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2018 Annual Report
MILLIONS OF LIVES SAVED. A NEW GENERATION TO PROTECT. 2018 ANNUAL REPORT TRUTH INITIATIVE® MARKS 20 YEARS & PREPARES FOR THE FUTURE TABLE OF CONTENTS 03 LETTER FROM THE CEO & PRESIDENT 07 YOUTH & YOUNG ADULT PUBLIC EDUCATION 15 RESEARCH & POLICY 21 COMMUNITY & YOUTH ENGAGEMENT 30 INNOVATIONS 35 FINANCIAL STATEMENTS & BOARD OF DIRECTORS LETTER FROM CEO & PRESIDENT ROBIN KOVAL champion for public health despite the fact that it continues to spend billions to heavily market deadly Truth Initiative had a remarkable year in 2018, filled tobacco products in the U.S. and beyond and stand with big wins and new challenges. The theme of this in the way of smoke-free laws and other tobacco year’s report — “Truth Initiative at 20: Millions control policies designed to protect the public of Lives Saved. A New Generation to Protect” — and encourage cessation. In this annual report, I highlights our historic progress these past 20 years am pleased to share our hard-fought progress in and the work that remains to be done. When our making tobacco use a thing of the past and tackling organization began in 1999, the teen smoking rate mounting challenges to protect a new generation. was an alarming 25%. In 2018, it fell to an all-time low of 4.6%, according to the annual Monitoring Our award-winning national truth® campaign the Future survey. This dramatic decline of more continues to be a force in youth culture with over than 80% reflects the hard work of Truth Initiative 80% brand recognition and powerful, cost-efficient and our collaboration with the many public health results. -
Downbeat.Com March 2014 U.K. £3.50
£3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene -
The Rise of Talk Radio and Its Impact on Politics and Public Policy
Mount Rushmore: The Rise of Talk Radio and Its Impact on Politics and Public Policy Brian Asher Rosenwald Wynnewood, PA Master of Arts, University of Virginia, 2009 Bachelor of Arts, University of Pennsylvania, 2006 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of History University of Virginia August, 2015 !1 © Copyright 2015 by Brian Asher Rosenwald All Rights Reserved August 2015 !2 Acknowledgements I am deeply indebted to the many people without whom this project would not have been possible. First, a huge thank you to the more than two hundred and twenty five people from the radio and political worlds who graciously took time from their busy schedules to answer my questions. Some of them put up with repeated follow ups and nagging emails as I tried to develop an understanding of the business and its political implications. They allowed me to keep most things on the record, and provided me with an understanding that simply would not have been possible without their participation. When I began this project, I never imagined that I would interview anywhere near this many people, but now, almost five years later, I cannot imagine the project without the information gleaned from these invaluable interviews. I have been fortunate enough to receive fellowships from the Fox Leadership Program at the University of Pennsylvania and the Corcoran Department of History at the University of Virginia, which made it far easier to complete this dissertation. I am grateful to be a part of the Fox family, both because of the great work that the program does, but also because of the terrific people who work at Fox. -
Xm and Air America Radio Announce Long Term Agreement; Xm to Be Official Satellite Radio Network of Air America
NEWS RELEASE XM AND AIR AMERICA RADIO ANNOUNCE LONG TERM AGREEMENT; XM TO BE OFFICIAL SATELLITE RADIO NETWORK OF AIR AMERICA 4/11/2005 Washington D.C., April 11, 2005 -- XM Satellite Radio (NASDAQ: XMSR), the nation's leading satellite radio provider with more than 3.77 million subscribers, has announced a new long-term agreement with Air America Radio, the national progressive entertainment talk radio network home to Al Franken, Randi Rhodes and Janeane Garofalo. As part of this agreement XM will be the official satellite radio network for Air America Radio. Beginning in May, XM's liberal talk channel, America Left (XM Channel 167) will be renamed Air America Radio. The channel will include an expanded line-up of Air America Radio programming, including the