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Vol No Artist Title Date Medium Comments 1 Acraman, William
Tregenza PRG 1336 SOUTH AUSTRALIAN HISTORICAL PICTURES INDEX ARTIST INDEX (Series 1) (Information taken from photo - some spellings may be incorrect) Vol No Artist Title Date Medium Comments 1 Acraman, William Residence of E Castle Esq re Hackham Morphett Vale 1856 Pencil 1 Adamson, James Hazel Early South Australian view 1 Adamson, James Hazel Lady Augusta & Eureka Capt Cadell's first vessels on Murray 1853 Lithograph 1 Adamson, James Hazel The Goolwa 1853 Lithograph 1 Adamson, James Hazel Agricultural show at Frome Road 1853 W/c 1 Adamson, James Hazel Jetty at Port Noarlunga with Yatala in background 1855 W/c 1 Adamson, James Hazel Panorama of Goolwa from water showing Steamer Lady Augusta 1854 Pencil & wash No photo 1 Angas, George French SA Illustrated photocopies of plates List in front 1 Angas, George French Portraits (2) 1 Angas, George French Devil's Punch Bowl 1844 W/c 1 Angas, George French Encounter Bay looking south 1844 W/c 1 Angas, George French Interior of crater, Mount Shanck 1844 W/c Plus current 1 Angas, George French Lake Albert 1844 W/c 1 Angas, George French Mt Lofty from Rapid Bay W/c 1 Angas, George French Interior of Principal Crater Mt Gambier - evening 1844 W/c 1 Angas, George French Penguin Island near Rivoli Bay 1844 W/c 1 Angas, George French Port Adelaide 1844 W/c 1 Angas, George French Port Lincoln from Winter's Hill 1845 W/c 1 Angas, George French Scene of the Coorong at the Narrows 1844 W/c 1 Angas, George French The Goolwa - evening W/c 1 Angas, George French Sea mouth of the Murray 1844-45 W/c 1 Angas, -
SA Australiana Study Group
SA Australiana Study Group 48th Meeting, 5th September 2019 We recommend readers to the Australiana Society website https://www.australiana.org.au/ and encourage membership. Attendance: 14 Portrait miniature of Robert Barr Smith (1824-1915), C 1904? Unsigned. 71.5 x 56 mm. Photographic portrait of Robert Barr Smith, 1904. Image B-7749, courtesy Collection of the State Library of South Australia Comparison with the State Library image suggests that the portrait miniature may have been painted from a photograph, rather than life. The painting on an ivory slip is unsigned, but is possibly by one of Adelaide’s Hambidge sisters, probably Alice (1869-1947), who was the best known of the three for painting in this format. Her sister Milly (Millicent 1872-1938) produced a large pastel of Robert’s son Tom in 1908. This miniature appears to have been held by descendants of Robert Barr Smith until recently. Robert Barr Smith was born in Renfrewshire, Scotland, educated at the University of Glasgow, and migrated to Australia in 1854. In Adelaide he married Joanna Elder in 1856, sister of Thomas (later Sir Thomas) Elder, with whom in 1863 Robert became sole partner in the firm of Elder Smith & Co. Between them they forged a vast empire of pastoral, mining, shipping and commercial interests. Both of the partners had a common interest in sports, particularly horse racing, and many trophies still remain carrying their names as either donors or winners. Similarly, both men were philanthropists, to the great benefit of Adelaide’s cultural, educational and religious life. 1 Silver dressing table box by Brunkhorst, Adelaide, c1894. -
Our Cultural Collections a Guide to the Treasures Held by South Australia’S Collecting Institutions Art Gallery of South Australia
