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Pete Doherty (Ebury)
Early in 2004 Alan Mc introduced Pete to D Hart, who had played in the Creation Recor band The Jesus and M Chain. Hart had follow The LibertinesTEN to the of England on the tra with hisALBUM Super TWO 8 cam with a view to making music video for the ba Hart would later fly o Paris to direct the Fo‘ Lovers’ video to accom the single Pete was on verge of releasing wit Wolfman in the spring Pete was still playing Early in 2004 Alan McGee introduced Pete to Douglas Hart, who had played bass in the Creation Records band The Jesus and Mary Chain. Hart had followed The Libertines to the North of England on the train with his Super 8 camera with a view to making a music video for the band. Hart would later fly out to Paris to direct the ‘For Lovers’ video to accompany the single Pete was on the verge of releasing with Wolfman in the spring. Pete was still playing solo gigs, advertising them on his website a day or two before they took place. He’d already recorded ‘For Lovers’ and was desperate to record the B-side; it was a beautiful song and he was convinced it would be a hit. He’d also finished recording the debut Babyshambles single. But Pete and Carl still wanted to write together. They needed to collaborate and bond after the debacle of their trip to the Welsh valleys, and they had a second Libertines album to write. So they decided to head to Paris. -
A Thematic Reading of Sherlock Holmes and His Adaptations
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2016 Crime and culture : a thematic reading of Sherlock Holmes and his adaptations. Britney Broyles University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the American Popular Culture Commons, Asian American Studies Commons, Chinese Studies Commons, Cultural History Commons, Literature in English, British Isles Commons, Other Arts and Humanities Commons, Other Film and Media Studies Commons, and the Television Commons Recommended Citation Broyles, Britney, "Crime and culture : a thematic reading of Sherlock Holmes and his adaptations." (2016). Electronic Theses and Dissertations. Paper 2584. https://doi.org/10.18297/etd/2584 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. CRIME AND CULTURE: A THEMATIC READING OF SHERLOCK HOLMES AND HIS ADAPTATIONS By Britney Broyles B.A., University of Louisville, 2008 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Comparative Humanities University of Louisville Louisville, KY December 2016 Copyright 2016 by Britney Broyles All rights reserved CRIME AND CULTURE: A THEMATIC READING OF SHERLOCK HOLMES AND HIS ADAPTATIONS By Britney Broyles B.A., University of Louisville, 2008 M.A., University of Louisville, 2012 Dissertation Approved on November 22, 2016 by the following Dissertation Committee: Dr. -
Words of Ages: Democracy and Adversity 1919-1945 Historical Perspectives
WORDS OF AGES: DEMOCRACY AND ADVERSITY 1919-1945 HISTORICAL PERSPECTIVES ® CLOSE UP IN CLASS HISTORICAL PERSPECTIVES: WORDS OF AGES DEMOCRACY AND ADVERSITY UNIT 4 INTRODUCTION In the 25 years following the end of World War I, the United States endured dramatic changes of fortune on its roller-coaster ride from riches and material 1923 excess to severe economic depression and back to world economic and military Ku Klux Klan membership dominance. During these tumultuous years, paradigms shifted and literary forms reaches its peak. companies grew bigger. Mass marketing and consumer loans enabled middle-class citizenschanged to dramatically. own automobiles At first, and the modern 1920s household were marked conveniences. by great Artwealth. of all Largetypes 1925 F. Scott Fitzgerald publishes The Great Gatsby. wars, many authors sought new themes and modes of expression. For example, Africanflourished, Americans as wealthy developed consumers their and own patrons literary grew forms in number. and mes Betweensages, inspired the world by black music and experiences. 1927 sound, The Jazz Singer, is halt. Within a few years, mil lions of Americans had lost their jobs and homes in The first motionreleased. picture with theWith Great the stockDepression. market Desperatecrash of 1929, for newhowever, economic boom leader times ship, came voters to an electedabrupt with the American people led 1929 President Franklin Delano Roosevelt in 1932. His promise to make a “New Deal” to the creation of federal crashes, and the Great agencies and pro grams to The DepressionNew York stock begins. market give people jobs, economic assistance, and hope. Writers, dramatists, visual artists, and 1930 from government programs President Herbert Hoover tophotogra sup port phers the all artsbenefited and Tariff Act. -
JMAD New Zealand Media Ownership Report 2013
