Sony A7riv Settings Guide Revision: 2020-06-17
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Shutter Speed, Focus, Flash All of It, Usually with No Overrides Fully
Scott Hull 5/14/2020 Learn the rules like a pro, so you can break them like an artist. Pablo Picasso Camera Types Lenses Camera Parts Image Stabilization Sensors Memory Crop Factor Filters Brands Flash Exposure Modes Gadgets Shooting Modes Display Options Metering Modes Find the Buttons Focus Modes Now What? We may not get through all this in one hour, but I’ve included all of the slides for your reference. “Pocket” Camera ILC DSLR (Mirrorless) Digital Single Interchangeable Lens Reflex Lens Compact “Point and Shoot” Compact All digital cameras Most also have: have: . Viewfinder . Lens . Built-in flash . Shutter . ¼ - 20 tripod mount . Shutter release Some Have: . Sensor . Hot shoe . Computer . Mirror / prism . Display screen . Grip . Battery . Selection dial(s) Pop-up Flash Prism Hot Shoe Mirror View Finder ¼ - 20 Tripod Mount CCD Sensor Lens Shutter https://www.photoblog.com/learn/decide-mirrorless-camera-right-for-you Smaller and lighter camera and lenses Less vibration What you see is what you get . Adjust brightness before taking the shot . See the depth of focus through the viewfinder . Focus zoom in viewfinder Review your shot instantly in the viewfinder Playback with less glare Combine with a touch screen . Quickly designate the focus point . Easily move around zoomed images in playback . Quickly change settings by touching the setting • Blue box is 35 mm film frame • The difference (white area) is the crop factor Reported relative to 35 mm film Same focal length lens that was used on film camera now focuses onto a smaller sensor The sensor image area becomes expanded when viewing, so it is effectively magnified Because of this, a 100 mm lens on a Canon APS-C camera gives the same magnification image as a 160 mm lens would on 35 mm film Canon and Nikon have traditionally led the market in DSLRs Sony, Olympus, Canon, and Nikon all have competing mirrorless designs Brand loyalty . -
Intro to Digital Photography.Pdf
ABSTRACT Learn and master the basic features of your camera to gain better control of your photos. Individualized chapters on each of the cameras basic functions as well as cheat sheets you can download and print for use while shooting. Neuberger, Lawrence INTRO TO DGMA 3303 Digital Photography DIGITAL PHOTOGRAPHY Mastering the Basics Table of Contents Camera Controls ............................................................................................................................. 7 Camera Controls ......................................................................................................................... 7 Image Sensor .............................................................................................................................. 8 Camera Lens .............................................................................................................................. 8 Camera Modes ............................................................................................................................ 9 Built-in Flash ............................................................................................................................. 11 Viewing System ........................................................................................................................ 11 Image File Formats ....................................................................................................................... 13 File Compression ...................................................................................................................... -
Digital Photography Basics for Beginners
DIGITAL PHOTOGRAPHY BASICS FOR BEGINNERS by Robert Berdan [email protected] www.canadiannaturephotographer.com These notes are free to use by anyone learning or teaching photography. 1. Choosing a camera - there are 2 main types of compact cameras A) Point and Shoot Camera (some have interchangeable lenses most don't) - you view the scene on a liquid crystal display (LCD) screen, some cameras also offer viewfinders. B) Single Lens Reflex (SLR) - cameras with interchangeable lenses let you see the image through the lens that is attached to the camera. What you see is what you get - this feature is particularly valuable when you want to use different types of lenses. Digital SLR Camera with Interchangeable zoom lens 1 Point and shoot cameras are small, light weight and can be carried in a pocket. These cameras tend to be cheaper then SLR cameras. Many of these cameras offer a built in macro mode allowing extreme close-up pictures. Generally the quality of the images on compact cameras is not as good as that from SLR cameras, but they are capable of taking professional quality images. SLR cameras are bigger and usually more expensive. SLRs can be used with a wide variety of interchangeable lenses such as telephoto lenses and macro lenses. SLR cameras offer excellent image quality, lots of features and accessories (some might argue too many features). SLR cameras also shoot a higher frame rates then compact cameras making them better for action photography. Their disadvantages include: higher cost, larger size and weight. They are called Single Lens Reflex, because you see through the lens attached to the camera, the light is reflected by a mirror through a prism and then the viewfinder. -
