Photography Topics of Discussion
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Taking Photographs
Taking Photographs The relationship between aperture and shutter speed in taking correctly exposed photos Understanding relationship between SHUTTER SPEED & APERTURE SHUTTER SPEED & APERTURE Range of Apertures listed on the left and shutter speeds on the right CORRECT EXPOSURE MACRO / HIGH DEPTH OF FIELD SHOTS This is where the balance comes in – for each unique photo opportunity there is an exact amount of light required for proper exposure. In this example, a higher F stop number lets in very little light, so the shutter must remain open longer to allow in the correct amount of light for a good exposure. (BUT THESE ARE NOT THE ONLT SETTINGS THAT WILL GIVE A CORRECT EXPOSURE) CORRECT EXPOSURE SPORTS / SHALLOW DEPTH OF FIELD SHOTS Shooting exactly the same scene as before, we can set the shutters speed to its highest setting. This allows very little time for the light to enter the camera. In order to get a proper exposure, the aperture must be much larger than before to allow in the additional light needed. For a given exposure, shutter speed and aperture have to be in balance and work together like a teeter-totter (balance bar and fulcrum) Using APERTURE PRIORITY mode Most cameras allow you to select some degree of automation – one of these modes is APERTURE PRIORITY. With this mode YOU set the aperture and the camera will automatically select a shutter speed to give the correct exposure. The camera still uses this balance principal to do this. Using SHUTTER PRIORITY mode With SHUTTER PRIORITY mode YOU set the shutter speed and the camera will automatically select an aperture to give the correct exposure. -
35 Mm Aperture Priority 35Mm Cameras This Manual Is for Reference and Historical Purposes, All Rights Reserved
35 mm Aperture Priority 35mm cameras This manual is for reference and historical purposes, all rights reserved. This page is copyright © by [email protected], M. Butkus, NJ. This page may not be sold or distributed without the expressed permission of the producer I have no connection with any camera compnay On-line camera manual library This is the full text and images from the manual. This may take 3 full minutes for all images to appear. If they do not all appear. Try clicking the browser "refresh" or "reload button" or right click on the image, choose "view image" then go back. It should now appear. To print, try printing only 3 or 4 pages at a time. Back to main on-line manual page If you find this manual useful, how about a donation of $3 to: M. Butkus, 29 Lake Ave., High Bridge, NJ 08829-1701 and send your e-mail address so I can thank you. Most other places would charge you $7.50 for a electronic copy or $18.00 for a hard to read Xerox copy. This will allow me to continue to buy new manuals and pay their shipping costs. It'll make you feel better, won't it? If you use Pay Pal or wish to use your credit card, click on the secure site below. 35mm SLR EE Selection Guide Aperture-Priority INTRODUCTION 2 PENTAX ES THE APERTURE-PRIORITY SYSTEM YASHICA ELECTRO AX PROS AND CONS MORE ON THE WAY The Future What Does It All Mean? MINOLTA XK Should You Buy One? NIKKORMAT EL INTRODUCTION Progress towards exposure automation has been slow, but since the original Konica Autoreflex appeared in 1968, the pace has accelerated and there are now 10 35mm SLR cameras so equipped. -
Shutter Speed, Focus, Flash All of It, Usually with No Overrides Fully
Scott Hull 5/14/2020 Learn the rules like a pro, so you can break them like an artist. Pablo Picasso Camera Types Lenses Camera Parts Image Stabilization Sensors Memory Crop Factor Filters Brands Flash Exposure Modes Gadgets Shooting Modes Display Options Metering Modes Find the Buttons Focus Modes Now What? We may not get through all this in one hour, but I’ve included all of the slides for your reference. “Pocket” Camera ILC DSLR (Mirrorless) Digital Single Interchangeable Lens Reflex Lens Compact “Point and Shoot” Compact All digital cameras Most also have: have: . Viewfinder . Lens . Built-in flash . Shutter . ¼ - 20 tripod mount . Shutter release Some Have: . Sensor . Hot shoe . Computer . Mirror / prism . Display screen . Grip . Battery . Selection dial(s) Pop-up Flash Prism Hot Shoe Mirror View Finder ¼ - 20 Tripod Mount CCD Sensor Lens Shutter https://www.photoblog.com/learn/decide-mirrorless-camera-right-for-you Smaller and lighter camera and lenses Less vibration What you see is what you get . Adjust brightness before taking the shot . See the depth of focus through the viewfinder . Focus zoom in viewfinder Review your shot instantly in the viewfinder Playback with less glare Combine with a touch screen . Quickly designate the focus point . Easily move around zoomed images in playback . Quickly change settings by touching the setting • Blue box is 35 mm film frame • The difference (white area) is the crop factor Reported relative to 35 mm film Same focal length lens that was used on film camera now focuses onto a smaller sensor The sensor image area becomes expanded when viewing, so it is effectively magnified Because of this, a 100 mm lens on a Canon APS-C camera gives the same magnification image as a 160 mm lens would on 35 mm film Canon and Nikon have traditionally led the market in DSLRs Sony, Olympus, Canon, and Nikon all have competing mirrorless designs Brand loyalty . -
