Area Irish Music Events
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Slap Magazine Issue 90 (April 2019)
Issue 90 Apr2019 FREE SLAP Supporting Local Arts & Performers WORCESTER’S NEW INDEPENDENT ITALIAN RESTAURANT Traditional Italian food, cooked the Italian way! We create all dishes in our kitchen, using only the finest quality fresh ingredients. f. t. i. SUGO at The Lamb & Flag SUGO at Friar St 30 The Tything 19-21 Friar Street, Worcester Worcester WR1 1JL WR1 2NA 01905 729415 01905 612211 [email protected] [email protected] Spring is here as we turn our thoughts to the season ahead, and what a summer it will surely be with all the music and arts events in the pipeline. We again look forward to a few of the local music festivals such as Mello, where Severn Sounds again have a stage focusing on the young talent around the area; Kidderminster, Hereford, Worcester Colleges and Christopher Whitehead, Pershore and Tewkesbury High Schools are all represented, which bodes well for the future of our local music scene. We Apr 2019 bring news of other festivals such as Upton Jazz and Under the Hill festival near Evesham. Poetry lovers are also catered for In this issue, as we SLAP MAGAZINE highlight a vibrant spoken word scene, with articles on the Unit 3a, Lowesmoor Wharf, upcoming Cheltenham Poetry Festival and the Evesham Festival of Words, as well as all the other regular local Worcester WR1 2RS events.. Telephone: 01905 26660 There’s plenty for art fans in these pages too. If you haven’t [email protected] been to see the Matisse exhibition at Worcester Museum EDITORIAL yet, then I suggest you pop along before it ends later in the Mark Hogan - Editor month. -
Edinburgh's Hogmanay Celebrates Europe and Invites the World To
Press release under embargo until 12noon Wednesday 19th September Underbelly Announces Full Programme for Edinburgh’s Hogmanay WE LOVE YOU! Edinburgh’s Hogmanay celebrates Europe and invites the world to share the love, embrace friends – old and new – and come together in the home of Hogmanay. Edinburgh’s Hogmanay, 30 December 18 to 1 January 19. Tickets on sale now at edinburghshogmanay.com and (+44) 131 510 0395 Hogmanay’s Street Party Hosts The Mac Twins share the love On behalf of City of Edinburgh Council, Underbelly today announced the full programme for Edinburgh’s Hogmanay 19 in their second year of producing the festival. Edinburgh’s Hogmanay 19 will lead with a celebration of Scotland’s shared cultural, historic and social connections with Europe. Although 1 January 2019 marks the start of the year in which Scotland may leave the EU, we remain part of Europe and so Hogmanay 19 will be a celebration of our continental ties and our shared history and culture. Every year we welcome the world to ring in the New Year in the home of Hogmanay and celebrate our cultural connections with the world. 2019 is the time for us to celebrate our ties with Europe and ask the world to say – “WE LOVE YOU” Programme highlights include: • The line-up for Street Party hosted by Johnnie Walker leads with Scottish and European bands, street performers and musicians including; Compagnie Transe Express, Meute, Snap! and Gerry Cinnamon. • Spend the 31st thinking you are seeing double with Street Party Hosts, The Mac Twins. • Concert in the Gardens headlined -
Eastern Dairies Limited
EASTERN- DAIRIES LIMITED QUALITY GUARDED ,-.P~VIS HAL Annual Report I \'-IFS for the year ending 3 1 at March, 1938 EASTERN DAIRIES, LIMITED OFFICERS Prer ;ident and Managing Direc'tor W. R. AIRD, Montreal ' Vice-president P. A. THOMSON, Montreal DIRECTORS ' W. R. AIRD .............. Montreal BOWER HENRY .......... Ottawa A. J. NESBITT ............ Montreal C. B. PRICE .............. Montreal P. A. THOMSON ............ Montreal E. W. KING, Secretary-Treasurer Fiscal Agents NESBITT, THOMSON & COMPANY, LIMITED Transfer Agents MONTREAL TRUST COMPANY Auditors P. S. ROSS & SONS EASTERN DAIRIES, LIMITED To the Shareholders X TOUR Directors submit herewith their Annual Report covering the opera- y ttons of your Compan) and ,ti Suhsldnarws fur the year eded .