Comparatif Des Plateformes De Streaming De Musique

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Comparatif des plateformes de streaming de musique Spotify Deezer Apple Music Google Play Music Tidal Qobuz Youtube* Nombre de titres > 30 millions 43 millions 40 millions 40 millions 48,5 millions 40 millions 140 millions dont 60 millions Nombre d'utilisateurs 10 millions d'abonnés > 30 millions d'abonnés 4,2 millions d'abonnés 1,5 milliard par mois d'abonnés (en juin 2017) Non, mais 15 jours Non, mais 3 mois d'essai Non, mais 30 jours d'essai Accès gratuit permanent Oui Oui Non d'essai gratuit Oui gratuit gratuit (Premium et HiFi) Interruptions publicitaires, non Interruptions publicitaires, Restrictions liées à l'accès gratuit Interruptions publicitaires, Interruptions disponible hors connection, qualité pas d'écoute hors permanent limitation de la qualité du son publicitaires de streaming standard connexion Ecoute possible hors ligne (sur mobile) Oui (sauf accès gratuit) Oui (sauf accès gratuit) Oui Oui Oui Oui Non 100'000 titres en ALAC, 50'000 titres (y compris Uniquement via Uniquement via Importation de sa propre musique Non 2'000 titres en MP3 Non WAV, or AIFF avec l'accès gratuit) soundiiz.com soundiiz.com 12.99 (Premium), Prix abonnement individuel (en CHF par 12.95 12.95 (Premium+), 25.99 (HiFi) 12.90 11.95 12.95 (Premium), 25.90 (HiFi) 25.99 (HiFi), 33.33 (Hi- mois) Res) Prix abonnement familial (en CHF par 19.45 (Premium), 38.85 (HiFi) 19.90 pour 6 utilisateurs 19.45 pour 6 utilisateurs 19.90 pour 6 utilisateurs 17.99 pour 6 utilisateurs mois) pour 5 utilisateurs Prix abonnement étudiants (en CHF par 6.49 6.50 6.49 (Premium), 12.95 (HiFi) mois) Prélèvement automatique Prélèvement automatique. au début de chaque Prélèvement automatique. Prélèvement Prélèvement automatique Prélèvement automatique. Résiliation au moins 24 période. Résiliation et Remboursement possible automatique. Captivité abonnement/délai résiliation chaque 30 du mois. Résiliation Résiliation doit être signalée au heures avant la fin de la remboursement possible dans les 14 jours si aucun Résiliation au moins au moins 48h avant l'échéance. minimum 1 mois avant l'échéance. période de facturation. jusqu'à 7 jours après le streaming effectué. 48h avant l'échéance. prélèvement. Vidéos de 250 Format/compression sur ordinateur AAC 128 Kbit/s (accès gratuit) Ajustable de MP3 128 Kbits/s à MP3 MP3 320 Kbits/s AAC 256 Kbits/s AAC 256 Kbits/s AAC 320 Kbits/s (Premium) Kbits/s (original) à (lecteur Web) et 256 Kbit/s (abonnements) 320 Kbits/s (abonnements) (Premium) 2'000 Kbits/s (HD) Vidéos de 250 Format/compression sur smartphones, Ogg Vorbis, 3 qualités: 96 Ajustable de MP3 128 Kbits/s à MP3 MP3 320 Kbits/s AAC 256 Kbits/s AAC 256 Kbits/s Kbits/s (original) à tablettes (iOs et Android) Kbits/s à 320 Kbits/s 320 Kbits/s (abonnements) (Premium) 2'000 Kbits/s (HD) FLAC 16-Bit / 44.1 FLAC 1411 Kbits/s pour 83% du FLAC 1411 Kbits/s pour 95% kHz (HiFi), FLAC Hi- Son en haute-fidélité Non Non Non Non répertoire (HiFi) du répertoire (HiFi) Res 24-Bit / jusqu'à 192kHz (Hi Res) Playlists intelligentes, paroles Playlists intelligentes (Flow), paroles Abonnement pour militaires Particularités Playlists intelligentes de chansons (SoundHound) de chansons (sous conditions) Rémunération de l'artiste supposée par 0,0038 0,0056 0,0064 0,0059 0,011 0,0006 écoute de titre (en dollars)** * Inclus à titre de comparaison Situation au 20.11.2017 - Emission "On en parle" ** Source: Information is beautiful, data journaliste.

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The New Playlist Powerplays 2
ISSUE 367 | 27 MAY 2015 Contents thereport 06 Beyond music: Music’s future focus – it’s in the game 07 Pinboard: Stats, deals, startups and more 09 Country profile: Taiwan Play-ola The new playlist powerplays 2 ISSUE 367 27.05.15 COVER FEATURE laylists are becoming one of the important currencies of the streaming music world, bringing with them big opportunities for labels of all sizes, Pbut also plenty of potential for shenanigans – including payola. Spotify is at the centre of this trend: it has the most playlists (whether created by users, labels or its own in-house team), and the most popular ones, with plenty of individual playlists accumulating hundreds of thousands of followers. The famous (and over-familiar) story of Sean Parker’s Hipster International playlist (pictured left) helping to break Lorde globally was just the start. Spotify’s recent launch of its “Now” homescreen put playlists even more front and centre on the streaming service. Remember the days when the big streaming services could be accused of being little more than “search boxes” stuck on top of a sprawling catalogue of music? In 2015, Spotify’s emphasis is fast becoming a programmed, radio-style music service, driven by its in-house-curated playlists and (to a lesser extent) by the popular playlists created by labels and individual users. “As we get more mainstream, and as people start changing their user behaviours with Spotify, I think we’ll see programmed playlists becoming more and more influential,” Play-ola said Spotify’s director of label relations, Will The new playlist powerplays Hope, at The Great Escape conference in Brighton (UK) earlier this month.
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Written Rebuttal Statement of the National Association of Broadcasters
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Comparatif Des Plateformes De Streaming De Musique
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CORRECTED WRITTEN REBUTTAL STATEMENT of the NATIONAL ASSOCIATION of BROADCASTERS Volume 1 of 5
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Music in the Air Stairway to Heaven
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