In the Art World Intheartworld .Com Summer 2011

Clifford Ross Harmonium VIII, 2008 © Clifford Ross. Courtesy: Sonnabend Gallery, New York and Clifford Ross Studio.

in the art world intheArtworld .com Summer 2011

2011.09.08-10 SHANGHAI EXHIBITION CENTER ฉ࡛ቛબዐ႐ www.shcontemporary.info ALL THAT IS NEW IN SHANGHAI

Organizers: 上海国际文化传播协会 ዷӸݛǖ THROCKMORTON FINE ART

GEORGE PLATT LYNES June 9th - September 10th, 2011

Book available: GEORGE PLATT LYNES: THE MALE NUDES: $60.00

Image: George Platt Lynes, Orpheus and Eros, 1939, Gelatin silver print, Vintage

145 EAST 57TH ST, 3RD FL, NY, NY, 10022 tel 212. 223. 1059 fax 212. 223. 1937 www.throckmorton-nyc.com [email protected] tarting this season, you have probably noticed the Subiquious M art maps appearing everywhere in M New York — Downtown, Uptown, Chelsea . Totalling 45,000 bi-monthly copies and distributed to the city’s major art districts and top hotels, they’re hard to miss. REVIEWS As the original M magazine has evolved over the years, from a local art guide into a highly regarded art journal with increasing international content, 12 Clifford Ross gallery owners and art patrons have expressed the at Sonnabend Gallery need for a simple guide that visitors can pick up in By Camille Hong Xin galleries and hotels and walk around with, take notes 20 Qin Feng on, stick in their pocket. at Ethan Cohen Fine Arts By Chiara Di Lello Indeed, this was the premise of M from its inception in 1998, when we were the first art publication to 26 Wrong Place for the Right People herald the importance of what was then an emerging at Bullet Space, New York art district called Chelsea. By Tom McGlynn Our listings policy is simple: We print the name (not just the reference number) of important galleries and art institutions directly on our easy-to-use neighborhood art map for free. For our member galleries, in addition to the map placement, we provide complete listings in print and on our easy to remember website: intheA rtworld.com There is no charge for galleries to list online with M, but to maintain quality listings, membership is by invitation only. But of course you don’t have to be a gallery owner to access of the most up-to-date gallery listings ever. Have a great summer season. LISTINGS 36 New York City 47 Shanghai 47 Beijing

M intheA rtworld.com

BASICS Vol. 14, No. 10, Summer, 2011 10 News ISSN 1534-5394 47 Auctions Publisher / M. Brendon MacInnis • Director/ Mi Jeong Kim 48 Index • Contributing Writers / Mary Hrbacek / Camille Hong Xin / Tom McGlynn / Chiara Di Lello / Andy St. Louis / Jennie Park / Lee Klein / Terry Ward / • Graphic Design Asia MAPS Edition / Shelly Wang • Web Master / Jason Goodrow • Copy editor Intern /Claudia Eve Beauchesne 34 Village • LES •Soho • Tribeca 38 Chelsea • MPD Asia Bureau • Editor / Vivi Ying He 42 Uptown • Midtown • 57th Street intheArtworld.com , Room 104, building 2, 91 Tai An Rd Shanghai 46 Shanghai 200052 China. Tel /CH 86.13761300987 /HK 852.95357978 email/ vivi @intheArtworld .c om intheArtworld .c om

M is published monthl y by intheArtworld.com . All requests for permission and reprints must be made in writing to: intheArtworld.com 136-20 38th Avenue, 3rd floor, Suite 325 Flushing NY 11354 . Tel 212 956 0614 editor @intheArtworld .c om A Stylish Gateway to the Lower East Side

151 East Houston Street, Lower East Side, NY tel 212-777-0012 www.hoteleasthouston.com inthe Artworld.com 9 News

Chelsea Art Walk Sponsored by M M / in the Art world also called the M magazine has launched a series of bi-monthly art maps covering the important art districts of New York. The first map “M Lower East Side” was introduced last summer—now called simply“M Downtown” — a nd it is already the largest and most widely distributed art map for this rapidly growing art community that includes the Lower East Side, the East Village, Soho and Tribeca. This map was followed by a second, “M Chelsea”, which includes the Design District and the West Village. The third map, “M Uptown”, includes the Upper East Side , the Upper West Side, Midtown and 57th Street.

On the Move The Pace Wildenstein has moved to 534 W 25th St in Chelsea (the former location of Bortolami Gallery ).

The Bortolami Gallery has moved from 534 W 25th St to 520 W 20th St in Chelsea.

Public Art The Whaling Wall , a public artwork by 88 year old A charming artist Knox Martin, premiers as a public mural at European style 334 Grand St, at the corner of Grand and Ludlow boutique hotel. Streets in the New York’s Lower East Side . For more information please visit: www.wood - wardgallery.net/knoxmartin-whalingwall.html.

Just off Art Fair the Magniﬁcent Mile Art Taipei takes place August 26 - 29 at the Taipei & minutes from World Trade Center, Area A & D. For more infor - Navy Pier. mation please visit: www.art-taipei.com. Along with SH Contemporary , and KIAF , which take place later, Art Taipei continues the program “ ART PREMIUM” which encourages a cultural exchange and support for Asian Arts by providing exclusive service and inviting VIPs from abroad, among the three art fairs.

KIAF, the Korean International Art Fair, now in its 10th year, takes place September 22-26, with a VIP Preview Wednesday September 21 at COEX in Seoul . Kitchen & Bath Design For more information, please visit www.kiaf.org Flagship Showroom : 200 East Chestnut Chicago SH Contemporary , the Asia Pacific Contemporary 511 West 25th St Suite 809 1.800.800.6261 Art Fair, takes place September 8-10, with a VIP T. 212 352 3582 Preview Wednesday September 7 at the Shanghai F. 212 253 4154 senecahotel.com Exhibition Center in Shanghai. For more informa - tion please visit: www.shcontemporary.info www.minimalusa.com [email protected]

10 inthe Artworld.com Review

Clifford Ross Sonnabend Gallery, New York

By Camille Hong Xin n Richard Holmes's biography The Age of Won - Ider , a group of men and women in the late 18th and early 19th centuries, some of whom were mu - sicians or poets, believed the world was full of mir - acles that could be detected if only they looked harder and experimented more. Eventually their dis - coveries and inventions gave birth to the Romantic Age of Science. Once again we are on the brink of an age like this, when art and science are closely interwoven. The process of art-making has become just as innovative and fascinating as the art itself. This is the case with artist and inventor Clifford “Once again we are on the brink of an age like Ross’s work . In this photography show, Landscape to Imagination , this, when art and science are closely interwoven. Ross obsessively deconstructs and reconstructs his mountain photographs, producing a remarkable The process of art-making has become just as series of work that merges technical innovation and fine art in the spirit of The Age of Wonder. He breaks the boundary between these two normally innovative and fascinating as the art itself.” separate vocations, bringing scientific inspiration into his art, and a poetic sensibility into his in - vention. In 2001, when he was not satisfied with photographs that he took of Mount Sopris in Col - orado with a 4x5 view camera, he began exper - imenting. For the next ten years, along with his team, Ross invented a high resolution R1 camera system that uses military aerial film and a unique digital post-production technology, an R2 high-res - olution 360 degree digital video array, and i3 Cyclorama. It is with his R1 camera system and re-programmed animation software that Ross created the work in this show. The exhibition traces Ross’s creative process, start - ing from an extremely high resolution large scale photograph, Mountain XIII , as the original image for his digitally manipulated collages, Mountain Redux . This abstract work serves as the technical base for and conceptual interpretation of the ex - hibition’s centerpiece, an animated short video in - stallation, Harmonium Mountain , with an original score by the composer Philip Glass. The short film was an official selection of the Tribeca Film Festi - val this year. In a manner of speaking, Ross’s work begins with a realistic meditation, emerges as an abstract musical, and progresses to a visual carnival. Clifford Ross Harmonium Mountain I , 2008 © Clifford Ross. Archival Pigment Print. Courtesy: Sonnabend Gallery, New York and Clifford Ross Studio

12 inthe Artworld.com inthe Artworld.com 13 “You not only see the wood grains on barn shingles two miles away, or tiny footpaths in distant mountains, but you also see the gentleness and transparency of the illuminating mist at the far end of the water.”

