Green Arts Initiative Annual Report 2018
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Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre. -
Edinburgh International Festival Society Papers
Inventory Acc.11779 Edinburgh International Festival Society Papers National Library of Scotland Manuscripts Division George IV Bridge Edinburgh EH1 1EW Tel: 0131-466 2812 Fax: 0131-466 2811 E-mail: [email protected] © Trustees of the National Library of Scotland BOX 1 1984 1. Venue letting contracts. 2. Australian Youth Orchestra. 3. BBC Orchestra. 4. Beckett Clurman. 5. Black Theatre 6. Boston Symphony 7. Brussels Opera 8. Childrens Music Theatre 9. Coleridges Ancient Mariner 10. Hoffung Festival BOX 2 1984 11. Komische Opera 12. Cleo Laine 13. LSO 14. Malone Dies 15. Negro Ensemble 16. Philharmonia 17. Scottish National 18. Scottish Opera 19. Royal Philharmonic 20. Royal Thai Ballet 21. Teatro Di San Carlo 22. Theatre de L’oeuvre 23. Twice Around the World 24. Washington Opera 25. Welsh National Opera 26. Broadcasting 27. Radio Forth/Capital 28. STV BOX 2 1985 AFAA 29. Applications 30. Amsterdam Baroque Orchestra/Netherlands Chamber Orchestra 31. Balloon Festival. 32. BBC TV/Radio. 33. Le Misanthrope – Belgian National Theatre 34. John Carroll 35. Michael Clark. BOX 3 36. Cleveland Quartet 37. Jean Phillippe Collard 38. Compass 39. Connecticut Grand Opera 40. Curley 41. El Tricicle 42. EuroBaroque Orchestra 43. Fitzwilliam 44. Rikki Fulton 45. Goehr Commission 46. The Great Tuna 47. Haken Hagegard and Geoffery Parons 48. Japanese Macbeth 49. .Miss Julie 50. Karamazous 51. Kodo 52. Ernst Kovacic 53. Professor Krigbaum 54. Les Arts Florissants. 55. Louis de France BOX 4 56. London Philharmonic 57. Lo Jai 58. Love Amongst the Butterflies 59. Lyon Opera 60. L’Opera de Nice 61. Montreal Symphony Orchestra 62. -
The Findings at a Glance
Act 2 Findings At A Glance 62K 232 Audience responses Organisations Booking Only 17% Half NOW for of those booking are for events of respondents are from NOVEMBER events booking for events Returning 67% 70% would consider attending would not consider booking for to events events if venues re-opened events for at least 3 months with social distancing Covid-safe ‘kite mark’ Masks for audiences Households seated together Safety & Unallocated seating Limited numbers Restricted facilities ü Seat spacing û Comfort Digital 83% >½ Culture interested in culture online would pay for it Outdoor 94% >¾ Culture Are interested in culture outdoors would pay for it Audiences expect to Economic 81% Concern for survival of spend 4% more on Viability cultural organisations culture Act 2 Wave 1 Report June 2020 © Indigo-Ltd 3 Appendix 2: Participating Organisations England Ipswich Regent Theatre Strode Theatre YMCA Theatre Scarborough a space arts Jacksons Lane Sunderland Culture Arts Centre York Concerts ADC Theatre Jersey Arts Centre Washington Alnwick Playhouse Jumped Up Theatre Take Art Scotland AMATA, Falmouth University Junction Goole Tetbury Music Festival Aberdeen Performing Arts Arts In Rural Gloucestershire Kenton Theatre Tete a Tete Productions Ayr Gaiety Partnership Artsadmin Kings Theatre Portsmouth The Albany Byre Theatre artsdepot Kirkgate Arts The Albany Theatre Cranleigh Arts Artsreach Kneehigh The Apex Edinburgh Festival Fringe Assembly Hall Lakeside Arts, Uni of Nott. The Atkinson Edinburgh International Attenborough Centre for the Leeds -
There's a Little Theatre in Us All!
