DOCSLIB.ORG

Scottish and Irish Music Enlivened by Uncommon Instrumentation, Top Notch Arrangements and Remarkable Musicianship

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Scottish and Irish Music Enlivened by Uncommon Instrumentation, Top Notch Arrangements and Remarkable Musicianship Scottish and Irish Music Enlivened by Uncommon Instrumentation, Top Notch Arrangements and Remarkable Musicianship BRASS LASSIE, a bold new band based in the Twin Cities of St. Paul/Minneapolis, combines traditional tunes, songs and style with dazzling modern horn lines, sparking their own genre of eclectic, remarkable music. 10-member strong, the ensemble performs extraordinary takes on Scottish, Irish and French music, traditional and new, featuring a powerful 4-piece horn section, a terrific rhythm section, fine fiddles, flutes, pipes, vocals and some fabulous step dancing. Smart, joyous horn arrangements by top notch jazz arranger Peter Enblom, plus some great band arrangements from Dr. David Milne. The founder of BRASS LASSIE Laura MacKenzie carefully envisioned this big band for several years. It was realized at last in 2016 with a triumphant summer debut, a great day. In 2017, MacKenzie received a highly competitive Artist Initiative grant from the Minnesota State Arts Board to further develop the repertoire for this ensemble concept. Since their debut, BRASS LASSIE has added engaging, exciting new arrangements to every performance, and will be recording their first studio album in Spring, 2018. BRASS LASSIE’s most notable performances have been at the Celtic Junction Arts Center, McNally Smith concert hall (both in St. Paul, MN), at the Minnesota Scottish Fair, the international Vintage Band Festival (Northfield, MN), The Irish Fair of Minnesota, Normandale Lake, and a major stage at the Minnesota State Fair. MEMBERS BRASS LASSIE's members have come together from a broad spectrum of expertise and experience: Traditional music, big bands, show bands, jazz, orchestral, roots and world music, step-dance, and education. 2 Laura MacKenzie - wooden flutes, whistles, concertina, pipes, vocals; founder Mary Vanorny - fiddle Danielle Enblom - fiddle, step dance Patrice Pakiz - piano, oboe Kate DeVoe - trumpet, flugelhorn Tricia Lerohl - French horn Lauren Husting - trombone Brooklynne Audette - bass trombone Marc Anderson - percussion Enrique Toussaint - bass Pete Enblom – principal horn and rhythm arranger When MacKenzie inquired around the region for “the best” horn arranger, it quickly became clear that “the best” was trombonist Pete Enblom. BRASS LASSIE is very fortunate to have this great musician, experienced in big bands, jazz ensembles and Latin bands, on board as their horn and rhythm arranger. Laura MacKenzie, founder and leader, has received numerous honors and performing arts awards for her participation and dedication in the realms of traditional music, including being selected for the original Cherish The Ladies series (National Endowment for the Arts) featuring noted women in Irish music in America. Laura has also been awarded a Bush Foundation Fellowship in Traditional and Ethnic Performing Arts, as well as two McKnight Foundation Artists Fellowships. In 2014 the City of St. Paul proclaimed a “Laura MacKenzie Day” for her contributions to traditional music in Minnesota. She has been lauded as a “Celtic music wizard” by the Minneapolis Star Tribune and a “High priestess of Celtic music” by Minnesota Public Radio. Laura performs on an array of wind-powered instruments, including wooden flutes, whistles, concertina, Scottish smallpipes, border greatpipes, French cornemuse and voice. Enjoying a richly varied career in traditional music, Laura has performed and recorded with diverse ensembles, worked with theatrical productions and for public radio, and has performed at festivals across the United States. She can be heard on a multitude of recordings and on several documentaries. lauramackenzie.com MUSIC BRASS LASSIE's extraordinary repertoire, enriched with brass, fiddles, flutes, pipes, voices, dance steps, standard and ethnic percussion, bass and piano, includes.... --Modern and traditional Irish reels, jigs, hornpipes --Scottish and French Canadian tunes --Ancient Irish airs featuring brass 3 --New arrangements of Scots Gaelic waulking songs --Cape Breton dance tunes and puirt à beul (mouth music) --Scots and Scottish Gaelic ballads --Music from Brittany and Central France --Latin-infused Celtic dance tunes The ensemble’s influences are the likes of La Bottine Souriante, Altan, Liz Carroll, Salsa Celtica, the many traditional musicians they have met along the way – but their sound and arrangements are undeniably and expressly Brass Lassie in concept, form, spirit and delivery. A notable feature of BRASS LASSIE's music is the loving treatment of the tunes and songs. Without being dissected or transformed, the melodies are set to shine through the arrangements. In a fan's words, "To have horns on traditional tunes was an unexpected and dynamic change that did not lose the songs or tunes in the transition but actually brought them forward." EDUCATION In addition to concert hall and festival performances, BRASS LASSIE offers presentations and workshops for schools, colleges and festivals on traditional "Celtic" music, Irish and Scottish music, step dance and percussive dance, traditional styles and instrumental techniques, brass clinics, and arranging. www.brasslassie.com Contact: Laura MacKenzie 651-398-5055 in the USA [email protected] 3 .