\larch 31st. 1938, accm~paniedby a Consolidated Statement of :Zssets and Liabilities and Surplus Account, duly certified hy the Conlpmy's auditors The net results from operations for the year, and for the previous fiscal year ended March 31rt, 1937, are as follows: 1938 1937 Operating Profit. ........ $298.371.24 $229.691.68 LESS: Bond Interest.. ........ $167,157.50 $170.712.50 Premium paid on foreign fundsfor Bond Interest 1.819.90 1.748.78 Amortization of Bond Discount and Expense 12.514.49 10,453.84 181.491.89 182,915.12 Profit before Depreciation 116,879.35 46,776.56 Depreciation.. ........... 218,444.30 225.918.05 Net Loss.. .......... $101,564.95 $179,141.49 It will be noticed that there was a net increase in wrningsof $70.102 79 Ibeforr pruviding fur ikpreciatton. The amount credited to the Reserve for Ilrnreriat~onisconsidercd suflicient in view uf the excellent conditiou in which the' plants are maintained. -
The High Kings Are Finbarr Clancy, Darren Holden and Brian Dunphy
The High Kings are Finbarr Clancy, Darren Holden and Brian Dunphy. The High Kings formed in June 2007 when Brian, Darren, Finbarr and former member Martin Furey were asked to join a brand new Irish ballad group by David Kavanagh after he had noticed a gap in the market for a band specialising in traditional Irish music. It didn’t take long during their first studio rehearsal for them to realise that the way their individual voices blended together, that they were onto something special. The High Kings play 13 instruments between them creating the unique sound and atmosphere that they still showcase to this day. This was confirmed when their self-titled debut album reached number 2 on the world Billboard Music chart. In March 2009 The High Kings played 5 consecutive sold out shows to a packed audience in Dublin’s Olympia Theatre. Towards the end of 2009 The High Kings licensed their second studio album ‘Memory Lane’ to Universal Music Ireland signifying the fast trajectory that the band had taken in their short lifespan. ‘Memory Lane’ was released in February 2010 and after a successful Irish tour the album went platinum in June only 4 months after it’s initial release. They followed ‘Memory Lane’ with a ‘Live In Ireland’ album which received critical acclaim as it showcased the energy that the band brings to the live shows. By 2011 the band had out grown the venues they had been previously playing and had to start playing larger venues not only in Ireland but also in America and across Europe. -
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in Partial Fulfillment Of
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate School of The Ohio State University By Dana DeVlieger, B.A., M.A. Graduate Program in Music The Ohio State University 2016 Thesis Committee: Graeme M. Boone, Advisor Johanna Devaney Anna Gawboy Copyright by Dana Lauren DeVlieger 2016 Abstract “Whiskey in the Jar” is a traditional Irish song that is performed by musicians from many different musical genres. However, because there are influential recordings of the song performed in different styles, from folk to punk to metal, one begins to wonder what the role of the song’s Irish heritage is and whether or not it retains a sense of Irish identity in different iterations. The current project examines a corpus of 398 recordings of “Whiskey in the Jar” by artists from all over the world. By analyzing acoustic markers of Irishness, for example an Irish accent, as well as markers of other musical traditions, this study aims explores the different ways that the song has been performed and discusses the possible presence of an “Irish feel” on recordings that do not sound overtly Irish. ii Dedication Dedicated to my grandfather, Edward Blake, for instilling in our family a love of Irish music and a pride in our heritage iii Acknowledgments I would like to thank my advisor, Graeme Boone, for showing great and enthusiasm for this project and for offering advice and support throughout the process. I would also like to thank Johanna Devaney and Anna Gawboy for their valuable insight and ideas for future directions and ways to improve. -
Adapted by Ana Seara, Heather Fairbairn and Sophie Van Der Stegen Composed by Ana Seara and W
