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Gilda's Club New York City
Gilda’s Club New York City ANNUAL 2 016 REPORT No One Should Face Cancer Alone BOARD OF DIRECTORS ASSOCIATE BOARD STAFF Laura J. Bartlett, Chair Ashley Loesch, Chair Alex Modell Lily Safani The Bowery Presents North East Equity, LLC Chief Executive Officer Robert J. Easton, Immediate Past Chair Dara Adams Ellie Newman Nadine Bartholomew BIONEST Partners SAS Ewenstein and Roth Program Administration Asst. Mark J. Alles Andrew Altschuler Erin Nourijanian Christine Braunstein Celgene Corporation AmeriMerchant Webster Hall Grant Writer Donnovan Andrews Christopher Chambers Tiffany Robin Fran Castellanos–Ross Overture Global High Line Health Brooklyn, Queens, Long Island Program Manager, Membership Area Health Education Center and Community Partners Rob Bochicchio Mandy Cheuk Blackwood Seven Fortress Investment Group Emily Sanchez Michele Halusic Freelance Stylist Associate Director, Program Faith Charles Elsa Di Ruggiero Thompson Hine LLP Kohlberg Kravis Roberts & Co. L.P. Victoria Scarborough Nivia Heron Receptionist Robert C. Faulkner Tracey Doolin Ari Schnitzer Redmile Group, LLC Inez Weinstein Special Events, Inc. Cablevision Systems Corp. Eileen Jackson Assoc. Director of Special Events Carl S. Goldfischer, MD Meghan Finlayson Jessica Serre Bay City Capital, LLC American Express Pask Productions Ramona Maysonet Bookkeeper Jennifer Hill Michelle K. Fong Lauren Servideo Remedy Analytics, Inc. Coach, Inc. Wolters Kluwer Pontip Rasavong Marketing and Sofija Jovic, PhD Maria Franceschelli Whitnee Shulman Communications Manager ProPhase, LLC Buzzfeed Steven Smolyn Janine Perillo Mike Lee Katherine Griffith Handel Architects Development Assistant Redmile Group, LLC RED Distribution John Switzer Michelle Ramlochan Ellen A. Lubman Krista Gundersen KKS Investments, LLC Executive Asst. to the CEO Allergan Practising Law Institute James Trani Emily Riordan Matthew R. -
The Musical Number and the Sitcom
ECHO: a music-centered journal www.echo.ucla.edu Volume 5 Issue 1 (Spring 2003) It May Look Like a Living Room…: The Musical Number and the Sitcom By Robin Stilwell Georgetown University 1. They are images firmly established in the common television consciousness of most Americans: Lucy and Ethel stuffing chocolates in their mouths and clothing as they fall hopelessly behind at a confectionary conveyor belt, a sunburned Lucy trying to model a tweed suit, Lucy getting soused on Vitameatavegemin on live television—classic slapstick moments. But what was I Love Lucy about? It was about Lucy trying to “get in the show,” meaning her husband’s nightclub act in the first instance, and, in a pinch, anything else even remotely resembling show business. In The Dick Van Dyke Show, Rob Petrie is also in show business, and though his wife, Laura, shows no real desire to “get in the show,” Mary Tyler Moore is given ample opportunity to display her not-insignificant talent for singing and dancing—as are the other cast members—usually in the Petries’ living room. The idealized family home is transformed into, or rather revealed to be, a space of display and performance. 2. These shows, two of the most enduring situation comedies (“sitcoms”) in American television history, feature musical numbers in many episodes. The musical number in television situation comedy is a perhaps surprisingly prevalent phenomenon. In her introduction to genre studies, Jane Feuer uses the example of Indians in Westerns as the sort of surface element that might belong to a genre, even though not every example of the genre might exhibit that element: not every Western has Indians, but Indians are still paradigmatic of the genre (Feuer, “Genre Study” 139). -
Expert Panelists Consider Community Development's Next Wave Intro
