Bedrock Depth and the Formation of the Manhattan Skyline, 1890-1915
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Read Where Architecture Expert Paul Goldberg Comments on the History of New York's Famous Skyscrapers. As You Do So, Complete
Can you identify any of these buildings? What do they all have in common? Which one do you like best? Read where architecture expert Paul Goldberg comments on the history of New York’s famous skyscrapers. As you do so, complete the following tasks: · In New York buildings are not only buildings, they become ___________________ · New York took over Chicago as regards skyscrapers in ___________________. · The Woolworth building was the tallest building worldwide for _________________. · The _______________ defined the Manhattan skyline. · They are trying to keep a memory of the people who were lost and also to show New York’s ______________________________. · New York stands out from the other cities as the embodiment of ____________________. Woolworth Building; Empire State Building; Chrysler Building; Flatiron; Hearst Tower The Woolworth Building, at 57 stories (floors), is one of the oldest—and one of the most famous—skyscrapers in New York City. It was the world’s tallest building for 17 years. More than 95 years after its construction, it is still one of the fifty tallest buildings in the United States as well as one of the twenty tallest buildings in New York City. The building is a National Historic Landmark, having been listed in 1966. The Empire State Building is a 102-story landmark Art Deco skyscraper in New York City at the intersection of Fifth Avenue and West 34th Street. Like many New York building, it has become seen as a work of art. Its name is derived from the nickname for New York, The Empire State. It stood as the world's tallest building for more than 40 years, from its completion in 1931 until construction of the World Trade Center's North Tower was completed in 1972. -
Hearst Tower Makes Dramatic Use of Light & Space
Inside & out, Hearst Tower makes dramatic use of light & space. Welcome to Hearst Tower, Hearst’s global headquarters and the first New York City st landmark of the 21 century. Using the original 1928 Hearst International Magazine Building as his pedestal, noted British architect Norman Foster has conceived an arresting 46-story glass-and-steel skyscraper that establishes a number of design and environmental milestones. Hearst Tower is a true pioneer in environmental sustain- ABOUT HEARST ability, having been declared the first “green” Hearst Tower is home to employees office building in New York City history. of Hearst, one of the largest Inside and out, the design of Hearst Tower diversified media, information and makes dramatic use of light and space. The soar- services companies. Its major inter- ing three-story atrium—filled with the sound of ests span close to 300 magazines cascading water—creates a sense of calm on a around the world, including Cosmo- grand scale. The exterior honeycomb of steel politan, ELLE and O, The Oprah Mag- keeps the interior work areas uncluttered by azine; respected daily newspapers, pillars and walls, thus creating superb views of including the Houston Chronicle and the city from most vantages on the work floor. San Francisco Chronicle; television At night, with its radically angled panes of glass, stations around the country that Hearst Tower looks like a faceted jewel. reach approximately 19 percent of U.S. TV households; ownership in leading cable networks, including Lifetime, A&E, HISTORY and ESPN; as well as business information, digital services businesses and investments in emerging digital and video companies. -
Lower Manhattan June 25 | 4 Pm – 8 Pm