THERE’S A LITTLE THEATRE IN US ALL! Theatre Tokens - Participating Venues Details correct as of Friday, 07 July 2017 * Plus your telephone company's network charge Aberdare Coliseum 0800 014 7111 Dumfries Theatre Royal 01387 254209 Aberdeen Aberdeen Box Office 01224 641122 Dumfries (for His Majesty's Dundee Dundee Repertory 01382 223530 Theatre & Music Hall) Theatre Aberdeen His Majesty's Theatre 01224 641122 East Grinstead Chequer Mead 01342 302000 Aberdeen Music Hall 01224 641122 Theatre Aberystwyth Arts Centre 01970 623232 Eastleigh The Point Theatre 02380 652333 Aylesbury Aylesbury Waterside 0844 871 7667 Calls cost 7p/pm* Edinburgh Festival City Theatres 0131 529 6000 Theatre Edinburgh Kings Theatre 0131 529 6000 Bath Theatre Royal 01225 448844 Edinburgh Playhouse Edinburgh 0844 871 7667 Calls cost 7p/pm* Bedworth Civic Hall 02476 376707 Edinburgh Royal Lyceum Theatre 0131 248 4848 Birmingham Alexandra Theatre 0844 871 7667 Calls cost 7p/pm* Edinburgh Traverse Theatre 0131 228 1404 Birmingham Repertory Theatre 0121 236 4455 Epsom Epsom Playhouse 01372 742555 Blackburn King George's Hall 0844 847 1664 Calls cost 7p/pm* Exeter The Exeter Northcott 01392 726363 Blackpool Grand Theatre 01253 290190 Theatre Bognor Regis Alexandra Theatre 01243 861010 Eastbourne Congress Theatre 01323 412000 Bolton Octagon Theatre 01204 520661 Eastbourne Devonshire Park 01323 412000 Bradford Alhambra Theatre 01274 432000 Theatre Bradford St George's Concert 01274 432000 Eastbourne Royal Hippodrome 01323 802020 Hall Theatre Bristol Bristol Hippodrome 0844 -
AMA Scotland
Culture Republic Royal Scottish National Orchestra University AMA of Glasgow Edinburgh Museums and Galleries Mercat Tours Ltd National Museums Scotland Glasgow Life Dance Base Scottish Scotland Chamber Orchestra Scottish Ensemble Royal Conservatoire of Scotland Culture Perth And Kinross Limited ON with Fife Cultural Trust Cryptic Museums Galleries Scotland Citizens Theatre The Media Shop Scotland The Brunton An Lanntair National Theatre of Scotland Creative Scotland Imaginate Dundee Rep Theatre Scottish Opera Wasps studios Festival & King’s Theatres Edinburgh Lung Ha Theatre Company Dundee Contemporary Arts National Youth Choir of Scotland Leisure and Culture Dundee BBC Scottish Symphony Orchestra Ticketline Perth Theatre & Concert Hall The Gaiety Theatre Cumbernauld Theatre Shetland Arts Development Agency Centre for the Moving Image Eden Court Theatre & Cinema Tron Theatre Edinburgh International Science Festival Puppet Animation Scotland Ambassador Theatre Group Venues Ltd Traverse Theatre YDance Aberdeen Performing Arts Royal Lyceum Theatre Edinburgh The Beacon Museum Red61 Stellar Quines Theatre Company Borderline Theatre Company Youth Theatre Arts Scotland Cultural Enterprise Office Edinburgh International Book Festival Edinburgh Art Festival Scottish Ballet Macrobert Arts Centre Aberdeen City Council Scottish Fisheries Museum Usher Hall Edinburgh International Festival Centre For Contemporary Arts Historic Scotland Falkirk Community Trust “The AMA has been “The AMA works with its Culture Republic Royal Scottish National Orchestra University Join the AMA invaluable in my career and members in Scotland of Glasgow Edinburgh Museums and Galleries Mercat Tours Ltd Join our diverse network of I’m so proud to be giving to help you realise your National Museums Scotland Glasgow Life Dance Base Scottish members working to reach back as a board member. -
1St - 31St October 2015 2 | Thank You THANK YOU
1st - 31st October 2015 2 | Thank You THANK YOU... Luminate would like to thank all our supporters who make the festival possible: Festival Supporters Luminate Event Supporter Trusts & Foundations Cruden Foundation Eda, Lady Jardine Charitable Trust The JTH Charitable Trust The Moffat Charitable Trust The Margaret Murdoch Charitable Trust The Nimar Charitable Trust The RKT Charitable Trust Big thanks to John Edgar, Jess Fitzgerald, George Hind, Thulani Rachia and Genevieve White. If you would like to find out more about supporting Luminate's work, please contact us on 0131 668 8066 or email [email protected] luminatescotland.org Contents | 3 CONTENTS Welcome 5 Isles 66 Across Scotland 7 Lanarkshire 67 Aberdeen City & Aberdeenshire 9 Lothians 69 Ayrshire 16 Orkney 74 Dumfries & Galloway 19 Perth and Kinross 75 Dundee & Angus 24 Scottish Borders 78 Edinburgh City 27 Shetland 81 Falkirk 40 Stirling 83 Fife 41 Online 85 Glasgow City 43 Greater Glasgow & Argyll 56 Highlands 61 luminatescotland.org 4 | How To Use This Brochure HOW TO USE THIS BROCHURE All the events in this brochure are listed by To help you find what you’re region and then by date, making it easy to interested in quickly we’ve plan your festival and find all the activities included the following symbols: taking place in your area. Many of our events are completely free with no ticket Exhibition required - just turn up on the day. For those that do require a booking, you’ll find all the Film details you need underneath each listing. Insight Please note: events listed in the outreach sections of the brochure are not open to Performance the public. -