Our Cultural Collections A guide to the treasures held by South Australia’s collecting institutions Art Gallery of South Australia. South Australian Museum. State Library of South Australia. Car- rick Hill. History SA. Art Gallery of South Aus- tralia. South Australian Museum. State Library of South Australia. Carrick Hill. History SA. Art Gallery of South Australia. South Australian Museum. State Library of South Australia. Car- rick Hill. History SA. Art Gallery of South Aus- Published by Contents Arts South Australia Street Address: Our Cultural Collections: 30 Wakefield Street, A guide to the treasures held by Adelaide South Australia’s collecting institutions 3 Postal address: GPO Box 2308, South Australia’s Cultural Institutions 5 Adelaide SA 5001, AUSTRALIA Art Gallery of South Australia 6 Tel: +61 8 8463 5444 Fax: +61 8 8463 5420 South Australian Museum 11 [email protected] www.arts.sa.gov.au State Library of South Australia 17 Carrick Hill 23 History SA 27 Artlab Australia 43 Our Cultural Collections A guide to the treasures held by South Australia’s collecting institutions The South Australian Government, through Arts South Our Cultural Collections aims to Australia, oversees internationally significant cultural heritage ignite curiosity and awe about these collections comprising millions of items. The scope of these collections is substantial – spanning geological collections, which have been maintained, samples, locally significant artefacts, internationally interpreted and documented for the important art objects and much more. interest, enjoyment and education of These highly valuable collections are owned by the people all South Australians. of South Australia and held in trust for them by the State’s public institutions. -
View Dec 1993 Newsletter
Jjilurnsibe j!}istoricnl ~ocietp 3Jnc. NEWSLETTER DECEMBER, 1993 Volume 13, No. 4 \ ( -: -~ l .. ·'~ -·, ;_, . ,_ [ _:-::y-~ " -~- ~ BURNSIDE IDSTORICAL SOCIETY INC. P.O. Box 152 GLENSIDE, S.A. 5065 PROGRAM - 1994 OBJECTIVES 17 January The Mu"ays ofMagill The objectives of the Society shall be: Monday Venue: Murray Bouse, St Bernards Road, Magill Time: 7.00 p.m. 2.1 to arouse interest in and to promote the study and discussion of Australian and South Australian history and in particular, the history of the City of The Murray family -- early settler Alexander Borthwick Burnside; Murray and his son Sir George Murray lived at Murray Park, 2.2 to promote the collection, recording, preservation and classification of Magill, from 1862 to 1942. After Sir George's death in 1942, works, source material and artifacts of all kinds relating to Burnside the property was sold to Mrs Elinor Doris Bush who trained history, and bred race horses. In 1968 it was bought by the SA 2.3 to assist in the protection and preservation of buildings, works and sites of Government to establish a College of Advanced Education, historical significance in the City of Burnside; and is now part of The Magill Campus of The University of 2.4 to co-operate with similar societies and other lxxlies throughout Australia; South Australia. 2.5 to do all such other things as are conducive or incidental to the attainment of any of the above objectives. At 7.00 p.m. Mrs Elinor Bush's three daughters Anne Bush, Jane Bush and Mrs Chibnal will act as guides through the OFFICE BEARERS FOR 1993 - 1994 house and surrounds, and share some of their memories. -
SW Historic A5 Booklet 2.Qxd 11/07/2005 12:39 PM Page 1 Historic Southsouth West West Corner Corner Adelaide | South Australia
SW Historic A5 Booklet 2.qxd 11/07/2005 12:39 PM Page 1 historic southsouth west west corner corner adelaide | south australia Bridget Jolly The Corporation of the City of Adelaide Adelaide 2005 SW Historic A5 Booklet 2.qxd 11/07/2005 12:39 PM Page 2 SW Historic A5 Booklet 2.qxd 11/07/2005 12:39 PM Page 3 Foreword The Historic South West Corner booklet is more than just a potted history of this unique part of our City. It is a record of the colourful characters and individuals who have contributed so much to the development of our City. This entertaining booklet paints a picture of a community that is proud of its past and positive about its future; a community that welcomes and embraces people whose luck in life has run out and a community that includes many, very successful businesses and individuals. The Historic South West Corner booklet is a project initiated by the South West Community Network. The Network was instigated and is supported by Adelaide City Council. The Council encourages active engagement of local communities in City life and in making decisions about their neighbourhood. A method of accomplishing this is through the development of local projects such as the production of this booklet. The booklet presents a history of the South West Corner of the City that will inspire people to think of this area as an interesting place to live, work and visit. I hope that you will enjoy reading this exciting, factual and humorous account of how the South West community of the past created a great community spirit of the present. -