The PENTAX K-1 Mark II: the New Standard of the 35Mm Full-Frame K Series
The PENTAX K-1 Mark II: the new standard of the 35mm full-frame K series Rich colors and subtle shades, and a beautiful bokeh and a well-defined sense of depth. When the photographer’s inspiration is truly reflected in all these elements, photographs will become more than mere records — they will evolve into truly impressive works of art. The PENTAX K-1 Mark II has been created as the flagship model that will fulfill this goal. It features a new, advanced image-processing system to deliver the beautiful image quality which all photographers demand. It produces images that are rich in color and gradation, high in resolution, and superb in bokeh rendition. The Pixel Shift Resolution System II — the PENTAX-original super-solution technology — now accommodates handheld photography. The AF system featuring a new algorithm assures high-precision focusing even with moving subjects. While inheriting the PENTAX K-1’s development concept, the PENTAX K1 Mark II has advanced technologies to near perfection. When your creativity is in complete harmony with the camera, your photography will truly come alive. Top sensitivity of ISO 819200 enhances image quality, and expands the creative boundaries of high-resolution digital SLR photography State-of-the-art imaging processing system Greatly improved image quality, even in high-sensitivity photography NEW To reproduce lively colors and rich gradations closeclose toto memorymemory colors in all sensitivity ranges, the PENTAX K-K-1 MarkMark IIII newlynewly incorporates an original accelerator unit, which efficientlyefficiently processes image signals output by the image sensor before sending them to the imaging engine. -
E-300 Advanced Manual
E-300AdEN-Cover 04.10.22 11:43 AM Page 1 Basic operations DIGITDIGITALAL CAMERA Things to know before shooting http://www.olympus.com/ Selecting the right mode for shooting conditions ADVANCED MANUAL ADVANCED ADADVANCEDVANCED MANUMANUALAL Shinjuku Monolith, 3-1 Nishi-Shinjuku 2-chome, Shinjuku-ku, Tokyo, Japan Various shooting functions Focusing functions Two Corporate Center Drive, PO Box 9058, Melville, NY 11747-9058, U.S.A. Tel. 1-631-844-5000 Exposure, image and color Technical Support (USA) 24/7 online automated help: http://www.olympusamerica.com/E1 Phone customer support: Tel. 1-800-260-1625 (Toll-free) Playback Our phone customer support is available from 8 am to 10 pm (Monday to Friday) ET Customizing the settings/ E-Mail: [email protected] functions of your camera Olympus software updates can be obtained at: http://www.olympus.com/digital Printing Premises: Wendenstrasse 14-18, 20097 Hamburg, Germany Transferring images to a Tel. +49 40 - 23 77 3-0 / Fax +49 40 - 23 07 61 computer Goods delivery: Bredowstrasse 20, 22113 Hamburg, Germany Letters: Postfach 10 49 08, 20034 Hamburg, Germany Appendix European Technical Customer Support: Please visit our homepage http://www.olympus-europa.com or call our TOLL FREE NUMBER*: 00800 - 67 10 83 00 Information for Austria, Belgium, Denmark, Finland, France, Germany, Italy, Luxemburg, Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, United Kingdom * Please note some (mobile) phone services/provider do not permit access or request an additional prefix to +800 numbers. For all not listed European Countries and in case that you can’t get connected to ● Thank you for purchasing an Olympus digital camera. -
Press Information the Leica APS-C System
Press information The Leica APS-C System: high quality cameras and lenses that impress with compact size, stylish design, intuitive handling and exceptional picture quality. Wetzlar, 21 November 2017. Leica Camera AG has expanded its APS-C System product portfolio. The Leica TL2 has now been joined by the Leica CL, a further camera with a high- resolution, 24 MP, APS-C format sensor. Also new in the system is the Elmarit-TL 1:2.8/18 ASPH. lens. This wide-angle offers imaging performance and compact dimensions that ideally complement both cameras and is available not only in black, but also in a silver anodised version. Thanks to these new additions, the Leica APS-C System now offers a diversified portfolio of cameras and lenses that combine compact design with exceptional picture quality and enable users to experience a truly special kind of photography. Both camera models, the Leica CL and the Leica TL2, are made in Germany. In technical terms, they are equals, but could hardly be more different with regard to their design and handling concepts: reflecting the traditions of Leica in the form of the iconic Leica CL and, in contrast, the futuristic look of the Leica TL2. The Leica CL is an intuitive tool, with all essential controls located on its top plate. In addition to the high-resolution electronic viewfinder, there are two dials for setting the aperture, shutter speed ISO value, and exposure compensation. Everything is so conveniently located that photographs can be made without taking the camera from the eye. An additional display on the top plate instantly provides information about all relevant settings and exposure parameters. -