Expert Panelists Consider Community Development’s Next Wave Intro In spring of 2015, LISC NYC’s Executive Director, Sam Marks invited friends of LISC - top economists, policy analysts, journalists, community development gurus and current leaders of some of the city’s top community development corporations - to join staff in strategizing around critical questions facing New York’s community development sector. What can LISC NYC and its community development partners do to counter global and national trends exacerbating economic polarization? What is community development’s role in shaping the city’s upcoming neighborhood rezonings, preserving affordable housing, and, building human capital? How can the industry scale up even as it consolidates and redeploys resources to new areas and programming? Over the course of three panel discussions moderated by Marks, presenters and LISC NYC staff shed some light on next wave strategies for New York City’s neighborhoods. Panel 1: Global City/Global Trends: Panelists explained the global trends driving high real estate prices, economic polarization, gentrification and displacement and debated about the levers available to city government, LISC NYC and community developers to alleviate the harsh impacts on low and moderate income New Yorkers. Jonathan Bowles, Executive Director, Center for an Urban Future . Adam Davidson, co-founder and co-host, Planet Money . Ingrid Gould Ellen, Paulette Goddard Professor of Urban Policy and Planning, Director of the Urban Planning Program, New York University Wagner; Faculty Director, Furman Center for Real Estate and Urban Policy . Chris Herbert, Managing Director, Harvard’s Joint Center for Housing Studies Panel 2: Community development past, present and future: Former LISC NYC directors distilled their experiences using real estate strategies to address neighborhood issues and considered strategies to meet current challenges. -
Mbmbam 391: Jeff Wolfworthy Published on January 29, 2018 Listen Here on Themcelroy.Family
MBMBaM 391: Jeff Wolfworthy Published on January 29, 2018 Listen here on TheMcElroy.family Intro (Bob Ball): The McElroy brothers are not experts, and their advice should never be followed. Travis insists he’s a sexpert, but if there’s a degree on his wall, I haven’t seen it. Also, this show isn’t for kids, which I mention only so the babies out there will know how cool they are for listening. What’s up, you cool baby? [theme music, “(It’s a) Departure” by The Long Winters, plays] Justin: Hello, everybody, and welcome to My Brother, My Brother and Me, an advice show for the modern era. I’m your oldest brother, Justin McElroy! Travis: I’m your middlest brother, Travis McElroy! Griffin: I’m your sweet baby brother and 30 Under 30 media luminary, Griffin McElroy. Justin: Are you ready for more footballll? Griffin: I’m ready for twice the amount of football I currently consume, which would still... Justin: An undetermined night of the week party! Griffin: Whew! [sing-song] It’s all night, and the balls are hot; don’t touch the balls, ‘cause you’ll burn your hands! Justin: [sing-song] We have a bunch—some announcers to be determined that are gonna get it kickstarted. Travis: [sing-song] Or maybe, like, hand-off start it. We don’t know, we haven’t finished out the rules yet. Griffin: [sing-song] There may not even be a ball this time. It’s football of the mind, XFL. Justin: You’ve probably guessed we’re.. -
Lisa Donovan Has Been Hailed by Critics As an All- Around Entertainer Who Can Do It All
