Byrds Turn Turn Turn Sheet Music Free

Total Page:16

File Type:pdf, Size:1020Kb

Byrds Turn Turn Turn Sheet Music Free Byrds turn turn turn sheet music free Continue Leaf Music Free Byrds Turn Turn Download notes for free: Download THE PDF All Rock and Pop music for PianoAll The Byrds notes (Open and click save download copy) Open and click save to download copyThis free piano notes for turning, Byrds provided by forpiano.com Drag this button on the bookmark bar. From the Youtube video, click on the bookmark to find his notes. Free turn! Turn! Turn! The piano note is available for you. So if you like it, just download it here. Enjoy it! Turn! Turn! was the third single by American folk rock band The Byrds and was released on October 1, 1965 by Columbia Records. The song was also included on the band's second album, Turn! Turn! Turn! was released on December 6, 1965. The song was first arranged by Byrds guitarist Jim McGinn in chamber and folk style during sessions for Judy Collins' 1963 album Judy Collins 3. The idea for reviving the song came to McGinn during The Byrds tour in July 1965 in the American Midwest, when his future wife Dolores asked for a tune on the Byrds tour bus. The rendering, which McGinn dutifully played, did not sound like a folk song, but rather as a rock/folk hybrid, perfectly in line with the current status of The Byrds as pioneers of the folk-rock genre. Lyrics of turn! Turn! Turn!: To all - turn, turn, turn there is a season - turn, turn and time for each goal under the sky Time to be born, time to die Time to plant, time to reap time to kill, time to heal Time to laugh, time to cry at all - turn, turn there is a season - turn, turn, turn, turn and time for each goal under the sky time to create, time to break time to dance, time to mourn time to throw stones Time to collect stones together All - turn, turn, turn there is a season - turn, turn, turn and time for each goal, Time of hate Time of war, time of peace Time when you can take time to refrain from taking everything - turn, turn, turn there is a turn Time to waste time to time, time to sew time for love, time to hate time for peace, I swear it's not too late! Download and print the notes after the purchase you chose: Byrds 26 notes found Byrds Page 26 notes found Byrds Page 3 Page 4 Page 5 PDF / FlashInstrumentationsUn classified (82724)Piano, Vocals and Guitar (32512)Piano Solo (30176)Guitar (12837)Guitar notes and tablatures (10246)Choral (8526)Piano, Voice (7423)Light piano (5307)String quartet: 2 violins, viola, cello (3787)Trump (2674)Choral SATB (2667)Clarinet (2187)Violin (2003)Drums (1975)Trombone quintet: 2 trumpets, horn, trombone, tuba (1729)Texts and (1685) Flute (1530)Organ (1511)Voice solo (1473)Violin and Piano (1348)French horn (1335)Alto saxophone (1264)Flute and piano (1335) Alto saxophone (1264) Flute and Piano (1264)1231) Cello (1124)Tenor Saxophone (1120)Tuba (1077)Ukulele (1058)Bells (939)2 Piano, 4 Hands (888)Viola (884)String Orchestra (846)Saxophone quartet: 4 saxophones (831)Harp (808)Drummer (775)Concert Group (764)Choral 3-part (751) Clarinet and Piano (749)Bariton Saxophone (719) Cello , Piano (711)Piano accompaniment (710)Obo (668)Woodwind quintet: flute, oboe, bassoon, clarinet, horn (657)Clarinet quartet: 4 clarinet (590)Trump, Piano (551)Bassoon (550)Orchestra (541)String Trio (509)Timpani (484) Cello (duo) (475)Saxhorn or Euphonium (453)Double Bass (4 Bass Clarinet (427)Violin, Viola (duo) (427)Brass quartet (377)String trio: violin, viola, cello (375)1 piano, 4 hands (341)Viola , Piano (339)Choral 2-part (330)Woodwind quintet (326)Recorder (322)Tuba or Euphonium or Saxhorn (319)Flute and Guitar (317) C Instruments (317) 312)Bb Instruments (310)Bass Guitar (304)Eb Instruments (303)Alto Saxophone and Piano (301)Piccolo (295)2 Flutes (Duo) (294)Piano Trio: Piano, Violin, cello (284)Obo, Piano (duo) (283)Accordion (267)Saxophone (259)Trombone and Piano (254) Flute , Ob, Clarinet, Bassoon (248)Flute quartet: 4 flutes (248)French Horn and Piano (243)Jazz Ensemble (226)Flute Ensemble (208)Flute, Clarinet (duo) (204)Big Note Piano (198)Vocal, Duet Piano (191)2 Clarinets (duo) (186)Choral, Organ (182)2 Violins (duo) (181)Saxophone and Piano (177)Brass Ensemble (176)Brass Trio (169)Tenor Saxophone and Piano (159)Mandolin (153)TH : 4 trombones (145)Organ, Pipe (duo) (139)Lap Steel Guitar (135)Clarinet Ensemble (134)Dulcimer (130)Woodwind quartet: any 4 wooden winds (127)March band (126)Euphonium, piano (duo) (125)Soprano voice, Piano (125)4 Guitars (quartet) (122) Violin, Violin Guitar (duo) (119)Xylophone (119)Bassoon, Piano (duo) (114)Bass Trombone (113)Euphonium (108)3 Clarinets (trio) (99)Ensemble Uelekul (96) Clarinet , Guitar (duo) (95)2 Guitars (duo) (90)Marimba (89)2 Pipes (duo) (86)Flute, Clarinet and Bassoon. (84)4 Tubas (78)Banjo (75)Harp, Flute (duo) (73)Flute, Clarinet, Piano (trio) (71)Strike Ensemble (71)Cello, Guitar (duo) (68)2 Cello (duo) (68)Piano quintet: piano 2 Violins, Viola, Cello (67)Low Voice, Piano (65)Flexible Instrumentation (64)Guitar Ensemble (63)Obo, Bassoon (duo) (62)High Voice, Piano (62)Recorder quartet (61)Melody lines, lyrics and chords (60)Flute , Bassoon (duo) (60)Vibraphone (58)Tenor voice, Piano (57)Music course - Solfege (56)Soprano saxophone (55)2 Saxophones (duo) (54)Chamber Orchestra (53)Brass quartet : Horn, Horne, Tuba, B-Flat Trumpet (53)Trump, Tuba (duo) (52)Snare drums (52)Trump, Orchestra (52)Penhiusle (52)Viola, Viola (duo) (52)Vocal duo (51)Piano Trio: Violin, Viola, Piano (49)Viola, Guitar (duo) (49) 5 clarinets (49)Harmonica (48)Trump, Trombone (duo) (47)Organ, Piano (duo) (45)Voice, Guitar (45)Brass quartet: 4 horns (45)Piano and orchestra (43)3 Saxophones (trio) (43) Clarinet, Fagot (duo) (41)3 Guitars (trio) (39)Large band (38)4 Cello (38) Flute, Obo, Clarinet (trio) (37)Harp and Piano (37)Bugle and Piano (36)String Trio: 3 Cello (36) Flute Trio : 3 flutes (36)2 Viola (duo) (35)Double bass, Piano (duo) (34)Trombone, Tuba (duo) (32)String trio: 3 violins (32)Flute, Cellocello (31) Orchestra Violin (29) Saxophone, Saxophone, Saxophone, Saxophone Clarinet (duo) (29) Flute, Violin, Piano (29)Cello, Organ (29)Keyboard (29)Saxophone Ensemble (29)Vibraphone, Piano (28)Tuba and Piano (28) Clarinet, Arfa (duo) (27) (27) (Soprano) Recorder (26)3 : 5 Saxophones (26)Cello Ensemble (25)Recorder, Piano (23)All Instruments (23)Obo, Clarinet (duo) (23)Baritone Voice, Piano (23)Woodwind Trio: any 3 wooden winds (22)String Trio: 2 violins, cello (21)String quartet: 4 violins (21)English Horn (20)Middle Voice, Piano (20)Flute, Violin (20)English Horn, Piano (20)Flute, Obo, Fagot (19)Brass quintet: other combinaisons (18)Accordion , Voice (17)Flute, Violin and Celloocello (17)2 Harp (duo) (17)Flute, Organ (duo) (16) Flute, Oboe (duo) (16)Brass quartet: 4 trumpets (16)Trump Ensemble (16)Cornet (15)Cello and Marimba (15)Choral Unison (13)Symphony Orchestra (13)Choral SSAA (12)3 Trombone (trio) (12), Organ Voice (10)3 French horns (trio) (9)Obo, Clarinet, Bassoon (trio) (8)2 Harmonica (8)3 Faguna (8) Flute , Cello, Piano (trio) (7)2 Violins, Piano (5)Clarinet, Orchestra (3)2 French horns (duo) (3)Baritone voice (3)2 Trombone (duo) (3)Piano, Guitar (duo) (3)Wind Ensemble (3)3 Euphoniums (2)Band Results (2)Accordion - Piano, Voice, Guitar Chords (2)Plectrum Orchestra (2)4 Drums (2)Fake Book (2)Middle Voice (1)Drums, Piano (duo) (1) Mandolin, Piano (1) , Choral (1)Piano Trio: mixed chamber instruments (1)2 bassoons (duo) (1)2 Violas, Piano (1)Clarinet quintet: Clarinet, String quartet (1)Trump, Trombone, Piano (1) FREE SHEET MUSIC 140 000 free music SHEET MUSIC STORE 1 million items DIGITAL SHEET MUSIC Buy and print instantly MUSICAL INSTRUMENTS Accessories and Instruments Download and print notes after purchase You have chosen: PDF 257620 sheet of music found Arrangement of Misha Stefanuka. Light piano classics. Romantic period, Classical period, Baroque period, impressionist, repertoire. Piano Reduction, Leaf Music Single. 250 pages. Published by Misha Stefanuk (S0.179791). - Piano Reduction, Leaf Music Single - Romantic Period, Classical Period, Period of Baroque, Impressionist, Repertory - Misha Stefanuk 100 Easy Piano Classics Piano composed by various classics. Arrangement by Misha Stefanuk. Light piano classics. Romantic Romantic $12.99 Piano Solo PDF SheetMusicPlus Ukuleleman1953 Ukulele: Advanced/Director or Conductor In General: Difficulty: Arrangement: Precision: 9/29/2012 11:32:34 PM Contemporary Remembering This Song from the 60s Returned Memories a Lot. He also takes me to one of my favorite scriptures in the Bible. 5/5 people found this review helpful. Have you found this review useful? LOG IN to comment on this review. lwohler47 Piano: Advanced / Composer In general: Difficulty: The quality of arrangements: Precision: 2/14/2017 6:04:43 AM works for me to make melody lines, chord characters, and words are all I need for my purpose. 1/2 of the person found this review helpful. Have you found this review useful? LOG IN to comment on this review. Birds, Judy Collins, David Lantz and 1 more View our 13 Turn Arrangements! Turn! Turn! (All that is the season) Leaf music is available for piano, voice, guitar and 7 others with 14 scoring and 2 notation in 12 genres. Find the perfect location and access to different transpositions so you can print and play instantly, anywhere. Lyrics begin: For ev'rything (turn, turn, turn) turn) normal_5f875d61590ac.pdf normal_5f899539269af.pdf normal_5f8979df7dedf.pdf normal_5f875c74dc2e3.pdf black widow chroma bt 8500 user manual pltw poe eoc study guide slayer leecher keywords spotify race cars coloring pages pdf manual for lg refrigerator lfxc24796s transfer file from android to pc bluetooth injection molding basics pdf florante at laura worksheet pdf mikuni tm36 tuning manual rectangle word problems pdf in the meantime spacehog picasso blur image android socomec atys p pdf normal_5f87391b9a360.pdf normal_5f8745ec09675.pdf.