Load more

Recommended publications
  • Eyes on Culture
    mid-september 2006 to mid-january 2007 - volume 3 - number 3 - free Arts Calendar for the Boroughs of Montréal ville.montreal.qc.ca/culture All eyes on culture • 25th anniversary of the maisons de la culture • Awards tour of the Fondation du maire de Montréal pour la jeunesse feature Photography on the cover: Maribé—sors de ce corps. Twis-manivelle photo: Marie Béland Celebrating 25 years of Fondation du maire de Montréal pour la jeunesse The inaugural tour for award recipients in vibrant cultural life the performing arts! index in Montréal! For over a decade, the Fondation du maire de Montréal pour la jeunesse (FMMJ) has helped many young Feature................................................................2 It was on October 27, 1981, in the Hochelaga-Maisonneuve entrepreneurs and artists establish their business or carry Exhibitions..........................................................3 district, that the very first maison de la culture opened out their cultural projects. More than 595 grants have Shows .................................................................6 its doors to Montréal residents. Now, after 25 years of been awarded in total, making sure that ambitious young Singers................................................................6 Montrealers get started on the right foot. This year, for the Film......................................................................7 gradual expansion, there are twelve maisons operating throughout the city and enriching its cultural life. Thanks to first time, the Ville de Montréal and the FMMJ have joined Storytelling.........................................................9 together to give seven artist-recipients in the performing Dance..................................................................9 their excellent programming, many partnerships with other organizations, support of individual artists, and unwavering arts a special form of exposure in the form of an exciting, Comedy ...............................................................10 city-wide tour during 2006–2007.
    [Show full text]
  • Press Kit La Bottine Souriante
    La Bottine Souriante contact : [email protected] web : bottinesouriante.com facebook.com/labottinesouriante The tightest and most exciting band of any nature anywhere… FolkRoots, UK One of the best live acts of this universe. Folk World, Germany Simply the best band I saw all through the summer festival season. Georgina Boyes, BBC Radio 2 One of the most innovative and uplifting bands playing contemporary roots music anywhere. Tony Montague, The Vancouver Courier La Bottine Souriante a “reel” booster! La Bottine Souriante¨ first appeared on the Québec music scene in 1976 and is a living legend of French North American roots music. In over twenty five years, this remarkable group has released twelve albums, four of which are certified Gold (meaning that over 50,000 copies have been sold) and three Platinum (over 100,000 sold). In 2001, they also released a musical anthology to celebrate their 25th anniversary. Altogether, they have sold over half a million albums! The group has won dozens of awards and headlined festivals around the world. La Bottine Souriante is no longer simply a Québécois/Canadian musical phenomenon. The group and their explosive sound have crossed borders the world over and left in their wake countless enchanted audiences. The group has developed a distinctive sound that successfully allies its homage to tradition with a dash of jazz, salsa and pure folk, while at the same time perfectly representing the symbol of vitality and pride of its mother culture. In addition, the music identifies strongly with the current World Music movement. La Bottine has developed an exceptionally tight, cohesive sound, with their unique flavour of celebratory music.
