The Yardbirds, Eric Clapton, Jeff Beck

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The Yardbirds The Yardbirds mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Blues Album: The Yardbirds Country: UK Released: 2001 Style: Blues Rock MP3 version RAR size: 1219 mb FLAC version RAR size: 1954 mb WMA version RAR size: 1583 mb Rating: 4.4 Votes: 629 Other Formats: MPC MP1 WAV MP4 DTS VOX XM Tracklist Disc 1 1 Too Much Monkey Business 2 Got Love If You Want It 3 Smokestack Lightnin' 4 Good Morning Little Schoolgirl (Live) 5 Respectable 6 Five Long Years 7 Pretty Girl 8 Louise 9 I'm A Man (Live) 10 Here 'Tis 11 I Wish You Would 12 A Certain Girl 13 I Ain't Got You 14 Got To Hurry 15 Let It Rock 16 Out On The Water Coast (With Sonny Boy Williamson) Disc 2 17 For Your Love 18 Heart Full Of Soul 19 Evil Hearted You 20 Still I'm Sad 21 Shapes Of Things 22 Good Morning Little Schoolgirl 23 Baby What's Wrong 24 You Can't Judge A Book By Its Cover 25 I'm A Man 26 Steeled Blues 27 I Ain't Done Wrong 28 You're A Better Man Than I 29 My Girl Sloopy 30 The Train Kept A Rollin' 31 Jeff's Blues 32 Take It Easy Baby (With Sonny Boy Williamson) Companies, etc. Copyright (c) – Sanctuary Records Group Ltd. Barcode and Other Identifiers Barcode: 5038456126727 Label Code: LC6448 Related Music albums to The Yardbirds by The Yardbirds Eric Clapton - Eric's Blues The Yardbirds - Greatest Hits Yardbirds Featuring Eric Clapton And Jeff Beck - Immortal Yardbirds The Yardbirds - 23 All Time Greatest Hits Eric Clapton - The Album The Yardbirds Featuring Eric Clapton, Jeff Beck & Jimmy Page - The Very Best Of The Yardbirds The Yardbirds - The Ultimate Collection The Yardbirds - 31 Rock Standards.

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Yardbirds Shapes of Things Mp3, Flac, Wma
Yardbirds Shapes Of Things mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Shapes Of Things Country: UK Released: 1966 Style: Classic Rock MP3 version RAR size: 1914 mb FLAC version RAR size: 1343 mb WMA version RAR size: 1130 mb Rating: 4.4 Votes: 873 Other Formats: AHX XM WMA AA ASF DMF MOD Tracklist Hide Credits Shapes Of Things A Written-By – McCarty*, Relf*, Samwell-Smith* You're A Better Man Than I B Written-By – Hugg* Credits Directed By [Musical Director] – Paul Samwell-Smith Producer – Giorgio Gomelsky Notes Brit 25.2.66 "A" label demo Other versions Category Artist Title (Format) Label Category Country Year Shapes Of Things / You're A 121 065 Yardbirds* Better Man Than I (7", Riviera 121 065 Netherlands 1966 Single) DNZ.10451 Yardbirds* Shapes Of Things (7", Single) Columbia DNZ.10451 New Zealand 1966 Shapes Of Things / You're A DB 7848 Yardbirds* Better Man Than I (7", Columbia DB 7848 Sweden 1966 Single) Shapes Of Things / You're A DB 7848 Yardbirds* Better Man Than I (7", Columbia DB 7848 Sweden 1966 Single) Formato de Cosas / Eres 310.176 Los Yardbirds* Mejor Hombre Que Yo (7", Ariel 310.176 Argentina 1966 Single, Mono, Promo) Related Music albums to Shapes Of Things by Yardbirds The Animals, The Yardbirds - The Animals Vs Yardbirds The Yardbirds - The Single Hits The Yardbirds - Live Yardbirds (Featuring Jimmy Page) The Yardbirds - Still I'm Sad / Shapes Of Things / Over, Under, Sideways, Down The Yardbirds - MP3 Collection The Yardbirds - Shapes Of Things - Volume 2° The Yardbirds Featuring Jeff Beck, Chris Dreja, Jim McCarty, Paul Samwell-Smith, Keith Relf - London 1964-1965 New York, Memphis, Chicago 1965 London 1966 Yardbirds - Evil Hearted You The Yardbirds - Shapes Of Things The Yardbirds - Rave Up With The Yardbirds The Yardbirds - Legend Of The Yardbirds Vol.