Fantin-Latour in Australia
Ann Elias Fantin-Latour in Australia Nineteenth-Century Art Worldwide 8, no. 2 (Autumn 2009) Citation: Ann Elias, “Fantin-Latour in Australia,” Nineteenth-Century Art Worldwide 8, no. 2 (Autumn 2009), http://www.19thc-artworldwide.org/autumn09/fantin-latour-in-australia. Published by: Association of Historians of Nineteenth-Century Art. Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. Elias: Fantin-Latour in Australia Nineteenth-Century Art Worldwide 8, no. 2 (Autumn 2009) Fantin-Latour in Australia by Ann Elias Introduction Australia is described as "a country of immigration"[1] and its non-indigenous people as "a cutting from some foreign soil."[2] This is an apt metaphor for a postcolonial population cut from British stock, then transplanted to the Antipodes in the eighteenth century, and augmented, changed, and challenged throughout the nineteenth century by migrations of European (British and other) and Asian nationals. The floral metaphor can be extended by speaking of migration and settlement in terms of grafting, hybridizing, and acclimatizing. In the early part of the nineteenth century, settlers viewed the landscape of Australia— including all flora and fauna—as "wild and uncivilised, almost indistinguishable from the Indigenous inhabitants."[3] The introduction, therefore, of flora and fauna from Britain was an attempt "to induce an emotional bond between Australian colonies and the mother country." [4] So too was the importation of art and artifacts from Britain, France, and other European countries, which was a further effort to maintain ties with the Old World. -
The William F. Charters South Seas Collection at Butler University: a Selected, Annotated Catalogue (1994)
Butler University Digital Commons @ Butler University Special Collections Bibliographies University Special Collections 1994 The William F. Charters South Seas Collection at Butler University: A Selected, Annotated Catalogue (1994) Gisela S. Terrell Follow this and additional works at: https://digitalcommons.butler.edu/scbib Part of the Other History Commons Recommended Citation Terrell, Gisela S., "The William F. Charters South Seas Collection at Butler University: A Selected, Annotated Catalogue (1994)" (1994). Special Collections Bibliographies. 5. https://digitalcommons.butler.edu/scbib/5 This Book is brought to you for free and open access by the University Special Collections at Digital Commons @ Butler University. It has been accepted for inclusion in Special Collections Bibliographies by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. THE WILLIAM F. CHARTERS SOUTH SEAS COLLECTION The Irwin Library Butler University Digitized by the Internet Archive in 2010 with funding from Lyrasis Members and Sloan Foundation http://www.archive.org/details/williamfchartersOOgise The William F. Charters South Seas Collection at Butler University A Selected, Annotated Catalogue By Gisela Schluter Terrell With an Introduction By George W. Geib 1994 Rare Books & Special Collections Irwin Library Butler University Indianapolis, Indiana ©1994 Gisela Schluter Terrell 650 copies printed oo recycled paper Printed on acid-free, (J) Rare Books & Special Collections Irwin Library Butler University 4600 Sunset Avenue Indianapolis, Indiana 46208 317/283-9265 Produced by Butler University Publications Dedicated to Josiah Q. Bennett (Bookman) and Edwin J. Goss (Bibliophile) From 1972 to 1979, 1 worked as cataloguer at The Lilly Library, Indiana University, Bloomington. Much of what I know today about the history of books and printing was taught to me by Josiah Q. -
