TITLE: 16 the Triumph of Weakness TEASE: What Makes a Winner? Most Would Agree That a Winner Is Strong and Successful. Have

Total Page:16

File Type:pdf, Size:1020Kb

TITLE: 16 the Triumph of Weakness TEASE: What Makes a Winner? Most Would Agree That a Winner Is Strong and Successful. Have TITLE: 16 The Triumph of Weakness TEASE: What makes a winner? Most would agree that a winner is strong and successful. Have you ever heard of someone who won through weakness? If you’d like to find out more, join us today on Windows of Hope. SERMON In a world where our children grow up admiring the exploits of comic book superheroes, it seems everyone wants to be strong. Have you ever wondered, if superpowers really existed, what power you would like to have? Would you be super-fast, so you never needed to arrive late for a meeting? Super- strong, so that you could take on any challenger? Or perhaps you’d like to be invisible so that you could slip around unseen and observe people without them knowing you’re there. It’s fun to speculate, but of course we know that in real life people don’t get bitten by mutant spiders – like Spiderman – and emerge with the ability to spin webs and swing from one building to another. Nor do real people get struck by lightning or dropped into vats of toxic waste and somehow manage to emerge with incredible strength or other amazing abilities. Stories of superheroes are popular because most people at some time in life feel the need to be rescued. When we feel overwhelmed, when trouble or tragedy strikes, it awakens in us a longing for someone bigger than ourselves, a hero who can come and save us. One of the most enduring and popular of the classic comic book superheroes is, of course, Superman. Originally created back in the 1930s, Superman has survived through the decades in comic book, TV show, and movie form, always hiding his amazing powers behind the mild-mannered form of newspaper reporter Clark Kent. But those who are avid fans of the superhero genre will probably know a few things about Superman’s past that might make us wonder who the real hero is. For those of us who may not be quite so knowledgeable, it may come as a surprise to learn that Superman, unlike other comic book heroes like Batman or Spiderman, wasn’t born here on earth as an ordinary human being. No, he came from a planet far away. After his planet’s destruction, he was sent to earth as a baby with a mission from his powerful father to use his powers to help the people of Earth. Coming to Earth as a helpless baby, Superman was raised by a simple farming family, only later discovering his true powers and embarking on his mission of fighting crime and evil. Now I have to stop and ask you, friends, do the broad outlines of that story sound at all familiar to you? Do you know of anyone else who came to this earth from far away, sent by His Father on a mission? Anyone else who began life as a baby in a poor peasant family, Who grew up to discover that His origins and His mission were far beyond that of any ordinary human being? I think most Christians would find it impossible to hear the story of Superman without thinking of the true story of Jesus Christ. He is the One who truly came from far beyond this planet, sent by His father to save the world. As Superman saves the world over and over again in comic book tales, Jesus saved the world once, decisively, from the grip of sin and evil. Of course we can find other myths, other stories from different cultures that also follow the same pattern. These are the stories that resonate with us because they reflect our deepest need – someone Who comes from outside, yet is also one of us, someone more powerful Who can help and save us. No wonder stories of superheroes have always been so popular! But there’s an important distinction between Jesus and Superman – quite apart from the fact that one is real and the other is fictional. It’s a striking difference, yet one that we don’t always notice or focus on. And it’s the difference that changes everything. In all the superhero stories, the hero triumphs by being stronger than his opponent. Oh, he may suffer for a time – he may be imprisoned, or captured, or tortured – but he always emerges triumphant and defeats his enemy. By definition, a superhero is strong, and his strength is what enables him to win every battle. Was Jesus strong? Physically, we don’t know. He certainly didn’t have superhero-strength – or at least, if He did, the Bible doesn’t mention