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2020 May June Newsletter
MAY / JUNE NEWSLETTER CLUB COMMITTEE 2020 CONTENT President Karl Herman 2304946 President Report - 1 Secretary Clare Atkinson 2159441 Photos - 2 Treasurer Nicola Fleming 2304604 Club Notices - 3 Tuitions Cheryl Cross 0275120144 Jokes - 3-4 Pub Relations Wendy Butler 0273797227 Fundraising - 4 Hall Mgr James Phillipson 021929916 Demos - 5 Editor/Cleaner Jeanette Hope - Johnstone Birthdays - 5 0276233253 New Members - 5 Demo Co-Ord Izaak Sanders 0278943522 Member Profile - 6 Committee: Pauline Rodan, Brent Shirley & Evelyn Sooalo Rock n Roll Personalities History - 7-14 Sale and wanted - 15 THE PRESIDENTS BOOGIE WOOGIE Hi guys, it seems forever that I have seen you all in one way or another, 70 days to be exact!! Bit scary and I would say a number of you may have to go through beginner lessons again and also wear name tags lol. On the 9th of May the national association had their AGM with a number of clubs from throughout New Zealand that were involved. First time ever we had to run the meeting through zoom so talking to 40 odd people from around the country was quite weird but it worked. A number of remits were discussed and voted on with a collection of changes mostly good but a few I didn’t agree with but you all can see it all on the association website if you are interested in looking . Also senior and junior nationals were voted on where they should be hosted and that is also advertised on their website. Juniors next year will be in Porirua and Seniors will be in Wanganui.
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Crossing Over: from Black Rhythm Blues to White Rock 'N' Roll
PART2 RHYTHM& BUSINESS:THE POLITICAL ECONOMY OF BLACKMUSIC Crossing Over: From Black Rhythm Blues . Publishers (ASCAP), a “performance rights” organization that recovers royalty pay- to WhiteRock ‘n’ Roll ments for the performance of copyrighted music. Until 1939,ASCAP was a closed BY REEBEEGAROFALO society with a virtual monopoly on all copyrighted music. As proprietor of the com- positions of its members, ASCAP could regulate the use of any selection in its cata- logue. The organization exercised considerable power in the shaping of public taste. Membership in the society was generally skewed toward writers of show tunes and The history of popular music in this country-at least, in the twentieth century-can semi-serious works such as Richard Rodgers and Lorenz Hart, Cole Porter, George be described in terms of a pattern of black innovation and white popularization, Gershwin, Irving Berlin, and George M. Cohan. Of the society’s 170 charter mem- which 1 have referred to elsewhere as “black roots, white fruits.’” The pattern is built bers, six were black: Harry Burleigh, Will Marion Cook, J. Rosamond and James not only on the wellspring of creativity that black artists bring to popular music but Weldon Johnson, Cecil Mack, and Will Tyers.’ While other “literate” black writers also on the systematic exclusion of black personnel from positions of power within and composers (W. C. Handy, Duke Ellington) would be able to gain entrance to the industry and on the artificial separation of black and white audiences. Because of ASCAP, the vast majority of “untutored” black artists were routinely excluded from industry and audience racism, black music has been relegated to a separate and the society and thereby systematically denied the full benefits of copyright protection.