Clifford Ross Mountain XIII , 2006 © Clifford Ross. Chromogenic Color Print. Courtesy: Sonnabend Gallery, New York and Clifford Ross Studio

14 inthe Artworld.com inthe Artworld.com 15 “Following the artist’s experimental journey, the short film seems to be as much a narrative story of his creative progression as an abstract animation.” Andre Gide is quoted in an interview with David Auguries of Innocence, Ross takes one small sec - Salle, “do not understand me too quickly”. To be tion from the negative of Mountain XIII as his visual sure, this probably speaks for most artists. Hence language, “harmonium,” and infuses it with rich the viewers are encouraged here to look harder colors. With these vivid harmoniums he conducts and investigate the process behind Ross’s work. a dazzling concerto of an abstract Mount Sopris Unlike most photographs, the closer you look at against the negative of the landscape until it fades Mountain XIII (75 x 130 inches), the clearer the to pure gray. And finally on the last piece, Har - details appear. You not only see the wood grains monium Blizzard , he turns the concerto to a cli - on barn shingles two miles away, or tiny footpaths mactic symphony. Ross printed this series on in distant mountains, but you also see the gentle - hand-made Japanese paper, similar to the 19th ness and transparency of the illuminating mist at century handmade paper that Murray used. The the far end of the water. It took Ross and his team way the ink soaks into the paper reveals a gentle one year to build the RI camera, but in order to and enduring emotion while the ancient stillness recreate the atmosphere as faithful as what he ex - seizes upon a split moment from the computerized perienced in the actual mountain, he spent more fast-changing expression. In doing so, Ross com - than three years laboriously fine-tuning and bal - bines the elements from early photography and ancing color, hue and contrast on his fourteen Eastern ink painting with the most advanced tech - Mountain photos. As a result, the hyper-realistic nical innovations of today. image captured by the lens and the impression of the nature left in the artist’s memory appear as one At last, Ross’s video installation Harmonium Moun - in the same photograph. tain mobilizes the essentially immobile Mount Sopris . Following the artist’s experimental journey, the short With a background as an abstract painter — even film seems to be as much a narrative story of his though he was obsessed with extreme realism — creative progression as an abstract animation. The in 2006 Ross returned to rendering abstract inter - colorful harmonium panels dance, melt, shape and pretations of his emotional and spiritual response reshape across the startlingly dark or brightly lit to the landscape. Inspired by the paper negatives negative of the landscape on the screen. The con - of the Taj Mahal by Mid-19th century British pho - trast is both celebratory and dreamlike. While tographer John Murray, Ross went on to create a some artists pursue a theme or subject horizontally, series of more abstract collages, Mountain Redux , Ross works vertically. Instead of traveling around that began with the negative of the mountains. the world shooting more mountains, he experiments There is something soulful in a paper negative. In - with only one, utilizing different art forms, means of deed, back when the camera was first invented, expression, medium and material. people were afraid that this strange box actually stole their souls. However, most prints today lose Cezanne did more than sixty paintings of Mont St. this feeling in the development. When Ross Victoire. His relentless exploration in that process, drained the color from his photograph, it seems with its emotional balance between abstraction as if this elusive soul finally emerged, and with a and the real world, are many artists’ touchstones. poetic truth and newfound emotional force. Ross’s obsession here suggests Cezanne’s influ - ence on his pixilated, broken-apart attempts at The process behind Ross’s works is akin to that of painting Mount Sopris with his own invented mod - a master clockmaker taking apart one clock to cre - ern tools; but even as such, apparently it’s only the ate a series of new clocks. Inspired by “the world beginning of what this artist plans to do with his in a grai n of sand” in William Blake’s poem, mountain. M Clifford Ross Harmonium Mountain (Still image from video animation, 5 minutes 26 seconds), 2010 © Clifford Ross. Courtesy: Sonnabend Gallery, New York and Clifford Ross Studio

16 inthe Artworld.com inthe Artworld.com 17

Review

Qin Feng Ethan Cohen Fine Arts , New York

By Chiara Di Lello his show, Desire Landscape , presents the work Tof Chinese abstract painter Qin Feng in a series replete with nuanced forms and powerful expres - sions. The exhibition includes works on canvas as well as paper, mixed media compositions, and one large piece consisting of over two dozen painted fans. The artist’s thorough engagement with both traditional Chinese and abstract expressionist art is evident throughout these works. Feng often focuses on rearranging the composi - tional elements of a traditional scroll painting. In the largest canvas here, a series of delicately painted plateaus at the top of the canvas drop away as if into a canyon or basin, while the bot - tom edge is covered in calligraphic writing that is so layered and gestural as to suggest Chinese characters and Arabic letters. These elements are pushed to the edge, while the center of the canvas is dominated by a thick, sinuous black line that was apparently painted with a mop. The choice of painting utensil, and the use of ink together with paint, calls attention to the relationship between writing and painting, a relationship explored in several pieces in the show. Qin Feng Desire Landscape (installation view of exhibition), 2011. Courtesy: Ethan Cohen Fine Arts , New York

20 inthe Artworld.com inthe Artworld.com 21 Qin Feng Desire Landscape , 2009. Acrylic, tea, coffee, mixed media on canvas. 88 x 240 inches Courtesy: Ethan Cohen Fine Arts , New York

“Painting circles in ink is a form of Zen meditative

Another trio of works on paper presents intriguing practice, which the artist puts to a different purpose interactions between “classical” and contempo - rary brushwork. Here a tranquil stretch of water is in this work. ” interrupted by a thick expressionist ink line; and cragged mountains are literally upended and hang down from the top of the paper, above a single circular brushstroke. The circular brushstroke their repeating forms also hints at the obsessive is significant as a sign of Feng’s engagement with nature of memorial. The small, frenetic strokes that Zen philosophy. Painting circles in ink is a form of adorn the fans seem somewhat confined as com - Zen meditative practice, which the artist puts to a pared to the larger wall-sized works, in which the different purpose in this work. His circle encloses artist’s brush strokes have freer rein to let loose his modern lineage. One has to wonder how the use what appears to be a stretch of water, rendered in energy. of a mop as a painting implement adds to our con - traditional brush strokes, suggesting an interrup - ception of “action painting.” We stop to consider tion of tradition; but it is unclear whether this is an The emotional possibilities in Feng’s brushwork what cultural context is at work when using deli - intentional effort. In seeking enlightenment, Zen remind the viewer of this artist’s relationship to cate washes made from tea. A personality begins practitioners seek to transcend attachment to, or postmodern painting, in addition to his clear con - to take shape behind the works, one that is both desire for, the material world. One wonders then nection to classical Chinese painting. The wide, playful and contemplative, questioning every as - expres sion. In two of his circular canvases Feng whether the title, Desire Landscapes , represents a dark brushstrokes call to mind Franz Kline, while pect of the work and the idea of the artist. covers the composition with small circles of lac - catalogue of what obstacles remain, or an effort the use of alternative media, including coffee, tea quer arranged in a strict coordinate grid, as if to to turn the tables and focus on those desires, and alcohol, recalls the transgressive use of these Amid these dialogues, Feng’s work seems overall suggest a mapping of the new territories and vis - thereby flying in the face of Zen philosophy. Ten - materials by Andy Warhol. Desire Landscape to be seeking a space to inhabit, as evidenced tas entered by his work, plotting the exact coor - sion and attachment are present in multiple forms does not stop at reference, however; these works by the vistas expanding across his canvases and dinates among all of its referents in order to come here; the series of painted fans serving as a me - actively enrich postmodern technique and create his stretching of calligraphy to the point of ab - down from the high vantage points of these de - morial to the artist’s father, suggest nostalgia, but intriguing links among the artists of Feng’s post - straction, in order to make room for new modes of sire(d) landscapes and truly inhabit them. M

22 inthe Artworld.com inthe Artworld.com 23 4( 342%%4

Moe’s Meat Market, a gallery 237 Elizabeth Street New York, New York 10012 USA

\s [jjichng_hn4 ,+,(-.-(,12/ qqq(jbsffcmmncafc[hi(]ig

Li\_ln Ei\[s[mbc& @fiq_lm Aimmcjcha& ,**3 jbini4 ¢ ,*++ E[n_ E_ff_l Review

“There is a unity of tone in the muted grays, under-saturated color and stark black and white works, but this unity is belied by the wildly ranging conversation going Wrong Place for the Right People Bullet Space, New York on between the works By Tom McGlynn in the show.” “The society which, by fixing itself in place locally, gives space a content by arranging individualized places, thus finds itself enclosed inside this local - ization. The temporal return to similar places now becomes the pure return of time in the same place, the repetition of a series of gestures.” — Guy Debord from The Society of the Spectacle ,1967

erhaps what the avatar of Situationism is getting There are works in the show that evoke forensic Pat here with this quote is that the reality of a place scenarios, like Ryo Arita’s Crack Pipes cast in is determined by the gestures that repeatedly occur amber hued sugar in various states of decompo - in that place. In Wrong Place for the Right People , sition. The back-story of the Bullet Space gallery a solid yet simultaneously ephemeral group show, venue’s prior life as a derelict Lower East Side ten - the accumulated gestures of twelve individuals lyri - ement building gives this work extra resonance. cally prove that point. The curators seem carefully Scott Lawrence performs a remarkable mnemonic aware of how presence can be achieved by mark - feat in his print, World Map from Memory (remi - ing, casting, word play, photography and inscribed niscent of the personified book repositories in Ray symbols and documentation. The work is installed in Bradbury’s Fahrenheit 451 ). Alexandra Rojas a discursive ramble through a series of present casts her accumulated hair in shallow squares of moments, alternating between the barely there to literal concrete, in the work, Arango , paralleling the gravitationally inevitable. There is a unity of tone the inert matter of a past life with its entombment in the muted grays, under-saturated color and stark in the present. Memory as method and material is black and white works, but this unity is belied by the a recurrent theme in this show. wildly ranging conversation going on between the works in the show. What makes this wrong place David Hammons barely there, rubbed, shoe dirt an interesting place to be in is the diversity and rich - halo marking the outlines of a small artwork, ness of the repeated gestures happening here. Its Untitled , is a condensed breath elegy to a lost “there-ness” is a mutable yet palpable reality that moment. Margaret Weber, in her Excuse Me remains light on its feet. A traveler or refugee would While I Kiss the Sky, displaces the up close inti - relate to this conditional definition of place. macy of a romantic gesture onto the ceiling of the Alexandra Rojas Arango (undated). From the group show, Wrong Place for the Right People. Courtesy: Bullet Space, New York.