Lisa Donovan has been hailed by critics as an all- around entertainer who can do it all. As an actress, she won an award from the Southern California Motion Picture Council as "Outstanding Newcomer of the Year." As a singer, Lisa consistently receives rhapsodic reviews from the toughest critics in the business. As a comedienne, she's been praised for performing comedy with Lucille-Ball-like precision timing. And as a dancer, she received high critical praise from no less a publication than The New York Times. Lisa just finished a two-year run as Mother Superior in the delightful, world-famous musical comedy NUNSENSE at the now-named Westgate Hotel, formerly the Las Vegas Hilton, the hotel Elvis Presley called home. Lisa proved her enormous singing range on the long-running television show FACE THE MUSIC, which was broadcast first in national syndication and later on cable networks for more than a decade. On that show Lisa performed everything from soft rock to light opera and set some Guiness-type world records. In all, she sang parts of more than eleven thousand musical numbers. On the New York stage, Lisa starred in a revival of BABES IN ARMS, directed by the legendary Ginger Rogers, who hand-picked Lisa for the role. That's the play in which Lisa received all that praise from The New York Times, which actually likened her to a young Ginger Rogers. Lisa has performed non-musically as well. On the stage in Los Angeles, she played all three female roles in Sean Waldron's chilling drama about atomic radiation poisoning. -
Executive Producer) – Howard Braunstein, a Two-Time Emmy® Nominee, Was Born in 1961 and Raised in Los Angeles
‘LUCKY IN LOVE’ PRODUCTION BIOS HOWARD BRAUNSTEIN (Executive Producer) – Howard Braunstein, a two-time Emmy® nominee, was born in 1961 and raised in Los Angeles. He received his bachelor’s degree in Communication Studies at UCLA and his Master’s Degree from the USC Annenberg School for Communication. He started his career at the FOX Network in 1986, when the network was launched. After working at Fox for five years in the research, scheduling and current programming departments, he departed in 1991 to pursue his lifelong career goal of becoming a producer. He met long-time producer Michael Jaffe and they formed their own production company, Jaffe/Braunstein Films, Ltd. Together, they have produced more than 70 television films and six mini-series for the broadcast networks and cable buyers. 2009’s “The Informant” was Braunstein’s first feature film credit. Recent long-form projects that Braunstein and Jaffe have produced include “The Memory Keeper’s Daughter,” a 2008 telefilm for Lifetime Television and an Emmy nominee for outstanding movie-for-television, the multiple Emmy-nominated “Elvis,” a CBS Television mini-series event starring Golden Globe winner Jonathan Rhys Meyers in the title role, “The Engagement Ring,” starring Patricia Heaton for TNT, an earthquake disaster mini-series for NBC Universal Television titled “10.5 Apocalypse” -- sequel to the original ratings juggernaut -- featuring Kim Delaney and Frank Langella, “Faith of My Fathers,” based on Senator John McCain’s best-selling book, “Touch the Top of the World,” based on the true story of Erik Weihenmayer -- blind since childhood -- who eventually summits Mt. -
Production Information
Production Information Ladies’ man David teaches his dating tricks to his lonely, widowed grandfather Joe, while using those same tricks to meet Julie, the woman of his dreams. But as David's foolproof techniques prove to be anything but, the same techniques quickly transform Grandpa Joe into the Don Juan of the retirement community. But soon it's up to Grandpa Joe to teach David that the best way to win the game of love is not to play games at all. Story Films presents “Play The Game,” starring Paul Campbell, Andy Griffith, Doris Roberts, Marla Sokoloff and Liz Sheridan. The film is produced, written and directed by Marc Fienberg, and also features Clint Howard, Geoffrey Owens and Juliette Jeffers. The creative team includes Director of Photography Gavin Kelly, Production Designer Chris Anthony Miller, and Editor Kimberley Generous White. Jennifer Schaefer is the film’s Co-Producer, and the Music Supervisor is Robin Urdang. This film has been rated PG-13 for sexual content and language. The Story Twenty-eight year-old David (Paul Campbell) is an expert at using his psychological skills to manipulate customers in his job as a luxury car salesman – and manipulate women in his life as a ladies' man. He’s perfected his surefire steps, which include setting up elaborate “chance” encounters with women, never letting them discover that they're actually being pursued – only to be discarded. When David's lonely, widowed grandpa, Joe (Andy Griffith), asks for David's help in re- entering the dating world to find a companion, David agrees to teach him all his secret tricks. -