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Eric Clapton
ERIC CLAPTON BIOGRAFIA Eric Patrick Clapton nasceu em 30/03/1945 em Ripley, Inglaterra. Ganhou a sua primeira guitarra aos 13 anos e se interessou pelo Blues americano de artistas como Robert Johnson e Muddy Waters. Apelidado de Slowhand, é considerado um dos melhores guitarristas do mundo. O reconhecimento de Clapton só começou quando entrou no “Yardbirds”, banda inglesa de grande influência que teve o mérito de reunir três dos maiores guitarristas de todos os tempos em sua formação: Eric Clapton, Jeff Beck e Jimmy Page. Apesar do sucesso que o grupo fazia, Clapton não admitia abandonar o Blues e, em sua opinião, o Yardbirds estava seguindo uma direção muito pop. Sai do grupo em 1965, quando John Mayall o convida a juntar-se à sua banda, os “Blues Breakers”. Gravam o álbum “Blues Breakers with Eric Clapton”, mas o relacionamento com Mayall não era dos melhores e Clapton deixa o grupo pouco tempo depois. Em 1966, forma os “Cream” com o baixista Jack Bruce e o baterista Ginger Baker. Com a gravação de 4 álbuns (“Fresh Cream”, “Disraeli Gears”, “Wheels Of Fire” e “Goodbye”) e muitos shows em terras norte americanas, os Cream atingiram enorme sucesso e Eric Clapton já era tido como um dos melhores guitarristas da história. A banda separa-se no fim de 1968 devido ao distanciamento entre os membros. Neste mesmo ano, Clapton a convite de seu amigo George Harisson, toca na faixa “While My Guitar Gently Weeps” do White Album dos Beatles. Forma os “Blind Faith” em 1969 com Steve Winwood, Ginger Baker e Rick Grech, que durou por pouco tempo, lançando apenas um album.
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BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] ARTIST Johnny Burnette TITLE Johnny Burnette And The Rock ’n’ Roll Trio LABEL Bear Family Productions CATALOG # BAF 18012 PRICE-CODE BAF EAN-CODE ÇxDTRBAMy180125z FORMAT VINYL album 180g Vinyl • Pressed by Pallas Direct Metal Mastering: H.J. Maucksch at PaulerAcoustics GENRE Rock ‘n’ Roll G One of the first and maybe the greatest rockabilly albums ever! G Includes The Train Kept A'Rollin' – later recorded by the Yardbirds, Aerosmith and many others! G Includes many of the greatest guitar solos from the early days of rock 'n' roll! INFORMATION Johnny Burnette died in 1964 after scoring several pop hits in the early Sixties, including Dreamin', You're Sixteen, and Little Boy Sad. If, in the days or weeks before his death, he had been asked how he would be remembered, he would probably have said for those hits or for the songs he'd written for Ricky Nelson. And he would have been wrong. Today, Johnny Burnette is chiefly remembered for some sessions he cut in 1956 that resulted in no hits, but just about defined rockabilly as an art-form – in fact as a new musical life-form. This album, one of the first-ever rockabilly LPs, is still the best-ever rockabilly LP. From the early 1960s, collectors were paying big money for it. When musicologists and musicians deconstruct rockabilly and when revivalists reconstruct it, they're trying to unravel the magic of Johnny Burnette and the Rock 'n' Roll Trio.
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In the Studio: the Role of Recording Techniques in Rock Music (2006)
21 In the Studio: The Role of Recording Techniques in Rock Music (2006) John Covach I want this record to be perfect. Meticulously perfect. Steely Dan-perfect. -Dave Grohl, commencing work on the Foo Fighters 2002 record One by One When we speak of popular music, we should speak not of songs but rather; of recordings, which are created in the studio by musicians, engineers and producers who aim not only to capture good performances, but more, to create aesthetic objects. (Zak 200 I, xvi-xvii) In this "interlude" Jon Covach, Professor of Music at the Eastman School of Music, provides a clear introduction to the basic elements of recorded sound: ambience, which includes reverb and echo; equalization; and stereo placement He also describes a particularly useful means of visualizing and analyzing recordings. The student might begin by becoming sensitive to the three dimensions of height (frequency range), width (stereo placement) and depth (ambience), and from there go on to con sider other special effects. One way to analyze the music, then, is to work backward from the final product, to listen carefully and imagine how it was created by the engineer and producer. To illustrate this process, Covach provides analyses .of two songs created by famous producers in different eras: Steely Dan's "Josie" and Phil Spector's "Da Doo Ron Ron:' Records, tapes, and CDs are central to the history of rock music, and since the mid 1990s, digital downloading and file sharing have also become significant factors in how music gets from the artists to listeners. Live performance is also important, and some groups-such as the Grateful Dead, the Allman Brothers Band, and more recently Phish and Widespread Panic-have been more oriented toward performances that change from night to night than with authoritative versions of tunes that are produced in a recording studio.
