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Becca Stevens Singer / Songwriter / Performer Biography
BECCA STEVENS SINGER / SONGWRITER / PERFORMER BIOGRAPHY North Carolina bred, Brooklyn based singer/multi- instrumentalist Becca Stevens is a composer, bandleader, and educator. In her playing, singing, and writing, Stevens has a voice that can only be accurately described as her own. Her original music is hailed worldwide for its its intricate harmonies and rhythms subtly rooted in jazz and Irish Folk and West African music. Boundless in the elements from which she draws her inspiration, Stevens is known for her unique ability to craft exquisite and authentic compositions both for her own band, and for GRAMMY award winning artists who run the gamut of genre from Jacob Collier, to Michael League (Snarky Puppy), and most notably with folk legend David Crosby. Stevens is a member of Crosby’s Lighthouse Band whose album ‘Here If You Listen’ (BMG ‘18), features the distinct songwriting of its four members— Stevens, Crosby, League, and Michelle Willis. Stevens has received copious praise from the likes of The New York Times, was Downbeat Magazine’s 2017 Rising Star Female Vocalist, and was featured on NPR Music’s “Songs We Love”. She has toured the world performing with her band, and collaborating with peers such as Brad Mehldau, Kneebody, Esperanza Spalding, Billy Childs, Ambrose Akinmusire, Vijay Iyer, Taylor Eigsti, José James, Eric Harland, Gerald Clayton, Travis Sullivan’s Björkestra and many others. In 2015, Perfect Animal, the highly anticipated follow up to Weightless (Sunnyside), produced by engineer Scott Solter, was released on Universal Music Classics. Becca’s music is featured on Snarky Puppy’s Family Dinner, Vol. -
Songs About Joni
Songs About Joni Compiled by: Simon Montgomery, © 2003 Latest Update: Dec. 28, 2020 Please send comments, corrections or additions to: [email protected] © Ed Thrasher, March 1968 Song Title Musician Album / CD Title 1967 Lady Of Rohan Chuck Mitchell Unreleased 1969 Song To A Cactus Tree Graham Nash Unreleased Why, Baby Why Graham Nash Unreleased Guinnevere Crosby, Stills & Nash Crosby, Stills & Nash Pre-Road Downs Crosby, Stills & Nash Crosby, Stills & Nash Portrait Of The Lady As A Young Artist Seatrain Seatrain (Debut LP) 1970 Only Love Can Break Your Heart Neil Young After The Goldrush Our House Crosby, Stills, Nash & Young Déjà Vu 1971 Just Joni Mitchell Charles John Quarto Unreleased Better Days Graham Nash Songs For Beginners I Used To Be A King Graham Nash Songs For Beginners Simple Man Graham Nash Songs For Beginners Love Has Brought Me Around James Taylor Mudslide Slim & The Blue Horizon You Can Close Your Eyes James Taylor Mudslide Slim & The Blue Horizon 1972 New Tune James Taylor One Man Dog 1973 It's Been A Long Time Eric Andersen Stages: The Lost Album You'’ll Never Be The Same Graham Nash Wild Tales Song For Joni Dave Van Ronk songs for ageing children Sweet Joni Neil Young Unreleased Concert Recording 1975 She Lays It On The Line Ronee Blakley Welcome Mama Lion David Crosby / Graham Nash Wind On The Water 1976 I Used To Be A King David Crosby / Graham Nash Crosby-Nash LIVE Simple Man David Crosby / Graham Nash Crosby-Nash LIVE Mama Lion David Crosby / Graham Nash Crosby-Nash LIVE Song For Joni Denise Kaufmann Dream Flight Mellow -
Montana Kaimin, April 17, 1981 Associated Students of the University of Montana
