Views, You'll Read About How These Themes Connect Our Programs, Guide Our Partnerships, and Help Us Make the Humanities Part of the Daily Life of All Virginians
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
OUR Fnilfftl VOL. V, No. 5 SAVANNAH STATE COLLEGE PRESIDENT BENNER CRESWILL TURNER AUGUST, 1952 South Carolina State Prexy to De
37 HGEKS • ^ OUR fnilFftl 1QAH VOL. V, No. 5 SAVANNAH STATE COLLEGE AUGUST, 1952 PRESIDENT BENNER CRESWILL TURNER < Rev, Samuel Gandy Summer Study Calls Miss Camilla Williams, to Deliver 68th Faculty and Staff Soprano, To Be Baccalaureate Sermon at Savannah State Presented In Concert Rev. Samuel Lucius Gandy, Di- According to an announcement rector of Religious Activities at from Dr. W. K. Payne, president of Miss Camilla Williams, leading Virginia State College, Ettrick, Savannah State College, 16 faculty soprano of the City Virginia, New York will deliver the 68th Bac- and staff members are doing fur- Opera for five years, a concert calaureate sermon at Savannah ther study in their respective fields singer who has captivated two con- State College. The Baccalaureate this summer at some of the coun- tinents from Venezuela to northern services will be held in Meldrim try's leading universities. Alaska, a soloist with Auditorium, orchestra Sunday, August 10, at Those studying are: J. Randolph whose "beautiful singing" has 4:00 p. m. Fisher, associate professor of lan- been publicly praised by Stokowski, Reverend Gandy will be intro- guages and literature; Mrs. Elea- will be presented in Concert at Sa- duced by Dr. W. K. Payne, Presi- nor B. Williams, switchboard ope- vannah State College. dent of Savannah State. Invocation rator; and Joseph H. Wortham, as- Miss Williams and Benediction will appear in will be given by sistant professor of biology, all at Meldrim Auditorium, Friday, Au- Rev. A. J. Hargrett, Savannah Ohio State University. gust at State 8 8:30 p. m. in the second College Minister. -
Aaamc Issue 9 Chrono
of renowned rhythm and blues artists from this same time period lip-synch- ing to their hit recordings. These three aaamc mission: collections provide primary source The AAAMC is devoted to the collection, materials for researchers and students preservation, and dissemination of materi- and, thus, are invaluable additions to als for the purpose of research and study of our growing body of materials on African American music and culture. African American music and popular www.indiana.edu/~aaamc culture. The Archives has begun analyzing data from the project Black Music in Dutch Culture by annotating video No. 9, Fall 2004 recordings made during field research conducted in the Netherlands from 1998–2003. This research documents IN THIS ISSUE: the performance of African American music by Dutch musicians and the Letter ways this music has been integrated into the fabric of Dutch culture. The • From the Desk of the Director ...........................1 “The legacy of Ray In the Vault Charles is a reminder • Donations .............................1 of the importance of documenting and • Featured Collections: preserving the Nelson George .................2 achievements of Phyl Garland ....................2 creative artists and making this Arizona Dranes.................5 information available to students, Events researchers, Tribute.................................3 performers, and the • Ray Charles general public.” 1930-2004 photo by Beverly Parker (Nelson George Collection) photo by Beverly Parker (Nelson George Visiting Scholars reminder of the importance of docu- annotation component of this project is • Scot Brown ......................4 From the Desk menting and preserving the achieve- part of a joint initiative of Indiana of the Director ments of creative artists and making University and the University of this information available to students, Michigan that is funded by the On June 10, 2004, the world lost a researchers, performers, and the gener- Andrew W. -
Abstracts of the 43Rd Annual Scientific Meeting of the Nutrition Society of Australia
