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BIBLIOGRAPHY Abrams, M. H. The Mirror and the Lamp. New York: W. W. Norton, 1953. Adams, Joseph. Memoirs of the Life and Doctrines of the Late John Hunter, Esq. 2 ed. London: Callow and Hunter, 1818. Alexander, David. “Kauffman and the Print Market in Eighteenth-Century England.” In Angelica Kauffman: A Continental Artist in Georgian England, edited by Wendy Wassyng Roworth. London: Reaktion Books, 1992. Ariès, Philippe. The Hour of Our Death. Translated by Helen Weaver. 1st American ed. New York: Alfred A. Knopf, 1981. Armstrong, Isobel. Victorian Poetry: Poetry, Poetics, and Politics. London and New York: Routledge, 1993. Armstrong, Nancy. Desire and Domestic Fiction: A Political History of the Novel. New York: Oxford University Press, 1987. Badura-Skoda, Eva. “Aspects of Performance Practice.” In Eighteenth-Century Keyboard Music, edited by Robert Marshall. New York: Schirmer, 1994. Balderston, Katharine, ed. Thraliana: The Diary of Mrs. Hester Lynch Thrale, Later Mrs. Piozzi. Oxford: Clarendon Press, 1942. Barker, Hannah, and Elaine Chalus, eds. Gender in Eighteenth-Century England: Roles, Representations and Responsibilities. London: Longman, 1997. Beci, Veronika. Musikalische Salons: Blütezeit einer Frauenkultur. Düsseldorf: Artemis and Winkler, 2000. Bender, John, and David Wellbery, eds. Chronotypes: The Construction of Time. Stanford: Stanford University Press, 1991. Bermingham, Ann. Learning to Draw: Studies in the Cultural History of a Polite and Useful Art. New Haven and London: Yale University Press, 2000. 293 294 Bettany, G. T. “Hunter, John.” In The Dictionary of National Biography, 287-93. London: Oxford University Press, 1917. Bindman, David. Hogarth and His Times: Serious Comedy. London: British Museum Press, 1997. Blake, William. Jerusalem: The Emanation of the Giant Albion. Edited by Morton D. Paley. Princeton: Princeton University Press, 1991. Blodgett, Harriet. Centuries of Female Days: Englishwomen’s Private Diaries. New Brunswick: Rutgers University Press, 1988. Bombet, L. A. C. [Stendhal]. The Lives of Haydn and Mozart with Observations of Metastasio Translated from the French... With Notes, by the Author [William Gardiner] of the Sacred Melodies. 2 ed. London: Murray, 1818. Brackett, F. H. The Lord Be with Us. London: Theo. Presser Co., 1910. Score. Brooks, Jeanice. “Nadia Boulanger and the Salon of the Princesse De Polignac.” Journal of the American Musicological Society 46 (1993): 416-20. Brossard, Sèbastien de. A Musical Dictionary: Containing a Full Explanation of All the Terms Made Use of in the Historical, Theoretical, and Practical Parts of Music: Also Explanations of the Doctrines of Ancient Music, and Mathematical and Philosophical Inquiries into the Nature of Sound with Regard to Intervals, Concords, and Discords: Together with a Full Description of All the Various Kinds of Musical Instruments (Not Contained in Any Other Dictionary) / the Whole Carefully Abstracted from the Best Authors in the Greek, Latin, Italian, French and English Languages by James Grassineau. London: J. Robson, 1769. Brown, A. Peter. “Musical Settings of Anne Hunter’s Poetry: From National Song to Canzonetta.” Journal of the American Musicological Society 47, no. 1 (1994): 39-89. 295 Budden, Julian. The Operas of Verdi. Rev. ed. Oxford: Oxford University Press, 1991. Burke, Edmund. A Philosophical Enquiry into the Origins of Our Ideas of the Sublime and the Beautiful. Edited by Charles W. Eliot, The Harvard Classics. New York: P. F. Collier and Son, 1909. Busby, Thomas. A Complete Dictionary of Music. To Which Is Prefixed, a Familiar Introduction to the First Principles of That Science. London: R. Phillips, 1786. Butler, Judith. “Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.” In Performing Feminisms: Feminist Critical Theory and Theatre, edited by Sue-Ellen Case. Baltimore and London: Johns Hopkins University Press, 1990. Byron, George Gordon (Lord Byron). The Works of Lord Byron with His Letters and Journals, and His Life by Thomas Moore, Edited with an Introduction by Richard Henry Stoddard. New York: Bigelow, Brown & Co., 1900. Calhoun, Craig, ed. Habermas and the Public Sphere. Cambridge: MIT Press, 1992. Campbell, Agnes M. Four Canzonetta’s with Accompaniment for Harp or Piano Forte, Composed & Inscribed to Mrs. John Hunter. London: Lavenu & Mitchell, 1803. Score. ———. A Second Sett of Two Canzonetts, with an Accompaniment for the Harp or Piano Forte, Composed & Inscribed to Mrs. John Hunter. London: Lavenu & Mitchell, 1805. Score. Castiglione, Dario, and Lesley Sharpe, eds. Shifting the Boundaries: Transformation of the Languages of Public and Private in the Eighteenth Century. Exeter: University of Exeter Press, 1995. 