Famous People from Michigan
APPENDIX E Famo[ People fom Michigan any nationally or internationally known people were born or have made Mtheir home in Michigan. BUSINESS AND PHILANTHROPY William Agee John F. Dodge Henry Joy John Jacob Astor Herbert H. Dow John Harvey Kellogg Anna Sutherland Bissell Max DuPre Will K. Kellogg Michael Blumenthal William C. Durant Charles Kettering William E. Boeing Georgia Emery Sebastian S. Kresge Walter Briggs John Fetzer Madeline LaFramboise David Dunbar Buick Frederic Fisher Henry M. Leland William Austin Burt Max Fisher Elijah McCoy Roy Chapin David Gerber Charles S. Mott Louis Chevrolet Edsel Ford Charles Nash Walter P. Chrysler Henry Ford Ransom E. Olds James Couzens Henry Ford II Charles W. Post Keith Crain Barry Gordy Alfred P. Sloan Henry Crapo Charles H. Hackley Peter Stroh William Crapo Joseph L. Hudson Alfred Taubman Mary Cunningham George M. Humphrey William E. Upjohn Harlow H. Curtice Lee Iacocca Jay Van Andel John DeLorean Mike Illitch Charles E. Wilson Richard DeVos Rick Inatome John Ziegler Horace E. Dodge Robert Ingersol ARTS AND LETTERS Mitch Albom Milton Brooks Marguerite Lofft DeAngeli Harriette Simpson Arnow Ken Burns Meindert DeJong W. H. Auden Semyon Bychkov John Dewey Liberty Hyde Bailey Alexander Calder Antal Dorati Ray Stannard Baker Will Carleton Alden Dow (pen: David Grayson) Jim Cash Sexton Ehrling L. Frank Baum (Charles) Bruce Catton Richard Ellmann Harry Bertoia Elizabeth Margaret Jack Epps, Jr. William Bolcom Chandler Edna Ferber Carrie Jacobs Bond Manny Crisostomo Phillip Fike Lilian Jackson Braun James Oliver Curwood 398 MICHIGAN IN BRIEF APPENDIX E: FAMOUS PEOPLE FROM MICHIGAN Marshall Fredericks Hugie Lee-Smith Carl M. -
UAB-Psychiatry-Fall-081.Pdf
Fall 2008 Also Inside: Surviving Suicide Loss The Causes and Prevention of Suicide New Geriatric Psychiatry Fellowship Teaching and Learning Psychotherapy MESSAGE FROM THE CHAIRMAN Message Jamesfrom H .the Meador-Woodruff, Chairman M.D. elcome to the Fall 2008 issue of UAB Psychia- try. In this issue, we showcase some of our many departmental activities focused on patients of Wevery age, and highlight just a few of the people that sup- port them. Child and adolescent psychiatry is one of our departmental jewels, and is undergoing significant expansion. I am par- ticularly delighted to feature Dr. LaTamia White-Green in this issue, both as a mother of a child with an autism- spectrum disorder (and I thank Teddy and his grandmother both for agreeing to pose for our cover!), but also the new leader of the Civitan-Sparks Clinics. These Clinics are one of UAB’s most important venues for the assessment of children with developmental disorders, training caregivers that serve these patients, and pursuing important research outcome of many psychiatric conditions. One of our junior questions. The Sparks Clinics moved into the Department faculty members, Dr. Monsheel Sodhi, has been funded by of Psychiatry over the past few months, and I am delighted this foundation for her groundbreaking work to find ge- that we have Dr. White-Green to lead our efforts to fur- netic predictors of suicide risk. I am particularly happy to ther strengthen this important group of Clinics. As you introduce Karen Saunders, who shares how her own family will read, we are launching a new capital campaign to raise has been touched by suicide. -
Characters Reunite to Celebrate South Dakota's Statehood
