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Compositions-By-Frank-Zappa.Pdf
Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish). -
Frank Zappa, Captain Beefheart and the Secret History of Maximalism
Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville is a writer and musician living in Liège, Belgium. He is the author of several books including J.G. Ballard and The American Prose Poem, which won the 1998 SAMLA Studies Book Award. He teaches English and American literatures, as well as comparative literatures, at the University of Liège, where he directs the Interdisciplinary Center for Applied Poetics. He has been playing and composing music since the mid-eighties. His most recently formed rock-jazz band, the Wrong Object, plays the music of Frank Zappa and a few tunes of their own (http://www.wrongobject.be.tf). Andrew Norris is a writer and musician resident in Brussels. He has worked with a number of groups as vocalist and guitarist and has a special weakness for the interface between avant garde poetry and the blues. He teaches English and translation studies in Brussels and is currently writing a book on post-epiphanic style in James Joyce. Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville and Andrew Norris Cambridge published by salt publishing PO Box 937, Great Wilbraham PDO, Cambridge cb1 5jx United Kingdom All rights reserved © Michel Delville and Andrew Norris, 2005 The right of Michel Delville and Andrew Norris to be identified as the authors of this work has been asserted by them in accordance with Section 77 of the Copyright, Designs and Patents Act 1988. This book is in copyright. Subject to statutory exception and to provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Salt Publishing. -
Media Release – Radio/Streaming
Media Release – Radio/Streaming A Musical Journey – An exciting (virtual) musical adventure through 18th century Europe The Hague, 5 May 2020 Dear Sir/Madam, Cooped up at home with itchy feet, music lovers will be yearning for the outside, dreaming of the romance of travel, of their favourite cultural destinations and the life-affirming, sensual experiences associated with them – that tangy cocktail overlooking the opera house on that sun-drenched piazza, that fresh handcrafted pilsner served in a ceramic mug straight from the wooden barrel in the beer hall in the monastery in Salzburg after a festival show, or that glass of sparkling Sekt as one wanders around, barefoot in the grass, amongst the vines on the rolling hills of the Rheingau. I know I am. Thankfully, even in isolation, music lets us travel – in time, in space, and through the minds of great composers – just by using our own ears. For this reason, I have created A Musical Journey. It takes its inspiration both from the 18th century's tradition of imaginary voyages such as Swift's Gulliver's Travels and the period's voracious appetite for actual physical travel which saw superstar musicians constantly criss-crossing the Continent and the rise of the Grand Tour phenomenon. A Musical Journey takes listeners on an exciting (virtual) musical adventure through 18th century Europe, visiting the glittering musical centres of the time including Rome, Venice, Berlin, Mannheim, Leipzig, London, The Hague and St Petersburg. Including world-première recordings of rediscovered musical gems, this voyage of discovery features tracks from the NDA's recent travel- themed albums, GRAND TOUR Baroque Road Trip and JET SET! Classical Glitterati (PENTATONE), together with works from earlier albums. -
Music, Mind and the Serious Zappa the Passions of a Virtual Listener
Music, Mind and the Serious Zappa The Passions of a Virtual Listener Ulrik Volgsten Stockholm University • Studies in Musicology 9 1999/2009 Akademisk avhandling för filosofie doktorsexamen Musikvetenskapliga institutionen Stockholms universitet www.music.su.se © Ulrik Volgsten ISBN 91-7265-020-6 Preamble ’This is a hard one to play’, Frank Zappa once remarked about one of his pieces. The piece in question, the Be-bop Tango, is a rhythmically complex miniature to which he brought people from the audience up on stage to (try to) dance. Of course they failed, which Zappa was soon to point out in the same wry manner that he publicly blamed his musicians when they did not play ’all the right notes’. However, Zappa’s music was hard to pull off for another reason as well. More often than not he would juxtapose musical material and stylistic patterns that according to normal standards doesn’t blend very well. Zappa’s music was (and still is) something of a stylistic chaos. Perhaps one can say something similar about this thesis. On the one hand, the particular themes that are dealt with are rather complex, and on the other, the way they are brought together is unconventional. In other words, this is a “multidisciplinary” work. Now, in contrast to Zappa, I am not a specialist in all the fields that I deal with, which means that a professional philosopher, psychologist or ethnomusicologist is quite likely to find some “wrong notes” here and there. For instance, it may in the end turn out that the argument in part one about the role of language for music fails because I have failed to pay attention to some crucial aspects of the theories, which I call upon as support. -