296 Chartier, Roger, ed. Passions of the Renaissance. Edited by Philippe Ariès. Vol. 3, A History of Private Life. Cambridge: Belknap Press of Harvard University Press, 1987. Christensen, Thomas. “Four-Hand Piano Transcription and Geographies of Nineteenth-Century Musical Reception.” Journal of the American Musicological Society 52, no. 2 (1999): 255-98. ———. “Public Music in Private Spaces: Piano-Vocal Scores and the Domestication of Opera.” In Music and the Cultures of Print, edited by Kate van Orden, 67-93. New York and London: Garland Publishing, 2000. Citron, Marcia. “Women and the Lied, 1775-1850.” In Women Making Music: The Western Art Tradition, 1150-1950, edited by Jane Bowers and Judith Tick. Urbana and Chicago: University of Illinois Press, 1986. Cohen, Ralph. The Art of Discrimination: Thomson’s the Seasons and the Language of Criticism. Berkeley: University of California Press, 1964. Colley, Linda. Britons: Forging the Nation 1707-1837. New Haven and London: Yale University Press, 1992. Colman, George. The Surrender of Calais: A Play in Three Acts as Performed at the Theatre Royal, Haymarket. London: Longman, Hurst, Rees, and Orme, 1792. Cornelius, E. H., and A. J. Harding Rains, eds. Letters from the Past. London: Dorriston Limited, 1976. Cowley, Hannah. A Bold Stroke for a Husband: A Comedy. London: M. Scott, 1784. Craven, Maxwell. John Whitehurst of Derby: Clockmaker and Scientist 1713-88. Trowbridge: Redwood Books, 1996. 297 Czerny, Charles. Haydn’s Celebrated Canzonets... Arranged for the Piano Forte... Op. 661. London: D’almaine and Co., 1841. Score. Darnton, R. Mesmerism and the End of the Enlightenment in France. Cambridge, Mass.: Harvard University Press, 1968. DeFord, Ruth I. “Canzonetta.” In New Grove Dictionary of Music and Musicians, edited by Stanley Sadie, 79-82. New York: Grove’s Dictionaries, 2001. DeNora, Tia. “The Biology Lessons of Opera Buffa: Gender, Nature, and Bourgeois Society on Mozart’s Buffa Stage.” In Opera Buffa in Mozart’s Vienna, edited by Mary Hunter and James Webster, 146-64. New York: Cambridge University Press, 1997. Di Benedetto, R. “Kanzonette.” In Das Neue Lexikon der Musik, edited by Ralf Noltensmeier, 660. Stuttgart: Metzler, 1996. “Elegy.” In Encyclopedia Britannica. Cambridge: Cambridge University Press, 1910. Eliot, George. Middlemarch: A Study of Provincial Life. New one volume ed. Edinburgh, London: William Blackwood and Sons, 1874. Elshtain, Jean Bethke. Public Man, Private Woman. Princeton: Princeton University Press, 1981. Fetterley, Judith. The Resisting Reader: A Feminist Approach to American Fiction. Bloomington: Indiana University Press, 1978. Fink, Monika, Rainer Gstrein, and Günter Mössmer, eds. Musica Privata: Die Rolle der Musick im Privaten Leben (Festschrift für Walter Salmen). Innsbruck: Edition Helbling, 1991. Fiske, Roger. “Carter, Thomas.” In New Grove Dictionary of Music and Musicians, edited by Stanley Sadie. New York: Grove’s Dictionaries, 2001. 298 Foley, Margaret, and Kathleen Fletcher, eds. Georgian Songs, 1714-1830. Edited by Charlotte Stewart. Vol. 13, Library Research News. Hamilton, Ontario, Canada: McMaster University Library Press, 1989. Foot, Jessé. The Life of John Hunter. London: Beckett, 1794. Gehl, Robin Sue. “Domestic Songs of James Hook.” M.A. Thesis, University of Minnesota, 1990. George, M. D. Catalogue of Political and Personal Satires. London: British Museum, 1942. Gloyne, Stephen Roodhouse. John Hunter. Baltimore: Williams and Wilkins, 1950. Grabo, Carole. “The Practical Aesthetics of Thomas Busby’s Music Reviews.” Journal of Aesthetics and Art Criticism 25 (1966): 37-45. Haar, James. “Canzone.” In New Harvard Dictionary of Music, edited by Don Michael Randel, 138. Cambridge: Harvard University Press, 1986. ———. “Canzonet, Canzonetta.” In New Harvard Dictionary of Music, edited by Don Michael Randel, 138. Cambridge: Harvard University Press, 1986. Habermas, Jürgen. The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society. Translated by Thomas Berger. Cambridge: Polity, 1989. Haigh, Thomas. Three Canzonetta’s of Dr. Haydn’s Arranged as Rondos for the Piano Forte. London: Printed for Culliford, Rolfe, and Barrow, 1796. Score. Hammond, James. Love Elegies. 3 ed. London: G. Hawkins, 1752. Harman, R. Alec, ed. Thomas Morley: A Plain and Easy Introduction to Practical Music. New York: W. W. Norton, 1953. Hays, Mary. The Victim of Prejudice. London: J. Johnson, 1799. 299 Head, Matthew. “Birdsong and the Origins of Music.” Journal of the Royal Musical Association 122, no. 1 (1997): 1-23. ———. “If the Pretty Little Hand Won’t Stretch: Music for the Fair Sex in Eighteenth-Century Germany.” Journal of the American Musicological Society 52, no. 3 (1999): 203-54. Hildebrandt, Dieter. Pianoforte: A Social History of the
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