26 inthe Artworld.com inthe Artworld.com 27 (Below) Margaret Weber Excuse Me While I Kiss the Sky, 2011. (Opposite) Installation view of group show, Wrong Place for the Right People. Courtesy: Bullet Space, New York.

gallery space, marking her territory, as it were, The resilient presence of this rough hewn alterna - with spatially circumscribed flights of desire in lip - tive art space in an increasingly gentrified neigh - stick traces. borhood is a situation that gives this show its deeper social meaning . Walter Sipser’s series of drawings, The News at Dawn , depicts circular graphs that document fleet - Andrea Neumann, one of the original members of ing cyclical events happening simultaneously in the artists who formed the early core of Bullet the “real time” present. They offer empirical proof Space when it was essentially a squat community, of temporal being. Sipser focuses on overlooked is represented here, in absentia, with her vac-u- daily events, such as the rise of the sun or the formed map, entitled America , covered in opaque mockingbird’s distant mimic of a blue jay’s call. gray paint. The painted gesture here seems to be His wheels of experience are then notarized, to a willing obliteration of topographic information fix their significance as documents, apposing an in order to rediscover the gestalt of the continen - administered and rhetorical reality with moments tal form. In Cement Shoes , Italo Zamboni casts a that may go officially unnoticed. Ownership of pair of trout fishing waders in concrete, and then gestures that comprise a specific place comes into peels back the rubber form. The prophylactic func - question with these works. This dynamic also re - tion of the waders, their efficacy as barriers to an lates tangentially to gallery venue’s genesis from ever changing, flowing river, is therefore forfeit for an organically squatted shelter to an officially rec - the immediacy and weight of the concrete form as ognized domicile; from innocence to experience. something fixed in time. Shinique Smith’s work typ -

28 inthe Artworld.com inthe Artworld.com 29 “The resilient presence of this rough hewn alternative art space in an increasingly gentrified ically uses abandoned rags and, by her manipu - lations of volume and form, she reconstitutes, scarecrow like, personal memories in the body- al - neighborhood is a situation that gives this show legory conglomerations that her works often take. She is represented here by what looks like a study its deeper social meaning. ” for a sculptural piece, Sketch for Ode to the 1980’s . The abstract photographer Tenesh Web - ber, on the other hand, takes a more disembodied approach to phenomenal presence. In Clouds II she projects a slide of an atomized field that hov - ers indeterminately between matter and nothing - ness, its substance thrown into an ambiguous transcendent light . Tom Weinrich and Nadia Coen both use lan - guage in provocative ways, like aesthetic agit- prop. Coen’s pieces, Point 1 to Point 2 , employ what seem to be fragments of directional com - mands or interrogatory statements in a construc - tivist format that leave the viewer to question their own conditioned responses to these symbols. Weinrich combines a chunky sculpture of a gun - boat, Port (Boat) , vertically fixed to the wall, with the phrase “The guns are pointed at the city and the sea” on the opposite wall. In their use of lan - guage, both of these artists seem to leave it open as to who is speaking to whom, and to where their positions, literally and figuratively, might ac - tually be . A simple inventory of repeated gestures doesn’t necessarily make up a memorable experience of place. A continuation of Debord’s same quote heading up this essay states that, “Myth is the unitary construction of the thought which guaran - tees the entire cosmic order surrounding the order which this society has in fact already realized within its frontiers.” Wrong Place for the Right People incants myth by mining the strata of both commu - nal and individual poetic gestures that makes up the significance of the ritual space of this ad-hoc gallery. When the right people gather in the wrong place, perhaps an alchemical event occurs (one of Kant’s antimonies is the limitation of the universe with respect to space and time) that helps us to realize that we do in fact possess actual fron - tiers to our experience, and, more importantly, that this should be cause enough for a communal celebration. M Italo Zamboni Cement Shoes, 2011. Installation view of group show, Wrong Place for the Right People. Courtesy: Bullet Space, New York

30 inthe Artworld.com inthe Artworld.com 31

t S l t t a S S g e r e e u v v e t E 10th St n o S Village / LES l A t c 4 A The Pen ande Brush, Inc n D r

P a t s e h e Umbrella Arts c h d e v r t

y y E 9th St tur Tompkins t

M 5 A The Phatory G M S Anastasia Photo i 3 PS122 v Square s N e e r ac E 8th St Park 166 Orchard St, 10002 e 6 Pl v R r i to Cooper Union 212 677 9725 [email protected] n s E 7th St A Michael Mut

U www.anastasia-photo.com Tue-Sat 11-7 A B C A Wavery Pl E 6th St B e e e e e v C D v u u Washington u A A ChinaSquare

Grey Art/NYU E 5th n n F St n E Sq Park B t d e e Washington Pl e s l n o v v v Alex Guofeng Cao: “My All-Stars”, photography, ongoing

M w 1 2 P A A A Washington Sq Windows e a 102 Allen St, 10002 t Wai shington Sq S r 4th St W 4th S y E

d Bullet Space r S 212-255-8886 [email protected] y a

a reat Jones St E 3rd St e G Tribes u

l t www.chinasquareny.com Tue-Sat 12-6; Thu 12-8 w

t G

P d

e a Bond a E y 2nd St a

L Kenkeleba

a o

f r Christopher Henry Gallery

x House

a B

E L Kelsey Bennett "Black Velvet: The Godfather of Soul", multi - E 1st S Bleecker St Zürcher Studio La Mama Proposition t Participant Inc. media performance installation video photo Jul 21 thru Aug 14 La Galleria 127 Elizabeth St, 10002, 212 2446004 tonHotel East Houston E Hous www.christopherhenrygallery.com Tue-Sat 10-6 6 F Gavin Brown B Thompson Hotel Half (620 Greenwich St) D Lehmann Maupin Gallery t 201 Chrystie St, 10002 W Houston F 66 Rooster Gallery S

DCKT t

BoxOFFICE t t 212 254 0054 [email protected]

M n S i tanto (421 Hudson St) S P Sperone www.lehmannmaupin.com Tue-Sat 10-6

Axelle June Kelly Westwater frosch& t

t Moe's Meat Market, a gallery t

portmann Anastasia S

S Y Gallery

Lehmann S

Moe’s Meat Market t

t x 237 Elizabeth St, 10012

y S

S e

b a Gallery Maupin

g s

s 212 343 2785

Eli Klein w

d s

i ABC No Rio

e o

r l l E r d

Salon 94 l Krause www.phyllisstigliano.com

d Hendershot d

o n

Mercer Hotel S E Sloan

r L

S a

B e

Primary S Gallery

t y

m The New Museum of Contemporary Art

Westwood S y

Tally Beck g

N e S e

Prince St d

h e 128 d

t t

t n

New Museum S r CSV

y i

n S

t n

Ward-Nass e Mulherin to

l g 235 Bowery, 10002

n k

t i r

S o

t t r v i a

S Staley-Wise

a y R

R l

R t

A k

S o

S h S s

r l Pollard o

w n

r Hotel Rivington

f 212 219 1222 [email protected]

r t e o

e o f

d l

r e o

t Crosby f

s DODGE A

n u

a r

v a

C s F

Sue Scott O www.newmuseum.org Wed-Sun 12-6; Fri-Sat 7-9 c

p e

t v o S

o A o Feature Inc. r Street Hotel i r

l S Cuchifritos N o m e

r h B

o t u e Thierry Goldberg

G M W

. t

h 6

S Bullet Space t W T

Waterhouse e Banks On ge y d rg Bri 292 R 3 St. 10009

a msbu

& Dodd f Stellar Rays illia

e W 347 277 9841 [email protected] a

i F M cy St Jen t an

L Del

Spring St s www.bulletspace.org by appt.

