 1980" (1980). May. 2. http://thekeep.eiu.edu/den_1980_may/2 This is brought to you for free and open access by the 1980 at The Keep. It has been accepted for inclusion in May by an authorized administrator of The Keep. For more information, please contact [email protected]. Weather Friday will be partly sunny with highs in the upper 60s to low 70s. Friday night will be partly cloudy with lows in the upper 40s. astern ews Saturday will be partly sunny with Friday, May 2, 1980/ Charleston , Ill.Nol. 65, No. 142/3 Sections/24 Pages highs in the low 70s. anges to be made business school... nda De Vries ·be met. tern works toward the goal of Ivarie said in order for Eastern to g accreditation from the receive accreditation, the number and Assembly of Collegiate quality of faculty members must be of Business, students will improved. see changes take place in the "Our class size is too large and our of Business here. faculty are carrying too large of Illinois Board of Higher Edu loads,'' Ivarie said. cently asked all Illinois public He said in order to improve this 'ties to review their business area, more quality faculty members in order to· plan for future must be hired so there are fewer ments and to examine existing students per faculty member. -
Jo October 2020 Very Black.PPP
An alphabetical listing of her studio recordings, including recording dates, matrix numbers and, when known, dates first issued. Compiled by Jim Marshall, and updated October 2020 I first produced a Jo Stafford discography ‘way back in 1995, encouraged by the late Tom Colborn who probably knew more about Jo’s career than the lady herself. Tom had already done much of the groundwork and, knowing that I’d acquired a computer - an early Amstrad - suggested that I take over the task. I was well into my research when the indispensable "In Tune" magazine started publishing its own in-depth listing of Jo’s huge catalogue of recordings. The work put into that by Brian Henson, Colin Morgan, Robert W. Rice and others was an immeasurable help. My thanks also go to Ken Seavor, John Ridgeway, Lucas Tuinstra, Tim Weston, Jeff Lasbury and Ray Purslow plus, of course Jo Stafford and Paul Weston, all of whom contributed to Tom’s original research. More recently I’ve had important help from Michel Ruppli, Robert Rice, Richard Weize and Adrian Daff resulting in what I like to think is an almost “complete" alphabetical listing of Jo’s commercial recordings, including her work with the Pied Pipers and her alter egos, Cinderella G. Stump and Darlene Edwards! (Apologies if I’ve forgotten anyone!) Apart from a handful of never-ever issued Capitol and Columbia tracks, almost all Jo’s studio recordings seem to have been reissued on CD and are probably still in print. In fact, the seemingly relentless reissue of Stafford CDs, mainly in the UK, is proof, if proof was needed, of the lady’s long-lasting popularity. -
Barbershop Harmony Society Music Arrangement Catalog October 2015
BHS Catalog Page 1 Barbershop Harmony Society Music Arrangement Catalog October 2015 FEES/PURCHASING INFORMATION Arrangements may be ordered via the Society website (www.barbershop.org). Questions regarding a specific arrangements may be emailed to [email protected] or contact Customer Service by phone at (615) 823-3993 Costs include a per-copy/licensing fee, which range from $3.20 or more, depending on selection and membership status. Shipping & Handling Fees also may apply. Please note there are no returns on sheet music arrangements. DISCLAIMER Although an arrangement may be featured for sale on our website or in this listing, please be advised that an arrangement can become a Special Order, Out Of Print, or Discontinued at any time due to copyright licensing terms or other situations beyond our control. A Society Customer Service Representative will be happy to assist you with any questions or concerns regarding a specific arrangement's status. SPECIAL ORDERS Contact the Society Music Library ([email protected]) regarding availability of arrangements designated as "Special Order." INTERNATIONAL ORDERS (OUTSIDE THE USA AND/OR CANADA) An arrangement may also have limitations as to its distribution in certain countries and territories. Contact a Society Customer Service Regarding the availability of a specific arrangement for your respective territory. CATALOG DETAILS This catalog is searchable by using the “Find” box associated with your Acrobat viewer or Excel find function. Society-published arrangements will have a date entered in the “Publication Date” column. Unpublished arrangements will not. Tempo information is indicated for most published arrangements and defined as ballad, medium, or up-tune. -
