Late Night Jazz: Verreisen!

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Late Night Jazz: Verreisen! Samstag, 03. Juni 2017, 22.05 - 24.00 Uhr Es ist Pfingsten, das Wetter ist prächtig, die Berge und Seen locken zum Wandern oder Baden und Sie sind daheim? Gut gemacht! Denn wenn alle Welt im Stau vor dem Gotthardloch hockt, braucht es Sie nicht auf der Strasse. Ausserdem helfen wir in Late Night Jazz ihrer Vorstellungskraft ein wenig nach, wenn sie Sie in ferne Städte und Länder fantasiert. Egal ob in «Night Train», im «Slow Boat to China» oder schon wieder «Flying Home»! Redaktion: Beat Blaser Moderation: Annina Salis Rantala/Danielsson/Erskine: How Long Is Now? (2016) Label: ACT Track 1: Voyage Hazy Osterwald Sextet: Hazy Osterwald Classic Collection 1951-1964' Vol. 2 (1954) Label: Strictly Jazz CD 2 Track 17: Swiss Air Rebekka Bakken: Little Drop Of Poison (2014) Label: EmArcy Track 1: Broken Bicycles Anke Helfrich: Stormproof (2009) Label: Enja Records Track 8: Swiss Movement Frank Wess: Tryin' To Make My Blues Turn Green (1993) Label: Concord Track 10: Blues In the Car Al Cohn & Zoot Sims: Motoring Along (1974) Label: Gazell Track 4: Motoring Along Matthieu Michel: Okipik Label: Plainisphare Track 11: No More Trafic Sir Roland Hanna Trio: Milano, Paris, New York: Finding John Lewis (2002) Label: Venus Track 8: The Clarion Bells Of Zurich Tony Bennett: The Rodgers and Hart Songbook (1973) Label: DRG Track 20: Mountain Greenery Marcin Wasilewski Trio: Faithful (2011) Label: ECM Track 10: Lugano Lake Bobby Watson & Horizon: Post-Motown Bop (1990) Label: Blue Note Track 5: Appointment in Milano Rosemary Clooney: Demi-Centennial! (1994) Label: Concord Jazz Track 11: Mambo Italiano Claudio Ottaviano Quartet: Aurora (2015) Label: Eigenvertrieb Track 2: Luci Di Milano Bob Mamet: Impromptu (2010) Label: Counterpoint Track 3: Venice Waltz Basso, Sellani: A la France 2 (2001) Label: Philologie Track 5: Douce France Andrea Pozza: Siciliana (2015) Label: Trio Records Track 2: Siciliana Roger Cicero: Männersachen (2007) Label: Starwatch Track 17: So geil ist Berlin Vienna Art Orchestra: Swing & Affairs (2005) Label: EmArcy Track 7: When Vienna Doesn’t Waltz Ernestine Anderson: Be Mine Tonight (1986) Label: Concord Jazz Track 7: London By Night Ian Shaw: The Theory Of Joy (2016) Label: JazzVillage Track 3: In France They Kiss on Main Street Michel Camilo and Tomatito: Spain (2006) Label: Lola Records Track 2: Spain Torsten Goods: Irish Heart (2006) Label: ACT Track 1: Sweet North Dory Previn: Dory & André Previn (1957) Label: DRG Track 2: Lonely Girl In London Bill Evans: Explorations (1961) Label: Riverside Track 1: Israel Eric Alexander: Optimism: One for All (1998) Label Sharp Nine Track 2: Stranger In Moscow .