    [Show full text]
  • Long Bio, Website 6.13
    Grey Larsen - Long Bio Grey Larsen is a versatile and accomplished musician and an author of books on Irish music. Though he has explored many musical paths since the 1970s, he now focuses mainly on three: • Irish Flute and Tin Whistle: Larsen is a highly accomplished player and an acclaimed author. Four of his new books came out in 2013. • Concert Performances with Cindy Kallet: Intimate traditional and contemporary folk music and song. • Mastering: With a specialty in acoustic-based music. Larsen was born in 1955 in New York City. His family moved to Cincinnati, Ohio the following year. Beginning piano lessons at the age of four, he enjoyed a childhood and youth full of musical exploration, his inner world filled with the keyboard music of Bach and Mozart, as well as the early rock, R&B, and Motown sounds on the radio, the songs of contemporary folk music interpreters and traditional Appalachian and Irish music. From 1970 to 1972 he studied at the Cincinnati College-Conservatory of Music before moving on, in 1973, to continue at the Oberlin Conservatory of Music in Oberlin, Ohio. While pursuing early music and composition on the one hand, he came ever more deeply under the spell of traditional music on the other, and for several years he followed these parallel streams with equal energy and dedication. In these and later years, he spent a great deal of time (in Cincinnati and Cleveland, Ohio) learning traditional Irish music from elder Irish immigrant musicians, most notably Co. Galway melodeon player Michael J. Kennedy (1900–1978), Co.
    [Show full text]
  • 5 Artists/Bands You Don't Want to Miss in 2021/22 Available in Concert
    5 artists/bands you don't want to miss in 2021/22 Available in concert By Eric E. van Monckhoven Music4You.nu Live Music With Roots ( Vip-Booking.com member) Live Music With Roots World/Folk/Jazz At MUSIC4YOU we strive to bring you exciting independent artists/bands with a unique flair between tradition and innovation. From Italy to Finland, through Belgium and Quebec, from protest folk/pop to indie folk, trad folk, chamber folk, nordic folk, there is a whole world of contemporary sounds your audience would be happy to discover. We are here to serve you. Eric E. van Monckhoven [email protected] www.music4you.nu +39 3312068969 World/Pop LUCA BASSANESE (It) The Italian Manu Chao '' Standing ovation for the minstrel, activist, poet and musician Luca Bassanese who slays austerity by summoning Trans-alpine fanfares and tarantellas in a grand Fellini operetta." Since 2006 Similar: Fabrizio de André, Manu Chao, Goran Bregovitch 12 albums - 80 000 followers(FB) Highlights: Sziget, Paléo festival, Esperanzah, Eurofonik, Festival Dranouter, Fete de l'Europe, Festival de la Canson Mediterranea, Le Cabaret Sauvage, Vienna City Hall, etc. Available in Europe (trio, quartet, with La Piccola Orchestra Popolare) Folk/ Nordic Urban TSUUMI SOUND SYSTEM (Fi) Folk roller coaster with a jazz twist 'One of Finnish most influential folk bands . I cannot imagine them getting any more tighter or more exciting. The energy is all there, plus an excellent combination of Finnish fiddle music with a rock steady rhythm section.' Since 2007 4 albums (New live album to be released in 2021) Highlights: BBC Live Sessions, Womex, Guinnes Irish Fest, Montelago Celtic Fest, Helsinki Music House, Lotus Festival, Eurofonik, Victoria Theater, Viljandi Fest, Folkelarm, Malta World Music Fest, VEF Palace, Shetland Festival, MOI Stockholm, etc.