Discovery & Excavation in Scotland
1991 DISCOVERY & EXCAVATION IN SCOTLAND An Annual Survey of Scottish Archaeological Discoveries. Excavation and Fieldwork EDITED BY COLLEEN E BATEY WITH JENNIFER BALL PUBLISHED BY THE COUNCIL FOR SCOTTISH ARCHAEOLOGY ISBN 0 901352 11 X ISSN 0419 -411X NOTES FOR CONTRIBUTORS 1 Contributions should be brief statements of work undertaken. 2 Each contribution should be on a separate page, typed or clearly hand-written and double spaced. Surveys should be submitted in summary form. 3 Two copies of each contribution are required, one for editing and one for NMRS. 4 The Editor reserves the right to shorten published contributions. The unabridged copy will be lodged with NMRS. 5 No proofs will be sent to Contributors because of the tight timetable and the cost. 6 Illustrations should be forwarded only by agreement with the Editor (and HS, where applicable). Line drawings should be supplied camera ready to suit page layout as in this volume. 7 Enquiries relating to published items should normally be directed to the Contributor, not the Editor. 8 The final date for receipt of contributions each year is 31 October, for publication on the last Saturday of February following. Contributions from current or earlier years may be forwarded at any time. 9 Contributions should be sent to Hon Editor, Discouery & Excavation in Scotland, CSA, c/o Royal Museum of Scotland, Queen Street, Edinburgh, EH2 1JD. Please use the following format:- REGION DISTRICT Site Name ( parish) Contributor Type of Site/Find NCR (2 letters, 6 figures) Report Sponsor: HS, Society, Institution, etc, as appropriate. Name of Contributor: (where more than one, please indicate which name should appear in the list of contributors) Address of main contributor. -
Occupational Clothing in Fife Museums, 1790-1914
Occupational Clothing in Fife Museums, 1790-1914 Joanna Margaret Macrae MPhil. Museum and Gallery Studies September 2004 ProQuest Number: 10171053 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10171053 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 7K ,£7°5> Declaration (i) I, Joanna Margaret Macrae, hereby certify that this thesis, which is approximately 36,450 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. date signature of candidate ? / (ii) I was admitted as a research student in September 2002 and as a candidate for the degree of MPhil.; the higher study for which this is a record was carried out in the University of St Andrews between 2002 and 2003. date 17- fcpj signature of candidate 1 (iii) I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of MPhil in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. -
The Laird's Houses of Scotland
The Laird’s Houses of Scotland: From the Reformation to the Industrial Revolution, 1560–1770 Sabina Ross Strachan PhD by Research The University of Edinburgh 2008 Declaration I, the undersigned, declare that this thesis has been composed by me, the work is my own, and it has not been submitted for any other degree or professional qualification except for this degree of PhD by Research. Signed: ............................................................................ Date:................................... Sabina Ross Strachan Contents List of Figures ix List of Tables xvii Abstract xix Acknowledgements xxi List of Abbreviations xxiii Part I 1 Chapter 1 Introduction 3 1.1 Introduction 3 1.2 Context 3 1.2.1 The study of laird’s houses 3 1.2.2 High-status architecture in early modern Scotland 9 1.3 ‘The Laird’s Houses of Scotland’: aims 13 1.4 ‘The Laird’s Houses of Scotland’: scope and structure 17 1.4.1 Scope 17 1.4.2 Structure 19 1.5 Conclusion 22 Chapter 2 Literature Review 25 2.1 Introduction 25 2.2 An overview of laird’s houses 26 2.2.1 Dunbar, The Historic Architecture of Scotland, 1966 26 2.2.2 General surveys: MacGibbon & Ross (1887–92) and Tranter (1962) 28 2.2.3 Later commentators: 1992–2003 30 2.3 Regional, group and individual studies on laird’s houses 32 2.3.1 Regional surveys 32 2.3.2 Group studies 35 2.3.3 Individual studies 38 2.4 Conclusion 40 Chapter 3 Methodology 43 3.1 Introduction 43 3.2 Scope and general methodology 43 3.3 Defining the ‘laird’s house’ 47 3.3.1 What is a ‘laird’? 48 3.3.2 What is a ‘laird’s house’? -
Download 2015 Report