JMAD New Zealand Media Ownership Report 2013 Published: November 28, 2013 Author: Merja Myllylahti This New Zealand Ownership Report 2013 published by AUT’s Centre for Journalism, Media and Democracy (JMAD) outlines how the financialisation of New Zealand media intensified as News Limited pulled out of Sky TV, and as lenders took 100 percent control of MediaWorks. In 2013, controversy erupted when it was revealed that a journalist’s phone records had been handed to a ministerial inquiry without her consent. The move was condemned by over 300 journalists as the government’s invasion of privacy was seen as a threat to media freedom. The government also passed legislation giving extra surveillance powers to the Government Communication Security Bureau (GCSB). This represented an institutional threat to journalistic autonomy. The report also finds that the bloggers and blogosphere gained prominence and influence in relation to the commercially driven mainstream media. In October 2013, there were 280 ranked blogs in New Zealand, and the top political blogs recorded high visitor numbers. Key events and trends concerning New Zealand media ownership Financial institutions take control of Sky TV and MediaWorks MediaWorks goes into receivership, keeps losing content rights Bauer media grows in influence, buys The Listener and other magazines Sky TV stirred, but not shaken by the Commerce Commission and new competitors Leading newspapers stall paywalls, local papers launch them APN and Fairfax newsrooms shrink, profit boosted by asset sales and job cuts This New Zealand Media Ownership Report is the third published by AUT’s Centre for Journalism, Media and Democracy (JMAD). -
The Evolution of Sherlock Holmes: Adapting Character Across Time
The Evolution of Sherlock Holmes: Adapting Character Across Time and Text Ashley D. Polasek Thesis submitted in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY awarded by De Montfort University December 2014 Faculty of Art, Design, and Humanities De Montfort University Table of Contents Abstract ........................................................................................................................... iv Acknowledgements .......................................................................................................... v INTRODUCTION ........................................................................................................... 1 Theorising Character and Modern Mythology ............................................................ 1 ‘The Scarlet Thread’: Unraveling a Tangled Character ...........................................................1 ‘You Know My Methods’: Focus and Justification ..................................................................24 ‘Good Old Index’: A Review of Relevant Scholarship .............................................................29 ‘Such Individuals Exist Outside of Stories’: Constructing Modern Mythology .......................45 CHAPTER ONE: MECHANISMS OF EVOLUTION ............................................. 62 Performing Inheritance, Environment, and Mutation .............................................. 62 Introduction..............................................................................................................................62 -
Spring 2008 Chris Peters – Wired for Sound Captioning Close Up
CaptivateSpring 2008 Chris Peters – Wired for Sound Captioning Close Up The key to online success How to access captions Captivate contents Editorial ..............................................................................................................1 Chris Peters – Wired for Sound .....................................................2–7 Cochlear Implants ........................................................................................5 Close Up ...................................................................................................8–10 The Key to Online Success .........................................................11–13 How to Access Captions .......................................................................14 WHO BENEFITS FROM CAPTIONS? 430,000 New Zealanders are deaf or hearing-impaired and cannot fully enjoy television programmes. Captioning gives them, as well as those with English as a second language, access to TV. Research in the US also suggests that captions benefit children who are learning to read. If you have a Teletext TV set, press the TEXT button, then page 801. You will see the captions appear on your TV screen. Check which programmes are captioned on page 320 of Teletext. TVNZ Captioning, Television Centre, 100 Victoria Street West, PO Box 3819, Auckland, New Zealand. Tel 09 916 7392, Fax 09 916 7902. Editorial – TVNZ Captioning Team. Designer – Thomas Pavitte. Printer – Mike Green Productions, PO Box 147-183, Ponsonby, Auckland. Captivate is published biannually by TVNZ Captioning. -
Babyshambles Albums Download Janie Jones (Strummerville) Purchase and Download This Album in a Wide Variety of Formats Depending on Your Needs