PART OF THE RIVER TO RIVER FESTIVAL LOWER MANHATTAN JUNE 25 | 4 P.M. – 8 P.M. FREE NIGHTATTHEMUSEUMS.ORG visited visited visited African Burial Ground National Archives at NYC Municipal Archives National Monument New York City 31 Chambers Street (bet. Centre & Elk St.) 290 Broadway (bet. Duane & Reade St.) One Bowling Green (bet. Whitehall & State St.) nyc.gov/records nps.gov/afbg archives.gov/nyc Visitors can tour The Municipal Archives current exhibit, The Lung Block: A New York City Slum & Its The oldest and largest known excavated burial ground Connects visitors to our nation’s history. Our theme Forgotten Italian Immigrant Community. Join co- in North America for both free and enslaved Africans. is Revolutionaries and Rights and the historic strides curators Stefano Morello and Kerri Culhane at 6 p.m. It began to use in the 17th century but was only taken throughout history. Engage with costumed for an exploration of the history of immigrant housing rediscovered in 1991. The story is both of the Africans historical interpreters throughout the building. Stop and reform efforts in NYC at the start of the 20th whose holy place this was, but also the story of the into our Learning Center to discover many of the century through one community. Guests will also see modern-day New Yorkers who fought to honor these national treasures of New York, go on an “Archival a special preview of an upcoming exhibit with the ancestors. Programming: Tour the visitor center, view Adventure,” and pull archival facsimile documents Museum of American Finance opening this fall. -
River to River
RIVER TO RIVER June 19–29 Photo credit: George Kontos RiverToRiverNYC.com Get Social: #R2R2014 Follow us on Twitter @R2RFestival Like us on Facebook/RiverToRiver Share photos with us on Instagram @R2RFestival Subscribe to our email newsletter to receive updates, insider tips, and volunteer opportunities. Supporting LMCC is one of the best ways to stay connected to Lower Manhattan’s vibrant cultural future. Donate online and learn more about the benefits of joining LMCC’s diverse network of supporters at LMCC.net/support RiveR To RiveR 2014 June 19–29 11 days, 35 projects, 90+ artists All events are free and in Lower Manhattan. River To River inspires residents, workers, and visitors in the neighborhoods south of Chambers Street by connecting them to the creative process, unique places, and each other in order to demonstrate the role that artists play in creating vibrant, sustainable communities. Lower Manhattan Cultural Council (LMCC) has been the lead producer and curator of River To River since 2011. LMCC empowers artists by providing them with networks, resources, and support, to create vibrant, sustainable communities in Lower Manhattan and beyond. Whether you see the work of one, two, or 20 artists, we hope that you’ll remember your experience and enjoy getting closer to the transformative work of artists and discovering something that you didn’t know or hadn’t seen before. In addition to the River To River performances, installations, talks, digital journeys, and open studios, there are plenty of opportunities to hang out with artists, partners, audiences, and staff in a casual setting. A little like themed “house parties” that feature pop-up performances and DJ sets, the R2R Living Rooms provide an ideal setting to unwind, eat, drink, and dance it out after a day out on the town, soaking in the art. -
Battery Park City Event Planning Guide 2020
Battery Park City Event Planning Guide 2020 Battery Park City is the premier model of modern city living. An urban oasis, our parks, programs, and waterfront perspective offer residents and visitors an unrivaled experience of New York. Contact Information: Battery Park City Authority Phone Number: (212) 417-2000 Email: [email protected] Table of contents Sustainability 1 Overview 2 Fee Information 3 Event Locations 4 Cultural Highlights 9 Additional Guidelines 13 Additional Permits 14 Proposal Outlines 16 Sustainability in Battery Park City Battery Park City Authority has a longstanding history of environmental leadership and your event can contribute to sustainability in Battery Park City. Highlights include: • Reduce your event’s impact: Use large pitchers or carafes for drinks, rather than individually bottled drinks. Use reusable utensils and plates. Serve condiments in bulk instead of single-serving packets. If using decorations, choose reusable decorations. • Recycle: Make sure any disposables are recyclable (plates, utensils, cups, etc.). Recycle appropriately. • Compost: BPCA has a robust composting program which you can participate in. Collect food waste from your event (raw fruits and vegetables) and drop it off at one of three composting locations in BPC. We do not accept meat, bones, or large amounts of oils in the compost stream. For more information regarding Battery Park City’s sustainable guidelines, https://bpca.ny.gov/nature-and-sustainability/sustainability/ pg.1 Overview West of the West Side Highway in Lower Manhattan lies Battery Park City (BPC), a mixed-used community boasting 36 acres of impeccably maintained parks and open spaces managed by New York State’s Battery Park City Authority (BPCA). -