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Song of Songs Case SS Class Part 7
Solomon and Sinatra: The Song of Songs and Romance in the Church Robert Case A Sunday School Class Faith Presbyterian Church Tacoma, Washington 2016 Part 7 Turning to an allegory from the American Songbook, I have two selections: “Ghost Riders in the Sky” "Ghost Riders in the Sky" is an allegorical song written in 1948 by the prolific Stan Jones. Members of the Western Writers of America chose it as the top western song of all time! Those of us from Ellensburg love this song. The song tells the allegorical folk tale of a lone cowboy who has a vision of “red-eyed, steel-hooved” cattle thundering across the sky, being chased by the spirits of Hell-bound cowboys. One cowboy warns our loner, like Dives in Luke 16:27, that “if he does not change his ways today,” he will be doomed to join them, forever "trying to catch the Devil's herd across these endless skies". The song lyrics also have a faint echo of Deuteronomy 33:26, “There is none like God, O Jeshurun, who rides through the heavens to your help, through the skies in his majesty.” I Kings 8:47, “if they turn their heart in the land to which they have been carried”; “Psalm 68:33, “to him who rides in the heavens, the ancient heavens; behold, he sends out his voice, his mighty voice.” and Psalm 7:12, “If he does not turn, [God] will whet his sword; he hath bent his bow, and made it ready.” Mr. Jones also wrote the music for the popular John Wayne western films The Horse Soldiers, The Searchers, Rio Grande and the television series Cheyenne, starring the Christian actor, Clint Walker.
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100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary
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Pioneers of the Concept Album
Fancy Meeting You Here: Pioneers of the Concept Album Todd Decker Abstract: The introduction of the long-playing record in 1948 was the most aesthetically signi½cant tech- nological change in the century of the recorded music disc. The new format challenged record producers and recording artists of the 1950s to group sets of songs into marketable wholes and led to a ½rst generation of concept albums that predate more celebrated examples by rock bands from the 1960s. Two strategies used to unify concept albums in the 1950s stand out. The ½rst brought together performers unlikely to col- laborate in the world of live music making. The second strategy featured well-known singers in song- writer- or performer-centered albums of songs from the 1920s, 1930s, and 1940s recorded in contemporary musical styles. Recording artists discussed include Fred Astaire, Ella Fitzgerald, and Rosemary Clooney, among others. After setting the speed dial to 33 1/3, many Amer- icans christened their multiple-speed phonographs with the original cast album of Rodgers and Hammer - stein’s South Paci½c (1949) in the new long-playing record (lp) format. The South Paci½c cast album begins in dramatic fashion with the jagged leaps of the show tune “Bali Hai” arranged for the show’s large pit orchestra: suitable fanfare for the revolu- tion in popular music that followed the wide public adoption of the lp. Reportedly selling more than one million copies, the South Paci½c lp helped launch Columbia Records’ innovative new recorded music format, which, along with its longer playing TODD DECKER is an Associate time, also delivered better sound quality than the Professor of Musicology at Wash- 78s that had been the industry standard for the pre- ington University in St.
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AL COHN Texto
AL COHN Texto: Mario Benso Magnífico saxofonista y no menos talentoso arreglista y compositor, Al Cohn era originario de Nueva York y comenzo su carrera profesional a mediados de los an# os 40, tocando entre otros con Boyd Raeburn y Buddy Rich. Pero su momento le llegaría cuando recibe una propuesta para sustituir a Herbie Steward en el tremendamente popular “Segundo reban# o” de Woody Herman, convirtiendose así en miembro de los no menos populares Four Brothers de la big band del clarinetista. Y aunque Cohn no podía rivalizar au n con tipos tan reputados como Stan Getz o su futuro compan# ero de proyectos musicales Zoot Sims, sí que contribuyo con algo que estos no habían aportado al grupo: arreglos, y de los buenos, como atestigua uno de sus mas reconocidos: The Goof And I, una composicion suya que la orquesta grabo en 1948. Tras finalizar su experiencia con Herman, Cohn paso a la orquesta de orientacio n bebop que Artie Shaw puso en marcha en 1949, pero tras su rapida disolucio n opto por centrarse en su propia carrera como líder durante la decada de los 50, realizando un buen nu mero de sesiones discograficas y poniendo su talento como compositor y arreglista al servicio de distintos contextos, no todos estrictamente jazzísticos. Otro de los momentos mas recordados de su trayectoria fue el quinteto que co-lidero con su antiguo compan# ero de los tiempos de Woody Herman Zoot Sims, adscrito a la formula del du o de tenores tan a la moda en los 50. Al y Zoot grabaron un pun# ado de estupendos discos donde dejaban muy clara su mutua empatía, hasta el punto incluso de que a veces no resultaba tarea facil distinguir a uno del otro a la hora de los solos.