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THE BIRTH of HARD ROCK 1964-9 Charles Shaar Murray Hard Rock
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When Giants Walked the Earth
ORION WHEGIA Unit $$PR Page 3 When Giants walked—PKY—234x153mm WHEGIAPR01 When Giants Walked the Earth A BIOGRAPHY OF MICK WALL Input Data Services Ltd 10-02-2008 10:23:58 ORION WHEGIA Unit $$$1 Page 3 When Giants walked—PKY—234x153mm WHEGIA0101 PART ONE Ascension! ‘Worship me with wines and strange drugs whereof I shall tell my prophet, and be drunk thereof! They shall not harm ye at all!’ – Aleister Crowley, The Book of the Law Input Data Services Ltd 10-02-2008 08:33:49 ORION WHEGIA Unit $$$1 Page 4 When Giants walked—PKY—234x153mm WHEGIA0101 Input Data Services Ltd 10-02-2008 08:33:49 ORION WHEGIA Unit $$$1 Page 5 When Giants walked—PKY—234x153mm WHEGIA0101 The Dawn of Now 5 1 The Dawn of Now ou are Jimmy Page. It is the summer of 1968 and you are one of the Y best-known guitarists in London – and one of its least famous. Even the past two years in the Yardbirds haven’t brought you the recognition you know you deserve. People talk about the Yardbirds as though Jeff Beck is still the guitarist, not you, despite everything you’ve done for them; giving up the easy-money session gigs that bought you your house by the river; gifting them one last ride on the merry-go-round with ahead-of-the-game hits like ‘Happening Ten Years Time Ago’, even as Mickie Most sucked the life out of them making them do codswallop like ‘Ha Ha Said The Clown’; sticking with them as their proﬁle has slowly faded from view, along with their own self-worth.
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Eric Clapton
Eric Clapton http://www.gibson.com/Products/Electric-Guitars/Les-Paul/Gibson- Custom/Eric-Clapton-1960-Les-Paul.aspx Group 2 Lauren Hartmann, Sarah Youssef, Benjamin Markham, and Suyog Dahal Overview ❖ Artist Biography ❖ Musical Influences ❖ Musical Style ❖ Other Music at the Time ❖ Musical Analysis ❖ Clapton’s Influence ❖ Legacy http://www.ericclapton.com/eric-clapton-biography?page=0%2C2 ❖ Conclusion ❖ References Why We Chose Eric Clapton ❖ We chose Eric Clapton because he is considered one of the most important and influential guitarist of times. ❖ We were interested to learn about how his personal life and choices influenced his musical style. http://thubakabra.deviantart.com/art/Eric- Clapton-333962401 Eric Clapton’s Early Life ❖ Born Eric Patrick Clapton on March 30, 1945 ❖ The son of an unmarried couple, Patricia Molly Clapton and and Edward Walter Fryer. ❖ Edward Walter Fryer was a Canadian soldier stationed in England during WWII. Before Eric was born he returned to his wife back in Canada. ❖ It was difficult on Patricia to raise Eric on her own. Her parents, Rose and Jack Clapp were the primary caregiver of Eric, and raised him http://www.seymourduncan.com/forum/ as their own. showthread.php?127804-quot-So-and-so-played- THIS-guitar-quot (Eric Clapton and WBR, n.d.). Eric Clapton’s Early Life ❖ He was brought up in a musical household ➢ His grandmother played the piano ➢ His mother and uncle always had big bands playing throughout the house ❖ At the age of 9 he found out the truth about his parents ➢ Was affected tremendously by this truth and began to be moody and distant.