Meeting Report Abstracts of the 43rd Annual Scientific Meeting of the Nutrition Society of Australia Sandra Iuliano 1,*, Kirrilly Pursey 2, Rebecca Haslam 2 and Alison Coates 3 1 Department of Endocrinology, University of Melbourne/Austin Health, West Heidelberg 3081, Australia 2 School of Health Sciences, University of Newcastle, Callaghan 2308, Australia; [email protected] (K.P); [email protected] (R.H.) 3 School of Health Sciences, University of South Australia, Adelaide 5001, Australia; [email protected] * Correspondence: [email protected]; Tel.: +61-438-215-615 Received: 27 January 2020; Accepted: 7 February 2020; Published: 21 February 2020 Abstract: The 43rd Annual Scientific Meeting of the Nutrition Society of Australia was held in Newcastle, Australia, from 2 to 5 December 2019. The theme of the meeting was Nutrition: The Epicentre of Health. Abstracts were submitted from 24 countries. The conference was attended by 250 registrants and 208 papers were presented consisting of 16 plenary, 91 oral and 101 poster presentations. This issue presents the proceedings of this meeting in the form of abstracts of papers presented at the conference. Keywords: ageing; agriculture and farming; chronic diseases; communication and education; food security; genomics; gut microbiota; micronutrients; nutrition; public health 1. Plenary Presentations 1.1. Sustainability Implications of Different Food Production Systems Mario Herrero Commonwealth Scientific and Industrial Research Organisation, Brisbane, Australia Our food system, while providing food for billions of people, is currently malnourishing us. It directly affects one in three people around the world, causing stunting, wasting or obesity. The way in which we currently produce food is having substantial negative impacts on the environment in many parts of the world, and is trespassing several planetary boundaries. -
PARENT CHAPTER, New York, NY
PARENT CHAPTER, New York, NY Aiken Mrs. Robert K. Aiken (Sara Jennings Ledes) Ancestor: Thomas Jennings Aitken Mrs. Irene R. Aitken (Irene Elder Boyd) Ancestor: Thomas Dixon Allen Mrs. Christine Allen (Anne Christine Allen) Ancestor: Anthony Walke Allport Miss Tara Margaret Allport (Tara Margaret Allport) Ancestor: Caspar Steynmets (Stymets Altschul Mrs. Arthur Altschul (Patricia Fleming) Ancestor: Daniel Dod Anderson Mrs. Kathleen Anderson (Kathleen Mae McConnell) Ancestor: Tristram Coffin Armstrong Mrs. John Armstrong (Mary Helen Post) Ancestor: John Berrien Bahrenburg Mrs. William S. Bahrenburg (Alice Stevenson Braislin) Ancestor: John Shinn Barbey Miss Florence Flower Barbey (Florence Flower Barbey) Ancestor: Joseph Neville Barnes Mrs. John A. Barnes (Mary Reiner) Ancestor: William Wells Barzun Mrs. Jacques Barzun (Thelma Marguerite Lee) Ancestor: Samuel Jordan Bass Mrs. Jane Liddell Bass (Jane Boyer Liddell) Ancestor: Joseph Hawley Bastedo Mrs. Walter A. Bastedo (Julia Gilbert Post) Ancestor: Thomas Tracy Beckler Mrs. Richard W. Beckler (Allison White) Ancestor: William Brewster Benedict Mrs. Peter B. Benedict (Nancy Thomas Huffman) Ancestor: Wilhelmus Beekman Bereday Mrs. Sigmund Bereday (Marilyn Patricia Pettibone) Ancestor: Samuel Pettibone Bergmayer- Mrs. Nicolas Bergmayer-Deteindre (Sinikka Nadine Deteindre) Ancestor: Edward Winslow Bergstrom Mrs. Craig Bergstrom (Victoria Allison Weld) Ancestor: William Brewster Birch Mrs. Cristin M. Birch (Lucy N. Peak) Ancestor: Thomas Hinckley Bird Mrs. Thomas Edward Bird (Mary Lynne Miller) Ancestor: John Webster Bishopric Mrs. Suzanne Bishopric (Suzanne Powell Bishopric) Ancestor: Jeremiah Fitch Bispham Miss Barbara Harlin Bispham (Barbara Harlin Bispham) Ancestor: John George Bispham Mrs. Thomas P. Bispham (Barbara Cecelia Shea) Ancestor: John George Boss Mrs. Grace H. Boss (Grace Palmer Hammond) Ancestor: Thomas Dudley Boulud Mrs. -
Black Women's Music Database