Recommended publications
  • ARSC Journal, Fall 1989 195 Book Reviews
    Book Reviews The major problem some people will have with this book involves the criteria for inclusion. But even here it is not too difficult to fault Stambler's reasoning. The major names are here, and covered well. The lesser-known artists are for the most part not included, or mentioned in other entries. However, there are some admirable examples of influential but lesser-known, bands or artists given full coverage, (e.g., The Blasters, Willy Deville, Nils Lofgren, Greg Kihn, Richard Hell and others). And some attempt has been made to include representative heavy metal, rap and punk artists, though not many appear. While it is obvious that in such an all-encompassing work there are bound to be some errors of omission, how could Stambler leave out a band such as R.E.M.? And how can there be an entry for Ian Matthews' semi-obscure band Southern Comfort, yet nothing for Richard Thompson or Fairport Convention? While the book seems to be mainly accurate and fact-filled, some errors did creep in. In the Mike Bloomfield entry, the late guitarist was credited for a solo album by his cohort Nick Gravenites; The Byrds' 1971 LP "Byrdmaniax" appears without the final letter, and at one point Nils Lofgren's pro-solo band Grin is referred to as Grim. There are no doubt a few others, but admittedly none of these errors are fatal. And though the inclusion of 110 pages of appendices in the form of Gold/Platinum Records and Grammy/Oscar winners is nice, I think most of us would prefer an index.
    [Show full text]
  • ''The Byrds Created Many, Many Pieces of Art· - High Art
    REVIEWER: Mike Delaney ''The Byrds created many, many pieces of art· - high art. Approximately perfect" - says Michael Delaney. · · Basically, the Byrds have been two: '(McGuinn, Clarke, Crosby, Clark and Hillman; McGuinn, Parsons, White, Battin. The original line-up (a quintet to a quartet to a trio) cut five albums up to '.anil "Gene Clark, Chris Hillman, David Crosby, Next, just before "The Notorious Byrd including "The Notorious Byrd Brothers". Roger McGuinn, Michael Clarke". - The Brothers'', David Crosby got fired for being Six, if you include "Greatest Hits Vol. I:"; Byrds; E.M.I. Stereo. SYLAA.8754. tOO' politieal; Michael Clarke split before seven, ,if you include "Preflyte" - a "Greatest .Hits Vol. l." - The Byrds. C.B.S. ''Sweetheart .. or The Rodeo" and Chris collector's piece made from old demo tapes. Stereo. SBP.233440. Hillman followed straight after. Clarence "Dr. Byrds & Mr. Hyde" /"Ballad Of Easy "Greatest Hits Vol. 2." - The ByrdS: C.B.S. White, John York, Kevin Kelly, Gram Rider!' albums sort of bridged the gap . Stereo. SBP.234256. Parsons, Gene Parson, came in, saw the band between Byrds Phase One And Two. A bit through "Sweetheart Of The Rodeo" and shaky in places. well into Byrds Phase Two, then, with the · ,Now, the 'Byrds are gone. McGuinn split , "There are only a few groups with value, exception of White and Gene Parsons, split. Byrds phase two in order to get the originals who relate to values beyond the sound of · Gram Parsons ('I'm your toy ... I'm your .back: ·Also, in between band sessions music. There are only a handful of those old boy') went over to Hillman and formed (roughly two albums a year), he intends to with th'e power to reach to the edge .of ~he the Flying Burrito Brothers; John York work solo.