it. He was probably as physically strong as any ordinary man of His times who spent much of His life doing manual labor. But the Gospels never record a situation where Jesus triumphed through the use of physical force. He meets the devil in the wilderness, but defeats him through the use of Scripture verses rather than winning a wrestling match with Satan. Jesus did have other kinds of strength, though. He had strength of character. The Bible tells us He was without sin. Through His incredibly close connection with God the Father, He had the ability to heal, to perform miracles, even to walk on water! Yes, Jesus was strong in many ways, and He used these strengths to help and bless others throughout His life. But at the moment of Jesus’ greatest conflict, He triumphed not by being strong, but by being weak. His most amazing, most triumphant, most victorious act was not to burst out of prison or defeat a criminal, but to hang on the cross, dying the death of a criminal Himself. As Isaiah 53, verse 3 says: “He was despised and rejected by men, a man of sorrows, and familiar with suffering.” Today the cross has become so powerful as a religious symbol that we don’t fully appreciate what a symbol of shame and disgrace it was in Roman times. It was the instrument the Romans used to execute, not Roman citizens who committed a crime, but foreigners, rebel slaves, and terrorists. It was a horrible death. We might have some tiny glimpse of it if we imagine a person dying in the electric chair or by lethal injection today, but that doesn’t really give us a sense of it, since crucifixion was a method of torture as well as execution. Nobody was proud to say that they followed a Man who had died on a cross. In the early days of Christianity, Christians didn’t even use the cross as a symbol to identify themselves, as they began to do later – it was too shameful, too shocking. The ancient Israelites, long before the time of Roman rule, didn’t know about crucifixion. They knew about hanging someone as a method of punishment, and they decreed that anyone who was hung from a tree was cursed by God. The apostle Paul takes this Old Testament verse and applies it to Jesus’ death on the cross in Galatians, chapter 3, verse 13, where he writes: “Christ redeemed us from the curse of the law by becoming a curse for us, for it is written: ‘Cursed is everyone who is hung on a tree.’” Nobody would have looked up at Jesus, hanging on the cross, and thought, “This man is a hero! This man has triumphed! He has succeeded!” Death on a cross was clear evidence of absolute failure, of weakness rather than strength. Can you imagine Superman on a cross? Perhaps a superhero might endure a similar fate – but only temporarily. It would be just a roadblock on his way to ultimate victory. He would come back from the shame and defeat stronger than ever and overwhelm the enemy with his mighty power. But, you might ask, isn’t that the same as Jesus? For Him, too, the cross was a temporary setback, for He rose from the grave three days later, triumphant. True – but here’s the important point, the point we so often miss. Though Jesus’ resurrection was a vital part of the story, and His victory would not have been complete without it. He didn’t have to wait until resurrection morning to triumph over sin. The cross wasn’t just a temporary setback on the road to victory – the cross was His victory. It was by His defeat, by being destroyed by the powers of sin, that He won His victory over them. What an amazing truth this is! We are so used to stories of heroes who triumph by being strong, that we often don’t realize that every time we pray, we worship a hero who triumphed through weakness. It was in suffering that Jesus’ greatest strength was proven. It was in dying that He won our victory, by paying the price for sin and breaking the power of death and the grave. Nobody could have known that, walking past the hill of Golgotha that day, seeing the little knot of people gathered at the feet of one of the many crosses that dotted that sad hillside. Jesus would have looked like no more than another criminal, one more poor, tortured loser suffering along with the others. Perhaps He had a few more friends there to mourn Him, but essentially, in the eyes of those watching, He was no different from the others. He had failed. He suffered. He was about to die a horrible, shameful death. Only in the light of the resurrection can we look back and see that the cross was Jesus’ greatest moment.