By Stephanie Y. Evans & Stephanie Shonekan Black Women’s Music Database chronicles over 600 Africana singers, songwriters, composers, and musicians from around the world. The database was created by Dr. Stephanie Evans, a professor of Black women’s studies (intellectual history) and developed in collaboration with Dr. Stephanie Shonekon, a professor of Black studies and music (ethnomusicology). Together, with support from top music scholars, the Stephanies established this project to encourage interdisciplinary research, expand creative production, facilitate community building and, most importantly, to recognize and support Black women’s creative genius. This database will be useful for music scholars and ethnomusicologists, music historians, and contemporary performers, as well as general audiences and music therapists. Music heals. The purpose of the Black Women’s Music Database research collective is to amplify voices of singers, musicians, and scholars by encouraging public appreciation, study, practice, performance, and publication, that centers Black women’s experiences, knowledge, and perspectives. This project maps leading Black women artists in multiple genres of music, including gospel, blues, classical, jazz, R & B, soul, opera, theater, rock-n-roll, disco, hip hop, salsa, Afro- beat, bossa nova, soka, and more. Study of African American music is now well established. Beginning with publications like The Music of Black Americans by Eileen Southern (1971) and African American Music by Mellonee Burnim and Portia Maultsby (2006), -
Affective Colonialism, Power, and the Process of Subjugation in Colonial Virginia, C
Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History 5-10-2017 TRIBUTARY SUBJECTS: AFFECTIVE COLONIALISM, POWER, AND THE PROCESS OF SUBJUGATION IN COLONIAL VIRGINIA, C. 1600 – C. 1740 Russell Dylan Ruediger American Historical Association Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Ruediger, Russell Dylan, "TRIBUTARY SUBJECTS: AFFECTIVE COLONIALISM, POWER, AND THE PROCESS OF SUBJUGATION IN COLONIAL VIRGINIA, C. 1600 – C. 1740." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/history_diss/56 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. TRIBUTARY SUBJECTS: AFFECTIVE COLONIALISM, POWER, AND THE PROCESS OF SUBJUGATION IN COLONIAL VIRGINIA, C. 1600 – C. 1740 by RUSSELL DYLAN RUEDIGER Under the Direction of Charles Steffen, PhD ABSTRACT My dissertation explores tributary relationships between Algonquin, Siouan, and Iroquoian Indians and English settlers in Virginia, placing the process of political subjection into the heart of narratives of dispossession. Both indigenous Chesapeake and European political traditions shared ideas of tribute as a structure linking unequal, but conceptually autonomous and self-governing, polities in -
Corrective Action Permit Radford Army Ammunition Plant in Radford
COMMONWEALTH of VIRGINIA DEPARTMENT OF ENVIRONMENTAL QUALITY Street address: 629 East Main Street, Richmond, Virginia 23219 Molly Joseph Ward Mailing address: P.O. Box 1105, Richmond, Virginia 23218 David K. Paylor Secretary of Natural Resources www.deq.virginia.gov Director (804) 698-4000 1-800-592-5482 April 1, 2016 VIA ELECTRONIC MAIL Mr. Jay Stewart Environmental Manager Radford Army Ammunition Plant 4050 Pepper’s Ferry Road Radford, Virginia 24141 Re: Approval of Reissuance of Hazardous Waste Management Corrective Action Permit Radford Army Ammunition Plant, Radford, VA EPA ID No.VA1210020730 Dear Mr. Stewart, Enclosed is the Final Hazardous Waste Management Corrective Action Permit for the Radford Army Ammunition Plant facility, Radford, Virginia. The Final Permit issuance has been approved and is scheduled to become effective on May 1, 2016. This final permit decision is in accordance with the Virginia Hazardous Waste Management Regulations (VHWMR), 9 VAC 20-60, 9 VAC-20-60-124, which incorporates 40 CFR Part 124 by reference, and in accordance with 40 CFR § 124.13, Obligation to Raise Issues and Provide Information During the Public Comment Period, which specifies: All persons, including applicants, who believe any condition of a draft permit is inappropriate or that the Director’s tentative decision to deny an application, terminate a permit, or prepare a draft permit is inappropriate, shall raise all reasonably ascertainable issues and submit all reasonably available arguments and factual grounds supporting their position, including all supporting material, by the close of public comment period (including any public hearing) under §124.10). Any supporting materials which are submitted shall be incorporated in full and may not be incorporated by reference, unless they are already part of the administrative record in the same proceeding, or consist of Commonwealth or federal statutes and regulations, documents of general applicability, or other generally available reference materials. -