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Muziek Voor Volwassenen 2020 Week 33
Muziek voor volwassenen / Johan Derksen Album van de week:Ted Russell Kamp-Down In The Den maandag 10/08/2020 18:00-19:00 ARTIEST TITEL COMPONIST PLATENLABEL CATALOGUSNUMMER CD TITEL 1 Jeff Beck & Joss Stone I put a spell on you Hawkins ATCO 8122-79811-0 Emotion & Commotion 2 Homesick James The sky is crying James SPV SPV 50912 CD From New Orleans To Chicago Via Memphis 3 Jeff Beck & Joss Stone There’s no other me Rebello, Stone ATCO 8122-79811-0 Emotion & Commotion 4 Fats Domino I wanna walk you home Domino SPV SPV 50912 CD From New Orleans To Chicago Via Memphis 5 Jeff Beck & Screaming Lord Sutch Come back baby Sutch Castle Music CMQCD 702 Shapes of Things [60's Groups & Sessions] 6 Guitar Slim The story of my life Slim SPV SPV 50912 CD From New Orleans To Chicago Via Memphis 7 Jeff Beck & The Yardbirds Heart full of soul Gouldman Castle Music CMQCD 702 Shapes of Things [60's Groups & Sessions] 8 Ted Russell Kamp Hold on Quist PoMo Records TRK-012 Down In The Den 9 Jeff Beck & The Yardbirds Evil hearted you Gouldman Castle Music CMQCD 702 Shapes of Things [60's Groups & Sessions] 10 Naomi Shelton What have you done MannGiven Away Free With MOJO April 2008 The New Dictionary Of Blues And Soul 11 Jeff Beck & Paul Jones And the sun will shine Gibb, Gibb, Gibb Castle Music CMQCD 702 Shapes of Things [60's Groups & Sessions] 12 James Hunter No smoke without fire HunterGiven Away Free With MOJO April 2008 The New Dictionary Of Blues And Soul 13 Jeff Beck & Rod Stewart Morning dew Rose, Dobson EMI 7243 8 73749 2 8 Truth 14 Sharon Jones 100
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The Herberts - SONGLIST Playing the Best of the 60S
The Herberts - SONGLIST Playing the best of the 60s Baby Please Don't Go Them *Gloria Them *Here Comes The Night Them *I'm A Man Spencer Davis Group Gimme Some Lovin' Spencer Davis Group Keep On Running Spencer Davis Group *She's So Fine Easybeats Women (Make You Feel Alright) Easybeats *St Louis Easybeats *Sorry Easybeats *I'll Make You Happy Easybeats Friday On My Mind Easybeats Wedding Ring Easybeats *Good Times Easybeats Green Onions Booker T and The MGs Time Is Tight Booker T and The MGs Mary Mary The Monkees *The Herberts Theme The Monkees I’m a Believer The Monkees Last Train to Clarksville The Monkees Steppin' Stone The Monkees Daydream Believer The Monkees *Hippy Hippy Shake Swinging Blue Jeans *You’re No Good Swinging Blue Jeans *She's Not There Zombies *Secret Agent Man The Guess Who Shakin' all Over The Guess Who *All Day and All of the Night Kinks *Dedicated Follower Of Fashion Kinks *Sunny Afternoon Kinks *You've Really Got Me Kinks *Tin Soldier The Small Faces *Itchycoo Park The Small Faces Pretty Woman Roy Orbison *Light My Fire Doors *All Over Now The Rolling Stones *Route 66 The Rolling Stones Walking The Dog The Rolling Stones *Get Off My Cloud The Rolling Stones Sympathy For The Devil The Rolling Stones Let’s Spend The Night Together The Rolling Stones (I Can’t Get No) Satisfaction The Rolling Stones *When You Walk In The Room The Searchers *Sunshine Superman Donovan Mellow Yellow Donovan Good Lovin' The Young Rascals *I Feel Fine The Beatles *Twist and Shout The Beatles *Please Mr Postman The Beatles *Money The Beatles
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Spatio-Temporal Suspension and Imagery in Popular Music Recordings
Spatio-temporal Suspension and Imagery in Popular Music Recordings Peter Long Western Sydney University [email protected] Abstract Constructed spatiality and perceived imagery in popular music recordings has been in evidence since the 1930s as “a fundamentally pictorial tradition (…) reverb and echo effects deployed in combination with certain lyrics to render aural vistas” (Doyle, 2004: 32). Spatiality underwent a transformation in the 1950s with echo and reverberation increasingly employed as timbral and rhythmic enhancement to music. By the 1960s, with advances in recording technologies and the emergence of psychedelic music, sound environments openly challenged notions of spatial reality, providing a perceptual bridge between auditory and visual realms. This practice-led enquiry focuses upon the experience of spatio-temporal suspension in popular music recordings. Through praxical engagement with consumer audio technologies, it aims to define a timeless, suspended aesthetic in music and sound, by drawing on neuroscientific research into dynamic forms of vitality in the time-based arts (Stern, 2010) and demonstrating the multimodal nature of these recordings. KEYWORDS: spatiality, affect, suspension, echo, reverberation, perception The composition that is part of this study can be found here: http://www.iaspmjournal.net/index.php/IASPM_Journal/article/downloadSuppFile/821/240 Background This investigation examines the phenomenon of spatio-temporal suspension and its aesthetic application in popular music recordings. It derives
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