National Fund for Acquisitions Grants Paid 2014–2015 National Fund for Acquisitions Grants Paid 2014–2015 Dr Hazel Williamson National Fund for Acquisitions Manager 0131 247 4106 Karyn McGhee National and International Partnerships Officer 0131 247 4024 National Fund for Acquisitions National Museums Scotland Chambers Street Edinburgh EH1 1JF [email protected] www.nms.ac.uk/nfa Cover: Oil on canvas, Portrait of an Artist, c1775, attributed to William Doughty, acquired by the Hunterian. © The Hunterian, University of Glasgow 2 Grants Paid 2014–2015 National Fund for Acquisitions National Fund for Acquisitions The National Fund for Acquisitions (NFA), provided by Scottish Government and managed by National Museums Scotland, contributes toward the acquisition of objects for the collections of Scottish museums, galleries, libraries, archives and other similar institutions open to the public. The Fund can help with acquisitions in most collecting areas including objects relating to the arts, literature, history, natural sciences, technology, industry and medicine. Decisions on grant applications are made in consultation with curatorial staff at National Museums Scotland and the Directors and staff of the National Galleries of Scotland and the National Library of Scotland who also provide expert advice to the Fund. Funding The annual grant from the Scottish Government for 2014/15 was £150,000. The NFA made 72 payments totalling £198,289 to 34 organisations. This included payment of grants which had been offered but not yet claimed at the end of the previous financial year. At 31 March 2015, a further 15 grants with a total value of £32,385 had been committed but not yet paid. -
Collections Development Policy – South Lanarkshire Leisure and Culture Limited 2018 - 2023
Collections Development Policy – South Lanarkshire Leisure and Culture Limited 2018 - 2023 Purpose: To set out the rationale and procedures for acquisition and disposal of objects or specimens for all museums operated by South Lanarkshire Leisure and Culture Limited on behalf of South Lanarkshire Council (including, but not restricted to, Low Parks Museum) Name of governing body: South Lanarkshire Council Date on which this policy was approved by governing body: 6 March 2018 (Executive Committee) Date at which this policy is due for review: March 2023 Background: The Collections Development Policy 2018 – 2023 for South Lanarkshire Leisure and Culture Limited has been written to industry specific standards based on Arts Council England Museums Accreditation scheme which underpins The Collections Agreement between South Lanarkshire Leisure and Culture Limited and South Lanarkshire Council and in accordance with the Memorandum of Agreement among Colonel The Right Honourable Ronald John Bilsland Colville The Lord Clydesmuir KT, MBE, TD and Other and Hamilton District Council. The Collections Development Policy is a main requirement for the achievement of Museum Accreditation and the management of the collections. Museums Accreditation is a nationally recognised quality assurance grading scheme managed by Arts Council England. The Accreditation Scheme sets nationally agreed standards for museums in the UK. There are currently just under 1,800 museums participating in the scheme, demonstrating their commitment to managing collections effectively for the enjoyment and benefit of users. 1 1. Museum’s statement of purpose “We shall act as a powerful learning resource for all the community, using our collections, knowledge and services to inspire and excite the imagination, and encourage understanding and enjoyment of our cultural heritage and the wider world”. -
Social Enterprise in Scotland Census 2019
Social Enterprise in Scotland Census 2019 Technical Report CONTENTS 1. INTRODUCTION ........................................................................................................ 4 2. IDENTIFICATION OF SOCIAL ENTERPRISES ....................................................... 5 Defining Social Enterprise.......................................................................................... 5 Basis for the Assessment ............................................................................................ 5 Limitations ................................................................................................................ 10 3. DATA CLASSIFICATIONS ....................................................................................... 13 Classification of Regions .......................................................................................... 13 Classification of Urban-Rural Areas ........................................................................ 13 Classification of Areas of Multiple Deprivation ....................................................... 14 Classification of Economic Sectors .......................................................................... 14 4. INCLUSIONS AND EXCLUSIONS FROM THE STUDY ........................................ 16 Arts and Creative Industries..................................................................................... 16 Community Centres and Halls ................................................................................. 16 Early Learning and