8 Elder Smith and Company Head Office Deposit 1 Download List
8 Elder Smith and Company Head Office deposit 1 Download list NOEL BUTLIN ARCHIVES CENTRE THE AUSTRALIAN NATIONAL UNIVERSITY DEPOSIT 8: ELDER SMITH & CO LTD Inclusive dates: 1825-1953 Quantity: 108 shelf metres Note: This firm carries on the business of Wool & Produce Brokers, General Merchants, Stock & Station, Travel and Insurance Agents and, since 1962 has amalgamated with Goldsbrough Mort & Co. to form Elder Smith Goldsbrough Mort Ltd with its Head Office in Adelaide. Alexander Elder founded a firm of trading and commission agents in 1840, in Adelaide, South Australia. in 1853 it became the partnership of Elder & Co. and, in 1855, Elder Stirling & Co. (Thos. Elder, brother of Alexander, Edward Stirling, John Taylor and Robert Barr Smith). After 1863, the firm became Elder Smith & Co. (Thos. Elder & Robert Barr Smith). In 1882, Elders Wool and Produce Co. Ltd was established to acquire the auctioneering business of the firm but this was again merged in 1888 to form Elder Smith & Co. Ltd with a capital of £1,000,000. In 1903 Elder Shenton & Co. Ltd were formed in Perth, Western Australia and this was merged with the main Co. in 1918. In 1910, Elders Trustee & Executor Co. Ltd was formed as a subsidiary and remained a separate Co. until March 1963 when it also was merged with the parent Co. In 1913 Elder's Metal & Mercantile Pty Ltd was formed in conjunction with a number of associated companies to take over the metal section of the business and to carry on operations as general merchants. The parent Co. took it over in the following year. -
BARR SMITH LIBRARY University of Adelaide
Heritage of the City of Adelaide BARR SMITH LIBRARY University of Adelaide Off North Terrace This classically derived building is in stark contrast to Walter Hervey Bagot's other university building, the Bonython Hall, which was built in the mediaeval Gothic style. The library, of red-brick, stone dressings and freestone portico, is reminiscent of Georgian England, imposing, but elegant. It has also been likened to similar buildings at Harvard University. The original library complex dominates the main university lawns opposite the Victoria Drive Gates, enhanced by mature trees, and blends with the various other buildings also in red-brick and of this century. The Barr Smith Library is a memorial to Robert Barr Smith who from 1892 bequeathed large sums of money to purchase books for the university library. After his death in 1915 the family made the maintenance of the Library its concern. Following his father, Thomas Elder Barr Smith became a member of the council in 1924 and offered £20 000 for a new library to relieve the congested state of the one in the Mitchell Building. He increased his gift to cover the expected building cost of £34 000. Walter Bagot chose a classic style for the proposed library. The pamphlet describing the official opening of the Barr Smith Library stated that: The tradition that the mediaeval styles are appropriate to educational buildings dies hard; but it is dying. Climate is the dominant factor, and a mediterranean climate such as this should predispose us to a mediterranean, that is to say, a classic form of architecture . -
Christine Macgregor's Illustrated Private Press Books
Christine Macgregor's Illustrated Private Press Books MAUREEN PRICHARD We are waiting impatiently for the telegram which will tell us [Molly] is through her second trial safely.1 With these words Robert Barr Smith (1824-1915) heralded the imminent arrival into this world of his fifth grandchild. The child, named Christine Margaret, was born on 23 January 1890 at Ballengeich, the house her parents were renting at Torrens Park, just two weeks after her grandfather wrote these words. She was the child — the second of six — of Joanna and Robert Barr Smith's son Tom, and his wife Mary Isobel (Molly).2 Christine Barr Smith's grandfather was reckoned in some quarters to be the richest man in Australia. He was certainly