Adapted by Ana Seara, Heather Fairbairn and Sophie van der Stegen Composed by Ana Seara and W. A. Mozart Once Upon A Time.. The Magic Flute SYNOPSIS In a creaky attic, four friends discover an ancient book: an opera score. From its dusty pages, music pours out as if by magic. What other mysteries hide within its pages? The friends are drawn into playing out the story they find inside: a tale of lost princes and adventurous princesses, sun gods and queens of the night, friendly bird watchers and enchanted instruments. After searching the attic for the costumes and props to enact the story, Felix, Thomas, Juliet and Sarah begin an exciting musical journey. Along the way, they call on the “birds of the forest” – the audience – for help, and discover the joy of music, friendship and imagination. It is a delightful 50-minute acoustic musical production for children aged 3- 8 years, offering a high-quality and intimate theatrical experience for young audiences Originally created for the EU and following European success, Little Match is proud to bring this work to Queensland and help tune in little ears to quality music. MUSIC This re-imagining is an innovative combination of newly-composed music and Mozart’s original exquisite score. Directed by Heather Fairbairn, the three singers and pianist engage the audience in participatory, accessible and kinesthetic means. SETTING An immersive and participatory, the magic of Mozart meets the thrill of Jumanji in this enchanting musical adventure for the whole family. Set in the round, any space (10m x 10m min) is suitable. -
From Glyndebourne to Glastonbury: the Impact of British Music Festivals
An Arts and Humanities Research Council- funded literature review FROM GLYNDEBOURNE TO GLASTONBURY: THE IMPACT OF BRITISH MUSIC FESTIVALS Emma Webster and George McKay 1 CONTENTS EXECUTIVE 4 INTRODUCTION 6 THE IMPACT OF FESTIVALS: A SURVEY OF THE FIELD(S) 7 ECONOMY AND CHARITY SUMMARY 8 POLITICS AND POWER 10 TEMPORALITY AND TRANSFORMATION Festivals are at the heart of British music and at the heart 12 CREATIVITY: MUSIC of the British music industry. They form an essential part of AND MUSICIANS the worlds of rock, classical, folk and jazz, forming regularly 14 PLACE-MAKING AND TOURISM occurring pivot points around which musicians, audiences, 16 MEDIATION AND DISCOURSE and festival organisers plan their lives. 18 HEALTH AND WELL-BEING 19 ENVIRONMENT: Funded by the Arts and Humanities Research Council, the LOCAL AND GLOBAL purpose of this report is to chart and critically examine 20 THE IMPACT OF ACADEMIC available writing about the impact of British music festivals, RESEARCH ON MUSIC drawing on both academic and ‘grey’/cultural policy FESTIVALS literature in the field. The review presents research findings 21 RECOMMENDATIONS FOR under the headings of: FUTURE RESEARCH 22 APPENDIX 1. NOTE ON • economy and charity; METHODOLOGY • politics and power; 23 APPENDIX 2. ECONOMIC • temporality and transformation; IMPACT ASSESSMENTS • creativity: music and musicians; 26 APPENDIX 3. TABLE OF ECONOMIC IMPACT OF • place-making and tourism; MUSIC FESTIVALS BY UK • mediation and discourse; REGION IN 2014 • health and well-being; and 27 BIBLIOGRAPHY • environment: local and global. 31 ACKNOWLEDGEMENTS It concludes with observations on the impact of academic research on festivals as well as a set of recommendations for future research. -
Tyler Childers' New Album Country Squire out August 2
TYLER CHILDERS’ NEW ALBUM COUNTRY SQUIRE OUT AUGUST 2 VIDEO FOR LEAD TRACK “HOUSE FIRE” PREMIERES TODAY “COUNTRY SQUIRE RUN” HEADLINING TOUR CONFIRMED Acclaimed singer/songwriter Tyler Childers is set to release his highly anticipated new album, Country Squire, August 2 via Hickman Holler Records/RCA Records. His first release in partnership with RCA Records, the album is now available for pre-order. In anticipation of the album’s release, lead track “House Fire” premieres today. Watch/share the official music video HERE and listen to the song HERE. Produced by Sturgill Simpson and David Ferguson, the album was recorded at The Butcher Shoppe in Nashville and consists of nine new songs written by Childers. In addition to Childers (vocals, acoustic guitar), the album features a number of