University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 4-17-1981 Montana Kaimin, April 17, 1981 Associated Students of the University of Montana Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Associated Students of the University of Montana, "Montana Kaimin, April 17, 1981" (1981). Montana Kaimin, 1898-present. 7140. https://scholarworks.umt.edu/studentnewspaper/7140 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Editors debate news philosophies By Doug O’Harra of the Society of Professional Montana Kaimin Reporter Journalists about a controversy arising out of the Weekly News’ , Two nearly opposite views of reporting of the trial and senten journalism and newspaper cing, and a Missoulian colum coverage confronted one another nist’s subsequent reply several yesterday afternoon as a Mon days later. tana newspaper editor defended On Sept. 3, Daniel Schlosser, a his paper’s coverage of the trial 36-year-old Whitefish man, was and sentencing of a man con sentenced to three consecutive 15- victed of raping young boys. year terms in the Montana State Before about 70 people, packed Prison for three counts of sexual in the University of Montana assault. -
DESERT ROSE BAND~ACOUSTIC (Biography)
DESERT ROSE BAND~ACOUSTIC (biography) ROCK & ROLL HALL OF FAME MEMBER CHRIS HILLMAN AND THE DESERT ROSE BAND~ACOUSTIC TO PERFORM IN A RARE APPEARANCE Joining Chris Hillman in this acoustic appearance are John Jorgenson on guitar/mandolin, Herb Pedersen on guitar and Bill Bryson on bass. Chris Hillman was one of the original members of The Byrds, which also included Roger McGuinn, David Crosby, Gene Clark and Michael Clarke. The Byrds were inducted into the Rock & Roll Hall of Fame in 1991. After his departure from the Byrds, Hillman, along with collaborator Gram Parsons, was a key figure in the development of country-rock. Hillman virtually defined the genre through his seminal work with the Byrds and later bands, The Flying Burrito Brothers and Manassas with Steven Stills. In addition to his work as a musician, Hillman is also a successful songwriter and his songs have been recorded by artists as diverse as; Emmylou Harris, Patti Smith, The Oak Ridge Boys, Beck, Steve Earl, Peter Yorn,Tom Petty, and Dwight Yoakam. In the 1980s Chris formed The Desert Rose Band which became one of country music’s most successful acts throughout the 1980s and 1990s, earning numerous ‘Top 10’ and ‘Number 1’ hits. The band’s success lead to three Country Music Association Awards, and two Grammy nominations. Although the Desert Rose Band disbanded in the early 1990s, they performed a reunion concert in 2008 and have since played a few shows together in select venues. Herb Pedersen began his career in Berkeley, California in the early 1960′s playing 5 string banjo and acoustic guitar with artists such as Jerry Garcia, The Dillards, Old and in the Way, David Grisman and David Nelson. -
Crosby, Stills & Nash Untitled Mp3, Flac
Crosby, Stills & Nash Untitled mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Non Music / Folk, World, & Country Album: Untitled Country: US Released: 1982 Style: Country Rock, Folk Rock, Public Broadcast MP3 version RAR size: 1510 mb FLAC version RAR size: 1898 mb WMA version RAR size: 1971 mb Rating: 4.1 Votes: 712 Other Formats: MP3 VQF VOC MIDI AHX AAC APE Tracklist Show 12/27/82 (Part 1) Record 1 Side 1 A1 Sounder/David Crosby/Stephen Stills/Graham Nash/D. Crosby/S. Stills/G. Nash A2 "Carry On" Crosby, Stills & Nash/Announcer...Intro/Sponsor Billboard A3 Budweiser Commercial A4 Jensen Commercial A5 Lee Commercial A6 Local Availability A7 "Marekesh Express" Crosby, Stills & Nash A8 Announcer/David Crosby A9 "Turn, Turn, Turn" The Byrds/Announcer A10 "Bluebird" Buffalo Springfield A11 Stephen Stills/Announcer/David Crosby/Graham Nash A12 3 Promo Announcements Show 1/3/83 (Part 1) Record 1 Side 3 B1 Announcer B2 "Immigration Man" Crosby & Nash B3 David Crosby/Graham Nash B4 "Lady Of The Island" Crosby, Stills & Nash/Announcer B5 Budweiser Commercial B6 Jensen Commercial B7 Lee Commercial B8 Local Availability B9 "Love The One You're With" Stephen Stills B10 Announcer B11 "Music Is Love" David Crosby B12 Announcer/Graham Nash B13 "Military Madness" Graham Nash B14 Announcer/Stephen Stills/David Crosby/G. Nash B15 "Teach Your Children" Crosby, Stills & Nash Show 12/27/82 (Part 2) Record 2 Side 2 C1 "Bus Stop" The Hollies C2 Announcer/Graham Nash/Stephen Stills/Graham Nash/ C3 "Helplessly Hoping" Crosby, Stills & Nash/Announcer C4 Budweiser Commercial C5 Lee Commercial C6 Local Availability C7 Announcer/Stephen Stills C8 "Suite: Judy Blue Eyes" Crosby, Stills & Nash/Announcer C9 Budweiser Commercial C10 Sperti Commercial C11 Local Availability C12 Announcer/Graham Nash/Stephen Stills C13 "Ohio" Crosby, Stils, Nash & Young C14 Announcer .. -