New York Pass Attractions
Free entry to the following attractions with the New York Pass Top attractions Big Bus New York Hop-On-Hop-Off Bus Tour Empire State Building Top of the Rock Observatory 9/11 Memorial & Museum Madame Tussauds New York Statue of Liberty – Ferry Ticket American Museum of Natural History 9/11 Tribute Center & Audio Tour Circle Line Sightseeing Cruises (Choose 1 of 5): Best of New York Intrepid Sea, Air & Space Museum Local New York Favourite National Geographic Encounter: Ocean Odyssey - NEW in 2019 The Downtown Experience: Virtual Reality Bus Tour Bryant Park - Ice Skating (General Admission) Luna Park at Coney Island - 24 Ride Wristband Deno's Wonder Wheel Harlem Gospel Tour (Sunday or Wednesday Service) Central Park TV & Movie Sites Walking Tour When Harry Met Seinfeld Bus Tour High Line-Chelsea-Meatpacking Tour The MET: Cloisters The Cathedral of St. John the Divine Brooklyn Botanic Garden Staten Island Yankees Game New York Botanical Garden Harlem Bike Rentals Staten Island Zoo Snug Harbor Botanical Garden in Staten Island The Color Factory - NEW in 2019 Surrey Rental on Governors Island DreamWorks Trolls The Experience - NEW in 2019 LEGOLAND® Discovery Center, Westchester New York City Museums Museum of Modern Art (MoMA) Metropolitan Museum of Art (The MET) The Met: Breuer Solomon R. Guggenheim Museum Whitney Museum of American Art Museum of Sex Museum of the City of New York New York Historical Society Museum Cooper Hewitt, Smithsonian Design Museum Museum of Arts and Design International Center of Photography Museum New Museum Museum of American Finance Fraunces Tavern South Street Seaport Museum Brooklyn Museum of Art MoMA PS1 New York Transit Museum El Museo del Barrio - NEW in 2019 Museum of Jewish Heritage – A Living Memorial to the Holocaust Museum of Chinese in America - NEW in 2019 Museum at Eldridge St. -
Excerpts from the Accidental Skyline
Excerpts from The Accidental Skyline A report by the Municipal Art Society of New York, December 2013 Full text (with images): https://www.mas.org/pdf/accidental-skyline-2013-12-20-web.pdf Executive Summary The size and scale of the as-of-right buildings going up on and around 57th St. deserve particular attention because of their proximity to Central Park. Individually, the towers may not have a significant effect; however their collective impact has not been considered… Central Park and New York City’s other open spaces are critical to the economic health of the city and to the well-being of its residents. The mixed skyline along the edges of Central Park is one of the park’s defining and most memorable features. The solution is not to landmark this skyline, but to find a way to ensure that the public has a voice when our skyline and open spaces are affected by new development and to require careful analysis to help inform the decision-making process… Based on the shadow studies MAS has produced, it is clear that the existing regulations do not sufficiently protect Central Park, nor do they provide a predictable framework for guiding development. Quite to the contrary, the existing regulations are producing buildings that have caught the public off- guard and have surprised regulators. A re-appraisal of the zoning around our key open spaces is needed to ensure that, as New York continues to develop, we are carefully considering the impacts of growth… Background Even a hundred years ago, New York City’s skyline was called, “the most stupendous unbelievable manmade spectacle since the hanging gardens of Babylon.” For over a century, the demand for land, advancing technology and intense ambition to create the tallest building in the world has transformed New York City’s skyline. -
By Deborah Lynn Blumberg Carol Willis, the Skyscraper Museum's Founder, Director and Curator. Designers and Builders from Arou