world-renowned musicians including Stuart Duncan (fiddle, mandolin, banjo), Miles Miller (drums, background vocals) and Russ Pahl (acoustic guitar, electric guitar, pedal steel, Jaw harp, baritone). Of the mission behind the album, Childers comments, “I hope that people in the area that I grew up in find something they can relate to. I hope that I’m doing my people justice and I hope that maybe someone from somewhere else can get a glimpse of the life of a Kentucky boy.” In celebration of the release, Childers will embark on his extensive “Country Squire Run” headlining tour this fall including stops at Los Angeles’ The Wiltern, Brooklyn’s Brooklyn Steel (two nights), Boston’s House of Blues, Washington D.C.’s The Anthem, Seattle’s Paramount Theatre, Minneapolis’ First Avenue (two nights), Atlanta’s The Tabernacle and Philadelphia’s The Fillmore among several others. -
Extracts from Key Political Party Manifestos Relevant to Leisure-Time Music
Extracts from key political party manifestos relevant to leisure-time music This is an extract of the key pledges in party manifestos relevant to the community of members of Making Music and leisure time music making. Extracted from the manifestos of the 5 parties represented in parliament up to 2021, with reference to our Asks to MSP Candidates which were: • A Culture Act for Scotland • Spaces for music making and performance to be considered essential in community planning. • Music making to be considered a well-being activity and included within strategies to improve the nation’s health and well-being • Free instrumental music tuition in all Scottish schools Scottish National Party CULTURE • Learning from countries such as Ireland and the Netherlands, we will establish a “Percentage for the Arts” scheme which will create a requirement for a percentage of the overall cost of a construction project for new public buildings, places or spaces to be spent on community art commissions. We estimate this would raise £150 million per year for the arts once fully up and running. • To aid future planning and recovery, we will agree 3 year funding settlements for Scottish Government core funded cultural organisations. We will also continue our culture recovery funding to get support to those who continue to be significantly affected by Covid related restrictions. • We will support the co-ordination of Scottish commissioning and create a Scotland Touring Fund for Theatre and Music as part of economic recovery, helping to take live performances directly into alternative community venues and revitalising year- round tourism. • We will expand our Culture Collective programme, giving artists and communities the length and breadth of Scotland even more opportunities to collaborate on creative activity, supporting a sustainable creative recovery from the pandemic. -
@Widedays #Widedays18 CONTENTS 3 Foreword by Olaf Furniss & Michael Lambert
C M Y CM MY CY CMY SCOTLAND K @WideDays #WideDays18 CONTENTS 3 Foreword By Olaf Furniss & Michael Lambert 4-5 Edinburgh’s Music Map Getting around Wide Days 2018 8-9 Playlists to drink Whisky to 11 In memory of David Balfour 12 Creative Scotland | Alan Morrison 13-15 2018 Panels What we are talking about this year 16-17 2018 Speakers Meet this year’s speakers 18-19 Fri 20 April Convention timetable 20 Fri 20 April Showcase Showcase timetable 21 Sat 21 April Saturday’s itinerary 26-29 2018 Showcase Artists Who is playing at Wide Days 2018 30 Scottish Networking Party At The Great Escape The Spook School (pic Jannica Honey) 2 FOREWORD One of the founding principles of Wide Days is a belief that artists and music businesses benefit most where individuals connect. Rather than frenzied speed-meetings or zealous networking, our favoured approach has always been to create an environment for friendly socialising and relaxed business discussions. Last year, 92% of delegates said Wide Days combined business with pleasure, a statistic which is met with widespread approval when we mention it at other industry events. There is a growing consensus that our approach leads to more collaborations, working relationships and often friendships. These ‘outcomes’ are underpinned by a willingness on the part of partner organisations, sponsors, speakers and delegates to turn up, engage and in most cases, stay for the duration of the event. In essence, it is about being alert to the possibilities and open to developing ideas. Our long-standing ties with PPL, EmuBands, EUSA, the SMIA, the MU, CMU and the University of the Highlands & Islands, are evidence of this in action, while more recent partnerships with Eventbrite, PRS Foundation, Help Musicians and Creative Scotland have enabled us to take Wide Days to a new level. -