    [Show full text]
  • Hopsadaddy Anmeldelser
    HABADEKUK – HOPSADADDY REVIEWS Habadekuk spreder godt humør med sin hopsahyldest. Det er svært ikke at blive i godt humør, når man lytter til Habadekuks »Hopsadaddy«. Titlen siger sådan set det hele. Der er for det meste fart over feltet, når det ni-mands store orkester slår sig løs med polkaer, hopsaer, raske sønderhoninger og de andre - for det meste - hastige melodier fra den danske spillemandstradition. Ikke bare er Kristian Bugge som violinist en fornøjelse at lytte til – Habadekuks varemærke er den store blæsersektion, der puster en snert af salsa og jazz ind i mange af melodierne. Det tager de ikke skade af for nu at tage den på jysk. Der er næsten karnevalsstemning over orkesterets version af »Polka Hamborger, Himmerland«, som er hentet i Smed Kristians nodebog fra 1866 i Siem i Himmerland. Sådan bærer man også en spillemandstradition videre. Bandet vil i den kommende tid blandt andet være at høre på Skagen Festivalen lørdag den 2. juli. Det vil ikke gå stille af. Flensborg Avis, Ole Sørensen 25/6 2011 Partyfolk ’La Bouttine Souriante’ kom først, så kom ’Baltinget’, og nu kommer ’Habadekuk’ med deres udgave af traditionel folkemusik på traditionelle instrumenter – tilsat blæsergruppe og rytmesektion – og farvet med jazz- og rockklichéer. ’Habadekuk’ gør det godt, spændende, livligt, vedkommende, og det hele er rigtigt set af kapelmesteren og violinspillemanden Kristian Bugge. Repertoiret er helt overvejende fløden af tidens traditionelle danske melodier – udvalgt med stor omhu. Nå, men så er det altså hamrende ærgerligt, at saxofonisten har så svært ved de frie jazzede formuleringer...når nu det også er det, de vil.
    [Show full text]
  • March 6 Is the DEADLINE for Performer Applications
    NON-PROFIT ORGANIZATION U.S. POSTAGE PAID Juneau, AK P.O. Box 21748 Permit #194 Juneau, AK 99802-1748 January 2009 Newsletter & Performer Application 35th Annual Alaska Folk Festival April 13-19, 2009 March 6 is the DEADLINE 2009 Guest for Performer Applications Artists at the age of nine, he began taking lessons. Along with brother Réjean, he created Les Frères Brunet and went on to record several albums and perform at various concerts around the world. In 1997, André’s unwavering energy and refined style earned him a spot with La Bottine Souriante, with whom he toured more than 15 countries over the course of 10 years. Although his journey with La Bottine Souriante came to an end in 2006, André remained immersed in traditional music. At the Grand Masters Fiddling Competition in August 2008—an event showcasing more than twenty violinists from across Canada— André took home top honours as "Grand Master of Canada.” It was the first time a Quebecer had won the prestigious award since the competition’s inception in 1990. Whether he’s accompanying his wife Martine Billette for a piano duet, Songs from days old, with the occasional spice of or playing alongside fiddle stylists Kevin Burke something new and interspersed with uncontrolled (Ireland), Christian Lemaître (Brittany) and Ged Foley gales of laughter and the odd ancient couplet revisited, of Celtic Fiddle Festival, André feels right at home on that pretty much sums up De Temps Antan! Éric any stage. Beaudry, André Brunet and Pierre-Luc Dupuis have Today, his passion for traditional Quebec music since the fall of 2003 been exploring and giving a new continues to pave the way for dance and swing touch to old melodies from the Québec landscape, enthusiasts the world over—a true journey of musical amusing themselves as they hum tunes learnt through discovery.
    [Show full text]
  • Please Discard All Previous Version of This Document. BAND's CONTACT
    Please discard all previous version of this document. This technical rider is an integral part of the contract. All its items are mandatory to the presentation. We would like you to read this document and respect its items. If for any reasons you cannot respect any of those items, please contact us immediately so we can work out substitutions. Please keep in mind that these are MINIMUM requirements and we will accept no less in quantity than what is specified in this document. BAND’S CONTACT Jocelyn Lapointe + 1 514 826 9112 E-mail: [email protected] TECHNICAL DIRECTOR LIGHTING DIRECTOR Frank Arseneault Charles Morin Tél: + 1 514 941 0923 Cell: +1514 655 9989 Email: [email protected] Fax: + 1450 674 0293 E-mail: [email protected] Stage (if the event takes place outside, it has to be covered) -minimum dimensions : 32’ width (9,75 mètres) (All dimensions in feet) 24’ depth (7, 32 meters) 14’ height from the stage (deck) (4, 27 mètres) - The stage shall be of a hard, uniform surface (not concrete) and NOT CARPETED - 2 120V outlets on either 2x15amps or 1x 20 amp circuits are required - 1 black backdrop with a minimum of 2 side curtains is required - A 5’x5’ quick change area within 50’ of the stage will be required for costume changes during the performance - A crowd control barrier around the stage would be really appreciated - Functional restrooms should be located within 50’ of the stage. HALL Mix position For lighting and sound consoles and controls, the promoter shall provide a 16’ by 16’ MINIMUM area, no farther than 6 feet off the centerline of the hall, no more than 60‘ from the stage.