Telling true tall tales at museum’s new home By Deborah Lynn Blumberg Carol Willis, The Skyscraper Museum’s founder, director and curator. Designers and builders from around the world know them as man’s version of an ant hill, a cultural icon, or the only way to rise up in a city to breathe fresh air. They are tall, they are soaring and they were born in New York—skyscrapers. For almost a decade, their story has shifted around New York City, from one temporary location to the next, but now, their rich history has finally found a home. Last month, The Skyscraper Museum, an eight-year-old institution created by architectural and urban historian Carol Willis, opened the doors to its first permanent space at 39 Battery Place in Battery Park City. About 1,000 students, tourists, construction workers and Downtown residents visited the museum in the first five days, pouring over old photographs, postcards, books, drawings and displays on the history of skyscrapers in New York, the United States and abroad. “We love [the space],” said Willis, the museum’s founder, director, and curator. “There are two aspects to love. The architecture — it’s a delight to see people come in and be awestruck by the dazzling and disorienting quality of height and depth of the space. And just having a permanent address is a really important step for us.” Since 1999, Willis has planned the move from the museum’s last donated location on Maiden La. Millennium Partners donated the space, and architects and designers from Skidmore, Owings & Merrill provided their design services for free. -
Public-Private Partnerships – Changing New York City's Skyline
PUBLIC PRIVATE PARTNERSHIPS – CHANGING NEW YORK’S SKYLINE New York State Bar Association Real Property Law Section Advanced Real Estate Topics 2016 December 12, 2016 Meredith J. Kane, Esq. Andrea D. Ascher, Esq. Partner Deputy General Counsel, Real Estate Paul, Weiss, Rifkind, Wharton & Metropolitan Transportation Authority Garrison LLP 2 Broadway 1285 Avenue of the Americas New York, New York 10004 New York, New York 10019 1 PUBLIC PRIVATE PARTNERSHIPS – CHANGING NEW YORK’S SKYLINE A public–private partnership (PPP) is a cooperative arrangement among government agencies and private sector partners to undertake a complex large-scale development project, typically with a large infrastructure component. Governments have used such a mix of public and private arrangements in large-scale projects for years. In modern times, almost no private development project is done without public subsidy. Tax and interest rate subsidies, and land use policy, with its implicit subsidies, have played, and continue to play, a critical role in promoting and directing private development in New York City and New York State. For example, consider the roles of: Real Property Tax Incentives – J-51, 421-a, ICAP Multi-Family Housing Incentives: Tax-Exempt Bonds, Inclusionary Housing Zoning Bonuses Zoning Bonuses, Zoning Overrides, Zoning Special Districts (for Affordable Housing, Landmarks Preservation, Creation of Open Space) IDA Benefits for Commercial Tenant Retention and Relocation All of these mechanisms have been used variously in privately-sponsored projects having major public improvements, such as Atlantic Yards, Bank of America Headquarters, Columbia University Expansion and, most recently, One Vanderbilt. Similarly, almost no publicly-sponsored project in New York City is done without private developers – consider, for example, 42nd Street, Battery Park City, Hudson Yards, CornellTech Roosevelt Island, Queens West, World Trade Center, Fulton Center, the Moynihan Farley Post Office Building, Penn Station, and 347 Madison - MTA Headquarters Development. -
Principles and Revised Preliminary Blueprint for the Future of Lower Manhattan
Lower Manhattan Development Corporation 1 Liberty Plaza, 20th Floor New York, NY 10006 Phone: (212) 962-2300 Fax: (212) 962-2431 PRINCIPLES AND REVISED PRELIMINARY BLUEPRINT FOR THE FUTURE OF LOWER MANHATTAN When New York City was attacked on September 11, 2001, the United States and the democratic ideals upon which it was founded were also attacked. The physical damage New York City sustained was devastating and the human toll was immeasurable. But New York does not bear the loss alone. In the aftermath of September 11, the entire nation has embraced New York, and we have responded by vowing to rebuild our City – not as it was, but better than it was before. Although we can never replace what was lost, we must remember those who perished, rebuild what was destroyed, and renew Lower