    [Show full text]
  • GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie Van Varik
    GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie van Varik. As performed in principal recordings (or demos) by or with Gram Parsons or, in the case of Gram Parsons compositions, performed by others. Gram often varied, adapted or altered the lyrics to non-Parsons compositions; those listed here are as sung by him. Gram’s birth name was Ingram Cecil Connor III. However, ‘Gram Parsons’ is used throughout this document. Following his father’s suicide, Gram’s mother Avis subsequently married Robert Parsons, whose surname Gram adopted. Born Ingram Cecil Connor III, 5th November 1946 - 19th September 1973 and credited as being the founder of modern ‘country-rock’, Gram Parsons was hugely influenced by The Everly Brothers and included a number of their songs in his live and recorded repertoire – most famously ‘Love Hurts’, a truly wonderful rendition with a young Emmylou Harris. He also recorded ‘Brand New Heartache’ and ‘Sleepless Nights’ – also the title of a posthumous album – and very early, in 1967, ‘When Will I Be Loved’. Many would attest that ‘country-rock’ kicked off with The Everly Brothers, and in the late sixties the album Roots was a key and acknowledged influence, but that is not to deny Parsons huge role in developing it. Gram Parsons is best known for his work within the country genre but he also mixed blues, folk, and rock to create what he called “Cosmic American Music”. While he was alive, Gram Parsons was a cult figure that never sold many records but influenced countless fellow musicians, from the Rolling Stones to The Byrds.
    [Show full text]
  • WDAM Radio's History of the Byrds
    WDAM Radio's Hit Singles History Of The Byrds # Artist Title Chart Comments Position/Year 01 Jet Set “The Only One I Adore” –/1964 Jim McGuinn, Gene Clark & David Crosby with studio musicians 02 Beefeaters “Please Let Me Love You” –/1964 03 Byrds “Mr. Tambourine Man” #1/1965 Jim McGuinn, Gene Clark, David Crosby, Michael Clarke & Chris Hillman. Only Jim McGuinn played on this recording with the Wrecking Crew studio musicians. 03A Bob Dylan “Mr. Tambourine Man” #6-Albums/ From Bringing It All Back Home. 1965 03B Brothers Four “Mr. Tambourine Man” #118-Albums/ Recorded in1964, but not issued until 1965.The 1965 Brothers Four had some management connection with Bob Dylan and had even shared some gigs. In late 1963, following JFK's assassination, the Brothers Four began looking at more serious material and were presented with some Bob Dylan demos. Among his songs the group chose to record was Mr. Tambourine Man. Bob Dylan has say over who first releases one of his songs and, since he didn't care for the Brothers Four's arrangement, it wasn't immediately issued. It appeared on their The Honey Wind Blows album following the Byrds' hit and Bob Dylan's own version. 04 Byrds “All I Really Want To Do” #40/1965 A-side of I’ll Feel A Whole Lot Better. 04A Cher “All I Really Want To Do” #15/1965 Cher’s first solo hit single. 04B Bob Dylan “All I Really Want To Do” #43-Albums/ From Another Side Of Bob Dylan. 1964 05 Byrds “I’ll Feel A Whole Lot Better” #103/1965 B-side of All I Really Want To Do.
    [Show full text]
  • Copyrighted Material
    c01.qxd 3/29/06 11:47 AM Page 1 1 Expecting to Fly The businessmen crowded around They came to hear the golden sound —Neil Young Impossible Dreamers For decades Los Angeles was synonymous with Hollywood—the silver screen and its attendant deities. L.A. meant palm trees and the Pacific Ocean, despotic directors and casting couches, a factory of illusion. L.A. was “the coast,” cut off by hundreds of miles of desert and mountain ranges. In those years Los Angeles wasn’t acknowl- edged as a musicCOPYRIGHTED town, despite producing MATERIAL some of the best jazz and rhythm and blues of the ’40s and ’50s. In 1960 the music business was still centered in New York, whose denizens regarded L.A. as kooky and provincial at best. Between the years 1960 and 1965 a remarkable shift occurred. The sound and image of Southern California began to take over, replacing Manhattan as the hub of American pop music. Producer Phil Spector took the hit-factory ethos of New York’s Brill Building 1 c01.qxd 3/29/06 11:47 AM Page 2 2 HOTEL CALIFORNIA songwriting stable to L.A. and blew up the teen-pop sound to epic proportions. Entranced by Spector, local suburban misfit Brian Wil- son wrote honeyed hymns to beach and car culture that reinvented the Golden State as a teenage paradise. Other L.A. producers followed suit. In 1965, singles recorded in Los Angeles occupied the No. 1 spot for an impressive twenty weeks, compared to just one for New York. On and around Sunset, west of old Hollywood before one reached the manicured pomp of Beverly Hills, clubs and coffee- houses began to proliferate.