President Says Bill Not Designed for Persecution Are Incomplete
READ THE NEWS WHILE IT IS NEWS FIRST 6c IN YOUR PER COPY LA/aEivicA's STAMPA MEMPHIS WORLD VOLUME 26, NUMBER 44 MEMPHIS, TENNESSEE, SATURDAY, JUNE 22, 1957 PRICE SIX CENTS CIVIL Newsmen from all over the coun try will converge in Columbus, O. today to attend the Annual Con vention of the National. Newspaper Publishers Association June 20-25. .■Representing —the Scott News paper Syndicate at the confab will • 'be C. A. Scott, editor and general manager,. Atlanta Daily World and President Says Emory o. Jackson, of the Birming ham World. Speeches by Don Kramer, as sistant. to the president of Na Bill Not Designed tionwide insurance Company, Jef ferson A. Beaver, president of the American Savings and Loan Lea gue of-iSari Francisco; Calif., James For Persecution R. Tichenor, administrator of’The BY ROSE McKEE Ohio Bureau of Unemployment Compensation, and bean Phillips WASHINGTON - (INS) - The director of personnel and Public .Relations of North American Avia House-possed Civil Rights Bill tion, Inc., will highlight the meet CIVIC ACTION COMMITTEE MEMBERS are map last Monday. Left to right are Mayo Williams, was submitted to the Senate ing. pingr .._> plansr__ _ to register_ all non-voters in Mt. Olive Herman Coleman, J. T. Lanier »chairman, and Wednesday but a showdown oh CME Cathedral. The committee was organized I Haywood Betts, Jr; (Staff Photo). the battle to by-pass committee » ' consideration of the measure was delayed until today. Senate GOP leader William F Civic Action Committee Knowlarid and Sen. Paul H. Dou glas (Di Ill., objected to procedure which would have resulted In a de cision Wednesday. -
The Bulletin P AR E XCELLENCE !
E UGENE , O REGON -- THE U NIVERSITY TOWN The Bulletin P AR E XCELLENCE ! — Anne Dhu McLucas, University of Oregon OF THE S OCIETY FOR A MERICAN M USIC FOUNDED IN HONOR OF O SCAR G . T . S ONNECK Pesidents’ Weekend of 2005 st Vol. XXX, No. 3 Fall 2004 (February 17-20) will see the 31 Annual Conference of the Society for American Music meeting in Eugene, Oregon, hosted by the University of Oregon. Eugene is R ICHARD S TRAUSS ’S VISIT renowned for its track meets, its bike TO THE K LEINES STADCHEN OF M ORGANTOWN , paths, and its friendly, liberal, and casual WEST VIRGINIA atmosphere. The city is beautifully situ- ated between the Cascade Mountains to the East and the pristine Oregon Coast to — Christopher Wilkinson, West Virginia University the West-- each an hour away by car. The Willamette Valley is home to numerous This past March, the Division of of his art songs. That evening, Strauss vineyards and wineries. Some of the best Music of West Virginia University com- conducted the Pittsburgh Orchestra in pinot noir and pinot gris wines in the U.S. memorated the centenary of the visit to performances of two of his best known are produced here, and locally-grown campus by the German composer Richard tone poems: Tod und Verklärung and Till grapes also find their way into California Strauss, his wife, soprano Pauline de Eulenspiegels lustige Streiche. The story wines. Ahna Strauss, the Pittsburgh Orchestra, of the seemingly improbable series of The conference will be held primar- and its conductor, Victor Herbert, on events concerns not only the circumstanc- ily at the Eugene Hilton, in the heart of March 14, 1904. -
Indian Peoples, Nations and Violence in the Seventeenth-Century Chesapeake
CERTAINE BOUNDES: INDIAN PEOPLES, NATIONS AND VIOLENCE IN THE SEVENTEENTH-CENTURY CHESAPEAKE By JESSICA TAYLOR A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2017 © 2017 Jessica Taylor To Mimi, you are worth so much ACKNOWLEDGMENTS I thank my advisor, Juliana Barr, for her thoughtful and sincere support. I am so glad to have her in my life. My committee members Marty Hylton, Jon Sensbach, Elizabeth Dale, and Paul Ortiz each offered different paths to new thoughts and perspectives. My co-workers, students, and friends at the Samuel Proctor Oral History Program helped me gain the confidence to pursue new ideas and goals. I thank all of the wonderful people who have read drafts of chapters and talked ideas through with me including Jeffrey Flanagan, Matt Saionz, Johanna Mellis, Rebecca Lowe, David Shope, Roberta Taylor, Robert Taber, David Brown, Elyssa Hamm. Thank you to Eleanor Deumens for editing my footnotes and offering wonderful suggestions. I thank the Virginia Historical Society, the Virginia Foundation for the Humanities, and the Mary and David Harrison Institute for American History, Literature, and Culture for their financial support of my research for this project. