Clubs and Shared Interest Groups Directory
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
AAHE Bibliography on Higher Education
DOCUMENT RESUME ED 038 907 HE 001 440 1UTHOR Kelsey, Roger R. TTTLE A.A.H.E. Bibliography on Higher Education. TNsTTITTToN American Association for Iligher Education, Washington, D.C. PUB DATE 1 liar 70 NOTE 57p.; Prepared for the 25th National Conferenceof the American Association for Higher Education, Chicago, Ill., March 1-4, 1970 AVAILABLE ?EOM Roger P. Kelsey, 700 Ludlow St., Takoma Park, Md. 20012 ($1.00) EDRS PRICE EDRS Price MF-$0.25 HC-$2.95 DESCRIDTORS Admission (School), Adult Education, *Bibliographies, Curriculum, Educational Administration, Educational Facilities, Educational Finance, *Educational History, Faculty, Graduate Study, *Higher Education, Junior Colleges,Learning, Libraries, *Students, Teaching Methods, *ULdergraduate Study ABSTRACT This bibliography lists 1473 books pertainingto or about higher education exhibited at the AmericanAssociation on Higher Education's 25th National Conference inChicago. The document is comprised of 16 categorical sections withan introductory annotation at the beginning of each. Publicationentries on respective subjects of higher educationcover:(1) history, philosophy, sociology, and general development--369;(2) organization and administration--112;(3) finance, budget, and business administration--57;(4) faculty personnel- -L=8; (5) directories--27; (6) admission and registration -r32; (7) student personnel--184; (8) teaching methods and media--107; (9)learning and psychological factors--72;(10) graduate curricula--40;(11) adult and university extension curricula--29; (12) undergraduate -
Spring/Summer 2021 COURTESY of the NEW YORK PHILHARMONIC ARCHIVES COURTESY
News for Friends of Leonard Bernstein Spring/Summer 2021 COURTESY OF THE NEW YORK PHILHARMONIC ARCHIVES Bernstein and Stravinsky: Eternal Modernists 2 Bernstein & Stravinsky 8 Artful Learning 12 In Memoriam Inside... 4 New Sony Box Set 10 From the Archives 14 In the News 6 MTT & LB 11 Mahler Remastered 16 American Ballet Theatre Bernstein and Stravinsky: Eternal Modernists by Hannah Edgar captivated.1 For the eternally young Bernstein, The Rite of Spring would concert program is worth forever represent youth—its super- ince when did a virus ever slow Lenny a thousand words—though lative joys and sorrows, but also its Sdown? Seems like he’s all around us, Leonard Bernstein rarely supreme messiness. Working with the and busier than ever. The new boxed Aprepared one without inaugural 1987 Schleswig-Holstein set from Sony is a magnificent way to the other. Exactly a year after Igor Music Festival Orchestra Academy, commemorate the 50th anniversary Stravinsky’s death on April 6, 1971, Bernstein’s training ground for young of Stravinsky’s death, and to marvel at Bernstein led a televised memorial musicians, he kicked off the orches- Bernstein’s brilliant evocations of those concert with the London Symphony tra’s first rehearsal of the Rite with his seminal works. We’re particularly happy Orchestra, delivering an eloquent usual directness. “The Rite of Spring to share a delightful reminiscence from eulogy to the late composer as part of is about sex,” he declared, to titillated Michael Tilson Thomas, describing the the broadcast. Most telling, however, whispers. “Think of the times we all joy, and occasionally maddening hilarity, are the sounds that filled the Royal experience during adolescence, when of sharing a piano keyboard with the Albert Hall’s high dome that day. -
Composing Freedom: Elliott Carter's 'Self-Reinvention' and the Early