Open Source Used in GET, Arris Micro Zapper, DTV Decoder SW R2C- D428
Open Source Used In GET, Arris Micro Zapper, DTV decoder SW R2C- D428 Cisco Systems, Inc. www.cisco.com Cisco has more than 200 offices worldwide. Addresses, phone numbers, and fax numbers are listed on the Cisco website at www.cisco.com/go/offices. Open Source Used In GET, Arris Micro Zapper, DTV decoder SW R2C-D428 1 Text Part Number: 78EE117C99-182255279 Open Source Used In GET, Arris Micro Zapper, DTV decoder SW R2C-D428 2 This document contains licenses and notices for open source software used in this product. With respect to the free/open source software listed in this document, if you have any questions or wish to receive a copy of any source code to which you may be entitled under the applicable free/open source license(s) (such as the GNU Lesser/General Public License), please contact us at [email protected]. In your requests please include the following reference number 78EE117C99-182255279 Contents 1.1 ASN1C 0.9.23 1.1.1 Available under license 1.2 BSD Readelf.h NON_PRISTINE 1.9 1.2.1 Available under license 1.3 busybox 1.18.5 1.3.1 Available under license 1.4 cjson 2009 1.4.1 Available under license 1.5 crc32 1.1.1.1 1.5.1 Available under license 1.6 curl 7.26.0 1.6.1 Available under license 1.7 expat 2.1.0 1.7.1 Available under license 1.8 flex 2.5.35 1.8.1 Available under license 1.9 freeBSD 4.8 :distro-fusion 1.9.1 Available under license 1.10 FREETYPE2 2.4.4 1.10.1 Available under license 1.11 ICU 4.4.2 1.11.1 Available under license 1.12 iptables 1.4.1 1.12.1 Available under license 1.13 isc dhcp -
2016 Templeton Hannah Margaret 0811310 Ethesis
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ The Mozarts in London Exploring the Family's Professional, Social and Intellectual Networks in 1764-1765 Templeton, Hannah Margaret Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 01. Oct. 2021 The Mozarts in London: Exploring the Family's Professional, Social and Intellectual Networks in 1764-1765 Hannah Margaret Templeton A dissertation submitted for the degree of Doctor of Philosophy in Musicology King's College London, 2016 Abstract This dissertation reassesses the Mozarts' stay in London, from April 1764 until July 1765. -
Lipics-ECOOP-2019-0.Pdf (0.5
33rd European Conference on Object-Oriented Programming ECOOP 2019, July 15–19, 2019, London, United Kingdom Edited by Alastair F. Donaldson L I P I c s – Vo l . 134 – ECOOP 2019 w w w . d a g s t u h l . d e / l i p i c s Editors Alastair F. Donaldson Department of Computing, Imperial College London, UK [email protected] ACM Classification 2012 Software and its engineering ISBN 978-3-95977-111-5 Published online and open access by Schloss Dagstuhl – Leibniz-Zentrum für Informatik GmbH, Dagstuhl Publishing, Saarbrücken/Wadern, Germany. Online available at https://www.dagstuhl.de/dagpub/978-3-95977-111-5. Publication date July, 2019 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at https://portal.dnb.de. License This work is licensed under a Creative Commons Attribution 3.0 Unported license (CC-BY 3.0): https://creativecommons.org/licenses/by/3.0/legalcode. In brief, this license authorizes each and everybody to share (to copy, distribute and transmit) the work under the following conditions, without impairing or restricting the authors’ moral rights: Attribution: The work must be attributed to its authors. The copyright is retained by the corresponding authors. Digital Object Identifier: 10.4230/LIPIcs.ECOOP.2019.0 ISBN 978-3-95977-111-5 ISSN 1868-8969 https://www.dagstuhl.de/lipics 0:iii LIPIcs – Leibniz International Proceedings in Informatics LIPIcs is a series of high-quality conference proceedings across all fields in informatics. -
Project-Team PARKAS