    [Show full text]
  • 1263 4881 M3 Deplianteng
    QUEBEC’S MOST “If you could remain seated during CONTACTS their performance you were either POWERFUL dead-drunk or dead.” BOOKING - folkwords USA & CANADA BELGIUM FLI ARTISTS Loecker agency fliartists.com [email protected] TRAD TRIO +1 310 451-0767 +32 485 49 48 72 To say that the De Temps Antan is a super-group of Québécois folk music is an under-statement. Each member was a leader in the massive, multi-platinum “Driven by the relentless foot percussion, Québec folk band La Bottine Souriante and have this set of tunes rocks! ” UK FRANCE toured the world over on some the biggest stages. STRADA MUSIC Now they’ve taken the energy they brought to arena La Lune dans les pieds stradamusic.com - R2 magazine lalunedanslespieds.com performances and channeled this into a shockingly + 44 13 77 21 99 03 + 01 41 74 00 38 powerful trio. Trad trio’s success has brought them to play more “ Fabulous! Such power and drive, than 800 concerts all over the world - including Photos: MACAM.tv, Guillaume Morin. Design: Kawabunga.ca Photos: MACAM.tv, during tours in Russia, Europe, Oceania and yet every nuance of every note is high- MANAGEMENT & BOOKING MAISON DE DISQUE America -. With their most recent album Ce Monde Ici-bas (FELIX Best Traditional Album 2014), the trio lighted - even when they are playing WORLD L-A be l-abe.com exhibit the high-energy, hot-fingered playing that La Compagnie du Nord those crooked reels at hyper-speed! [email protected] 438-380-0536 makes their music both immediately infectious and ciedunord.com continually engaging over the long haul.
    [Show full text]
  • Gwen Hoebig Plays Symphonie Espagnole La Bottine
    JANUARY - FEBRUARY 2016 I ISSUE 3 GWEN HOEBIG PLAYS SYMPHONIE ESPAGNOLE LA BOTTINE SOURIANTE LIVE WITH THE WSO AN EVENING OF MASTERS: MOZART, BRAHMS, SCHUMANN KIDS CONCERTS: AROUND THE WORLD WITH MANNY TUBA THE STREISAND SONGBOOK WITH ANN HAMPTON CALLAWAY wso.ca I 204-949-3999 MESSAGE FROM THE EXECUTIVE DIRECTOR Welcome to the 2016 portion of the 2015-2016 season. Perhaps you have made a decision to add more music to your life in the coming year. This is always a good thing to do.There are many ways to experience the WSO that may add some interesting elements to your WSO adventures.The concerts in this part of the year include the lively and engaging La Bottine Souriante to start the year, an Evening of Masters including Mozart, Brahms and Schumann, Kids Concerts, and, of course, the 25th anniversary edition of the Winnipeg New Music Festival. (It is amazing how quickly those years pass.) If you do not currently come to the Centennial Concert Hall much before the concert start time, I’d like to encourage you arrive by 7:15 pm so that you can take in the pre-concert chat or the pre-concert performers. This is an opportunity to hear from the conductor and the guest artists, and learn interesting details about the concert you are about to hear. I can also recommend the Dinner & Symphony series. Five concerts in the year were selected for this program. For example, there will be a Dinner & Symphony program attached to the February 13th Barbara Streisand Songbook concert.