Composing Freedom: Elliott Carter’s ‘Self-Reinvention’ and the Early Cold War Daniel Guberman A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2012 Approved By, Brigid Cohen, chair Allen Anderson Annegret Fauser Mark Katz Severine Neff © 2012 Daniel Guberman ALL RIGHTS RESERVED ii ABSTRACT DANIEL GUBERMAN: Composing Freedom: Elliott Carter’s ‘Self-Reinvention’ and the Early Cold War (Under the direction of Brigid Cohen) In this dissertation I examine Elliott Carter’s development from the end of the Second World War through the 1960s arguing that he carefully constructed his postwar compositional identity for Cold War audiences on both sides of the Atlantic. The majority of studies of Carter’s music have focused on technical aspects of his methods, or roots of his thoughts in earlier philosophies. Making use of published writings, correspondence, recordings of lectures, compositional sketches, and a drafts of writings, this is one of the first studies to examine Carter’s music from the perspective of the contemporary cultural and political environment. In this Cold War environment Carter emerged as one of the most prominent composers in the United States and Europe. I argue that Carter’s success lay in part due to his extraordinary acumen for developing a public persona. And his presentation of his works resonated with the times, appealing simultaneously to concert audiences, government and private foundation agents, and music professionals including impresarios, performers and other composers. -
Boston Symphony Orchestra Concert Programs, Season 76, 1956
- •• • SYMPHONY HALL, BOSTON Telephone, Commonwealth 6-1492 SEVENTY-SIXTH SEASON, 1956-1957 CONCERT BULLETIN of the Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk COPYRIGHT, 1957, BY BOSTON SYMPHONY ORCHESTRA, lflC. ' The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Vice-President Jacob J. Kaplan Richard C. Paine Treasurer Talcott M. Banks, Jr. E. Morton Jennings, Jr. Theodore P. Ferris Michael T. Kelleher Alvan T. Fuller Palfrey Perkins Francis W. Hatch Charles H. Stockton Harold D. Hodgkinson Edward A. Taft C. D. Jackson Raymond S. Wilkins Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen M. A. DeWolfe Howe N. Penrose Hallowell Lewis Perry Thomas D. Perry, Jr., Manager "I Assistant Assistant Treasurer G. W. Rector J. J. Brosnahan, N. S. Shirk / Managers Rosario Mazzeo, Personnel Manager [993] V THE LIVING TRUST How It Benefits You, Your Family, Your Estate Unsettled conditions . new inventions . political changes . interest rates and taxes, today make the complicated field of in- vestments more and more a province for specialists. Because of this, more and more men and women, with capital to invest and estates to manage, are turning to the Living Trust. WHAT IT IS The Living Trust is a Trust which you establish to go into effect during your lifetime, as part of your overall estate plan, and for the purpose of receiving professional management for a specified portion of your property. It can be arranged for the benefit of yourself, members of your family, or other individuals or charities —and can be large or small. -
Boston Symphony Orchestra Concert Programs, Season 85, 1965
I K , 4 ^.^-M&i^s.V ^OOte. y/ /j L. r BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY // /f HENRY LEE HIGGINSON TUESDAY EVENING CAMBRIDGE" SERIES S • 1 4 *««/] X'SS :.''% < S^^*$>5^ %v.' r?^ =~-y~ ~*«»0/ '-<-» "»» /^ Sir' C»S. —.'""' f\ EIGHTY-FIFTH SEASON 1965-1966 The Boston Symphony BEETHOVEN "EROICA SYMPHONY BOSTON SYMPHONY ORCH. |! under Leinsdorf ERICH LEINSDORF "There is a daring quality in Beethoven that should never be lost" says Leinsdorf with particular reference to the great Third Symphony . the " Eroica". There is also a daring, prophetic quality in Mahler's First Symphony, though in a very different idiom. Leinsdorf and the Boston Symphony give each of these works performances characterized by profound understanding and sonic beauty. Hear them in Dynagroove sound on RCA Victor Red Seal albums. RCA Victor* @The most trusted name in sound ! EIGHTY-FIFTH SEASON, 1965-1966 CONCERT BULLETIN OF THE Boston Symphony Orchestra ERICH LEINSDORF, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot • President Talcott M. Banks • Vice-President John L. Thorndike • Treasurer Abram Berkowitz E. Morton Jennings, Jr. Theodore P. Ferris Henry A. Laughlin Robert H. Gardiner Edward G. Murray Francis W. Hatch John T. Noonan Andrew Heiskell Mrs. James H. Perkins Harold D. Hodgkinson Sidney R. Rabb Raymond S. Wilkins TRUSTEES EMERITUS Palfrey Perkins Lewis Perry Edward A. Taft Oliver Wolcott Thomas D. Perry, Jr., Manager S. Shirk Norman James J. Brosnahan Assistant Manager Business Administrator Rosario Mazzeo Harry J. Kraut Orchestra Personnel Manager Assistant to the Manager Sanford R. -