Recommended publications
  • The Time Warner Conspiracy: JFK, Batman, and the Manager Theory of Hollywood Film
    UC Irvine UC Irvine Previously Published Works Title The Time Warner conspiracy: JFK, Batman, and the manager theory of Hollywood film Permalink https://escholarship.org/uc/item/8vx5j2n7 Journal Critical Inquiry, 28(3) ISSN 0093-1896 Author Christensen, J Publication Date 2002 DOI 10.1086/343232 License https://creativecommons.org/licenses/by/4.0/ 4.0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The Time Warner Conspiracy: JFK, Batman, and the Manager Theory of Hollywood Film Jerome Christensen Think of the future! —The Joker, Batman Formed in 1989, after the fall of the Wall, which had symbolicallysegregated rival versions of the truth, Time Warner, the corporate merger of fact and fiction, was deeply invested in a vision of American democracy gone sour and sore in need of rescue. That investment is most salient in two films: Batman, released in 1989 during the merger negotiations between Time Inc. and Warner, and JFK, the signature film of the new organization.I willargue that Batman and JFK are corporate expressions: the former an instrumental allegory contrived to accomplish corporate objectives, the latter a scenario that effectively expands the range of what counts as a corporate objective. Batman is an allegory addressed to savvy corporate insiders, some of whom are meant to get the message, while others err. JFK aspired to turn everyone into an insider. It inducts its viewers into a new American mythos wired for an age in which successful corporate financial performance presupposes
    [Show full text]
  • PDF Download Aquaman Vol. 8 out of Darkness
    AQUAMAN VOL. 8 OUT OF DARKNESS Author: Dan Abnett Number of Pages: 144 pages Published Date: 07 Mar 2017 Publisher: DC Comics Publication Country: United States Language: English ISBN: 9781401268749 DOWNLOAD: AQUAMAN VOL. 8 OUT OF DARKNESS Aquaman Vol. 8 Out Of Darkness PDF Book When you fall, take responsibility for getting back up. Simply Better: Doing What Matters Most to Change the Odds for Student SuccessMore versatile than mere number crunching and statistics, data can be an effective tool-even a powerful catalyst-for change within a school. My First 100 English WordsLinear B is Europe's oldest readable writing, dating from the middle of the second millennium BC. Smith Department of Mathematics University of Keele, UK and R. As well as providing the most compressive account of distance measurements to date, the book will use the common theme of distance measurement to impart basic concepts relevant to a wide variety of areas in astronomyastrophysics. Cesar's formula for a contented and balanced dog seems impossibly simple: exercise, discipline, and affection, in that order. The book will be of great interest and value to researchers and students of asylum and immigration law, international politics, and gender studies. ·Effective deck-building strategies for both Hunters and Arkz Story Characters ·Essential info on every monster and weapon in the game ·Detailed info on creating your character ·Complete walkthrough of all online and offline quests ·Expansive battle tactics to conquer every situation Dark Forces II: Jedi Knight - Strategy GuideWho Will YOU Be. Now researchers are rediscovering the effects of visualization on one's emotions, mental state, physical body, behavior, and even on the future.
    [Show full text]
  • DC Comics Jumpchain CYOA
    DC Comics Jumpchain CYOA CYOA written by [text removed] [text removed] [text removed] cause I didn’t lol The lists of superpowers and weaknesses are taken from the DC Wiki, and have been reproduced here for ease of access. Some entries have been removed, added, or modified to better fit this format. The DC universe is long and storied one, in more ways than one. It’s a universe filled with adventure around every corner, not least among them on Earth, an unassuming but cosmically significant planet out of the way of most space territories. Heroes and villains, from the bottom of the Dark Multiverse to the top of the Monitor Sphere, endlessly struggle for justice, for power, and for control over the fate of the very multiverse itself. You start with 1000 Cape Points (CP). Discounted options are 50% off. Discounts only apply once per purchase. Free options are not mandatory. Continuity === === === === === Continuity doesn't change during your time here, since each continuity has a past and a future unconnected to the Crises. If you're in Post-Crisis you'll blow right through 2011 instead of seeing Flashpoint. This changes if you take the relevant scenarios. You can choose your starting date. Early Golden Age (eGA) Default Start Date: 1939 The original timeline, the one where it all began. Superman can leap tall buildings in a single bound, while other characters like Batman, Dr. Occult, and Sandman have just debuted in their respective cities. This continuity occurred in the late 1930s, and takes place in a single universe.
    [Show full text]
  • Truth, Justice, and the Canadian Way: the War-Time Comics of Bell Features Publications Ivan Kocmarek Hamilton, Ontario
    Truth, Justice, and the Canadian Way: The War-Time Comics of Bell Features Publications Ivan Kocmarek Hamilton, Ontario 148 What might be called the “First Age of Canadian Comics”1 began on a consum- mately Canadian political and historical foundation. Canada had entered the Second World War on September 10, 1939, nine days after Hitler invaded the Sudetenland and a week after England declared war on Germany. Just over a year after this, on December 6, 1940, William Lyon MacKenzie King led parliament in declaring the War Exchange Conservation Act (WECA) as a protectionist measure to bolster the Canadian dollar and the war economy in general. Among the paper products now labeled as restricted imports were pulp magazines and comic books.2 Those precious, four-colour, ten-cent treasure chests of American culture that had widened the eyes of youngsters from Prince Edward to Vancouver Islands immedi- ately disappeared from the corner newsstands. Within three months—indicia dates give March 1941, but these books were probably on the stands by mid-January— Anglo-American Publications in Toronto and Maple Leaf Publications in Vancouver opportunistically filled this vacuum by putting out the first issues of Robin Hood Comics and Better Comics, respectively. Of these two, the latter is widely considered by collectors to be the first true Canadian comic book becauseRobin Hood Comics Vol. 1 No. 1 seems to have been a tabloid-sized collection of reprints of daily strips from the Toronto Telegram written by Ted McCall and drawn by Charles Snelgrove. Still in Toronto, Adrian Dingle and the Kulbach twins combined forces to release the first issue of Triumph-Adventure Comics six months later (August 1941), and then publisher Cyril Bell and his artist employee Edmund T.