Intro to Digital Photography.Pdf
ABSTRACT Learn and master the basic features of your camera to gain better control of your photos. Individualized chapters on each of the cameras basic functions as well as cheat sheets you can download and print for use while shooting. Neuberger, Lawrence INTRO TO DGMA 3303 Digital Photography DIGITAL PHOTOGRAPHY Mastering the Basics Table of Contents Camera Controls ............................................................................................................................. 7 Camera Controls ......................................................................................................................... 7 Image Sensor .............................................................................................................................. 8 Camera Lens .............................................................................................................................. 8 Camera Modes ............................................................................................................................ 9 Built-in Flash ............................................................................................................................. 11 Viewing System ........................................................................................................................ 11 Image File Formats ....................................................................................................................... 13 File Compression ...................................................................................................................... -
Digital Photography Basics for Beginners
DIGITAL PHOTOGRAPHY BASICS FOR BEGINNERS by Robert Berdan [email protected] www.canadiannaturephotographer.com These notes are free to use by anyone learning or teaching photography. 1. Choosing a camera - there are 2 main types of compact cameras A) Point and Shoot Camera (some have interchangeable lenses most don't) - you view the scene on a liquid crystal display (LCD) screen, some cameras also offer viewfinders. B) Single Lens Reflex (SLR) - cameras with interchangeable lenses let you see the image through the lens that is attached to the camera. What you see is what you get - this feature is particularly valuable when you want to use different types of lenses. Digital SLR Camera with Interchangeable zoom lens 1 Point and shoot cameras are small, light weight and can be carried in a pocket. These cameras tend to be cheaper then SLR cameras. Many of these cameras offer a built in macro mode allowing extreme close-up pictures. Generally the quality of the images on compact cameras is not as good as that from SLR cameras, but they are capable of taking professional quality images. SLR cameras are bigger and usually more expensive. SLRs can be used with a wide variety of interchangeable lenses such as telephoto lenses and macro lenses. SLR cameras offer excellent image quality, lots of features and accessories (some might argue too many features). SLR cameras also shoot a higher frame rates then compact cameras making them better for action photography. Their disadvantages include: higher cost, larger size and weight. They are called Single Lens Reflex, because you see through the lens attached to the camera, the light is reflected by a mirror through a prism and then the viewfinder. -
Aperture Priority Mode
PHOTOGRAPHER’S GUIDE TO THE LEICA D-LUX 5 particular aperture or shutter speed at the outset. If you need that degree of control, you’ll need to select Aperture Priority, Shutter Priority, or Manual for your shooting mode. There is one specific issue related to the lack of control over aperture and shutter speed when you’re using Program mode. When that shooting mode is set, the Minimum Shutter Speed setting will be activated; you cannot turn it off. The slowest minimum shutter speed you can set in that situation is one second. So if you are trying to take a time exposure in a dark area (using a tripod, presumably), where the correct shutter speed would be, say, five seconds, the camera will not expose the picture properly. The minimum shutter speed setting of one second will be the longest exposure possible. If you expect to have exposures longer than one second, you need to select a shooting mode other than Program. (Namely, Manual, Aper- ture Priority, Shutter Priority, or certain Scene types.) Aperture Priority Mode You set this shooting mode by turning the Mode dial to the capital “A” that stands alone, not the “A” inside the camera icon. This mode is similar toProgram mode in the functions that are available for you to control, but, as the name implies, it also gives you, the photographer, more control over the cam- era’s aperture. Before discussing the nuts and bolts of the settings for this mode, let’s talk about what aperture is and why you would want to control it. -