N E W S L E T T
Harvard University Department of M usic MUSICnewsletter Vol. 21, No. 2 Summer 2021 From Adaptation to Innovation The Harvard Choruses Sing On Harvard University This spring, the Department of Music Harvard Glee Club 3 Oxford Street embarked on an Cambridge, MA 02138 extraordinary world 617-495-2791 tour, learning from choral experts in music.fas.harvard.edu Russia, South Africa, Italy, and China— and all from the comfort of their INSIDE own homes. The Glee Club’s tour is an 2 Conferencing Through the annual tradition that Apocalypse Professor Andrew Collegium performs the Messiah (with the Harvard Baroque Chamber Orchestra) 3 Faculty News Clark, Director of 4 Around Campus Choral Activities, transformed to fit the performed together in virtual concerts. possibilities of our current moment. As Clark Students would record themselves singing 5 Fall Events: Laurie Anderson, says, “The idea was to bring the world to our their part to a guide track consisting of Parker Quartet, Barwicks Zoom rehearsal space.” the accompaniment with a click track or a 6 Alumni News When the pandemic forced the entire video of Clark conducting with the score 8 Graduate Student News Harvard community (and academia in beneath. Part of what made the concerts general) online last year, professors had possible was the expertise provided by the 9 Espionage and Music in 17th- to make the most radical changes to their Harvard Media Production Center, where Century Venice and England pedagogies, and students had to adjust audio and video engineers synched, edited, 10 Library News; Staff News their learning strategies. Performance-based and mastered sometimes over a thousand 11 Undergraduate Student News classes were hit especially hard. -
George Alvarez's Resume 1. St. John's College (SJC)
George Alvarez's Resume 1. St. John's College (SJC) High School Class of 2020 graduate 2. Scholastic Achievement with Distinction, 2019-2020 3. Scholastic Achievement with Distinction, 2018-2019 4. 90 hours of completed service work (mandatory to graduate from SJC) a. 10 Freshman year, 20 Sophomore year, 40 Junior year, 20 Senior year 5. San Miguel Febres Cordero Award recipient a. For achieving an A average in the academic year at St. John's College High School (4.0 grade average for the entire year) 6. The 2019 Matt Dillon Award recipient a. Awarded to the top two-sport Senior athlete in the football program (for lacrosse and football) 7. Four-year Varsity player for the SJC lacrosse team. 8. 2020 Team Captain, Varsity Lacrosse 9. 2019 Second Team, all Washington Catholic Athletic Conference (WCAC) Goalie 10. 2017 WCAC Lacrosse Champions (First lacrosse Championship won in school history) 11. Four-year Varsity player for the SJC football team. 12. 2019 Varsity Football Team ranked top 25 in the nation by Max Preps and USA Today. 13. 2019 First Team, all WCAC Punter 14. 2017 WCAC Football Champions 15. 2019 Under Armour Underclass All-American - Washington, DC Team 16. 2018 Under Armour Underclass All-American - Washington, DC Team 17. Number 2 ranked goalie recruit by Inside Lacrosse - Class of 2020 18. Number 37 ranked recruit by Inside Lacrosse - Class of 2020 19. Played club lacrosse for the Baltimore Crabs Kyle R. Anderson [email protected] / 610-551-5516 Home Address: School Address: 202 Southside Circle 14 Dunster Mail Center Downingtown, PA 19335 Cambridge, MA 02138 Education: a Harvard University Cambridge, MA A.B. -
Resisting Temptation Economics Discovers the Irrational 8.875" 8.125" 7.625"