recently debuted "Springer on the Radio" hosted by Jerry Springer and upcoming "Rachel Maddow Show," among others. XM's Air America Radio channel also will feature popular shows currently carried on America Left, including "The Ed Shultz Show" and "The Alan Colmes Show." "XM was a natural fit to be the official satellite radio network of Air America Radio, given its large subscriber base, numerous distribution channels and demonstrated growth," said Danny Goldberg, CEO of Air America Radio. "The quality of XM's other partnerships, their Washington, D.C. location and proximity to the center of our nation's political workings, along with millions of subscribers, made our decision easy." XM's Washington, D.C. headquarters will offer dedicated studio space for special live broadcasts throughout the year for Air America Radio programs featuring Rachel Maddow, Marc Marron, Mark Riley, Al Franken, Katherine Lanpher, Jerry Springer, Randi Rhodes, Sam Seder, Janeane Garofalo, Chuck D, Mike Malloy, Laura Flanders, Steve Earle, Robert Kennedy Jr., Mike Papantonio, Kyle Jason, Marty Kaplan, and Betsy Rosenberg. -
GAP Signs Stir up College Campuses Nurturing, Says Msgr
Promoting the Culture of Life and Fighting the Culture of Death since 1987 CATHOLIC • PrO-Life • PrO-FAMILY May-June 2007, Vol. 18 No. 3, Circ. 3534 www.defendlife.org • [email protected] Voice Mail: (410) 296-LIVE • Action Line: (410) 296-BORN Gen Y Catholics need GAP signs stir up college campuses nurturing, says Msgr. At UMBC, the graphic Genocide to be in the plaza in front of the Awareness Project display got University Center – the most heavily When Msgr. Stuart Swetland shuffled to the boondocks. traveled area on campus,” said Alex took over the Newman ministry at the At College Park, it was in heavily Vernet, treasurer for Rock for Life University of Illinois in 1997, he had his traveled Hornbake Plaza. at University of Maryland Baltimore work cut out for him. But at both campuses the County. The Catholic students at the controversial exhibit raised hackles, But college officials, claiming university were part of the Millennial engendered cheers and jeers, and the display would create a fire Generation, kids born roughly between brought the abortion issue front and hazard there, ordered it moved to a 1980-1994. center for hundreds of collegians to less congested but still well-traveled Also known as Generation Y, they ponder. area. had been born and raised in an era of “We were originally going See GAP, page 2 post-modern relativism. And like most See GEN Y, page 6 NARAL fundraiser targets ‘anti-choicers’ In a state where pro-abortion lawmakers have an undisputed stranglehold on the state legislature, extracting donations from the “pro- choice” faithful by raising the looming possibility of an “anti-choice” takeover can pose a challenge. -
Jaha's Promise' Shows How an Individual Can Make a Tremendous Difference in the Battle for Human Rights
To mark International Human Rights Defenders Day, the United Nations Regional Information Centre, the Human Rights Regional Office for Europe, and the European Union present: Jaha's P romise The screening will be introduced by Birgit Van Hout, Regional Representative for Europe, UN Human Rights Office, and will be followed by a panel discussion with: Patrick Farrelly Co-Director 'Jahar's Promise' Patrick worked with Michael Moore in the 1990s producing his award-winning satirical series, TV Nation and the Awful Truth. His 2005 HBO documentary ‘Left of the Dial’ (about the ill-fated launch in 2004 of the first liberal radio network, Air America featured Al Franken, Rachel Maddow, Marc Maron, and Janeane Garofalo) was an Emmy Award nominee. 'Voices from the Grave’, a film about the Northern Ireland Troubles won Ireland’s Best Documentary award in 2010. ‘Nuala’, a 2012 film he made about the Irish writer Nuala O’Faolain won Best Irish Film at the Dublin Film Festival and awards at the Vancouver and Palm Springs film festivals. Marjeta Jager Deputy-Director General for International Cooperation and Development, European Commission Marjeta is currently Deputy Director General in DG DEVCO. She has been working in the Commission since 2005, starting as Director for Security in DG TREN and later being Director for international energy and transport files and institutional affairs, as well as Head of Cabinet of the Transport Commissioner. Before joining the Commission, Marjeta was working since 1991 for the Ministry of Foreign Affairs and she was the first Deputy Permanent Representative of Slovenia to the EU. -