    [Show full text]
  • The Original Byrds: Clockwise from Top Left, Roger (Neé Jim ) Mcguinn, Gene Clark, Chris Hill­ Man, Michael Clarke, and David Crosby
    The original Byrds: Clockwise from top left, Roger (neé Jim ) McGuinn, Gene Clark, Chris Hill­ man, Michael Clarke, and David Crosby. PERFORMERS The Byrds BY BUD S C O P P A I I WAS DYLAN MEETS THE BEATLES.” That’s Roger McGuinn’s succinct explanation of the Byrds’ bold, brainy take on rock & roll. True enough: What the Byrds pulled off with 1965’s landmark Mr. Tambourine Man Was a resonant synthesis of the Beatles’ charged pro forma precision and Dylan’s mytho- poeic incantations. It turned out to be a startlingly perfect fit, inspiring much that has followed, from their mentors’ subsequent Rubber Soul and Blonde On Blonde to the work of such disparate inheritors as Tom Petty, R.E.M., U2, and Crowded House. Mr. Tambourine Man was the first rock & roll album with group vocals, sounded both totally fresh and strangely in­ a message, the first made up entirely of anthems, the first to evitable, as did the shimmering Bo Diddley groove of “Don’t render sound and meaning inseparable, Byrds music was Doubt Yourself, Babe” and the eerie atmospherics of “Here such a departure that it got its own name— “folk-rock”-^ Without You.” But the linchpin of the album was its triumvi­ making the Byrds the first hybrid band. The jaggedly beauti­ rate of folk-rock extravaganzas: Dylan’s “Mr. Tambourine ful sound of their 12-string electric guitars was said to have a Man” and “Chimes Of Freedom,” and Pete Seeger’s “The Bells “jingle jangle,” after the line in the Dylan-penned title song.
    [Show full text]
  • 4. Folk, Folk Rock, Singer-Songwriters
    4. Folk, Folk Rock, Singer-Songwriters Lecture Outline • Traditional folk definition and folk song features • Three different ideas of “folk” • Professionalization of folk in the 1950s and 1960s • Singer-songwriters • Some newer folk artists and sounds Traditional Folk • Oral/Aural transmission • Anonymous composition (and communal composition) • Heavy ideological side to the term – Authenticity claims, ideas that change with time • Some Folk Song Types: – Ballads • Narratives (love, war, heroes, disasters, etc.) – Work Songs • Sailors, fishing, mining, lumber, sewing, etc. – Other • Lullabies, children’s songs, drinking songs etc. Traditional Folk Song Features • Often unaccompanied (a cappella) • Simple melodies (and harmonies, if present) • Usually solo singer or solo instrument – Simple accompaniment – Fiddle, guitar, accordion, whistle, spoons, etc. • Strophic form (AAAAA, etc.) or verse/chorus • Modal (not major or minor, but Dorian, Lydian modes, etc.) • Dancing often accompanies folk music Three different ideas of “folk” music 1. 19th Century – Romantic nationalism – European classical composers use folk melodies for new compositions – Start of song collecting • Turns it into a pop music • Shapes folk culture in terms of what is and isn’t collected • Turns it into a written music (as opposed to purely oral/aural) 2. 1930s and 1940s 3. Folk Revival Period (1958-1965) Folk in the 1930 and 1940s: Three Trends • Folk music starts to be used as a political tool – Beginning of connections with folk and protest music – Folk singers often advocated for social change – Usually left wing positions, socialism, helping the poor or marginalized • Creation of new “folk” songs – These were often written to sound old-timey, but were also often about current events • Some of these new songwriters became celebrities – One of the best examples of these three trends (left wing politics, new songs, and celebrity), was Woody Guthrie… Woodie Guthrie Ex: Woody Guthrie “Do Re Mi” (1940) • Similar to 19th C.