HAL LEONARD KEYBOARD Alphabetical Songfinder
HAL LEONARD KEYBOARD alphabetical songfinder THIS SONGLIST WAS DESIGNED AS A HANDY REFERENCE LISTING OF THE THOUSANDS OF SONGS AVAILABLE IN ® THE HAL LEONARD E-Z PLAY TODAY SONGBOOKS SERIES FOR ALL ORGANS, PIANOS AND ELECTRONIC KEYBOARDS. P LEASE VISI T OUR WEBSI T E AT WWW.HALLEONARD.COM TO SEARCH FOR SONGS IN OTHER SERIES AND TO SEE OUR NEWEST RELEASES. THIS SONGFINDER IS SUBJECT TO CHANGES AND REVISIONS DUE TO COPYRIGHT RESTRICTIONS AND PRODUCT AVAILABILITY. THIS IS NOT INTENDED TO BEA COMPLETE LISTING OF ALL SONGS AVAILABLE, BUT RATHER A CONVENIENT REFERENCE TO THE MOST REQUESTED TITLES. KEY TO SERIES CODES All of the songbooks in this index have been letter-and-number coded for easy identification. For example, the song “Alphabet Song” is currently available in three books: Children’s Songs (EZ Play Today CD Play-Along C2), Songs for Children (EZPT #89), and 100 Kids’ Songs (EZPT #118). BOOK TITLE & VOLUME NUMBER INDEX E-Z Play Today CD Play-Alongs EZ 37. Favorite Latin Songs/00100410 EZ 88. Glee/00100287 EZ 40. Coldplay/00119955 EZ 89. Songs for Children/00100577 C1. Song Favorites with 3 Chords/ EZ 41. Songs of Gershwin, Porter, EZ 90. Elton John Anthology – 00100180 & Rodgers/00100425 2nd Edition/00290104 C2. Children’s Songs/00100181 EZ 42. Baby Boomers Songbook/ EZ 91. Thirty Songs for a Better World/ C4. Country/00100183 00100123 00100034 C7. Lennon & McCartney/00100240 EZ. 43. Singalong Requests – 2nd Edition/ EZ 92. Michael Buble – Crazy Love/ C10. Les Misérables/00100243 00100576 00100288 EZ. 44. Best of Willie Nelson/00102135 EZ 93. -
United Artists Consolidated Series
United Artists Consolidated Series In 1972, United Artists changed their catalog numbering system to one consolidated system that included all the United Artists series and also the labels they owned or distributed. This consolidated series continued until the label was discontinued in 1981. The first two letters in the catalog number indicated the label (UA=United Artists, PP=Poppy, etc.) , followed by “LA”which designated an LP, followed by the catalog sequence number, with a letter suffix that was a pricing code. In 1979, when UA was sold to Capitol, the catalog numbers began reflecting the Capitol coding sequence (LT-, LOO-, etc.). Because the albums all used “LA”in the catalog number (until 1979), this consolidated series is often referred to as the “LA series.” United Artists “LA”Consolidated Series United Artists UA-LA-001-F - Doremi Fasol Latido - Hawkwind [1972] Brainstorm/Space In Deep/One Change//Lord of Light/Down Through The Night/Time We Left This World Today/The Watcher 002 Poppy PP-LA-003-F - Amanda - Amanda Tree [1972] Reissue of PYS 5707? This album is on the Poppy Label. Green Ring/No Rains/Pineapple Dinosaur/Prehistoric Animals/Queen Wilhemena/Rock Salt/Sitting on the Black Stairs/Spirit/Sunny/Winter Country Poppy PP-LA-004-F - The Late, Great Townes Van Zandt - Townes Van Zandt [1972] This album is on the Poppy Label. No Lonesome Tune/Sad Cinderella/German Mustard/Don't Let The Sunshine Fool You/Honky Tonkin'/Snow Don't Fall//Fraulein/Poncho and Lefty/If I Needed You/Silver Ships of Andilar/Heavenly Houseboat Blues United Artists UA-LA-005-F - Little Mama - Monk Higgins [1972] Little Mama/Walking In My Sleep/Trusting You (La, La, La Song)/So Far Away/Can’tStop//Black Fox/If/Heaven Only Knows/God’sin the Blessing Business/Highway Number 101 (Pacific Coast Highway) Blue Note BN-LA-006-F - Extensions - McCoy Tyner [1972] The label on this album is Blue Note.