Camera Manual Mode Exposure Compensation
camera manual mode exposure compensation File Name: camera manual mode exposure compensation.pdf Size: 2032 KB Type: PDF, ePub, eBook Category: Book Uploaded: 15 May 2019, 18:40 PM Rating: 4.6/5 from 590 votes. Status: AVAILABLE Last checked: 15 Minutes ago! In order to read or download camera manual mode exposure compensation ebook, you need to create a FREE account. Download Now! eBook includes PDF, ePub and Kindle version ✔ Register a free 1 month Trial Account. ✔ Download as many books as you like (Personal use) ✔ Cancel the membership at any time if not satisfied. ✔ Join Over 80000 Happy Readers Book Descriptions: We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with camera manual mode exposure compensation . To get started finding camera manual mode exposure compensation , you are right to find our website which has a comprehensive collection of manuals listed. Our library is the biggest of these that have literally hundreds of thousands of different products represented. Home | Contact | DMCA Book Descriptions: camera manual mode exposure compensation It only takes a minute to sign up. In full manual mode you can not change exposure compensation Are other advanced cameras like this In Canon cameras it doesnt do even that.But it is named Manual Exposure Mode. Start with reading about the ExposureTriangle. If you understand that, you would not be asking this When you are in manual mode and set all these, that is it. -
Photography: Exposure Compensation
MASTERCLASS: PHOTOGRAPHY MASTERCLASS: PHOTOGRAPHY MasterclassABR Photography: Exposure Compensation ABR’s photography expert, Simon Thomas gives a masterclass on how to correctly use exposure compensation when shooting in contrasting environments sk yourself this question: ‘am as well as you can, once you’ve taken I getting the best shots from control of your camera’s features. my camera?’ Hang on, hang You’ve probably seen the on, before you yell ‘yes’ there exposure compensation Aare some rules. You only get to answer button on your camera a yes if you understand what every but- thousand times. On most ton and function on your camera does. cameras the feature can be found with Let’s face it, most of us don’t. this symbol. There’s no point beating yourself up. The good news is you can use the EV Instruction manuals just aren’t sexy feature in almost every camera mode, and it’s far too easy to pull out your S, sometimes known as Tv (shutter shiny new photographic box of magic priority), A (aperture priority) modes or and start snapping images. P (Auto). Am I compensating? How and when to use EV One of the most under utilised features So, the big question is how or when to on all cameras is exposure compen- use exposure compensation. I’ll give sation (EV feature). Weird, as it’s also you a few examples. I often use the EV Camera: D3 ISO: 400 potentially one of the most powerful button to control blown highlights Lens: Nikkor 70-200mm features at your finger tips. -
Olympus OM-10
To an OM-10 Owner We appreciate very much that you have acquired other accessories are added to make it a complete an OM-10, a camera designed to allow you to take system of photography. With the OM-10 you can good pictures automatically and with the greatest gradually widen your enjoyment of the photo- ease. graphic art. The Olympus OM-10 is a single lens reflex camera We sincerely wish that it will become for you a of the finest quality in which the automation of source of unending satisfaction. To this effect, photographic functions has been made possible please read this instruction manual carefully be- by employing the most advanced electronics. To fore using the camera, so that you may be sure its acceptability of Olympus interchangeable lens- of taking correct, beautiful pictures every time es, a special film winder, a flash, and a host of you use your OM-10. 1 TABLE OF CONTENTS Description of Controls ... 3 matically ......... 19 Long Exposures ...... 30 Preparations before The OM-10: Designed to Save Flash Photography . 31 Taking Pictures . 6 to 15 Battery Consumption . 22 Using the Winder 2 ..... 33 Mounting and Detaching Switching the Camera Off . 23 From General Photography the Lens .......... 7 Rewinding the Film .... 23 to the Use of Interchange- Inserting the Batteries . 9 Unloading the Film . 24 able Lenses ........ 35 Checking the Batteries ... 10 The Use of the Self-Timer . 25 Making Use of the Depth of Loading the Film ...... 11 Photographic Techniques Field ............ 37 Setting the ASA Film Speed . 15 ............. 26 to 42 Manual Exposure Control . -