    [Show full text]
  • Read Ebook {PDF EPUB} Since Then How I Survived Everything And
    Read Ebook {PDF EPUB} Since Then How I Survived Everything and Lived to Tell About it by David Crosby Download Since Then: How I Survived Everything and Lived to Tell About It fb2, epub. ISBN: 0425217337 Author: David Crosby Language: English Publisher: Berkley Trade (October 30, 2007) Pages: 336 Category: Arts & Literature Subcategory: Biography Rating: 4.7 Votes: 839 Size Fb2: 1435 kb Size ePub: 1457 kb Size Djvu: 1759 kb Other formats: doc docx txt rtf. Since then I’ve read books by Graham Nash and Neil Young as well. Since then I’ve read books by Graham Nash and Neil Young as well. I think I now have a better since of where they came from, and what they went through. David’s latest book details his continued health problems, which other than his liver transplant were far more serious that publicly known. Crosby has relapsed, cleaned up again, learned that he had two adult children that he never knew Since Then: How I Survived Everything and Lived To Tell About It by David Crosby and Carl Gottleib (Putnam 2006)(78. 2). David Crosby was a sweet-voiced member of the legendary rock group Crosby, Stills, Nash and Young. David Crosby, the outspoken founding member of CSNY and The Byrds, turns his wry and unstinting eye to a fascinating, prickly subject: himself. Known to millions as the trickster poster boy for folkrock utopia and the inspiration for Dennis Hopper's wild-eyed antihero in the film Easy Rider, David Crosby is every bit the quintessential American icon of the counterculture today that he was in the sixties and seventies.
    [Show full text]
  • Phil's Picks - Greatest Albums of All Times
    Phil's Picks - Greatest Albums of All Times Forever Changes, Love Village Green Preservation Society, The Kinks Da Capo, Love Rockers motion picture soundtrack Four Sale, Love On the Beach, Neil Young Catch the Wind, Donovan Neil Young, Neil Young Revolver, Beatles After the Gold Rush, Neil Young Rubber Soul, Beatles Covers Record, Cat Power Magical Mystery Tour, Beatles You Are Free, Cat Power Terry Reid, Terry Reid Doolittle, Pixies Laughing Stock, Talk Talk Roman Candle, Elliot Smith Last Laugh, The Brigade The Notorious Byrd Brothers, The Byrds Rosemary Lane, Bert Jansch Fifth Dimension, The Byrds Moonshine, Bert Jansch Songs, Leonard Cohen Nicola/Birthday Blues, Bert Jansch Desire, Bob Dylan Happy Sad, Tim Buckley I Just Can’t Stop It, The English Beat Dream Letter, Tim Buckley Axis: Bold as Love, Jimi Hendrix Five Leaves Left, Nick Drake Tea for the Tillerman, Cat Stevens Bryter Layter, Nick Drake Talking Heads ’77, Talking Heads Pink Moon, Nick Drake Who’s Next? The Who Astral Weeks, Van Morrison English Settlement, XTC Veedon Fleece, Van Morrison Birds of My Neighborhood, Innocence Mission Vaersgo, Kim Larsen We Walked in Song, Innocence Mission The Doors, The Doors Renaissance, The Association Strange Days, The Doors One Nation Underground, Pearls Before Swine The Boy with the Arab Strap, Belle and Sebastian I Retur, Turid .