Rolleiflex-6000.Pdf
Rolleiflex 6000-System Lenses and Dedicated Accessories www.mr-alvandi.com Top-notch Lenses Only the best lenses are good enough for a profes- Glass sional camera system. A combination of proper lens curvatures and suitable For your Rolleiflex 6008 AF and Rolleiflex 6008 Integral glass types are your guarantee that the Rollei line of you may choose between lenses from ultra-wide-angle, lenses are optimally corrected for aberrations for sharp wide-angle and standard lenses to telephoto, zoom and brilliant pictures. Carl Zeiss, Schneider-Kreuznach and several special-purposes lenses. All of them cut- and Franke & Heidecke use advanced glass types, some ting-edge products made by Carl Zeiss and Schneider- of which with particularly high refractive indices. Kreuznach, the world-famous specialists for medium- format optics. All of them with Rollei HFT coating (High Mechanics Fidelity Transfer) for optimum flare suppression and bril- A lens consists of several elements, some of which may liant colors. be combined in components. These are axially shifted for focusing and zooming, sometimes even in opposite Our PQ (Professional Quality) and PQS lenses, the latter directions. All these motions have to be very precise in with a top shutter speed of 1/1000 s, are the result of order not to degrade the high performance of the advanced optical design techniques, innovative technol- lenses over their entire focusing and zooming ranges. ogy and permanent optimization. All of them use the Precise manufacturing techniques and high-quality unique Rollei Direct-Drive technology: The diaphragm materials make sure that the tight tolerances are met and shutter blades in the lens are driven by two linear even after many years of use. -
The PENTAX K-1 Mark II: the New Standard of the 35Mm Full-Frame K Series
The PENTAX K-1 Mark II: the new standard of the 35mm full-frame K series Rich colors and subtle shades, and a beautiful bokeh and a well-defined sense of depth. When the photographer’s inspiration is truly reflected in all these elements, photographs will become more than mere records — they will evolve into truly impressive works of art. The PENTAX K-1 Mark II has been created as the flagship model that will fulfill this goal. It features a new, advanced image-processing system to deliver the beautiful image quality which all photographers demand. It produces images that are rich in color and gradation, high in resolution, and superb in bokeh rendition. The Pixel Shift Resolution System II — the PENTAX-original super-solution technology — now accommodates handheld photography. The AF system featuring a new algorithm assures high-precision focusing even with moving subjects. While inheriting the PENTAX K-1’s development concept, the PENTAX K1 Mark II has advanced technologies to near perfection. When your creativity is in complete harmony with the camera, your photography will truly come alive. Top sensitivity of ISO 819200 enhances image quality, and expands the creative boundaries of high-resolution digital SLR photography State-of-the-art imaging processing system Greatly improved image quality, even in high-sensitivity photography NEW To reproduce lively colors and rich gradations closeclose toto memorymemory colors in all sensitivity ranges, the PENTAX K-K-1 MarkMark IIII newlynewly incorporates an original accelerator unit, which efficientlyefficiently processes image signals output by the image sensor before sending them to the imaging engine. -
E-300 Advanced Manual
E-300AdEN-Cover 04.10.22 11:43 AM Page 1 Basic operations DIGITDIGITALAL CAMERA Things to know before shooting http://www.olympus.com/ Selecting the right mode for shooting conditions ADVANCED MANUAL ADVANCED ADADVANCEDVANCED MANUMANUALAL Shinjuku Monolith, 3-1 Nishi-Shinjuku 2-chome, Shinjuku-ku, Tokyo, Japan Various shooting functions Focusing functions Two Corporate Center Drive, PO Box 9058, Melville, NY 11747-9058, U.S.A. Tel. 1-631-844-5000 Exposure, image and color Technical Support (USA) 24/7 online automated help: http://www.olympusamerica.com/E1 Phone customer support: Tel. 1-800-260-1625 (Toll-free) Playback Our phone customer support is available from 8 am to 10 pm (Monday to Friday) ET Customizing the settings/ E-Mail: [email protected] functions of your camera Olympus software updates can be obtained at: http://www.olympus.com/digital Printing Premises: Wendenstrasse 14-18, 20097 Hamburg, Germany Transferring images to a Tel. +49 40 - 23 77 3-0 / Fax +49 40 - 23 07 61 computer Goods delivery: Bredowstrasse 20, 22113 Hamburg, Germany Letters: Postfach 10 49 08, 20034 Hamburg, Germany Appendix European Technical Customer Support: Please visit our homepage http://www.olympus-europa.com or call our TOLL FREE NUMBER*: 00800 - 67 10 83 00 Information for Austria, Belgium, Denmark, Finland, France, Germany, Italy, Luxemburg, Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, United Kingdom * Please note some (mobile) phone services/provider do not permit access or request an additional prefix to +800 numbers. For all not listed European Countries and in case that you can’t get connected to ● Thank you for purchasing an Olympus digital camera. -