ROGER Mcguinn
ROGER McGUINN Biography Jim McGuinn, later known as Roger, was already a veteran of the New York and Los Angeles music scene when he co-founded the group that would become the Byrds with Gene Clark and David Crosby in 1964. Prior to forming the Byrds, Roger toured and performed folk music with the Limeliters, Chad Mitchell Trio and Bobby Darin as a guitarist and banjo player. He was also the musical director and guitarist on Judy Collins #3. McGuinn, a Chicago native, studied at the Old Town School of Folk Music and was active on Chicago's folk scene, where he was strongly influenced as a teenager by Bob Gibson. Within a few weeks of finishing high school, McGuinn was working with the Limeliters in California, playing guitar and banjo on their album "Tonight: In Person." McGuinn is also on the Chad Mitchell Trio's albums: "Mighty Day on Campus" and The Chad Mitchell Trio at the Bitter End After touring for awhile with singer Bobby Darin, McGuinn moved to New York at Darin's request to work for his publishing company, TM Music, in the fabled Brill Building as a songwriter. He and Frank Gari co wrote the song "Beach Ball" and performed it with Darin, as the City Surfers, on a very rare single, July 1963. After hearing the Beatles for the first time at the Brill Building, Roger began playing folk songs to a rock beat in the coffee houses of Greenwich Village. His experiments in merging folk and rock didn't please the folk purist, so he moved to Los Angeles to work at the Troubadour. -
ARSC Journal, Fall 1989 195 Book Reviews
Book Reviews The major problem some people will have with this book involves the criteria for inclusion. But even here it is not too difficult to fault Stambler's reasoning. The major names are here, and covered well. The lesser-known artists are for the most part not included, or mentioned in other entries. However, there are some admirable examples of influential but lesser-known, bands or artists given full coverage, (e.g., The Blasters, Willy Deville, Nils Lofgren, Greg Kihn, Richard Hell and others). And some attempt has been made to include representative heavy metal, rap and punk artists, though not many appear. While it is obvious that in such an all-encompassing work there are bound to be some errors of omission, how could Stambler leave out a band such as R.E.M.? And how can there be an entry for Ian Matthews' semi-obscure band Southern Comfort, yet nothing for Richard Thompson or Fairport Convention? While the book seems to be mainly accurate and fact-filled, some errors did creep in. In the Mike Bloomfield entry, the late guitarist was credited for a solo album by his cohort Nick Gravenites; The Byrds' 1971 LP "Byrdmaniax" appears without the final letter, and at one point Nils Lofgren's pro-solo band Grin is referred to as Grim. There are no doubt a few others, but admittedly none of these errors are fatal. And though the inclusion of 110 pages of appendices in the form of Gold/Platinum Records and Grammy/Oscar winners is nice, I think most of us would prefer an index. -
Mr Tambourine Man: the Life and Legacy of the Byrds Gene Clark Free Download
MR TAMBOURINE MAN: THE LIFE AND LEGACY OF THE BYRDS GENE CLARK FREE DOWNLOAD John Einerson | 339 pages | 30 Mar 2005 | BACKBEAT BOOKS | 9780879307936 | English | San Francisco, United States Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark They were basically played to death; they were worn out, there was nothing left Mr Tambourine Man: The Life and Legacy of the Byrds Gene Clark them. On January 20,the band, along with a group of L. Showing Inhe recorded a set of ten demos that combined country and folk music with a light touch of cosmic consciousness. Views Read Edit View history. Tambourine