    [Show full text]
  • Motor Works' Triumph GT6 Restoration
    Motor Works' Triumph GT6 Restoration 2009 to 2012 2 Motor Works' Triumph GT6 Restoration 2009 to 2012 Table of Contents: 3) What is a GT6?: or “Vut Iz Zat Krazy Kar?” 4) A Brief Detour: “What’s the difference between horsepower and torque?” 5) A Sneak Peak: “The Gonzo Stuff!” 5) History: “Trouble at the Start!” 5) The Little Things: It’s said “take care of the little things and the big things will take care of themselves.” Don’t believe it! 8) The Players: “Top Flight Craftsmen!” 10) The Gonzo Stuff: “Let the Games Begin!” 10) The Engine 1: “Wrenches Flying!” 12) The Engine 2: “The best laid schemes of mice and men go often askew.” (Robert Burns 1785) 13) Humor: A Sad Story - “Our lovely Triumph engine would cause instant pandemonium from the moment the lid came off. A bar fight would have created less damage.” 14) The Engine 3: “The devil is in the details.” (Architect Ludwig Mies van der Rohe 1886-1969) 18) The Transmission 1: “Five speeds, no waiting” Enter John Esposito of Quantum Mechanics LTD 19) The Transmission 2: “A slow boat from England” 23) The Interior: “Jag and Bentley ain’t got nothin’ on us!” (Marty Fay, the owner of Motor Works, 2012; at his most eloquent) New Electrics 24) Insulation Everywhere Humor: “Unfortunately For Me, friends were often in short supply. I think it had something to do with the nickname they gave me, ‘Stinky Fay”. 25) British Interior Kit 27) Approaching the End……..NOT!!!!!! 30) Photo Gallery Copyright © 2012 Martin Fay 3 1967 GT6 MkI project at ¾ finished.
    [Show full text]
  • What Superman Teaches Us About the American Dream and Changing Values Within the United States
    TRUTH, JUSTICE, AND THE AMERICAN WAY: WHAT SUPERMAN TEACHES US ABOUT THE AMERICAN DREAM AND CHANGING VALUES WITHIN THE UNITED STATES Lauren N. Karp AN ABSTRACT OF THE THESIS OF Lauren N. Karp for the degree of Master of Arts in English presented on June 4, 2009 . Title: Truth, Justice, and the American Way: What Superman Teaches Us about the American Dream and Changing Values within the United States Abstract approved: ____________________________________________________________________ Evan Gottlieb This thesis is a study of the changes in the cultural definition of the American Dream. I have chosen to use Superman comics, from 1938 to the present day, as litmus tests for how we have societally interpreted our ideas of “success” and the “American Way.” This work is primarily a study in culture and social changes, using close reading of comic books to supply evidence. I argue that we can find three distinct periods where the definition of the American Dream has changed significantly—and the identity of Superman with it. I also hypothesize that we are entering an era with an entirely new definition of the American Dream, and thus Superman must similarly change to meet this new definition. Truth, Justice, and the American Way: What Superman Teaches Us about the American Dream and Changing Values within the United States by Lauren N. Karp A THESIS submitted to Oregon State University in partial fulfillment of the requirements for the degree of Master of Arts Presented June 4, 2009 Commencement June 2010 Master of Arts thesis of Lauren N. Karp presented on June 4, 2009 APPROVED: ____________________________________________________________________ Major Professor, representing English ____________________________________________________________________ Chair of the Department of English ____________________________________________________________________ Dean of the Graduate School I understand that my thesis will become part of the permanent collection of Oregon State University libraries.