babyshambles albums download Janie Jones (Strummerville) Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £0.99. Janie Jones (Strummerville) Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then £14,99/ month. Mick Jones, ComposerLyricist - JOE STRUMMER, ComposerLyricist - Tom Aitkenhead, Engineer, StudioPersonnel - Drew McConnell, Producer - The Kooks, Additional Vocals, AssociatedPerformer - We Are Scientists, Additional Vocals, AssociatedPerformer - Babyshambles, MainArtist - Mystery Jets, Additional Vocals, AssociatedPerformer - Ladyfuzz, Additional Vocals, AssociatedPerformer - Pete Doherty, Vocalist, AssociatedPerformer - Larrikin Love, Additional Vocals, AssociatedPerformer - Iain Gore, Mixer, StudioPersonnel - Statik, Producer, Engineer, StudioPersonnel - Jeremy Warmsley, Additional Vocals, AssociatedPerformer - Jamie T, Additional Vocals, AssociatedPerformer - Laura Marling, Additional Vocals, AssociatedPerformer - The Paddingtons, Additional Vocals, AssociatedPerformer - Dirty Pretty Things, Additional Vocals, AssociatedPerformer - Guillemots, Additional Vocals, AssociatedPerformer - The Maccabees, Additional Vocals, AssociatedPerformer - Andy Boyd, Producer, Executive Producer - The Rakes, Additional Vocals, AssociatedPerformer - Matt Paul, Assistant Mixer, StudioPersonnel -
BSA DECISIONS ISSUED SUMMARY for the Quarter July to September
BSA DECISIONS ISSUED SUMMARY for the Quarter July to September Upheld No. Complainant Broadcaster Programme Nature of the complaint Standards Finding 2008-036 Hammond TVNZ Eyes Wide Shut Movie containing sex scenes, language, drug use Children's interests Upheld 2008-032 Findlay TVNZ Rome Historical drama contained course language Good taste and decency Upheld 2007-138 LM TVNZ Skin Doctors Woman undergoing breast augmentation Privacy Upheld 2008-040 Pryde RNZ Nine to Noon Update on situation in Fiji Accuracy, balance Upheld (accuracy) 2008-066 Harrison TVNZ Ugly Betty Contained sexual themes Programme classification, Upheld promo children's interests, good (programme taste and decency classification and children's interests) 2008-039A Nudds TVNZ Wolf Creek Horror film with disturbing violence Violence, Children's Upheld (violence) interests, good taste and decency 2008-039B McIntosh TVNZ Wolf Creek Horror film with disturbing violence Violence, Children's Upheld (violence) interests, good taste and decency Not Upheld No. Complainant Broadcaster Programme Nature of the complaint Standards Finding 2008-041 Scott TVWorks Ltd 3 News Report that celebrity had obtained diversion for Privacy Not Upheld shoplifting 2008-030 Blazey TVWorks Ltd 3 News Item showed clothed body of dead teenager Good taste and decency Not Upheld 2008-017 South Pacific RadioWorks Radio Live Host disclosed address of house used in TV Privacy Not Upheld Pictures Ltd programme 2008-027 FitzPatrick TVNZ Close Up Discussion about ASA ruling Balance Not Upheld 2008-042 Clancy -
Be a Junkie. Be a Thief. but Must You Date Kate Moss?
February 20, 2005 Be a Junkie. Be a Thief. But Must You Date Kate Moss? Yui Mok/European Pressphoto Agency Chaos before the storm: the singer and guitarist Pete Doherty performing with his band Babyshambles in London in January. By DOMINIC PATTEN VEN by the standards of the great rock-'n'-roll train wrecks, these have been rough times for Pete Doherty. Sure, the 25-year-old frontman of the band Babyshambles has had tremendous musical success. And sure, he has enjoyed the company - in parties and gossip columns - of the glamorous Kate Moss. But that was before he was arrested on Feb. 2 on charges of robbery and blackmail. After that he spent five very unglamorous days in the Pentonville Prison in London, suffering from a painful heroin withdrawal and wondering whether anyone could raise £150,000 (about $280,230) for his bail. No one could claim to be entirely surprised by his fall. After gaining some attention in his teens as a poet, Mr. Doherty formed the Libertines with Carl Barat. With their street-urchin image and dark thrashy tunes of urban squalor, the band was described as "Britpop meets Baudelaire," and the two songwriters were compared to Morrissey and Johnny Marr of the Smiths. Their first album, "Up the Bracket," debuted in the British Top 20 in late 2002, and soon went platinum. But in addition to his musical talent, Mr. Doherty demonstrated an effortless knack for getting himself in trouble. In June 2003 he entered the first of many stints in rehab, only to walk away days later. -
Television Current Affairs Programmes on New Zealand Public Television