A Opera Bekman y J Z

6 r C h ey St ChinaSquare

C nc Mimi Ferzt Dela The Pen and Brush, Inc. E Storefront for J James Z Fuentes 16 E. 10th St., 10003 Art and Architecture are St OK Harris Kenm Callicoon LMAK 212.475.3669 [email protected] Artists NP Contemporary www.penandbrush.org Thu-Fri 4-7; Sat & Sun 1-5 Woodward Munch Space e St Broom Feature Inc Abrons Art Center Brooke Alexander Sohotel Simon Preston Group exhibition "i am not monogamous, i heart poetry ", White painting sculpture Jun 23 thru Aug 6 Broome St Clic Christopher Box Toomer Labzda 131 Allen St, 10009 Spencer rand St

Henry k G 212.675.7772 [email protected]

Brownstone P B

t Wed -Sat 12-6, Sat 1-6 l

Drawing e Number 35 D v

t Lesley Heller e

Center S

s Umbrella Arts - Fahey Bodell t

Grand St r Ludlow 38

t o

e 317 E 9, 10003

h t

R e

S t x

Solita Soho b

e 212.505.7196 [email protected] h

l t a

Team C t SCARAMOUCHE

a u

Hotel r

r Ramiken Crucible

o Lu Magnus

a www.umbrellaarts.com Thu-Sat 1-6; by appt

a z M k

Living With Art i ard P

A S w

w Se E

Howard St o Miguel Abreu C l

C r St B i White Box Bowery Heste n Blackston t E C Ronald Feldman o 329 Broome St, 10002 ana n C l S Allegra La Viola t N Q S h Invisible-Exports F t 212.714.2347 [email protected]

S u i Canada x r R 6 J nal St www.whiteboxny.org Wed-Sun 11-7

c a t C h Lispenard St Forever and Today, Inc. h St A Z n

V S o Brennan & Griffin v 3A Gallery si a i e t Walker St iv ay Woodward Gallery r n D w i u d R c a t e ro S u k ApexArt M B t n t Chris DAZE Ellis "Taxi Ride Uptown" on Woodward Gallery a E. S so g White St nh ry i e a n ad rs Project Space, painting installation Jun 1 thru Aug 31 L t e yard S tt H M S t a Ba an t S Franklin St f B P 133 Eldridge Street, 10002 in Soho Photo a kl ri ik

y d ran g e F e e S 212.966.3411 [email protected] n St Leonard St t t riso t Har e www.woodwardgallery.net Tue-Sat 11-6; Sun 12-5 W S orth St t t y S Ja Ethan Cohen Thomas St

34 inthe Artworld.com inthe Artworld.com 35 Soho Chelsea Chelsea 8 Artists Space Gallery 532 Gallery / Thomas Jaeckel Matthew Marks Gallery 0

0 38 Greene, 3rd fl, 10013 532 W 25, 10011 522 W 22, 10011 & 212.226.3970 [email protected] 917.701.3338 [email protected] 212.243.0200 [email protected] 1 www.532gallery.com Tue-Fri 11-6; Sat 1-5 www.matthewmarks.com Tue–Sat 11–6 5 www.artistsspace.org Tue, Thu, Fri 12-6; Wed 12-8; Sat 12-5 0 0 ACA Galleries S Axelle Fine Arts Mike Weiss Gallery F 27529 W 20, 10011 Yigal Ozeri: “Garden of the Gods”, Painting, May 6 thru Jun 1

Fabienne Delacroix , paintings. Apr 30 thru May

G 472 West Broadway, 10012 212.206.8080 [email protected] 520 W 24, 10011 r o 212 226 2262 www.axelle.com www.acagalleries.com Tue-Sat 10-6; 10:30-6 212.691.6899 [email protected] u

n www.mikeweissgallery.com Tue-Sat 10-6 d 1 Bertrand Delacroix Gallery

1 Peter Blum SoHo F 0

l Christa Maiwald "Inaugural Exhibition of BDG Project Messineo & Wyman o 0 Richard Gardner, Bob Axel, David Monderer, R. Wayne Parsons , o 1 Space", installation Jul 14 thru Sep 3; Group Show 511 West 25th Street Suite 504, 10001 r May 3 thru Jun 4; Butch Cordora, Aviva Baharav, Peter Agron, k "Season in Review", Jul 14 thru Sep 3

r 212-414-0827 [email protected] John Custodio , Jun 7 thru Jul 2 o 535 West 25th Street, 10001 www.messineowyman.com Wed-Sat 12-5; by appt Y 99 Wooster St, 10012 212-226-2262 [email protected] w

e 212 343 0441 [email protected] www.axelle.com Tue-Sat 10:30-6:30 Robert Miller Gallery N www.peterblumgallery.com Tue-Fri 10-6; Sat 11-6 511 W 20 St at the High Line 524 W 26, 10001 Betty Cuningham Gallery 212.366.4774 [email protected] Brooke Alexander 541 W 25, 10001 Wooster, 2nd fl, 10012 www.robertmillergallery.com Tue–Sat 10–6 Chelsea 212.242.2772 [email protected] 1 212.925.4338 [email protected] 8 www.bettycuninghamgallery.com Tue–Sat 10-6 Nancy Hoffman Gallery 0 www.baeditions.com Tue–Sat 10–6 0 520 West 27th Street, 10001 S Ceres F Ethan Cohen Fine Arts 212 966 6676 info@nancyhoffmangallery

547 West 27th Street, Suite #201, 1000 14 Jay St, 10013 G 212.947.6100 [email protected] nancyhoffmangallery.com Tue-Sat 10-6 r o 212.625.1250 [email protected] www.ceresgallery.org Tue-Sat 12-6; Thu until 8 u

n www.ecfa.com Tue-Sat 11-6 Ricco / Maresca d Cheim & Read Please call gallery for schedule F

l The Drawing Center o 547 W 25, 10001 529 W 20, 3rd fl, 10011 o 35 Wooster, 10013

r 212.242.7727 [email protected] 1 212.627.4819 [email protected]

1 212.219.2166 [email protected] www.cheimread.com Tue-Sat 10-6

0 www.riccomaresca.com Tue–Sat 11–6

0 www.drawingcenter.org Tue–Fri 10– 6; Sat 11–6 1 DC Moore k r Eli Klein Fine Art

o George Tooker (1920-2011) "Reality Returns as a Dream", Jun 9 Y 462 West Broadway, 10012 thru Aug 5; An Intimate Circle: Paul Cadmus, Jared French, Mar - w e

e 212 255 4388 garet French, George Platt Lynes, George Tooker , Jun 9 thru Aug 5 N www.elikleinfineart.com 535 W 22 St, 2nd floor, NY 10011 138 W 19 St 212 247 2111 [email protected] v OK Harris Works of Art www.dcmooregallery.com Tue-Sat 10-6 i

Soho t 4 383 West Broadway, 10012 0

0 212.431.3600 Gagosian Gallery & www.okharris.com Tue–Sat 10–6 e

522 W 21 St, 10011 s 8 r 6 212 741 1717 www.gagosian.com ” 0 4

Ronald Feldman Fine Arts 2

[email protected] Mon-Sat 10-6 x S ” 5 31 Mercer Street, 10013 . 1 F p 3 m

212-226-3232 [email protected] k r

High Line Gallery l r o Y G

www.feldmangallery.com Tue-Sat 10-6; Mon. by appt. w 511 W 20, at the High Line, 10011 e r N o k r o u 212.645.2355 / 203.858.0059 Hours vary; by appt Y a e w n

Soho Photo Gallery e N d t 3 d F

Richard Gardner, Bob Axel, David Monderer, R. Wayne Parsons , Kips Gallery n 1 a r e t l 0 o S

May 3 thru Jun 4; Butch Cordora, Aviva Baharav, Peter Agron, 511 W 25, 10001 i d 0 o n n a 1 r John Custodio , Jun 7 thru Jul 2 212.242.4215 [email protected] R © R I k

r 15 White Street, 10013 www.kipsgallery.com Tue–Sat 11–6 o

Y 212-226-8571 [email protected] Kathryn Markel Fine Arts w www.sohophoto.com Wed-Sun 1-6 e 529 W 20, 6th fl,10011 July 26 - August 16, 2011 N 212.366.5368 [email protected] 517 & 519 Broome St Staley-Wise Gallery Reception: Thursday, July 28, 2011 560 Broadway, 3rd fl, 10012 www.markelfinearts.com Tue-Fri 10-6; Sat 11-6 Rubi Assa, Søs Beck, Pilar Fernandez Duarte, 212.966.6223 [email protected] Anti Liu, Stephanie Rado Taormina, Danielle Scheffer, Ground Floors & Upper Floors for Rent Lehmann Maupin Gallery www.staleywise.com Tue–Sat 11–5 Chris Spuglio, Baeza Stanicic, Randi Strand Commercial & Residential 540 West 26th Street, 10001 Ward-Nasse Gallery 212 255 2923 [email protected] www.lehmannmaupin.com Tue-Sat 10-6 Ongoing salon exhibition with 200 works on the walls 1000 Is-Ila Realty Corp. 530 West 25th Street, works in the racks. The Gallery that give artists a chance and Chelsea, New York, NY the public a choice www.Agora-Gallery.com [email protected] 178 Prince, 10012 212.925.6951 www.wardnasse.org