Scotland Management Review 2009/10
SCOTLAND MANAGEMENT REVIEW 2009/10 A INTRODUCTION FROM NATIONAL DIRECTOR A DIFFICULT AND CHALLENGING YEAR HAS, HOWEVER, ALSO BEEN ONE OF TREMENDOUS ACHIEVEMENT, CHARACTERISED BY LANDMARK PROGRAMMES AND INCREASED BBC INVESTMENT IN BROADCASTING IN SCOTLAND. Audiences are at the heart of all of our broadcasting and, across 2009/2010, we looked to ensure that the many diverse needs and tastes of our viewers and listeners were met, on television, radio and online. Across the month of September the This is Scotland season on BBC Four showcased the best of our nation’s culture, arts and music before a UK audience and the second part of Scotland’s History broadcast to critical acclaim at the turn of the year, on BBC One Scotland, network and on the BBC HD channel. Our news teams continued to bring the best local, national and international journalism to radio, television and online audiences across Scotland, from local reporting on the winter weather chaos “AGAINST A DIFFICULT FINANCIAL BACKDROP, BBC to coverage of the release of the Lockerbie bomber, which brought with it a prestigious Royal NETWORK BUSINESS IN SCOTLAND HAS CONTINUED Television Society award. The BBC’s Network Supply Review saw several key programmes transfer to Scotland during the TO INCREASE, AND WE ARE NOW STARTING TO course of the year. The Review Show and The Weakest Link both began filming in our studios atP acific REALISE THE FULL POTENTIAL OF OUR DIGITAL Quay in Glasgow. They joined a slate of new productions, across genres, which have helped boost BBC network investment in Scotland to over 6% of the total BBC spend, meeting the 2012 target TELEVISION AND RADIO STUDIOS AT PACIFIC QUAY set for us in 2007 by the Director-General and the BBC Trust. -
Clancy-Brothers-Festival-16Pp-May-1
HERI THE CLANCY BROTHERS The Clancy Brothers and Tommy Makem exploded onto the world stage when they took the Ed Sullivan Show by storm. They have since inspired generations of singers, musicians, songwriters and raconteurs, from Bob Dylan to Damien Dempsey. The Clancy Brothers Festival of Music and Art honours the tradition, melody and balladry of the world famous and hugely influential Carrick natives. Welcome (Mural by Sheila Wood - at Clancy House, Nano Nagle Resource Centre). Festival Information Point and Tourist Office The Festival Information Office is at the Tudor Artisan Hub, 42 Main Street, (next to the Strand Theatre), Phone 051 640921. The Hub will be handling bookings for the Children’s and Youth Workshops and The Strand Theatre. The Tourist Office is in the Heritage Centre,Main Street, Carrick-on-Suir. A team of dedicated staff is available to offer advice on the many tourist attractions in the town and hinterland. Tickets for the Brewery Lane Theatre, the Bread and Beer concert, and entry forms for competitions will be available here. Phone 051 640200. Thank you to our sponsors and patrons AIB Bank, Benny Gough Fencing, Bourkes Menswear & Leonies Boutique, Carrick-on-Suir Business Centre, Carrick-on-Suir Credit Union, Coghlan’s Careplus Pharmacy, Derivan Sexton & Co. Solicitors, GK Print, Haven Pharmacy Lannens, Iverk Produce, John Hearn Hardware, John Phelan Skip Hire, Marty’s Pantry, Meanys Shoes, Mullins & Treacy Solicitors, My Dress Bridal Wear, O’Sullivan Malone Accountants, Quinlan’s Mini Bus Hire, Suir Hire Centre, Terry Flynn Tours, The Iverk Show, Topline Clearys, Connor’s Live, Cooney’s Pub, Figgerty’s Pub, Junction Bar & Bistro, O’Ceallachain’s Bar & Bistro, Power’s Tullahought, Sliabh na mBan Bar, The Auld Rogue, The Carraig Hotel, The Royal Bar, The Whistler’s Inn, Anne Marie Power & Co.