“The Analysis of Figure of Speech in Rage Against the Machine Songs Lyrics” (Bullet in the Head, No Shelter)
“The Analysis of Figure of Speech In Rage Against the Machine Songs Lyrics” (Bullet in the Head, No Shelter) Achmad Rifai NIM. 202026001084 ENGLISH LETTER DEPARTMENT FACULTY OF ADAB AND HUMANITIES STATE ISLAMIC UNIVERSITY “SYARIF HIDAYATULLAH” JAKARTA 2010 “The Analysis of Figure of Speech In Rage Against the Machine Songs Lyrics” (Bullet in the Head, No Shelter) A Thesis Submitted to Letters and Humanities Faculty In Partially Fulfillment of the Requirement For the Degree of Strata 1 (S1) Achmad Rifai NIM. 202026001084 ENGLISH LETTER DEPARTMENT FACULTY OF ADAB AND HUMANITIES STATE ISLAMIC UNIVERSITY “SYARIF HIDAYATULLAH” JAKARTA 2010 ABSTRACT Achmad Rifai, The Analysis of figure of speech in Rage Against The Machine Songs Lyric (Bullet in the Head, No Shelter), Strata 1 Degree, Thesis: English Letters Department, Letters and Humanities Faculty, State Islamic University “Syarif Hidayatullah” Jakarta, 2010. The aim of this research is to find out the kinds of figure of speech and their meaning of figure of speech in two songs. The writer analyzes songs entitled Bullet in the Head, and No Shelter. In this research, the writer uses qualitative research with descriptive analysis as the method of the research. The writer analyzes the lyrics by reading them intensively and giving attention to each line. After that, the writer tries to explicate the songs by examining the figure of speech. From the two lyrics, the writer has found seven types of figure of speech; they are Simile, Metaphor, Personification, Metonymy, Symbol, Allegory, and Hyperbole. The two lyrics have a similar theme, railed against the corporate America. The first lyrics, Bullet in the Head is a lyric about the songwriter criticizes the TV Corporations and other news corporation distract people from the big issues of the world and influence them to be mass consumerism. -
STANDING with PLANNED PARENTHOOD John
NEW MEDIA AND POLITICAL THREATS: STANDING WITH PLANNED PARENTHOOD John Remensperger A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the School of Journalism and Mass Communication. Chapel Hill 2013 Approved By: Daren C. Brabham Daniel Kreiss Frederic Stutzman © 2013 John Remensperger ALL RIGHTS RESERVED ii Abstract JOHN REMENSPERGER: New Media and Political Threats: Standing with Planned Parenthood (Under the direction of Dr. Daren C. Brabham) Much of the scholarship on the media strategies of social movement organizations (SMOs) has focused on how these organizations frame issues. More recently, scholars have written about the strategies of digitally native, online advocacy organizations like MoveOn.org. There is a lack of research, however, on how long-standing organizations adapt to new media environments in response to political threats. Planned Parenthood Federation of America’s implementation of tactics like the “Planned Parenthood Truth Tour” and other strategies suggest that older SMOs are attempting, via new media, to take advantage of enthusiasm and interest from publics as they arise. This thesis reveals ways in which existing SMOs prep for and subsequently leverage moments of political contention. It also shows how a long-standing organization that advocates for abortion rights utilizes new media in its political strategy, thus extending previous literature on abortion politics and providing normative guidelines for practitioners involved in similar contentious moments. iii Acknowledgments I would like to thank Dr. Daren Brabham, my committee chair, for his guidance, insights, and flexibility. I would like to thank Dr. -
This Machine Kills Fascists" : the Public Pedagogy of the American Folk Singer