2 x 2" ad 2 x 2" ad May 24 - 30, 2019 Buy 1 V A H A G R Z U N Q U R A O C Your Key 2 x 3" ad A M U S A R I C R I R T P N U To Buying Super Tostada M A R G U L I E S D P E T H N P B W P J M T R E P A Q E U N and Selling! @ Reg. Price 2 x 3.5" ad N A M M E E O C P O Y R R W I get any size drink FREE F N T D P V R W V C W S C O N One coupon per customer, per visit. Cannot be combined with any other offer. X Y I H E N E R A H A Z F Y G -00109093 Exp. 5/31/19 WA G P E R O N T R Y A D T U E H E R T R M L C D W M E W S R A Timothy Olyphant (left) and C N A O X U O U T B R E A K M U M P C A Y X G R C V D M R A Ian McShane star in the new N A M E E J C A I U N N R E P “Deadwood: The Movie,’’ N H R Z N A N C Y S K V I G U premiering Friday on HBO. -
The Critical Middle 20 08
The Critical Middle Maryland Middle School 20 Steering Committee A reason for hope JUNE 08 Nancy S. Grasmick State Superintendent of Schools JoAnne L. Carter Deputy State Superintendent Office of Instruction and Academic Acceleration Ronald A. Peiffer Deputy State Superintendent Office of Academic Policy A. Skipp Sanders Deputy State Superintendent Office of Administration Dunbar Brooks President Maryland State Board of Education Martin O’ Malley Governor Maryland State Department of Education 200 West Baltimore Street Baltimore, Maryland 21201 www.MarylandPublicSchools.org 410.767.0600 410.333.6442 (TTY) 1.888.246.0016 The Maryland State Department of Education does not discriminate on the basis of race, color, sex, age, national origin, sexual orientation, religion, or disability in matters affecting employment or in providing access to programs. © 2008 Maryland State Department of Education ii The Critical Middle Maryland Middle School 20 Steering Committee A reason for hope JUNE 08 Steering Committee Members* Mary Gable, Co-Chair Pam Edwards Director of Instructional Programs Guidance Counselor, Centreville Middle School Maryland State Department of Education Queen Anne’s County Public Schools Gerald Scarborough, Co-Chair Lorraine Fulton Assistant Superintendent for Curriculum & Assistant Superintendent of Instruction Instruction Carroll County Public Schools Harford County Public Schools Keith Gayler Ilene Swirnow, Co-Chair Lead Academic Policy Analyst Director of Elementary and Middle School Initiatives Maryland State Department -
Bob Christianson Bio 10-11
Bob Christianson is a composer, arranger, keyboard player and conductor. He is the composer and orchestrator for the new musical, “Take Me America” (book and lyrics by Bill Nabel), which opened the 2011-2012 season at The Village Theatre in Seattle. Bob’s new orchestral work, “A Christmas Carol – The Concert” (book adaptation and lyrics by Alisa Hauser) will have it’s world premier this December in with the Baltimore Symphony Orchestra on December 16th and 17th. It is a new version of the timeless Dickens ghost story written expressly for the concert stage. It uses a full orchestra and chorus, three male soloists, a narrator, and a “rock-pop” rhythm section. It is available now on iTunes and at Amazon.com. He has also composed and recorded a new “rock opera” called “Grail” (with lyricist and librettist Cappy Capossela). It is a futuristic re-telling of the “Fisher King” legend. The album is also available on iTunes and at Amazon.com. Bob was the most called upon composer for the HBO series, “Sex And The City”. He was nominated for an Emmy for his music for ABC Sports, and has scored many series for the Discovery family of networks, including “Secrets Of The National Parks” (Travel Channel), “The Blue Angels-A Year In The Life” (Discovery Channel) and “Beating The Odds” (Discovery Health). His television credits also include this season’s “Mysteries Of The Museum” (Travel Channel) and the iconic “NCAA Basketball Theme” for CBS. He has also scored “Life Is Wild” (for the CW) “The Equalizer” (CBS), “Gimme A Break” (NBC) and “The Winter Olympics” (CBS).