Man " as their debut single. Columbia Records the Byrds' record label signed Clark as a solo artist, and in he released his first solo album, Gene Clark with the Gosdin Brothers. On the basis of the quality of Clark's contributions to ByrdsDavid Geffen signed him to Asylum Records in early Archived from the original on October 12, More Stories. This lack of a central focus, combined with their onstage aloofness and uneven musicianship, sometimes earned them scathing reviews as a live act. So many great songs! Rogan House. Clark, Jim McGuinn [b]. Help Learn to edit Community portal Recent changes Upload file. The album—a melange of bluegrass, traditional honky tonkechoes of No Other "Sister Moon" and strident country rock a new arrangement of "Kansas City Southern" —was produced by Kaye with an understated touch. The Byrds. Upon release, critical reaction to the album was almost universally positive, with Billboard magazine noting "the group has successfully combined folk material with pop-dance beat arrangements. -
The Ithacan, 1993-04-15
Ithaca College Digital Commons @ IC The thI acan, 1992-93 The thI acan: 1990/91 to 1999/2000 4-15-1993 The thI acan, 1993-04-15 Ithaca College Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1992-93 Recommended Citation Ithaca College, "The thI acan, 1993-04-15" (1993). The Ithacan, 1992-93. 26. http://digitalcommons.ithaca.edu/ithacan_1992-93/26 This Newspaper is brought to you for free and open access by the The thI acan: 1990/91 to 1999/2000 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1992-93 by an authorized administrator of Digital Commons @ IC. Opinion Accent Sports Index Opinion .................................8 Equal opportunity Perfect harmony Falling hard What's Happening ................ 9 Both Student Government Crosby and Nash to play free Softball squad swept in Accent ................................ 11 ticket~ have potential outdoor spring concert Wednesday twinbill Classifieds/Comics ............. 20 Sports ................................. 23 The ITHACAN The Newspaper For The Ithaca College Community Vol. 60, No. 26 Thursday, April 15, 1993 28 pages Free College enacts new Spring skipping RD apartment policy By Kevin Harlin Oblak said New York state laws Anew policy was announced on "It affects my life do not allow benefits packages to Wednesday, April 14 that will pre directly. Being that I am be extended to non-legally married vent residence directors from liv a lesbian, ifI wanted to partners. He said the benefits pack ing with non-married partners in have a partner live with age for residence directors includes College apartments. Thenewpolicy the apartment. will go into effect June 1. -
''The Byrds Created Many, Many Pieces of Art· - High Art
REVIEWER: Mike Delaney ''The Byrds created many, many pieces of art· - high art. Approximately perfect" - says Michael Delaney. · · Basically, the Byrds have been two: '(McGuinn, Clarke, Crosby, Clark and Hillman; McGuinn, Parsons, White, Battin. The original line-up (a quintet to a quartet to a trio) cut five albums up to '.anil "Gene Clark, Chris Hillman, David Crosby, Next, just before "The Notorious Byrd including "The Notorious Byrd Brothers". Roger McGuinn, Michael Clarke". - The Brothers'', David Crosby got fired for being Six, if you include "Greatest Hits Vol. I:"; Byrds; E.M.I. Stereo. SYLAA.8754. tOO' politieal; Michael Clarke split before seven, ,if you include "Preflyte" - a "Greatest .Hits Vol. l." - The Byrds. C.B.S. ''Sweetheart .. or The Rodeo" and Chris collector's piece made from old demo tapes. Stereo. SBP.233440. Hillman followed straight after. Clarence "Dr. Byrds & Mr. Hyde" /"Ballad Of Easy "Greatest Hits Vol. 2." - The ByrdS: C.B.S. White, John York, Kevin Kelly, Gram Rider!' albums sort of bridged the gap . Stereo. SBP.234256. Parsons, Gene Parson, came in, saw the band between Byrds Phase One And Two. A bit through "Sweetheart Of The Rodeo" and shaky in places. well into Byrds Phase Two, then, with the · ,Now, the 'Byrds are gone. McGuinn split , "There are only a few groups with value, exception of White and Gene Parsons, split. Byrds phase two in order to get the originals who relate to values beyond the sound of · Gram Parsons ('I'm your toy ... I'm your .back: ·Also, in between band sessions music. There are only a handful of those old boy') went over to Hillman and formed (roughly two albums a year), he intends to with th'e power to reach to the edge .of ~he the Flying Burrito Brothers; John York work solo. -
GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie Van Varik
GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie van Varik. As performed in principal recordings (or demos) by or with Gram Parsons or, in the case of Gram Parsons compositions, performed by others. Gram often varied, adapted or altered the lyrics to non-Parsons compositions; those listed here are as sung by him. Gram’s birth name was Ingram Cecil Connor III. However, ‘Gram Parsons’ is used throughout this document. Following his father’s suicide, Gram’s mother Avis subsequently married Robert Parsons, whose surname Gram adopted. Born Ingram Cecil Connor III, 5th November 1946 - 19th September 1973 and credited as being the founder of modern ‘country-rock’, Gram Parsons was hugely influenced by The Everly Brothers and included a number of their songs in his live and recorded repertoire – most famously ‘Love Hurts’, a truly wonderful rendition with a young Emmylou Harris. He also recorded ‘Brand New Heartache’ and ‘Sleepless Nights’ – also the title of a posthumous album – and very early, in 1967, ‘When Will I Be Loved’. Many would attest that ‘country-rock’ kicked off with The Everly Brothers, and in the late sixties the album Roots was a key and acknowledged influence, but that is not to deny Parsons huge role in developing it. Gram Parsons is best known for his work within the country genre but he also mixed blues, folk, and rock to create what he called “Cosmic American Music”. While he was alive, Gram Parsons was a cult figure that never sold many records but influenced countless fellow musicians, from the Rolling Stones to The Byrds. -
U Org 11Izaciji Instituta ,,Ivan
· U org�11izaciji Instituta ,,Ivan A11tunović'' Suživot i tolerancija danas Ovogodišnji peti po redu „Razgovor:', ko.ii organizir<1 Institut :,Ivan Antunović" početkon1 siječnja (oko datu1na smrti Ivana Antunovića, začelnika i najznnčajnije osobe u prcproditeljskon1 rndu n1edu bačkim I-Irva tin1a u prošlo1n stoljeću),) održan je na temu ,, Suživot - tolcra1jci1·a".. l roblen1ski okvir koiiJ ovako forn1ulirnnn ten1a otvara više je nego akluaian, prije svega, zbog značajki sadašnjeg vren1ena u kojcn1u netrpeljivost i autizan1 gotovo• suvereno gospod<1re. ru Otvnrajući skup, prcclsjcclnvajući Instituta i\.ndrija se, le! GodiNA Ili. • Buoj" 40 • 1}. sijEčNjA: 1996. • CijENA 2 di NARA vlč. I{opiJović je islaknuo da iako 1!--l:....--------------------�----_....._..____________ r _______ ___ je vrlo teškoo o_ ovoj „širokoj tenJi kratkozbog go vorili", njoj ipc:iktreba i n1ora govoriti RASPUST JE! toga što od ostvnrenja suživota ovisi i naš ' claljni život. On je u svojen1u odličnon1 izla ganju rasvijetlio teološki nauk, uten1eljen na Dbjnvi, o ovin1 problen1in1a. I3u<.lućida teo logija određuje čovjeka kao biće koje se odnosu, ostvaruje prije svega u taj proces odnošenja sa drugin1a n1ora biti, kako uči katolička crk.va, pregnuće zn druge. Ali, kako je čovjek biće slobode, on n1ože unijeti i nered u taj i takav oclnos, te krenuli puten1 protivu drugoga, čiji je cilj razaranje i razdvajanje. pon1lrenja Istodobno, kroz 111ilosne činove i oproštenja on n1ožc ponovno uspostaviti iz vorni sn1isao pravog odnosa za čovjeka. ,,Iako je čin oprosta apsurdan, on jc milosni čin i kao takav je jedino opravcliv'' istaknuo je vlč. Ko pilović, i dodao da je eku-nacnizatn konkretni progrc1111• zn konkretno vrijćn1ečija se bit zrca li u životu sa cJrugin1 i različilin1 čovjekon1 za dobro toga čovjeka.