    [Show full text]
  • Eight Miles High / Feel a Whole Lot Better (1966 / 1965)
    Eight Miles High / Feel A Whole Lot Better (1966 / 1965) Gene Clark / The Byrds (Yes, a double-header – two songs, two artists - though one guy featured in both. So, a couple of cracking tunes by Gene Clark. As Gene had left The Byrds by the time Eight Miles High came out, there are no videos of him with the Byrds playing this song. Therefore I’ve also added I’ll Feel A Whole Lot Better, as there’s a great YouTube video of the original five Byrds storming through this folk-rock classic. Enjoy!) “Eight miles high And when you touch down You'll find that it's Stranger than known” Since Elvis changed the world in 1956 with Heartbreak Hotel, which artists do I put in my top five? Who do I keep returning to in order to make sense of a complicated life, to lift my spirits when down and convince myself that there is beauty, poetry and rhythm a mere button press away? It is, he dryly observes, a rather obvious list. I don’t apologise for that. Elvis, le roi du rock ‘n’ roll. The Beatles, naturally. The Stones, yeah, of course the Stones. But The Byrds too. They had a much shorter duration than the others, but they are up there for me. Right at the top. And if you know your Byrds, you know the late, great, Gene Clark - songwriter and focal point of the original Byrds. Since his early – but perhaps not unexpected – death in 1991, Gene Clark has enjoyed somewhat of a posthumous revival.
    [Show full text]
  • Hey Mr. Tambourine Man by the Byrds (No Capo) - Bob Dylan (Capo III)
    170BPM – 4/4 Strumming pattern Hey Mr. Tambourine Man by The Byrds (No Capo) - Bob Dylan (Capo III) [Intro] D [Chorus] G A D G Hey! Mr. Tambourine Man, play a song for me, D G A I'm not sleepy and there is no place I'm going to. G A D G Hey! Mr. Tambourine Man, play a song for me, D G A D In the jingle jangle morning I'll come following you. [Verse] G A D G Though I know that evenings empire has returned into sand, D G Vanished from my hand, D G A Left me blindly here to stand but still not sleeping. G A D G My weariness amazes me, I'm branded on my feet, D G I have no one to meet D G A And the ancient empty street's too dead for dreaming. [Chorus] G A D G Hey! Mr. Tambourine Man, play a song for me, D G A I'm not sleepy and there is no place I'm going to. G A D G Hey! Mr. Tambourine Man, play a song for me, D G A D In the jingle jangle morning I'll come following you. [Verse] G A D G Take me on a trip upon your magic swirling ship, D G D G My senses have been stripped, my hands can't feel to grip, D G D G My toes too numb to step, wait only for my boot heels A To be wandering. G A D G I'm ready to go anywhere, I'm ready for to fade D G D G Into my own parade, cast your dancing spell my way, A I promise to go under it.
    [Show full text]
  • All I Really Want to Do I Ain't Lookin' to Compete with You Beat Or Cheat Or
    All I Really Want to Do (The Byrds) I ain't lookin' to compete with you Beat or cheat or mistreat you Simplify you, classify you Deny, defy or crucify you All I really want to do Is, baby be friends with you No, I ain't lookin' to fight with you Frighten you or tighten you Drag you down or drain you down Chain you down or bring you down All I really want to do Is, baby, be friends with you I don't want to fake you out Take or shake or forsake you out I ain't lookin' for you to feel like me See like me or be like me I don't want to meet your kin Make you spin or do you in Or select you or dissect you Or inspect you or reject you All I really want to do Is, baby, be friends with you Baby, be friends with you Baby, be friends with you 5 The Byrds loved to cover Bob Dylan: the original band released 13 Bob Dylan covers. The Byrds typically kept the lyrics and the basic rhythm and melody pretty the same as in the Bob Dylan original. Instead, they added value with their inarguably better singing, and their often greater attention to harmony and production. "All I Really Want to Do" was the second single by the American folk rock band the Byrds, and was released on June 14, 1965, by Columbia Records (see 1965 in music). The song was also included on the band's debut album, Mr.
    [Show full text]