36 inthe Artworld.com inthe Artworld.com 37 Tenrienri F t t Sixth Ave t t F M L S EventiEvventinti S S Hiltonton Gardenen Inn S M h h h h t t t t Hampton Inn Gallerylery 1388 5 5 6 6 2 2 2 Hotelotel Indigogo Chelsea 2 Manhattan NY Hotel PPratt GalleryG W W W W 1 GalleryG llleryy 3307 1 Seventh Ave 1 1 2 3 t t t t t t t t t t t t t t t t t t t t t t t t t t t t S S S S S S S S S S S S S S S S S S S S S S S S S S S Museum at FITIIT S Chelseaelsea Savoy h h d d t t h h h d h h h h h h d h h h h h h h h h t t h t t t r n s t t t t t t r n s t t t t t t t t t t 9 9 3 2 1 0 9 8 7 3 2 1 0 8 7 6 5 3 8 7 8 7 6 5 3 4 4 1 1 2 2 2 2 2 2 2 2 2 2 2 1 1 1 1 1 2 2 1 1 1 1 Gary Snyder Underlineerlinee 1 2 Chelseaelsea Hotel ic W W W W W W W W W W W W W W W W W W W W W W W W 511-5315111--531 W.25th Galleryery W w CFM Gallery W en 1500500 Gallery re Holidayolidayday Innn Expresss G AmsterdamAmssterdam Whitney A C EleanorEleanoranor Ettinger Eighth Ave C KipsKipss Gallery E DeDe Buck Gallery &KHOVHD 3LQHV ,QQ E Wes L WhiteW ColumnsoolumnsG CUEC E Art Foundation a

n n DeanDeanan Project i se n vo t t GansevoortGansevoortevoortortt AlanAlann Klotz o S MaritimeM time Hotel S

B h AbleAblee Fine Art h n St t t o d s n ud

i H 4 4

McKenziecKKenzie Fine Art i 1 1 e

a Ninth Ave t Greenwich St

d SohoSSoohoh HHouse

s Messineo,Messineo,ssineo,ss eo, Klee Brasserierie r W W

k Chelsea e

WymanW man o d TheT

Bombaya TTalkkialkkia ki w Park o

DanielDanielniel Cooney e PPhillipss DeD Pury & Co StandardS

a r WashingtonWaashingtonon St

d Exit ArtA t StudioStudiodio 601 r Milk Gallery e MurrayM rray

Joni Weyl l RickR k Wester o (475 10th00th Ave)Ave) A

L TrestleTreestle on TTenthenthnth Donn Giovanni 'HVPRQG 7XWX &HQWHU PoPostmastersostmastersmasters A GuyG y BLANKBLANKANK SPACE HighHighh LLineine Elevated Park MorganMorgan LehmanLehmanhman PPaulull KKasmini BLANKBLANKANK SPACECEBottinoBo o Jim Kempnermpnerp ChurnerC and TiaT a Pol Tenth Ave TaglialatellaT lialatellaellalla Red Cat ChurnerC

ClaireClaire Oliver BryceB Wolkowitzkowitzw Meulensteenensteen HighHigh Line GallerGalleryy PePetereterer Blumm PPaull KKasmini VonVon Lintel Annanna Kustera BarryBarry Friedman Jack Shainmann Nancycy Hoffman Friedmanriedman Benda Benrimon Horton ZieherSmithm PaPaulaaulala Cooper 5295 9 W.20th The KitchenK tchenen Cristinistin Tierneyrn ShShlaghlag Marianneanne Boeskyy Newman Popiashviliopiashvili ClampArtampArt Monya Rowewe Tanyaanyaya Bonakdar KimK Fosterr JeJenkinsenkins Johnson Mike Weiss KrKravets/Wehbyravets/Wehbyvets/Wehby Seanean Kellyy ArtGateArtA tGate Triaria SusanS Inglettett DeniseD Bibrobro Fine AArtsrts MMagnanagnan Metz MatthewMa Marks Pacece GGladstone Berko-Conde/E.M./E.M. Berkorko Caseyey Kaplan TylerT Rollinsns DavidDavidvid Nolanlan PaPaceace Prints Steven Kasherer Nicholas JJosée Bienvenunvenu LLorretta Howardrrd Lennon Marc Jancouou FredFredd TorresTorreses Nancy Margoliso s Ameringer/McEnery/Yohenger/McEnery/Yohe Robinson BitformsB Gasserser & Grunertrt GGeorge Adamss Weinberg MatthewM Marks D AmeAmelioelioo Terras DorfmanD BrendaB a TTaylor SSara Meltzer PavelPaavel Zoubokoubok Gagosianosian Chambersmberss FineF ArtAr STUXUX Andreww Kreps FlowersF Lombard-Freidbard-Freidrd-FreidFreid Danielaniel Reicheich ElizabethE Harrisi Alexanderr GrayG Yossi Milo 530 W.25th PaPaulaa Cooper Hosfeltelt Galleryy Greene Naftaliaftaliftali Agora Nicole Klagsbrungsbrun Project AsAsyasya Geisbergisberg Sikkema Jenkins JonathanJ LeVine (531 W 36th St)t) 508-526 W.26th Blue Mountainn Ricco/MarescaR esca Ramisamis Barquet MargaretMaargarett Thatcher 533-5355333-535 W.22nd st HowardH Scottcott Mary Ryan BravinLee Bowery FriedrichF Petzel Caelum Larissa Goldstonton KathrynK Markelarkel SkylightSkkylightight Galleryallery Andreaa RRosen Leoo Koenignig YanceyY Richardson t t t t Robert Millereer Michael Mazzeoo New Century 30303 Gallery SkotoS S S S S JulieJulie Saul International Printnt Luhringg AugustineA Danzigeranzigerr ACAA h h h h Noho t t t t SSara Meltzer FrederiekeF Taylory 9 8 9 8 First Street Galleryery Pleiades YvonYvoY on Lambert AndreA Zarrere 2 2 2 2 LeslieL Tonkonow MMixed Greens Vogt Gallery Prince Street DaneseDanese t t W W W W I-200 DCD Moore S S Schroeder, Nicole Klagsbrunn Viridian BruceBruce Silverstein Bortolamimi DavidDavidavid ZwirnerZwirnerrner h h t MorganM Lehman t t t t t t t t t t t t 5477 WW.27th t Romero S Walther Collectionon S S S S S S S S S S Winston WWächterächterhter S 7 7 t t 2 2 t t h & Shredder h S S d d h h d h h ApertureApperturerture d t Andrea Meislin t s s t t r t t r n n 0 0 Anton Kernernn h h 1 1 W W 6 4 3 6 4 3 2 2 t Cereseres t 2 2 2 ArtBridge 2 2 2 2 2 2 2 2 2 5 5 Carolina Nitsch 2 2 Fredericks W Tacheache Galleryery W W W W W W W W Franklin 54 532 Gallery/ W W W W PriskaPriskka C. Juschkauschka Elga Wimmer W Thomas Jaeckelel & Freiser Elizabeth Dee RAREAR Kathleen Cullenn SOHO20OHO20 Lohinohin Geduld Hasted Galerie Lelong Kraeutlerr Sonnabendnabend ET ModernModerndernernn GalleryGallery SputnikSpputniktnik Mitchell-Innes TriaTria SundaramSundaramdaram Tagore ATM Gallery & Nash BertrandBeertrand Delacroix Freight + Volumeme GalleGalleryry BuildingBuuilding Witzenhausentzenhausenen Pace Zachh FeuerF CuetoCuetoetoo Lyons Wier Hotel Miyakoya Yoshinagahinaga Jamesmmees Cohan BettyBeetty Cuningham Leighigh Wen Fine Art FLAGLAG Sebastianbastian + Barquet ReRestaurantstaurantaurant Flomenhaftomenhaft Gallery Pacece rs Lehmannannnn Maupin Tinaina Kim 571 ProProjectscts ie DIBB GalleryG MMarlborough MaryM Boone CRGC P BoldBoold Hype Gallery ea MaMartosrtosos ACC IInstitutenstitute Stephenhhenn Haller CCheim & Read ls PPraxisraxis 210 11th ave Chelseaa ArtA he Foleyey Tony ShafraziSShhafrazi Cavin-Morrisvin-Morris Museumm C Hudson River Joshuahua Liner Stricoff GagosianG Henochnoch Fischbachchbach

Sashaha Wolf W Hotelss WWorldwide Robertbert Mann Eleventh Ave MallickM Williamsliamsamsmss

N Dillonon N Porterter Derekerek Eller Phoenixoenix Chelsea J. Cacciola Edwardward Thorp Waterside Park Colemanoleman BurkeBu WallspaceW Walterlter Wickiserr Sears-Peytonars-Peyton WinklemanW Seniornior & Shopmakerma Foxyoxy