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by AUT Scholarly Commons Death of a Genre? 1 The Death of a Genre?: Television Current Affairs Programmes on New Zealand Public Television Sarah Baker School of Communication Studies, Auckland University of Technology Abstract “We need the angry buzz of current affairs programmes” (Professor Sylvia Harvey in Holland, 2006, p. iv) “In a public system, television producers acquire money to make programmes. In a commercial system they make programmes to acquire money” (Tracey, 1998, p.18). Television current affairs programmes have from their inception been a flagship genre in the schedules of public service broadcasters. As a television form they were to background, contextualise and examine in depth issues which may have appeared in the news. They clearly met the public broadcasters' brief to 'inform and educate' and contribute to the notional 'public sphere'. Over the past two decades policies of deregulation and the impact of new media technologies have arguably diminished the role of public broadcasting and profoundly affected the resources available for current or public affairs television with subsequent impacts on its forms and importance. This paper looks at the output of one public broadcaster, Television New Zealand (TVNZ), and examines its current affairs programming through this period of change Communications, Civics, Industry – ANZCA2007 Conference Proceedings Death of a Genre? 2 Introduction From their inception current affairs programmes have played an important part in the schedules of public broadcasters offering a platform for citizens to debate and assess issues of importance. They are part of the public sphere in which the audience is considered to be made up of thoughtful, participating citizens who use the media to help them learn about the world and debate their responses and reach informed decisions about what courses of action to adopt (Dahlgren & Sparks, 1991). -
Disques D'or 2009
SINGLES OR 2009 (150 000 exemplaires vendus) DATE DE DATE DE TITRES EDITEUR PRODUCTEUR ARTISTES SORTIE CONSTAT MERCURY J'AIMERAIS TELLEMENT 05/10/2009 22/12/2009 JENA UNIVERSAL MUSIC France SQUARE RIVOLI PUBLISHING EMI WHEN LOVE TAKES OVER 12/06/2009 21/12/2009 DAVID GUETTA MUSIC France SQUARE RIVOLI PUBLISHING EMI SEXY BITCH 28/08/2009 21/12/2009 DAVID GUETTA MUSIC France SQUARE RIVOLI PUBLISHING EMI BABY WHEN THE LIGHT 12/10/2007 21/12/2009 DAVID GUETTA MUSIC France EMI RECORDS LTD FUCK YOU 10/07/2009 21/12/2009 LILLY ALLEN EMI MUSIC France CAPITOL RECORDS EMI I KISSED A GIRL 22/08/2009 21/12/2009 KATY PERRY MUSIC France SINGLES PLATINE 2009 (250 000 exemplaires vendus) DATE DE DATE DE TITRES EDITEUR PRODUCTEUR ARTISTES SORTIE CONSTAT SPECIAL MARKETING SONY CA M'ENERVE 16/03/2009 22/10/2009 HELMUT FRITZ BMG ALBUMS OR (50 000 ex.) POLYDOR ABBA THE DEFINITIVE COLLECTION 31/08/2009 21/12/2009 UNIVERSAL MUSIC France POLYDOR ABD AL MALIK DANTE 03/11/2008 05/02/2009 UNIVERSAL MUSIC France JIVE EPIC THE ELEMENT OF FREEDOM 11/12/2009 15/12/2009 ALICIA KEYS SONY BMG WARNER AMAURY VASSILI VINCERO 23/03/2009 24/06/2009 WARNER MUSIC France JIVE EPIC OU JE VAIS 04/12/2009 15/12/2009 AMEL BENT SONY BMG POLYDOR ANAIS THE LOVE ALBUM 10/11/2008 05/02/2009 UNIVERSAL MUSIC France POLYDOR ANDRE RIEU PASSIONNEMENT 24/11/2008 05/02/2009 UNIVERSAL MUSIC France POLYDOR ANDRE RIEU A TOI 16/11/2009 21/12/2009 UNIVERSAL MUSIC France ASSASSIN PRODUCTION EMI ASSASSIN TOUCHE D'ESPOIR 27/03/2000 30/07/2009 MUSIC France WARNER NICO TEEN LOVE 16/11/2009 10/12/2009 B B BRUNES WARNER MUSIC France WEA B.O.F. -
Babyshambles
Babyshambles Incluso podrÃamos permitirnos el lujo de no hacer ninguna presentación porque de sobra son conocidos Pete Doherty y los suyos, Babyshambles. El nuevo rey de corazones de la prensa británica ha publicado recientemente su segundo álbum, \"Shotter\'s Nation\", trabajo en el que según su lÃder han dado en el clavo. Grabado en los estudios Olimpyc de Londres y producido por Stephen Street (Blur, The Smiths), las canciones muestran una amplitud que la banda siempre habÃa insinuado pero nunca habÃa plasmado en un disco. 12 temas en los que aparecen una amplia variedad de influencias, desde The Kinks al punk, pasando por Stone Roses, un toque de Soul 2 Soul, el indie de los 80, Madness, Blondie, la Tamla Motown o el brit pop. Destaca la última canción del disco, \"The lost art of murder\", interpretada en acústico y con la colaboración de Bert Jansch, una leyenda del folk británico y magnÃfico guitarrista, y donde Doherty se reafirma como uno de los grandes compositores y cantantes de los últimos 20 años. Los fans de Babyshambles ya pudieron catar un adelanto de lo que serÃa \"Shotter\'s Nation\" gracias a que en el 2006 la banda repartÃa gratis a través de Internet canciones en proceso de elaboración, algunas de las cuales, ya terminadas, están en el nuevo álbum. Pero Doherty lo tiene claro: \"No creo que las hayas oÃdo nunca como suenan ahora\". Cada escucha de \"Shotter\'s Nation\" revela nuevas complejidades en los arreglos y hace olvidar las obsesiones de los medios de comunicación por el famoseo.