Cover-final-noscreen 2/3/06 2:52 PM Page COV1 Poverty and Health • An Eye for Art • Renaissance Origins MARCH-APRIL 2006 • $4.95 Resisting Temptation Economics discovers the irrational 8.875" 8.125" 7.625" 4:00am 5:00am 6:00am 7:00am 8:00am 9:00am 10:00am Leave house for airport 10:30am NetJets flight out of Teterboro 11:00am 12:00pm 1:00PM ARRIVE WEST PALM BEACH 2:00pm 3:00pm 4:00pm 5:00pm 6:00pm 7:00pm 8:00pm 10.375" 10.875" 11.125" 9:00pm 10:00pm 11:00pm 12:00am 1:00am 2:00am WITH NETJETS, GETTING THERE IS Having a plane where you want when you want, free of crowds and endless lines, is just the beginning. Your NetJets Owner PART OF THE VACATION. Services Team sees to every detail, ensuring you’re as comfortable onboard as you are at home. Knowing the industry’s most experienced pilots are flying the largest, most proven fleet in the fractional sky will surely contribute to a parent’s peace of mind. As will never hearing, “Are we there yet?” To make NetJets part of your life, call 1-888-858-3977 or visit www.netjets.com. © 2006 NetJets Inc. | NetJets is a Berkshire Hathaway company. THE IVY LEAGUE MAGAZINE FINAL MECHANICAL! ANY FURTHER CHANGES MAY AFFECT RELEASE DATE! C CLIENT: FILE NAME: JOB MANAGER #: JOB#: DESC: Netjets D6085014 TotalExp4cIvyLeague 9099 D6085014 FP M 4C Mag CREATED: 1/10/06 - 6:40 PM DATE: 1/17/06 - 11:44 AM OPERATOR: Jayne Jordan PREV OP: ms AD: A. -
John M. Frisoli John [email protected] (617) 840-9139
John M. Frisoli [email protected] (617) 840-9139 Leverett House Mail Center 28 DeWolfe Street 304 Grove Street Cambridge, MA 02138 Westwood, MA 02090 Education Harvard College, Cambridge, MA August 2017 – present Major: Government: Courses include: Econ10a, Gov1539, Socworld44 Harvard Undergraduate Constitutional Law Society • Executive Liaison Harvard Lacrosse Team • Midfielder; Commit 40+ hours/week for a highly competitive Division 1 lacrosse program. St. Sebastian’s High School, Needham, MA September 2011 – June 2017 • National Honor Society, Finance Club, History Club, SADD • GPA: 3.4 St. Sebastian’s Football & Lacrosse • Lacrosse Team Captain, 2017 ISL Lacrosse Champions • 4 Year Letter winner, All-ISL for both football & lacrosse • United States Marine Corps Award for displaying courage and leadership Work Experience Newmark Knight Frank, Boston, MA May 2019 – August 2019 • Summer internship program for a senior brokerage team working on valuation and marketing of commercial real estate • Responsibilities included canvassing, database organization, lease comments, financial modeling and marketing materials for Newmark exclusive listings • Assisted brokers with tenant rep assignments including surveys, proposals, lease negotiations • Worked extensively on a tenant rep assignment which culminated in a Letter of Intent for a 300,000 SF lease for a new building in Boston’s Back Bay which will be the first air rights lease deal in Boston since the Copley Place development. Torrington Properties, Boston, MA May 2018 – August 2018 • Prepared and presented budgets, financial and operating reports for portfolio of properties • Assisted in apartment leasing transactions • Worked on acquisition and business plan for a 250 multi-family unit in New Hampshire • Assisted with all operations of management and leasing of 500 apartment unit portfolio. -
Winter 2013 Newsletter.Pdf
Harvard University Department of M usic MUSICn e w s l e t t e r Vol. 13, No. 1/Winter 2013 Clark’s Choral Program: Cultivating Art & Community Music Building ndy Clark has a chalkboard in his office North Yard covered with notes and diagrams where he Harvard University tries to keep track of all of the Holden Cho- Aruses’s activities. Cambridge, MA 02138 “It’s an interesting situation,” says Clark, “as 617-495-2791 each chorus is a separate charitable organization, a 501(c)3. Our students, many of them interested www.music.fas.harvard.edu in marketing and business administration, end up managing these groups. We literally have students gaining experience as CEOs, CFOs, and board INSIDE members of a bona fide nonprofit organization.” 