Aperture Priority Mode F/4.0 at 1/25, Among Others
Chapter 3: Shooting Modes for Still Images | 23 The Program Shift function is available only in Program you’re taking pictures quickly using Program mode, and mode; it works as follows. Once you have aimed the you want a fast way to tweak the settings somewhat. camera at your subject, the camera displays its chosen settings for shutter speed and aperture in the lower- Another important aspect of Program mode is that it left corner of the screen. At that point, you can turn the expands the choices available through the Shooting Control dial at the upper right of the camera’s back, and menu, which controls many of the camera’s settings. the values for shutter speed and aperture will change, You will be able to make choices involving ISO if possible under current conditions, to different sensitivity, metering mode, DRO/HDR, white balance, values for both settings while keeping the same overall Creative Style, Picture Effect, and others that are not exposure of the scene. available in the Auto modes. I won’t discuss those settings here; if you want to explore that topic, see With this option, the camera “shifts” the original the discussion of the Shooting menu in Chapter 4 for exposure to your choice of any of the matched pairs information about all of the different selections that that appear as you turn the Control dial. For example, if are available. the original exposure was f/2.8 at 1/50 second, you may see equivalent pairs of f/3.2 at 1/40, f/3.5 at 1/30, and Aperture Priority Mode f/4.0 at 1/25, among others. -
Press Information the Leica APS-C System
Press information The Leica APS-C System: high quality cameras and lenses that impress with compact size, stylish design, intuitive handling and exceptional picture quality. Wetzlar, 21 November 2017. Leica Camera AG has expanded its APS-C System product portfolio. The Leica TL2 has now been joined by the Leica CL, a further camera with a high- resolution, 24 MP, APS-C format sensor. Also new in the system is the Elmarit-TL 1:2.8/18 ASPH. lens. This wide-angle offers imaging performance and compact dimensions that ideally complement both cameras and is available not only in black, but also in a silver anodised version. Thanks to these new additions, the Leica APS-C System now offers a diversified portfolio of cameras and lenses that combine compact design with exceptional picture quality and enable users to experience a truly special kind of photography. Both camera models, the Leica CL and the Leica TL2, are made in Germany. In technical terms, they are equals, but could hardly be more different with regard to their design and handling concepts: reflecting the traditions of Leica in the form of the iconic Leica CL and, in contrast, the futuristic look of the Leica TL2. The Leica CL is an intuitive tool, with all essential controls located on its top plate. In addition to the high-resolution electronic viewfinder, there are two dials for setting the aperture, shutter speed ISO value, and exposure compensation. Everything is so conveniently located that photographs can be made without taking the camera from the eye. An additional display on the top plate instantly provides information about all relevant settings and exposure parameters. -
Rollei Rolleiflex 6008 Manual
Rollei rolleiflex 6008 manual Continue In 1976, Rollei released SLX, a fully electronic mid-range SLR format, to compete with the famous Hasselblad machines. With a built-in light meter, automatic motor upfront and automatic shutter exposure, it was in many ways a much more advanced camera than the camera produced by Swedish rival Rollei. The photographic world paid attention to it. Rolley made another incredible camera. In 1984, a brand-new series of Rollei MF SLR was presented; 6000 series. Advances in electronics throughout the 1980s and 90s meant Rolley's newest MIRRORS could be smarter, stronger, and more features than any average SLR format that came before them. Over the next thirty years the brand will continue to push the range forward, bringing some of the best mid-format SLRs to the world. But even though the 6000 series cameras were worthy of special attention, they never seemed to achieve the popularity of those Hasselblad. It's a disgrace, so let's fix it. With incredible build quality and unrivalled optics from some of the world's best lens manufacturers, the 6000 series should be on any true list of computer geek avid cameras. And of the many 6000 series of cameras, one to own can be those marked 6008.The 6008 Professional, 6008 Professional SRC 1000, and 6008 Integral all pack the greatest combination of features, high modularity, and the best build quality of any camera in the 6000 series. While other cameras in the lineup give up certain features (6003 loses its interchangeable backs and 6001 lacks a light meter, for example) 6008 models do everything (and often much more) than any shooter can ask for a camera.