one of this state's greatest benefac- tors. One small but relevant example of Robert Barr Smith's generosity is repre- sented in the Library of the University of Adelaide. It was named after him in 1899 in recognition of amounts totalling £9,000 that he had given to it in the previous twenty years, solely for the purpose of the acquisition of books. In all he gave to the University of Adelaide over £21,000 before he died. Christine's fa- ther carried on in his father's footsteps; in all, his gifts to the Library alone to- talled over £55,000, the bulk of that used to finance the original library building. Tom Elder Barr Smith's children inherited the habit of generous giving and service. They also inherited their grandparent's habit of collecting. Joanna Barr Smith (along with her children) was a great accumulator of Morris 8c Co. -
The Kafirs Illustrated in a Series of Drawings Taken Among the Amazulu
rd 'd wm*£ ^vov-; mmp w^Y lr-^>Y/ w^o R^foYcViToT^T-'f Y fWimm’ YiF^-v1^^ T\l / W av/jBkw Mkl'MSwi t* If. ^iy 'Sf '■r/— m' £ ,W! - vy AWjraV mnw ***• W Mf P|£1E| a J& ip| jpl ay. d esa pPE ^PtIa 'ijrAll)rvV|f\i'^MuOiMIwVaV/ y/jVV yj ■ f ltf VI * & 9 I/S mm M^SE3f W./!>.iMr s-\U _ liX l jj dfc i.7 Jt.W/'O AU 1 *pv;“ [f^S fa y. Pi 1 fe1 ‘W1 flu \ A r r\'H hh, fa A d w 1m r YT^wtiiT l|o|2®p wnifWW . ■ ' THE KAFIRS ILLUSTRATED 2-D. •srnro of D min mgs TAKEN AMONG THE AMAZULU, AMAPON DA. AND AMAKOSA TRIBES ; A LSI), Portrait* OF THE HOTTENTOT, MALAY, FINGO, AND OTHER RACES INHABITING SOUTHERN AFRICA : TOGETHER WITH SKETCHES OF LANDSCAPE SCENERY IN THE ZULU COUNTRY. NATAL. AND THE CAPE COLONY. BY GEORGE FRENCH ANGAS, AUTHOR AUSTRALIA ILLUSTRATED ; “ THE NEW ZEALANDERS ILLUSTRATED;" “ SAVAGE LIEU AND SOLVES ; ” A TAI E OF REAL LIFE ; *’ “ A RAMBLE IN MALTA AND SICILY," ETC. I Lo! where he crouches by the Kloof's dark side. Eyeing the farmer's lowing herds afar; Impatient watching till the evening star Leads forth the twilight dim, that he may glide Like panther to the prey. With free horn pride He scorns the herdsman, nor regards the sear Of recent wound; but burnishes for war Ilis assagai and targe of buffalo hide." Piiim.le LONDON: PUBLISHED BY J. HOGARTH, H A Y M A R K ET. -
ANGAS FAMILY PAPERS PRG 175 Series List John Howard Angas
___________________________________________________________________________ ANGAS FAMILY PAPERS PRG 175 Series List John Howard Angas (1823-1904) was the second son of George Fife Angas. He arrived in South Australia in September 1843, having been appointed to manage his father's estates in the colony. He settled at Tarrawatta near Angaston where he established a successful pastoral business and built a fine homestead called Collingrove. The purchase of further land and livestock soon made him one of the largest landowners and foremost stud-breeders in the colony. In 1871 he entered Parliament as the member for Barossa later becoming a member of the Legislative Council for the Central District from 1887-94. His social, religious and philanthropic interests were also extensive and influential, and he contributed generously towards the establishment of many colonial institutions, including the University of Adelaide. He left an estate worth some £800,000.1 Susanne Collins Angas, the wife of John Howard Angas, was the daughter of Richard Collins, a corn-factor of Bowden, near Manchester. Her marriage to J.H. Angas took place in England in May 1855. She returned with her husband to live at Collingrove, but ill-health caused them to return to England for some years during which time a son and daughter were born. She died in April 1910, six years after the death of her husband.2 Charles Howard Angas (1861-1928) was the son of J.H. Angas. After being educated at St. Peter's College Adelaide, and in England, he gradually assumed responsibility for his father's vast properties and interests. He too became prominent as a stock-breeder, most notably with Lincoln sheep, while his business interests included chairmanship of the Willowie Land and Pastoral Association and the S.A.