TwelfthT Ave. /West Side Highwayy Hudson River Park

38 inthe Artworld.com inthe Artworld.com 39 Midtown Uptown Asia Society Americas Society 725 Park Ave at 70th, 10021 680 Park Ave at 68, 10065 212.288.6400 [email protected] 212.249.8950 [email protected] www.asiasociety.org Tue-Sun 11-6; Fri 11-9 www.as.americas-society.org Wed–Sat 12–6 Seema Kohli Forum Gallery Nathan A. Bernstein & Co., Ltd. 730 Fifth Ave, suite 201, 10019 21 East 65th Street, 2nd Floor, 10065 212.355.4545 [email protected] 212.288.8970 [email protected] www.fountaingallerynyc.com Tue-Sat 11-7; Sun 1-5 www.nathanbernsteinart.com Fountain Gallery Mon-Fri 10-6; Sat. by appt. 702 Ninth Ave, 10019 Chin a Institute 212.262.2756 125 E 65th St, 10065 www.fountaingallerynyc.com Tue-Sat 11-7; Sun 1-5 212.744.8181 [email protected] Galerie St. Etienne www.chinainstitute.org Sun-Sat 10-5; Tue & Thu 5-8 3024 W 57, 8th fl, 10019 The Frick Collection 212.245.6734 [email protected] 1 E 70, 10021 www.gseart.com Tue-Fri 11-5 212.288.0700 [email protected] www.frick.org Tue-Sat 10-6; Sun 11-5 The Gabarron Foundation, Carriage House Center for the Arts Gagosian Madison Avenue 149 E 38, 10016 980 Madison at 76, 10021 212.573.6968 x10 [email protected] 212.744.2313 [email protected] www.gabarronfoundation.org By appointment only www.gagosian.com Tue-Sat 10-6 Howard Greenberg Gallery Guggenheim Museum 41 E 57, 14th fl, 10022 1071 Fifth Ave at 89th, 10128 212.334.0010 [email protected] 212.423.3500 [email protected] www.howardgreenberg.com www.guggenheim.org Sat–Wed 10–5:45; Fri 10–8 Nohra Haime Gallery Irena Hochman Fine Art Ltd Antonio Seguí "A Retrospective Exhibition 1966-2010", paint - Emin, Grotjahn, Hirst, Judd, Katz, Maloney, Myslowski, ing Apr 27 thru Jun 10 Picasso, Ryman, Warhol 730 Fifth Avenue, 10019 1100 Madison Avenue, 10028 212.888.3550 [email protected] 212.772.2227 [email protected] www.nohrahaimegallery.com Tue-Sat 10-6 Hrs by appoinment only Bill Hodges Gallery The Jewish Museum Erica Schreiner, "Dessert & Disorders", video photo Jun 2 Cuture and Continuity: The Jewish Journey”, ongoing thru end of July 1109 Fifth Ave at 92nd, 10028 224 W 57, 10019 212.423.3200 [email protected] 212.333.2640 [email protected] www.thejewishmuseum.org www.billhodgesgallery.com Tue-Fri 10:30-6; Sat 12:30-5:30 Sun, Mon, Wed, Thu 11–5:45, Tue 11–8 Jadite Galleries Metropolitan Museum of Art Peter A. Gish: “Spiritual Places”; Julio Borges: “Cuban Paint - Fifth Ave at 82nd, 10028 ings”; Martha Zamora: “Paintings”, May 5 thru May 28 212.879.5500 www.metmuseum.org 413 W 50, 10019 212.315.2740 [email protected] Tue–Thu & Sun 9:30–5:30; Fri–Sat 9:30–9:00 [email protected] www.jadite.com Tue-Sat 12-6 Van de Weghe Fine Art 1018 Madison Avenue, 3rd fl, 10075 The Museum of Modern Art ( MoMA ) 212 744 1900 [email protected] 11 W 53, 10019 www.vdwny.com Mon–Fri 10–6 212.708.9400 [email protected] www.moma.org Sat-Mon, Wed-Thu 10:30-5:30; Fri 10:30-8 The National Academy Museum www.newartcenter.net Tue-Sat 1-6 1083 Fifth Avenue, @ 89th Street, 10128 212.369.4880 [email protected] Michael Rosenfeld Gallery www.nationalacademy.org Wed-Thu 12-5; Fri- Sun 11-6 24 W 57, 7th fl, 10019 Summer 2011 212.247.0082 [email protected] Whitney Museum of American Art www.michaelrosenfeldart.com Tue-Sat 10-6 945 Madison Ave at 75th, 10021 212.570.3676 [email protected] Throckmorton Fine Art, Inc . www.whitney.org Wed, Thu, S at, Sun 11–6, Fri 1–9 A. Jain Marunouchi Gallery Valdir Cruz, “RAIZES BONITAS”, Apr 21 thru Jn 4 24 West 57th St., Suite 605 145 E 57, 3rd, 10022 212.223.1059 [email protected] New York, NY 10019 www.throckmorton-nyc.com Tue-Sat 10-6 Tel: 212 969 9660

40 inthe Artworld.com 6 Ninth Ave 0 1 Columbus Ave Columbus Ave t

Fountainountaintaint in Huudsond on S JaditeJJaaditeite GalleriesGallerieses t Lincolnncolnolnn CenterCenterer forr thet PerformingP fo ming ArtsAr MBMM M Museum of 4134 3 W 50thh SSt 101 LincolnLinncooln CenterCentterr PlazaPlazza PublicationsP blicationsca ons MandarinM ndarinin Natural OrientalOrientalal History A C B B B Muuseums um ooff A B 1 Trumpr mp Eigth Ave C Central Park West C C C Central Park West E Artrtsts & DesignD signg C D Columbus PMMII E Circle Garciaarcciaa ArnotAr ot 1 N Arrtt SStudentsttudentsudentsdents 2 Q Leeagueaguee 3 R N B N Seventh Ave 7 S Q D Q R E R

4 4 5 5

2 2 0 7 CentralCentral

n n t t

h h

d Esssexsex House

S S S PaParkrk

t t

NYC Tribal Art Week N Sixth Ave B F B F 4040 W 5757th7thh F ScholtenScSccholtenn JapaneseJaJapanesee Art 2 E. 79 St D M D M MarlboroughM rlboroughlboroughb ro ghh GGallerylleryery 724 Fifth Ave Fletcher-Sinclair Mansionio MarlboroughMarlboroughrlboroughboroughugh GraphicsG aphicscss 37 W 557th7th The Merrin Gallery /Ukrainian Institute Christie’shristie’stie’s PaleyPaP leyy BernarducciBe aarduccirducci Meisel Maxwell Davidson Galleryleryeery Babcock Gallerieses Patrick & Ondine Mestdaghe TribalTribal Art Walk Bryant CenterC nterer AmericanAmmeericancaan EdwardEd ardrdd Tyler Nahem Folkolkk AArt FredericoF edericoerico Sève Tibor dee Nagy Gallery Herma Visser Park 24 W 57th5 th foror Mediaa MuMuseumuseumseumm Galerie J. Visser AuctionAuction HouseHouse AnaA a Tzarevza v Galerie Flak 730 Fifth Ave Crown Bldgg GalleGalleryry A HotelHotel TheodoreTheodoredoree B.B DonsonD nsonn Ltd.L d. MoMAMoMAMA NeilN Beckerr 2 W 29th2 th StS FrancisF anciscis MM.. MaumannMaumannmannn FineF ne Artrt ForumF Gallery Earl Duncan GalleryGalleryy Buildingg JohnJoohnhn Szokezo e GGalleryalleryry Hirschlirschl & Adler Gaill MaMartin MarianM rianan Goodmandmann GalleryGalleryry 20 W 57th5 th Geringring & López Claudia & John Mensere HotelHotel Franklinranklinklin ParraschPaarraschaschh D. Wigmore Fine Art Metropolitan BillB HHodgesdgess GGalleryalleryry Jaracanda Tribal RestaurantRestaurant NY Public WashburnW shburnburnn GalleryGalleryryy Greenberg Van Doren Museum of Art EleanorE eanoranor EttingerE ngerer Galleryalleryry Thehee PlPlazaP aaza Dalton-Somare Library Nohra Haime 7 AA.. JaJJainin MMarunouchiru ouchihi Galleryalleryry E Tambaran MMiMichaelichaelch el Rosenfeldosenfeldnfeldd GalleryGalleryry N M Fifth Ave GGaleriealeriee St.S . EEtienneennee Q Guggenheimgg Fifth Ave 7457 5 FifthFFifth AveAAvve NeueNeue MuseumMuseumum R FrickF ickk CollectionC lectionon MiMMichaelchaelhhaelaell WernerW ner CooperC operp JewishJeJ wishsh Edwynndwynnnn Houkoukk GalleryGalleryry Galleryery Nationalnal HewittH wittittt MuMuseumeum 5 E 82nd2nd McKeeMMcKcKKeee GGalleryalleryry 1818 E 77th Academyca my MuseumM se m MaryM y Booneoonenee GGalleryalleryry Tiltonilton TambaranTaambaranbarann MuseumMuM um Dickinsonck so Leoneon Tovarar AmericanA ricann Illustratorsstratorsors ChrisChhriss BBoylanylan Roundelloundellell 232 E 73rdrd Leo Castellitelli DavidDaavidd BernsteinB rn ein Salonalon 994 BottegaBBottegaegaa ddell VinoV o KourosKoourosross