IN PARTNERSHIP WITH: CNRS Ecole normale supérieure de Paris Activity Report 2016 Project-Team PARKAS Parallélisme de Kahn Synchrone IN COLLABORATION WITH: Département d’Informatique de l’Ecole Normale Supérieure RESEARCH CENTER Paris THEME Embedded and Real-time Systems Table of contents 1. Members :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: 1 2. Overall Objectives :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: 2 3. Research Program :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: 3 3.1. Programming Languages for Cyber-Physical Systems3 3.2. Efficient Compilation for Parallel and Distributed Computing4 3.3. Validation and Proof of Compilers4 3.3.1. Lustre: 5 3.3.2. C/C++: 5 4. Highlights of the Year ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: 5 5. New Software and Platforms :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: 5 5.1. Cmmtest 5 5.2. GCC 6 5.3. Heptagon 6 5.4. Lem 6 5.5. Lucid Synchrone6 5.6. Lucy-n 7 5.7. Ott 7 5.8. PPCG 7 5.9. ReactiveML 7 5.10. SundialsML 8 5.11. Zélus 8 5.12. isl 9 6. New Results :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: 9 6.1. Verified compilation of Lustre9 6.2. Fence Optimisations for Multicore Architectures 10 6.3. Compiling synchronous languages for multi-processor implementations 10 7. Bilateral Contracts and Grants with Industry ::::::::::::::::::::::::::::::::::::::::::::: 10 7.1. Bilateral Contracts with Industry 10 7.2. Bilateral Grants with Industry 10 8. Partnerships and Cooperations ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: 11 8.1. National Initiatives 11 8.1.1. ANR 11 8.1.2. Investissements d’avenir 11 8.1.3. Others 11 8.2. European Initiatives 11 8.2.1. FP7 & H2020 Projects 11 8.2.1.1. Eurolab-4-HPC 11 8.2.1.2. TETRACOM 12 8.2.2. Collaborations in European Programs, Except FP7 & H2020 12 8.2.3. -
New Dutch Academy Simon Murphy
World Premiere Recording Zappa Crowning Glory Symphonies simon murphy new HY dutch BRID MU academy LTICHANNEL on authentic instruments World Premiere Recording Friedrich Schwindl (1737 – 1786) Crowning Glory Symphony in D Op 9 no 3 (pub. B Hummel, Den Haag, c.1765) The Musical Heritage of the Netherlands 7 Allegro 2. 58 Dutch Crown Jewels: 8 Andante 3. 29 Symphonies from the 18th Century 9 Presto 2. 33 Court of Orange in The Hague Wolfgang Amadeus Mozart (1756 – 1791) Zappa, Stamitz, Schwindl, Graaf and Mozart Symphony no 5 in B flat, KV 22 “The Hague” (“Haagsche”) Simon Murphy Conductor (composed in Den Haag/The Hague, 1765) New Dutch Academy Orchestra 10 Allegro 2. 34 11 Andante 2. 58 Elizabeth Dobbin Soprano 12 Allegro molto 1. 20 Caroline Kang Violoncello Francesco Zappa (fl. 1763 – 1788) – on authentic instruments – Symphony in D 13 Allegro assai 2. 07 14 Largo 5. 38 Christian Ernst Graaf (1723 – 1804) 15 Allegro 1. 12 Symphony in D Op 14 no 1 (pub. J.J. Hummel Amsterdam/Berlin, 1776) Wolfgang Amadeus Mozart (1756 – 1791) 1 Allegro 3. 07 16 Aria “Conservati Fedele” 2 Andante 2. 34 for Soprano and Orchestra, KV 23 7. 04 3 Presto 1. 56 (composed in The Hague, 1766) Francesco Zappa (fl. 1763 – 1788) Carl Stamitz (1746 – 1801) Symphony in B flat “The Cello Symphony” Symphony in C Op 24 no 1 (“Concertata Sinfonia à più Stromenti Obbligati”) (pub. B Hummel, Den Haag c. 1785) 4 Allegro 2. 03 17 Allegro con spirito 5. 12 5 Largo assai * 6. 21 18 Andante molto 6. -
Progress Report of the Max Planck Institute for Software Systems (MPI-SWS)
Progress Report of the Max Planck Institute for Software Systems (MPI-SWS) November 2013 { July 2015 Contents 1 State of the Institute 7 1.1 General overview of the institute . .7 1.2 The state of the institute, and recent accomplishments . 13 I Current Research Groups 19 2 The Real-Time Systems Group 21 2.1 Overview . 21 2.2 Research agenda . 23 3 The Foundations of Programming Group 31 3.1 Overview . 31 3.2 Research agenda . 33 4 The Distributed Systems Group 39 4.1 Overview . 39 4.2 Research agenda . 41 5 The Large Scale Internet Systems Group 47 5.1 Overview . 47 5.2 Research agenda . 49 6 The Foundations of Computer Security Group 55 6.1 Overview . 55 6.2 Research agenda . 56 7 The Networked Systems Group 63 7.1 Overview . 63 7.2 Research agenda: Social computing systems . 66 8 The Rigorous Software Engineering Group 73 8.1 Overview . 73 8.2 Research agenda . 75 9 The Networks and Machine Learning Group 79 9.1 Overview . 79 9.2 Research agenda . 80 10 The Software Analysis and Verification Group 87 10.1 Overview . 87 10.2 Research agenda . 88 II Adjunct Research Groups 93 11 The Information Security and Cryptography Group 95 11.1 Overview . 95 11.2 Research agenda . 97 12 The Dependable Systems Group 105 12.1 Overview . 105 12.2 Research agenda . 106 III Former Research Groups 107 13 The Robust Systems Group 109 13.1 Overview . 109 13.2 Research agenda . 109 14 The Social Information Systems Group 113 14.1 Overview .