    [Show full text]
  • Batwoman and Catwoman: Treatment of Women in DC Comics
    Wright State University CORE Scholar Browse all Theses and Dissertations Theses and Dissertations 2013 Batwoman and Catwoman: Treatment of Women in DC Comics Kristen Coppess Race Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/etd_all Part of the English Language and Literature Commons Repository Citation Race, Kristen Coppess, "Batwoman and Catwoman: Treatment of Women in DC Comics" (2013). Browse all Theses and Dissertations. 793. https://corescholar.libraries.wright.edu/etd_all/793 This Thesis is brought to you for free and open access by the Theses and Dissertations at CORE Scholar. It has been accepted for inclusion in Browse all Theses and Dissertations by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. BATWOMAN AND CATWOMAN: TREATMENT OF WOMEN IN DC COMICS A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts By KRISTEN COPPESS RACE B.A., Wright State University, 2004 M.Ed., Xavier University, 2007 2013 Wright State University WRIGHT STATE UNIVERSITY GRADUATE SCHOOL Date: June 4, 2013 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Kristen Coppess Race ENTITLED Batwoman and Catwoman: Treatment of Women in DC Comics . BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts. _____________________________ Kelli Zaytoun, Ph.D. Thesis Director _____________________________ Carol Loranger, Ph.D. Chair, Department of English Language and Literature Committee on Final Examination _____________________________ Kelli Zaytoun, Ph.D. _____________________________ Carol Mejia-LaPerle, Ph.D. _____________________________ Crystal Lake, Ph.D. _____________________________ R. William Ayres, Ph.D.
    [Show full text]
  • THIS OPINION IS NOT a PRECEDENT of the TTAB DC Comics V. Deanna Rivetti
    THIS OPINION IS NOT A PRECEDENT OF THE TTAB Mailed: August 17, 2017 UNITED STATES PATENT AND TRADEMARK OFFICE _____ Trademark Trial and Appeal Board _____ DC Comics v. Deanna Rivetti _____ Opposition No. 91219851 _____ James D. Weinberger of Fross Zelnick Lehrman & Zissu PC, for DC Comics. David Barlavi of the Law Office of David Barlavi, for Deanna Rivetti. _____ Before Bergsman, Masiello and Pologeorgis, Administrative Trademark Judges. Opinion by Bergsman, Administrative Trademark Judge: Deanna Rivetti (“Applicant”) seeks registration on the Principal Register of the mark SUPER WOMAN OF REAL ESTATE (in standard characters) for “real estate procurement for others,” in Class 36.1 Applicant disclaimed the exclusive right to use the term “Real Estate.” 1 Application Serial No. 86240703 was filed on April 2, 2014, under Section 1(a) of the Trademark Act, 15 U.S.C. § 1052(a), based upon Applicant’s claim of first use anywhere and use in commerce since at least as early as August 2, 2011. Opposition No. 91219851 DC Comics (“Opposer”) filed a Notice of Opposition against the registration of Applicant’s mark on the ground of likelihood of confusion and dilution by blurring pursuant to Sections 2(d) and 43(c) of the Trademark Act, 15 U.S.C. §§ 1052(d) and 1125(c). Opposer pleaded ownership of, inter alia, the registered trademarks listed below: • Registration No. 1181536 for the mark SUPERMAN (typed drawing form) for “entertainment services – namely, series of motion pictures, television programs, animated cartoon films,” in Class 41;2 • Registration No. 1216976 for the mark SUPERMAN (typed drawing form) for “advertising and promotional services – namely, creating advertising for others incorporating comic strip materials,” in Class 35;3 • Registration No.
    [Show full text]
  • T H E J U S T I C E L E a G U E O F a M E R I
    J J T T HE HE USTICE EAGUE OF MERICA HE DC T J L A DC C DEFENDERS OF EARTH C OMICS OMICS T HE WORLD’ S GREATEST HEROES The League continued to expand and contract as circumstances demanded, with a Justice League West unit led by CAPTAIN ATOM,a FIRST APPEARANCE THE BRAVE & THE BOLD #28 (March 1960) They are Earth’s premier defense team and for the last decade later addition.At the request of the U.N., the various Justice E E NCYCLOPEDIA STATUS Team of Earth’s greatest heroes have seen to it that the basic human rights of liberty and League splinter groups disbanded and Superman, Batman, WONDER NCYCLOPEDIA BASE The JLA Watchtower, the Moon justice remain paramount to all citizens. They are the Justice WOMAN,Aquaman, the Martian Manhunter, Flash III, and Green OFFICIAL MEMBERS AND POWERS Lantern V were acknowledged as the official JLA.They built a base Superman The Man of Steel; possessor of superpowers beyond League of America, comprised of the best of the best. Ever on the moon known as the Watchtower. those of mortal men. since Superman ushered in the modern heroic age, Earth has As the external threats facing the world and its Martian Manhunter Alien telepath; shape-changer; gifted with VIRTUE AND VICE strength, flight, and enhanced vision. needed protection, from megalomaniac supervillains and citizens grow more and more extreme, the JLA The JLA and JSA Batman The Dark Knight; master combatant and strategist, especially, from greedy alien tyrants with hitherto has sworn to repulse all threats from space or combine to battle an evil coordinating the team’s counterattacks.