4 KangKaKaang CCollectionectionon

2 5 Mary-Anneary-Annea y-AAnne MartinM rtin

n 414 E 57th57thh 7 Acquavellacquavellauavellaella EEl MuMuseoseoeo delel Barriorrio

d AdlerA lerr & t WildensteinW densteinteinein ArcArcc EnE Seineeine h 12302300 W 104th1044th Stt S ZabriskieZabriskiebriskiesk e GalleryGalleryy ConkrightC nkrightkright

S t Rehss GGalleriesllerieses DebraD bra Forcece AmadorAmadorr GGalleryalleryy t SkarstedtSkkarstedtrst dt AArmandmaandd Barthoshos AdelsonAdelsonson 101810118 Madisonadisonn AveA e Leonardeonarde nardard Huttonon Gallerieseriess KnoedlerK oedlerer StudioS udiodio Museumeum hwinhwin Hotell NNathanathanthanan AA. ViaV a Quadronnodronnono Stellaella Holmm Inn HarlemH rlemm 7 7th7 St NailyaNailyaa AlexanderA exandernderr GalleryGalleryy Bernsteinernsteinsteineeinn GGeraldald Petersrs ArtAr FianceF ancence PaPartnersnerss FFranklinanklinn RiehlmanR ehlmanman SurreyS re Richardchardd Grayay 1441444 W 125th1225tth StS BarbaraBarbarabara MMatheshees Mitchelltchellll Innes&Nashnes&NashN h JamesJaamess Goodmanoodmanman GalleryGalleryy BonhamsBonhamshamsms KushKushh Finene Artsrts MMarkarkrk MikaMiM kaa GGalleryalleryy McCaffreyMc affreyy Hirschlch & AAdlerler HHollisollisis Hachemachemem Mark VanVVaan Dee WWegheeghe Taggartaggarta gartart Delellisellis Pascalouca u Madison Ave WendtWendtt GalleryGalleryy Madison Ave CCarlylearlylerlyleyleyle Ten43T n43443 SaffronartSaaffronartfronartonartrt Lillianiianaan EzairEEzzairr AlaskaAlA askakka OnOn MadisonMadisondisond on DavidDavid FFindlaydlayy Jr.J FineF e ArtArt FFriedmaniiedmanddmann Heidenbergeidenbergddenbergnbergg ValloisVa ois MalletM lletett WWhitneyhitneyeyy SouferS uferer 399 E 7878th8th JasonJaasononn MMcCoycC y 322 E 57th557th MMuMuseumuseumeumm 322 E 67th677thh LTMHTMHMH TK Asiann AntiquitiesAntiquitiesuitiess Thehe PacePa e GGalleryalleryy 9809 0 MMadisondison AAve AlexandreA exandrendree GalleryGalleryy Jamesamess GGrahamahamm & SoSonsns Trezzazza PaceP ce PriPPrintsntss DidierDidierdierr AaronA ron GagosianGagosianian BonniBBonnini BeBenrubinrubii GalleryGalleryy PacePPaacee PrPrimitiverimitivemitivee MoellerMo ler JaneJaanee KKaKahanhanan GeminiGeminii aat Joni WeylW l M SutherlandSuutherlandherlandlandand SusanSusanu ann AAberbachberbachach FineF e ArtArt Pace/MacGillPaP cee/MacGillMaMacGillGillll FIAFAF KatharinaK tharinaina Rich Perlowow Howardward GreenbergG eenbergbergg GalleryGalleryy Nasserasserer HauserH user & Wirth Tribalribal AArt MeredithM redithh WWardard L & M MireilleM eille MoslerMo er BrutonBruB utonon JJanisnis Godelodelel & CCo CDSDSS 4 FourF ur Seaonseaonsns VivianV viann FeigenFeigengen 494 E 78thth HoranH rann 1201220 E 65th65655th JohnJohnn Malloyy 5 KarushaarKaarushaarushaaraar Grand PhillipsPPhhillipsipsps dede PPuryryy VallarinoVVallarinorinoinno AmericanAAm ricann PrimitiveP mi e 6 & CompanyCompanymp ny AmericasAAmeericasicasas QueensQ eens SSofiaia Park Ave Central SchillerSchhillereer Park Ave 7 SocietySooocietyty Terminal HammerHammermmemeer GGalleriesllerieses & BoBodoododdo AsiaAs a SoSoceityceity S MuseumMu eum oof 7th7thh RReRegimentgimentg mentnt AllanA lan SStonene WallyW lly Findlaylay AmericanAAmmericanan ArmoryArmmoory MarianneM iannee EdelmanEdelmanlmann

4 5 5 5 5 3 3 4 4 4 4 5 6 3 6 6 ,OOXVWUDWLRQ 6 6 7 7 7 7 7 8 8 8 8 8 GalleriesGallerieslerieses BoeskyB sk 9 9 9

1 1 3 5 7 7 9 3 5 7 9 9 1 9 3 5 7 9 1 3 5 7 9 1 3 5 7 9 1 3 5

t s r t t t s r t t t t t s r t t t s r t n t s r t t t s r t

d h h h h d h h h h h d h h h d h h d h h h d h

t t t t t Galleryallery t

S S S S S S

S S S S S S S S S S S S S S S S S S S S S S S S 71 S

t t t t t t

t t t t t t t t t t t t t t t t t t t t t t t

t N 4 4 ington Ave HunterHuntertert Collegege ngton Ave Lex 6 E Q 5 F ChinaC inaa InstituteI tituteituteutee 6 6 5 Lexi 6 ThrockmortonT rockmortonr ckkmo ton VilcekVVilcekce GabarronGabarronbarronarronn FoundationF undationationn RogerRogerger SmSmithth M R 6 Foundationoundationndationationn 6

4 4 5 5 5 5 5 3 4 4 4 6 6 Doyleyl New YorkY k 6 6 6 7 7 7 7 7 8 8 8 8 8 9 Anita Shapolsky 9 9 9

0 2 0 2 4 6 8 8 4 6 8 0 2 4 6 8 0 2 4 6 8 0 2 4 6 8 0 2 4 6

t t t t n t t t t n t t n t t t t n t t t t n t t t t n t t

h h h h h h h h h h h h h h h h h h h h h h h h

d d d d d d

S S S S S S S S S S S S S S S S S S S S S S S S

S S S S S S

t t t t t t t t t t t t t t t t t t t t t t t t

t t t t t t Third Ave 2122112 E 57th57t5 h Third Ave ZabriskieZabriskiebriskiekie Iliadad AAntikik Daviss & Langdaleaangdaledalee Sotheby’sSo heby’ss CzechC ech Centerter 4004 0 E 57th SSt Cynthiaynthiathia VoVolkk 2312 1 E 660th0thh SSt 1334113334 YorkYorkk AveAvve 3213 E 73th3th Stt

42 inthe Artworld.com inthe Artworld.com 43 N 14th

d r 7KH %RLOHU s a r McCarrren Park y e N 13th a h t B i

W N 12th

r artMoving

e N 11th v i

R Brooklyn N 10th Fireproof t

s %ODFN :KLWH Pierogi

a -DFN WKH 3HOLFDQ N 9th E

6XSUHPH 7UDGLQJ r e g y n e y t N 8th i e r l h n r t b m e e y y e e K B a v o W a N 7th L L R w H s s e

N 6th r

Figure p e Works x v e E A N 5th v A — d r s s

o McCaig-Welles g n f g d e N 4th i e r e D B u Stripeman A.G. Q

N 3rd — n k r y l a k P t o y Riviera Metropolitan S r o r r Front r e e B F

v Room e i op

d H R Filmore n N 1st a 3DUNHU·V %R[ r &LQGHUV *DOOHU\ G $UW Grand Causey Contemporary y

S 1st c r

BROOKLYN a r M

e S 2nd

v WILLIAMSBURG i

R Sideshow

t S 3rd s a E S 4th A.M.Richard

Williamsburg Bridge

S 6th :$+ &WU Broadway JMZ

Auctions

૨ ૨ ૨ International - Shanghai

ୃ ୃ

ୃ 8 ૨ ૨ ૨ ি

ۨ ۨ ۨ

஖ ஖ ஖ ՚ 8 8

୐ ୐ ୐ Contrasts Gallery Christie’s

૨ ૨ d ୞

n J J a

1 i

o i

G d

Б Б

Б R 181 Middle Jingxi Rd, Shanghai 20002 20 Rockefeller Plaza, 5th fl, New York, NY 10020 L L ֪

U U U u ૨ ૨

o d

؍ ؍ ؍

8 8 8 g

R n Б Б

Б +86.21.6323.1989

i e ڍ ڍ ڍ M M 3 T 212.636.2000 F 212.636.4928 h ি

૨ ૨ ࢁ ࢁ

T C

O O d d g

R ՚

ԧ ԧ

n www.contrastsgallery.com a

䄘

䄘 3 3

T a

O O o o www.christies.com

晪

u 0 0

J e R R H ௰ G ୞ ୞ n

i i n U U U

a L L ֪ 8

8 MOCA Shanghai

G Doyle New York

O 2 ি

a Please call for schedule

૨ ૨

G ? ?

[

[ ՚ ՚

t t 175 E 87, New York, NY 10128

ډ ډ ډ ډ

2 2

. .