Exposure Basics
Exposure Basics Exposure is governed by five related factors. You need to understand these factors and how they relate to each other to deal with difficult lighting problems. These factors are: The intensity of light falling on the scene, known as incident light. The intensity of light reflected by the scene, known as reflected light. The sensitivity of your camera's image sensor, known as the ISO value. The aperture of your lens, known as the f-stop. The duration that the shutter is open, known as the shutter speed. The good news is that despite many lighting variables, people have been taking well-exposed photos long before the first practical light meter was introduced in 1932. Click HERE to see what professional photogra- phers using vintage cameras were doing between 1905 and 1917. Incident Light Outdoors, the intensity of incident light falling on the scene can vary from 100,000 lux in full sunlight to 0.0001 lux in weak starlight. Lighting levels on an overcast day or stadium lighting for televised professional sports might run from 2,000 to 3,500 lux. Indoors, the intensity of light can vary from 0.0 lux in Carlsdbad Caverns with the lights out to 50 lux in a dim suburban living room to 600 lux in a well-lighted office or a television studio. Outdoors, the intensity of incident light can vary minute by minute as clouds move in front of the sun and the sun moves across the sky. Reflected Light We use reflected light to capture photographic images. The amount of incident light reaching the camera sensor via the lens depends on the scene's 18 reflectance. -
Photography Topics of Discussion
New Camera, New Features, New Memories Presented by: Brian Castle, Picture Perfect Photography Topics of Discussion Quality Settings Megapixels, Fine, File Type’s (jpeg’s) White Balance Macro Image Stabilization Exposure Compensation Metering Aperture Shutter Speed/ISO What are Megapixels? The number of megapixels a camera features can also help to determine the size photos you can print or the amount of cropping you can do. Generally 3-6 megapixels will be enough for general snapshots and can be blown up to virtually any size under a 20x24 and still be sharp. Higher megapixels do not always produce a better print. Only if you plan to blow it up to huge sizes. If you definitely want to something you want to frame go for the higher megs. The higher the megapixels the more room it takes up on your memory card When you transfer the photos to your computer it takes up more room with higher megapixel use. Megapixel to amount of Photo conversion table Card size Number of photos 128MB 29 256MB 58 512MB 116 8 megapixel camera (3264 x 2448) File size: 4.2MB 1GB 232 2GB 464 4GB 929 Card size Number of photos 128MB 102 256MB 203 512MB 406 3 megapixel camera (2,048 x 1,536) 1GB 813 File size: 1.2MB 2GB 1625 4GB 3251 What Quality Settings do I use? RAW - Unprocessed TIFF - Unprocessed JPEG - Processed *Unprocessed – You have to process the photo in an editing type software. *Processed – The camera converts and establishes color, exposure, etc. based on how much contrast, saturation the camera thinks it needs to make a good photo Fine Tuning Normal – Fine – Superfine Basic – Normal – Fine Good – Better – Best Canon uses these symbols - Smooth is best, stepped in worst quality. -
User's Manual
DIGITAL CAMERA User’s Manual No reproduction in any form of this manual, in whole or in part (except for brief quotation in critical articles or reviews), may be made without written authorization from NIKON CORPORATION. En Printed in Thailand En 6MB01311-01 Trademark Information • Microsoft and Windows Vista are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. • Macintosh, Mac OS, and QuickTime are trademarks of Apple Inc. • Adobe and Acrobat are registered trademarks of Adobe Systems Inc. • The SD logo is a trademark of the SD Card Association. • The SDHC logo is a trademark. • PictBridge is a trademark. • All other trade names mentioned in this manual or the other documentation provided with your Nikon product are trademarks or registered trademarks of their respective holders. Introduction First Steps Basic Photography a, b, c, and d Modes Changing Shooting Settings More on Playback Connecting to a Computer, Printer, or TV Menu Guide Optional Accessories Maximizing the Life of the Camera Technical Notes i For Your Safety To prevent damage to your Nikon product or injury to yourself or to others, read the following safety precautions in their entirety before using this equipment. Keep these safety instructions where all those who use the product will read them. The consequences that could result from failure to observe the precautions listed in this section are indicated by the following symbol: This icon marks warnings. To prevent possible injury, read all warnings before using this Nikon product. WARNINGS Keep the sun out of the frame Do not place the strap around the neck of Keep the sun well out of the frame when an infant or child shooting backlit subjects.