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS .................................................................................................. 4 ABSTRACT .................................................................................................................... -
Black Voices Matter
Week 10: Black Voices Matter 1. Had it not been for First Lady Eleanor Roosevelt, this singer would not have sung in front of Lincoln Memorial in 1939. Who was the singer? A: Marian Anderson Marian Anderson, born on February 27, 1897 in Philadelphia, sang a broad range of classical music, from lieder, to opera, to spiritual. Anderson became an important figure in the struggle for black artists to overcome racial prejudice in the United States during the mid-twentieth century. In 1939, the Daughters of the American Revolution refused permission for Anderson to sing to an integrated audience in Constitution Hall in Washington, DC. The incident placed Anderson into the spotlight of the international community on a level unusual for a classical musician. With the aid of First Lady Eleanor Roosevelt and her husband Franklin D. Roosevelt, Anderson performed a critically acclaimed open-air concert on Easter Sunday, April 9, 1939, on the steps of the Lincoln Memorial in the capital. She sang before an integrated crowd of more than 75,000 people and a radio audience in the millions. Anderson continued to break barriers for black artists in the United States, becoming the first black person, American or otherwise, to perform at the Metropolitan Opera in New York City on January 7, 1955. Her performance as Ulrica in Giuseppe Verdi's Un ballo in maschera was the only time she sang an opera role on stage. See her sing at the Lincoln Memorial: https://www.youtube.com/watch?v=mAONYTMf2pk Marian Anderson sings “Deep River” (Spiritual): https://www.youtube.com/watch?v=2bytFrsL4_4 2. -
20Th Anniversary Celebration
THE AFRICAN AMERICAN ART SONG ALLIANCE CONFERENCE 20th Anniversary Celebration February 9 – 12, 2017 Claire Trevor School of the Arts – Music The University of California, Irvine In collaboration with Christ Our Redeemer AME Church 45 Tesla, Irvine, Rev. Mark E. Whitlock, Jr., Pastor Host Hotel Transportation provided by COR AME Church Radisson Hotel Newport Beach via DMCLS, Inc. a minority-owned VIP transportation co. 4545 MacArthur Boulevard Mathurin Daniel, CEO Newport Beach, CA 92660 37 Rincon Way, Aliso Viejo, CA 92656 The African American Art Song Alliance artsongalliance.org Funding for this conference generously provided by: UCI Office of Inclusive Excellence Spirit Award Program; Christ Our Redeemer AME Church, 45 Tesla, Irvine, Rev. Mark E. Whitlock., Pastor; UCI Illuminations, the Chancellor’s Art & Culture Initiative; Hampsong Foundation; UC Consortium for Black Studies in California; COR Community Development Corporation (CORCDC); Chair’s Endowment, UCI Music Department; UCI African American Studies Department CONFERENCE PARTICIPANTS COMPOSERS SINGERS (cont) H. Leslie Adams, Cleveland, OH Kisma Jordan Hunter, University of Michigan, Flint, MI Judith Baity, Los Angeles, CA Albert R. Lee, University of Nevada, Reno, NV Brittney Elizabeth Boykin, Spelman College, Atlanta, GA Marquita Lister, Morgan State University, Baltimore, MD Maria Thompson Corley, Franklin & Marshall Coll., Lancaster, PA Leberta Lorál, Los Angeles, CA Marquez L.A. Garrett, Florida State University, Tallahassee, FL Jennifer Lindsay, Long Beach, CA Adolphus C. Hailstork, Old Dominion University, Norfolk, VA Oral Moses, Kennesaw State University, Kennesaw, GA Lori Celeste Hicks, Claflin University, Orangeburg, SC Marlaina Owens, Los Angeles, CA Charles Ingram, Los Angeles Southwest College, Los Angeles, CA Miranda Paulos, University of California, Irvine, CA Roy Jennings, New York, NY Willis C.