Manhattan as a symbol of our nation’s resilience. This is the mission of the Lower Manhattan Development Corporation. The LMDC, a subsidiary of Empire State Development, was formed by the Governor and Mayor as a joint State-City Corporation to oversee the revitalization of Lower Manhattan south of Houston Street. LMDC works in cooperation with the Port Authority and all stakeholders to coordinate long-term planning for Lower Manhattan while concurrently pursuing initiatives to improve the quality of life. The task before us is immense. Our most important priority is to create a permanent memorial on the World Trade Center site that appropriately honors those who were lost, while reaffirming the democratic ideals that came under attack on September 11. Millions of people will journey to Lower Manhattan each year to visit what will be a world-class memorial in an area steeped in historical significance and filled with cultural treasures – including the Statute of Liberty and Ellis Island. -
Tour 1 Tour 2 Tour 3
Tour 3 Tour 2 Tour 1 BPC Walking Tour 1 Tour 1: South Residential neighborhood RSVP Saturday, June 12 & July 24th, 2021 at 4:00PM 90min In the beginning, Battery Park City was merely water, a waterfront for the financial district to its east. That is, until its status as a port-filled boardwalk and extended pier became a landfill for all the displaced earth dug up to build the World Trade Center. In only a few decades, Battery Park City blossomed as state and local investing, in partnership with architects and landscape designers, breathed life into the area. Quickly, BPC became a hub for commercial and residential life in lower Manhattan. Join us on tour 1 of Battery Park City’s southern residential district, which includes some of BPC’s earliest residential buildings, museums, as well as its vast and impressive green spaces on the waterfront. Harnessing Wagner Park, the Esplanade and more, we will walk the streets and parks, tracking the district’s history and the growth of its residential neighborhood. Not to be outdone, we will also explore the district’s colorful past as a pier and even a wheatfield, as well as its trials and tribulations during its early development stage. Meeting point Skyscraper Museum 7 - Walk to 1 West Street - Walk to 2 Machado Silvetti Arch - Walk to 3: Pier A (via Wagner Park) - Walk to 4: Museum of Jewish Heritage (via the Esplanade) 6 - Walk to 5: South Cove/Mary Miss sculpture - Walk to 6: Brookfield Place at a distance (via the Esplanade) - Walk to 7: Rector Place 5 4 1 2 3 Walking Tour 1 Meeting point_SM Hello, Welcome to our Battery Park City Walking Tour, Blank slate to Battery Park City & Beyond. -
Skyscrapers and the Skyline: Manhattan, 18952004
2010 V38 3: pp. 567–597 DOI: 10.1111/j.1540-6229.2010.00277.x REAL ESTATE ECONOMICS Skyscrapers and the Skyline: Manhattan, 1895–2004 Jason Barr∗ This article investigates the market for skyscrapers in Manhattan from 1895 to 2004. Clark and Kingston (1930) have argued that extreme height is a result of profit maximization, while Helsley and Strange (2008) posit that skyscraper height can be caused, in part, by strategic interaction among builders. I provide a model for the market for building height and the number of completions, which are functions of the market fundamentals and the desire of builders to stand out in the skyline. I test this model using time series data. I find that skyscraper completions and average heights over the 20th century are consistent with profit maximization; the desire to add extra height to stand out does not appear to be a systematic determinant of building height. Skyscrapers have captured the public imagination since the first one was com- pleted in Chicago in the mid-1880s. Soon thereafter Manhattan skyscrapers became the key symbol of New York’s economic might. Although the exis- tence and development of skyscrapers and the skyline are inherently economic phenomena, surprisingly little work has been done to investigate the factors that have determined this skyline. In Manhattan, since 1894, there have been five major skyscraper building cycles, where I define a “skyscraper” as a building that is 100 m or taller.1 The average duration of the first four cycles has been about 26 years, with the average heights of completed skyscrapers varying accordingly.