    [Show full text]
  • A M E R I C a N C H R O N I C L E S the by JOHN WELLS 1960-1964
    AMERICAN CHRONICLES THE 1960-1964 byby JOHN JOHN WELLS Table of Contents Introductory Note about the Chronological Structure of American Comic Book Chroncles ........ 4 Note on Comic Book Sales and Circulation Data......................................................... 5 Introduction & Acknowlegments................................. 6 Chapter One: 1960 Pride and Prejudice ................................................................... 8 Chapter Two: 1961 The Shape of Things to Come ..................................................40 Chapter Three: 1962 Gains and Losses .....................................................................74 Chapter Four: 1963 Triumph and Tragedy ...........................................................114 Chapter Five: 1964 Don’t Get Comfortable ..........................................................160 Works Cited ......................................................................214 Index ..................................................................................220 Notes Introductory Note about the Chronological Structure of American Comic Book Chronicles The monthly date that appears on a comic book head as most Direct Market-exclusive publishers cover doesn’t usually indicate the exact month chose not to put cover dates on their comic books the comic book arrived at the newsstand or at the while some put cover dates that matched the comic book store. Since their inception, American issue’s release date. periodical publishers—including but not limited to comic book publishers—postdated
    [Show full text]
  • A M E R I C a N C H R O N I C L E S the by JOHN WELLS 1960-1964
    AMERICAN CHRONICLES THE 1960-1964 byby JOHN JOHN WELLS Table of Contents Introductory Note about the Chronological Structure of American Comic Book Chroncles ........ 4 Note on Comic Book Sales and Circulation Data......................................................... 5 Introduction & Acknowlegments................................. 6 Chapter One: 1960 Pride and Prejudice ................................................................... 8 Chapter Two: 1961 The Shape of Things to Come ..................................................40 Chapter Three: 1962 Gains and Losses .....................................................................74 Chapter Four: 1963 Triumph and Tragedy ...........................................................114 Chapter Five: 1964 Don’t Get Comfortable ..........................................................160 Works Cited ......................................................................214 Index ..................................................................................220 Pride and Prejudice In 1960, comics were unavoidable. Outside of snobby hold- outs like the New York Times, every newspaper worth its salt had a healthy representation of what parents liked to call “the funnies.” A handful of recent comic strips like Pogo, Peanuts, Dennis the Menace, and Marmaduke were even showing up in paperback collections on book racks. Kids magazines might feature a comics story at any time and Boy’s Life had maintained a clutch of recurring features like “Scouts In Action” and Dik Browne’s Tracy
    [Show full text]
  • The Role of Superman in American Post-War Culture
    Undergraduate Review Volume 8 Issue 1 Article 5 1995 The Role of Superman in American Post-War Culture Elayne Wehrly '95 Illinois Wesleyan University Follow this and additional works at: https://digitalcommons.iwu.edu/rev Recommended Citation Wehrly '95, Elayne (1995) "The Role of Superman in American Post-War Culture," Undergraduate Review: Vol. 8 : Iss. 1 , Article 5. Available at: https://digitalcommons.iwu.edu/rev/vol8/iss1/5 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Wehrly '95: The Role of Superman in American Post-War Culture The Role of Superman in American Post-War Culture t£,fayne Welir{y Published by Digital Commons @ IWU, 1995 1 7 Undergraduate Review, Vol. 8, Iss. 1 [1995], Art. 5 (Friedrich 71). "The Adventures of Supe Artifacts of popular culture must be analyzed within their and made its mark by becoming "the sec· proper social and political context for the dimensions of their mean­ sion show in the history of the medium" ing to truly be identified and understood.
    [Show full text]