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2016 "This machine kills fascists" : the public pedagogy of the American folk singer. Harley Ferris University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Rhetoric Commons Recommended Citation Ferris, Harley, ""This machine kills fascists" : the public pedagogy of the American folk singer." (2016). Electronic Theses and Dissertations. Paper 2485. https://doi.org/10.18297/etd/2485 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. “THIS MACHINE KILLS FASCISTS”: THE PUBLIC PEDAGOGY OF THE AMERICAN FOLK SINGER By Harley Ferris B.A., Jacksonville University, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English/Rhetoric and Composition Department of English University of Louisville Louisville, KY August 2016 “THIS MACHINE KILLS FASCISTS”: THE PUBLIC PEDAGOGY OF THE AMERICAN -
Download Rage Against the Machine Full Album Rage Against the Machine Free Mp3 Downloads
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AFI PREVIEW Is Published by the Age 46
ISSUE 72 AFI SILVER THEATRE AND CULTURAL CENTER AFI.com/Silver JULY 2–SEPTEMBER 16, 2015 ‘90s Cinema Now Best of the ‘80s Ingrid Bergman Centennial Tell It Like It Is: Black Independents in New York Tell It Like It Is: Contents Black Independents in New York, 1968–1986 Tell It Like It Is: Black Independents in New York, 1968–1986 ........................2 July 4–September 5 Keepin’ It Real: ‘90s Cinema Now ............4 In early 1968, William Greaves began shooting in Central Park, and the resulting film, SYMBIOPSYCHOTAXIPLASM: TAKE ONE, came to be considered one of the major works of American independent cinema. Later that year, following Ingrid Bergman Centennial .......................9 a staff strike, WNET’s newly created program BLACK JOURNAL (with Greaves as executive producer) was established “under black editorial control,” becoming the first nationally syndicated newsmagazine of its kind, and home base for a Best of Totally Awesome: new generation of filmmakers redefining documentary. 1968 also marked the production of the first Hollywood studio film Great Films of the 1980s .....................13 directed by an African American, Gordon Park’s THE LEARNING TREE. Shortly thereafter, actor/playwright/screenwriter/ novelist Bill Gunn directed the studio-backed STOP, which remains unreleased by Warner Bros. to this day. Gunn, rejected Bugs Bunny 75th Anniversary ...............14 by the industry that had courted him, then directed the independent classic GANJA AND HESS, ushering in a new type of horror film — which Ishmael Reed called “what might be the country’s most intellectual and sophisticated horror films.” Calendar ............................................15 This survey is comprised of key films produced between 1968 and 1986, when Spike Lee’s first feature, the independently Special Engagements ............12-14, 16 produced SHE’S GOTTA HAVE IT, was released theatrically — and followed by a new era of studio filmmaking by black directors. -
Barry Lather
Barry Lather Since the late 1990s, Lather has directed many large productions adding another stage to his director/choreographer career, directing world tours & live television performances for Usher, P.Diddy, Mariah Carey, Rihanna, Ciara, Pussycat Dolls, Sean Kingston, Ashlee Simpson, Pharrell, Gwen Stefani, and Seal. He also was creative consultant on Britney Spears’ “Dream within a Dream” world tour, working along with director Wade Robson. Lather was creative director for Usher’s Showtime special One Night, One Star, broadcast live from Puerto Rico; Usher’s “The Truth Tour” in 2005, and Usher & James Brown’s show stopping performance on the 2005 Grammy Awards. In 2010, Barry directed Usher’s performance on the hit show “So You Think You Can Dance”, Britain’s Got Talent, X Factor, 2010 BET Award performance, 2010 American Music Awards and the dynamic MTV Video Music Awards performance in Los Angeles. Barry worked with R & B singer Keri Hilson, Sean Kingston, Estelle, The Dream, Jason DeRulo, and directed & choreographed the innovative Freestyle Motocross theatrical show “Nuclear Cow- boyz” that toured the States in the winter/spring of 2011 & 2012. Barry directed Usher’s epic “OMG” World Tour in 2010-2011, Usher’s dynamic Grammy Award performance joined with Justin Bieber, R & B artist Miguel on the BET Awards and his fall Tour, Nicole Scherzinger’s T.V. performances on American Idol, Ellen & So You Think You Can Dance. In 2011, Barry directed and choreographed production performances on the Country Music Awards & a CMA Christmas TV Special.....and directed Usher and Romeo Santos performance on the Latin Grammy Awards in Las Vegas.