2 Hearing Modernity Seminar For over one-hundred-fifty years the cho- ruses—the Harvard Glee Club, the Radcliffe Choral 3 Faculty News Society, Harvard-Radcliffe Chorus, and the Harvard- 4 Music in Early Sound Films Radcliffe Collegium Musicum—have been drawn to chorus because they love to sing, because they thrive 6 Graduate Student News on a demanding artistic experience, and because they 7 Alumni News enjoy the community it brings. Whether the students come from the Metropolitan Opera Children’s Cho- 8 Library News Photo by Richard Boober rus or have never sung in a choir before, they bond 9 Interview: Zach Sheets together quickly. more thoughtful and to cultivate a sense of purpose 11 Calendar of Events “It’s part of Jim Marvin’s legacy,” says Clark. as musicians. -
36 by Daniel Guberman Upon Returning from Paris to the United
Elliott Carter’s Cold War Abandonment of the Chorus by Daniel Guberman Upon returning from Paris to the United States to begin his compositional career in 1936, Elliott Carter wrote more works for chorus than for any other instrument or ensemble . His choral works were championed by G . Wallace Woodworth, director of the Harvard Glee Club, who commis- sioned three works from him over ten years and regularly scheduled p erformances during the group’s tours . In addition to hisTarantella (1937), Defense of Corinth (1941), and Emblems (1947) for the Harvard Glee Club, Carter composed Let’s Be Gay (1937) for the Wells College Glee Club, di- rected by his friend Nicolas Nabokov . In 1937 he attempted to organize a madrigal choir in New York, for which he composed To Music and Harvest Home . Other c horal works from this period include Heart Not So Heavy As Mine (1938), The Harmony of Morning (1944), and Musicians Wrestle Every- where (1945) . A fter Emblems, however, he abandoned choral music for six decades, not writing another piece in the genre until 2007 . The accepted reason for Carter’s abandonment of the voice is that vocal music did not fit the new style he developed in the postwar era, exempli- fied by the First String Quartet . This new style emphasized complex music tailored to the sound of specific instruments . America had no professional choral tradition, and early in the 1950s Carter believed that university and amateur groups would be unable accurately to perform the intricate rhyth- mic and pitch structures in his new compositions 1. -
ROSS LEE FINNEY Pilgrim Psalms
ROSS LEE FINNEY Pilgrim Psalms HARVARD CHORUSES | ANDREW CLARK , CONDUCTOR ROSS LEE FINNEY (1906-1997) Pilgrim Psalms HARVARD CHORUSES , Andrew Clark, Conductor 1 | Immortal Autumn Harvard-Radcliffe Collegium Musicum 9 | Psalm LI Harvard Glee Club; Radcliffe Choral Society 2:52 Charles Blandy, tenor; Christian Lane, organ 6:40 10 | Psalm LV Harvard Glee Club; Charles Blandy, tenor 3:35 2 | Psalm XXIV Harvard Glee Club; Radcliffe Choral Society Christian Lane, organ 3:08 11 | Psalm I Radcliffe Choral Society; Margot Rood, soprano 2:56 3 | Psalm LXIV Harvard Glee Club; Radcliffe Choral Society 2:48 12 | Psalm CXXXVIII Harvard Glee Club; Radcliffe Choral Society 3:39 4 | Psalm CXXXVII Charles Blandy, tenor; Christian Lane, organ 3:22 13 | Interlude on Psalm CVIII Christian Lane, organ 3:45 5 | Psalm V Harvard Glee Club 1:16 14 | Psalm C Harvard Glee Club; Radcliffe Choral Society Christian Lane, organ 3:01 6 | Prelude on Psalm I Christian Lane, organ 2:42 15 | Psalm CXXXIX Harvard Glee Club; Radcliffe Choral Society 7 | Psalm CL Harvard Glee Club; Radcliffe Choral Society Christian Lane, organ 1:54 Christian Lane, organ 1:10 16 | Words to be Spoken Harvard-Radcliffe Collegium Musicum 3:01 8 | Psalm XCV Harvard Glee Club; Radcliffe Choral Society Christian Lane, organ 1:29 Total: 47:19 2 solace of people resting from toil. Ed - “Pilgrim Psalms” grew slowly from ward Winslow describes in “Hypocrisie my deep love of this material. I would Unmasked” (1646) the singing of these make no pretense that they either songs as the congregation bid farewell improve upon these old tunes or make to those of their members who were music that can be labeled American.