THE PROFESSOR: Tai Chi’S Journey West
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Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
Uva-DARE (Digital Academic Repository)
UvA-DARE (Digital Academic Repository) Subjectivity in the New Hollywood Cinema: Fathers, Sons and Other Ghosts Vojkovic, S. Publication date 2001 Link to publication Citation for published version (APA): Vojkovic, S. (2001). Subjectivity in the New Hollywood Cinema: Fathers, Sons and Other Ghosts. ASCA Press. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:01 Oct 2021 filmography y AA Bout de Soufflel Breathless (FRA 1959) SNCC (George de Beauregard) dir:: Jean-Luc Godard; sc: Francois Truffaut; ph: Raoul Coutard; mus: Martial Solal;; cast: Jean-Paul Belmondo, Jean SebeTg, Daniel Boulanger, Jean-Pierre Melville e AlienAlien (GB 1979) TCFF / Brandywine (Walter Hill, Gordon Carrol, David Giler) dir:: Ridley Scott; sc: Dan O'Bannon; ph: Derek Vanlint, Denys Ayling; mus: Jerryy Goldsmith; chief designer: H. -
The Constructions of Fay Weldon, Woman of Letters
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 3-28-2007 The onsC tructions of Fay Weldon, Woman of Letters Harriet Blymiller University of South Florida Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the American Studies Commons Scholar Commons Citation Blymiller, Harriet, "The onC structions of Fay Weldon, Woman of Letters" (2007). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/639 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Constructions of Fay Weldon, Woman of Letters by Harriet Blymiller A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of English College of Arts and Sciences University of South Florida Major Professor: Elizabeth A. Hirsh, Ph.D. John H. Fleming, Ph.D. Marilyn Myerson, Ph.D. Pat Rogers, Ph.D. Date of Approval: March 28, 2007 Keywords: British literature, culture industry, Fay Weldon, feminism, mass culture © Copyright 2007, Harriet Blymiller Dedication To Leila Pearl “They cain’t take ‘at away from me.” And to Uncle Jerry, my ol’ Unca’ Pooge, from your professional student. “You’ll get it.” I wish I could have finished before you had to go. To Claire and Michael With all good hope for the future. Acknowledgments Thank you, committee members. Pat Rogers, for introducing me to Fay when I really needed her. -
Copyright by Louis Black 2019
Copyright by Louis Black 2019 The Dissertation Committee for Louis Black Certifies that this is the approved version of the following Dissertation: JONATHAN DEMME: CHAMPION OF THE SOUL Committee: Tom Schatz, Supervisor Horace Newcomb Paul Stekler Charles Ramírez-Berg JONATHAN DEMME: CHAMPION OF THE SOUL by Louis Black Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2019 Dedication For Joanne Howard, Ramona Demme, Brooklyn Demme, Jos Demme, Kristin Casey, and in the treasured memory of Jonathan Demme. Abstract JONATHAN DEMME: CHAMPION OF THE SOUL Louis Black, Ph.D. The University of Texas at Austin, 2019 Supervisor: Tom Schatz This study offers chronologically organized essays that examine the individual films within the context of Jonathan Demme’s authorship. This is not going to be an argument for Demme as an auteur as a biographical or qualitative statement. At best, he does not fit easily into the categorized definitions of auteur. Instead, looking at his body of work and treating it as a whole, despite its inconsistencies, eccentricities, and insistent uniqueness, is absolutely the best way to understand and appreciate the entirety of his work. Rather than using the films to define the filmmaker, it is through the sensibility of the films that they best resonate and make the most meaning. Each film was created on its own terms, carefully crafted to be organic to the purpose, ambition, and intention of the project. Therefore, most of his productions are notably different from one another.