    [Show full text]
  • Welcome to the 41St Tønder Festival Last Year’S 40Th Jubilee Was a Huge, Warm Celebration of 4 Decades of International and Danish Folk Roots Music in Tønder
    Welcome to the 41st Tønder Festival Last year’s 40th jubilee was a huge, warm celebration of 4 decades of international and Danish folk roots music in Tønder. It also marked the launch of the Tønder Festival of the future. Hand-made music with roots in folk, country, blues, cajun, world and the rest has seen yet ano- ther massive renaissance these past few years. Tønder Festival has been part of this all the way. The rebuilding of the festival is a process that began in 2012, and 2015 sees the topping out. This year’s music programme reflects today’s genre-crossing artists, the bearers of the strong traditions and new, young names. International giants in the veteran class side by side with the top musicians of the future. This year again, Tønder Festival’s audiences will find a festival site alive with many different mu- sic venues, special thematic zones and a wide selection of restaurants, cafés and sales booths. Four days’ immersion in a unique festival atmosphere with its well-defined identity and audiences who love the music and the vibe. 2014 was also the year when the conductor’s baton changed hands. Tønder Festival’s artistic director Carsten Panduro retired and the new management took over. The new management team inherited a festival that turned loss to profit in 2014, a festival with huge and growing local and regional backing and enormous media attention. There have been digital changes, too. Tønder Festival has a new website and an intensified pre- sence on social media. Tønder Festival has as its main priority, as always, and more than ever, active contact with old and new audience members, those who buy wrist bands to participate in our unique, close fellowship centred on acoustic music of the highest calibre.
    [Show full text]
  • Theatre Raymond Kabbaz Presents Canadian Folk Music with Yves Lambert Trio for St
    For Immediate Release February 1, 2017 Theatre Raymond Kabbaz Presents Canadian Folk Music with Yves Lambert Trio for St. Patrick Day On Friday, March 17, 2017 at 7:30pm LOS ANGELES, CA – Theatre Raymond Kabbaz (TRK), the performance space at Le Lycée Français de Los Angeles, is pleased to present Quebec-based Yves Lambert Trio, on March 17, 2017 to celebrate St. Patrick Day and the month of the Francophonie (French Language). With three nationally acclaimed albums behind them, the Yves Lambert Trio offers a personal and creative interpretation of traditional Quebecois repertoire, with bubbling prowess and ingenuity, that on stage is a personal, touching and memorable musical experience. The Yves Lambert Trio brilliantly demonstrates how traditional local music continually reinvents itself within a modern context. Quebec's distinct musical style developed over four centuries around the kitchen hearths and in the dance halls of the province. Descendants of the early French immigrants passed down French songs and stories, slowly incorporating influences from their Irish and Scots neighbors to create a uniquely Quebecois musical culture. Yves Lambert is one of the founding members and an emblematic figure of La Bottine souriante! He has played with the band for 26 years. In January 2003, he went searching for new musical adventures, surrounding himself with young talent, and then founded the Yves Lambert Trio in 2010: Yves Lambert (vocals, accordions, harmonica, jaw harp, and percussion), Olivier Rondeau (acoustic and electric guitars, banjo, and vocals) and Tommy Gauthier (violin, mandolin, guitar, vocals, and feet tapping). The trio gives new life to the forgotten or undiscovered gems of Quebec's rich musical heritage.
    [Show full text]
  • FOR IMMEDIATE RELEASE WSO Opens 2016 with French-Canadian
    FOR IMMEDIATE RELEASE WSO Opens 2016 with French-Canadian Roots Legend La Bottine Souriante, Jan 8-10 Winnipeg, MB – Jan 4, 2016 – Internationally recognized French-Canadian roots band La Bottine Souriante is fusing its award-winning sound with the Winnipeg Symphony Orchestra (WSO) Jan 8-10 at the Centennial Concert Hall. With three JUNO awards and four nominations, the 11-member band is known for a sound that features everything from fiddles to percussive dance, and folk to salsa. Out of La Bottine Souriante’s thirteen albums, four are certified Gold and three are certified Platinum. They have sold of over half a million albums around the world and have been recognized internationally with awards like the BBC Radio 2 Folk Award for the Best Live Act. La Bottine hit the Québec music scene in 1976. Their enduring roots music won a JUNO in 1989, and after adding a spice of jazz, salsa and true folk with the addition of a horn section in 1991, La Bottine won their second JUNO a year later in 1992. The eleven musicians combine strings, horns, button accordion, jaw harp, percussive dance and more to create an award-winning, celebratory sound. With 40 years of experience, La Bottine’s explosive music brings toe-tapping rhythms and an energetic spirit together to enchant audiences across the country and around the world. Under the direction of Resident Conductor Julian Pellicano, La Bottine Souriante and the WSO will play a variety of francophone tunes in a dynamic and spirited performance. Called “the best band in the world” (Dirty Linen magazine), La Bottine is sure to bring a blended musical experience unlike any other that will have audiences jumping, clapping and toe tapping along.
    [Show full text]