ࡪ ࡪ

a People’s Park, 231 Nanjing West Road, Shanghai 200003

e Z

E d ୞

Y d

a n T 212.427.2730 F 212.369.0892

i i ڋ o G

R r ૨ a

L L ֪ + ԧ u a o +86.21.6321.9900 [email protected]

इ ۃ d R g P www.doylenewyork.com

n ⴃ

g ઻ g e ઻ g www.mocashanghai.org Mon-Sun 10-6; Wed 10-10 1

h ি n Ҹ

C n J ܚ ܚ i UG a

՚ k x

8 i

ҽ ૨ ૨ 1 1

u a

૨ ૨ ૨ ૨ G

T 㨟

㨟 T ז F

O e Phillips de Pury & Co . ୃ

ୃ 9 અ ୞

ArtSPACE Shanghai 1918 ۨ

ԧ ԧ ૨ i i

૨ ૨ ૨

L L ֪

䂔䂔

J 450 W 15, New York, NY 10011 ٌ

Please call gallery for schedule ٌ G

Ⱗ Ⱗ

௚ ௚

U U

૨ ૨

刾

8 8 8 Һ

G T 212.940.1200 www.phillipsdepury.com

䤤 No,78 Changping Rd, Jing’An District, Shanghai 200041 M M M

8 ૨ ૨ ૨

T T

G G

䀓䀓䀓

N +86.21.5228.6776 [email protected]

Y 8

M M

T T

ם ם ם T

G Sotheby’s G

G M M

O www.1918artspace.com

૨ ૨ U

> > 4

Ⱗ Ⱗ -

H 1334 York Ave, New York, NY 10021

ࡋ

ࡋ No,78 Changping Rd, Jing’An District

P P

G U U

G T 212.606.2000 F 212.606.7833

G @

P P Elisabeth de Brabant

M www.sothebys.com

? Hung Liu, “Concession”, May 20 thru end of July

ڋ ڋ ڋ

इ इ ૨

૨ No. 299 Fuxing West Road near Huashan Road, 200031

ߐ ߐ Leslie Hindman Auctioneers

૨ И

ਫ

ԧ ࢁ ࢁ ࢁ

ࢁ +86-021-6466-7428 www.elisabethdebrabant.com 1338 West Lake St, Chicago, IL 60607

ݝ ݝ ੼ ੼ ੼ ੼

䄘䄘䄘䄘晷

晷 Tue-Fri 10-6:30; Sat, Sun 1:30 - 6:30 PM J J

J J

G T 312.280.1212

U U

8 8 8 O O

O www.lesliehindman.com

> > G 1 G M97 Gallery

N N

G O

G N G

[ Please contact gallery for current programming ї .

Bonhams & Butterfields San Francisco ڋ K

ڢ इ

੼૨ R No. 97 Moganshan Rd. 2nd floor, 200060 晷 J

ߐ 220 San Bruno Ave, San Francisco, CA 94103

J J UG O +86-021-6266-1597 [email protected]

ਫ >O 8

3 T 3 9NG www.m97gallery.com T 415 861 7500 F 415 861 8951 www.bonhams.com

ifa gallery

૨ ૨

Ⱗ

Ⱗ Please contact gallery for current programming

ࡋ ࡋ ࡋ d

J J J

J 621 Changde Road, (near Wuding Road), 200040

o G G

U U U U

8 8 8 8

u 8 +862162560835 [email protected]

G G

s O

P P P P

M ૨ M

d www.ifa-gallery.com Tue-Sun 10-7; by appointment

T T a a

ࣅ

h U

o ? ٯ C R R n n a

h "This is the most comprehensive s s ૨ ૨ g n 1 ٌ

e and thorough guide to galleries ૨ ࣅ H ੫ٯ J I have ever come across.

UG ૨

[ 8 ૨

䂔 YN 䂔

TM Ⱗ Ⱗ Ⱗ G Ⱗ

)N 1 刾刾

刾 International - Beijing It's all you'll ever need if you are Q

X J

G G

૨ ૨

૨ ૨ interested in discovering U 6 U 6 ⴃ

O 8

8 Pekin Fine Arts

੼ ੼

੼ Ҹ

[

M M

ࢁ ࢁ ч ч T great art in NewYork.”

ࡍ

O G No. 241 Cao Chang Di Village, Cui Ge Zhuang, Chaoyang

P 䄘䄘䄘 ԧ ԧ ԧ

H ؟

2 2 2

[ G

O J J

J u

P ڰ <

G G h District, Beijing 100105

a U U U G ࡍ i

J N 8 8 8

@ @

O +8610.5127.3220 u

ڰ G X

N e O

l www.pekinfinearts.com Wed-Sun 10-6

p G

[ Ken Johnson m

e . e

T Z T

K 1

a Chambers Fine Art- Beijing e New York Times ㆃ

= = g = ؍ n i A J ல Photogtary with “3 Shadows”, works from the photography

૨ group active during the 1990’s in Beijing’s East Village district, ࢁ

ࠉ H

Apr 17 thru May 29 ڋ ੜ

J इ

U Red No. 1-D, Cao Chang Di Village,

ࠉ ࠉ 8

U ੜ d

O Chaoyang District, Beijing 100015 a

W o

M R

N subscribe T +8610.5127.3298 [email protected] u

U s ૨

. g theMmag.com

n www.chambersfineart.com Tue-Sun 10-6 ਲ a i A A M J 㿄

2 Red Gate Gallery H

૨ Levels 1 & 4, Dongbianmen Watchtower ࠉ ࠉ S Ї ੜ ੜ M ૨ Chongwenmen, Beijing 100600 ਲ J 㿄 G ֿ GJ U +8610.6525.1005 U 8 k k 8 k [ r r Y U M a a

T G P P P 0OG O www.redgategallery.com Sun-Sat 10-5 W n n M Ԛ a a T h h h s s U ⴃ ⴃ g g J . Ҹ Ҹ Ҹ Ҹ G n n n n U o o ٌ ٌ 8 h h T T 3 Z И Z И G ȑ T G G ? ૨ 3 3 2 ੼ ੼ the M mag azine ؍ ڍ

46 inthe Artworld.com inthe Artworld.com 47 1918 ArtSPACE Shanghai 47 Matthew Marks Gallery 37 532 Gallery / Thomas Jaeckel 37 Messineo & Wyman 37 A Metropolitan Museum of Art 40 ACA Galleries 37 Mike Weiss Gallery 37 Brooke Alexander 36 MOCA Shanghai 47 Americas Society 40 Moe's Meat Market, a gallery 35 Anastasia Photo 35 MoMA 40 Art 101 44 N Artists Space Gallery 36 Nancy Hoffman Gallery 37 Asia Society 40 The National Academy Museum Axelle Fine Arts 36 40 B The New Museum 35 Nathan A. Bernstein & Co., Ltd. O 40 OK Harris Works of Art 36 Bertrand Delacroix Gallery 37 P Betty Cuningham Gallery 37 P.S.1 Contemporary Art Center 44 The Boiler 44 Parker's Box 44 Bonhams & Butterfields San Fran - Pekin Fine Arts 47 cisco 47 The Pen and Brush, Inc. 35 Bullet Space 35 Peter Blum SoHo 36 C Phillips de Pury & Co 47 Causey Contemporary 44 Pierogi 44 Ceres 37 Q Chambers Fine Art- Beijing 47 QCC Art Gallery 44 Cheim & Read 37 R China Institute 40 Red Gate Gallery 47 China Square 35 Reis Studios 44 Christie’s 47 Ricco / Maresca 37 Christopher Henry Gallery 35 Robert Miller Gallery 37 Ethan Cohen Fine Arts 36 Michael Rosenfeld Gallery 40 Contrasts Gallery 47 S D Socrates Sculpture Park 44 DC Moore 37 Soho Photo Gallery 36 Doyle New York 47 Sotheby’s 47 E Staley-Wise Gallery 36 Eli Klein Fine Art 36 T Elisabeth de Brabant 47 The Drawing Center 36 F Throckmorton Fine Art, Inc. 40 Feature Inc 35 U Ronald Feldman Fine Arts 36 Umbrella Arts - Fahey Bodell 35 Forum Gallery 40 Fountain Gallery 40 V The Frick Collection 40 Van de Weghe Fine Art 40 G W The Gabarron Foundation, Car - WAH 44 riage House Center for the Arts 40 Ward Nasse Gallery 36 Gagosian Gallery 37 , 40 White Box Bowery 35 Galerie St. Etienne 40 Whitney Museum of American Art Howard Greenberg Gallery 40 40 Guggenheim Museum 40 Woodward Gallery 35 H Nohra Haime Gallery 40 High Line Gallery 37 Irena Hochman Fine Art Ltd 40 Bill Hodges Gallery 40 I ifa 47 J Jadite Galleries 40 The Jewish Museum 40 K Kathryn Markel Fine Arts 37 Kips Gallery 37 L Lehmann Maupin 35 Lehmann Maupin Gallery 37 Leslie Hindman Auctioneers 47 M M55 Art 44 M97 Gallery 47

48 Index