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1 POPULAR MUSIC in the MERCER ERA, 1910-1970 Building Bridges
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FLORIDA REPERTORY THEATRE GREG LONGENHAGEN, Artistic Director • JOHN MARTIN, Managing Director 2018-2019 SEASON ARTSTAGE STUDIO THEATRE • FORT MYERS RIVER DISTRICT
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John Clark Brian Charette Finn Von Eyben Gil Evans
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State Highlights 10/1/1952
Western Michigan University ScholarWorks at WMU Western's high school newspaper Western Michigan University 10-1-1952 State Highlights 10/1/1952 Western State High School Follow this and additional works at: https://scholarworks.wmich.edu/high-school-news Part of the Secondary Education Commons WMU ScholarWorks Citation Western State High School, "State Highlights 10/1/1952" (1952). Western's high school newspaper. 173. https://scholarworks.wmich.edu/high-school-news/173 This Newspaper is brought to you for free and open access by the Western Michigan University at ScholarWorks at WMU. It has been accepted for inclusion in Western's high school newspaper by an authorized administrator of ScholarWorks at WMU. For more information, please contact wmu- [email protected]. State Highlights Volume IX Kalamazoo, Michigan, October 11 1952 Number 1 Summer Survey Mr. Sack Welcomed Library It seems that teachers too, like to Gets Face make the most out of the summer break. For instance, Mr. Stauffer Lifting turned his talents to managing his resort-restaurant up north and enter- Big things have happened in our tai.ning the customers by playing the library since we left school last Hammond organ during the supper hour, while Miss Crisman spent a Spring. Miss Lowrie is very pleased relaxing summer at home "just keep- with the improvement of facilities ing house." and she is certain that the wholt. Westward bound were two of the school will benefit from the changes. luckier faculty members. Miss Steke- tee got a first-hand view of the Cana- The old eighth grade room has been dian Rockies and saw a real rodeo directly connected to the main Ii" complete with cowboys.
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“Tenderly” Tells Story of Rosemary Clooney with Songs You Will
“Tenderly” tells story of Rosemary Clooney with songs you will remember https://morganhilllife.com/2018/05/07/curtains-up-theater-review-by-camille-bounds-tenderly-tells- story-of-rosemary-clooney-with-songs-you-will-remember/ By Camille Bounds Published online on May 7, 2018 “Tenderly” is the first musical of Gilroy’s Limelight’s 2018 season. It tells the little-known poignant life story of Rosemary Clooney. It is written by Janet Yates Vogt and Mark Friedman, produced by Kevin Heath and Alan Obata, and directed by the talented Diane Milo, (Always-Patsy Cline), who also marvelously plays Rosemary from her neglected, destitute childhood to her final return to stage and screen after a rollercoaster ride at life. Milo’s voice carries throughout the performance with a fine resonance. All Clooney’s songs are threaded through the production from her “Come On A My House,” “Botch-a Me,” Mambo Italiano,” Tenderly,” “Count Your Blessings,” “It’s Only a Paper Moon,” and “Straighten Up And Fly Right” just to name a few. Clooney had two rocky marriages to actor Jose Ferrer, with whom she had five children and struggled to maintain mental stability throughout her life. Liquor and pills finally took her stardom for about eight years when she was invited to perform by her good friend Bing Crosby in his “50th Anniversery Special” and be in the movie ” White Christmas.” She then maintained her stability until her death from lung cancer in 2002. (She was George Clooney’s aunt.) Michael Hirsch as Dr. Victor Monke, her psychiatrist, also plays all the other characters from her mother to Jose Ferrer to Bing Crosby.
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Butler University Generations Ensemble
BUTLER UNIVERSITY SCHOOL OF MUSIC presents BUTLER UNIVERSITY GENERATIONS ENSEMBLE Brent Wallarab, director Featuring Erin Benedict and Annie Brown, vocals Livestream Thursday, January 28, 2021 7:30 P.M. The forty-second program of the Butler University School of Music 2020-21 season Jordan College of the Arts | Butler University | 4600 Sunset Ave | Indianapolis, IN | 46208 PROGRAM Work Song Nat Adderley (1931-2000) Arr. Geoffrey Keezer Tucker Woerner, bass trombone Tom Pieciak, trumpet Xavier Robertson, tenor saxophone At Long Last Love Cole Porter (1891-1964) Arr. Jamey Simmons Erin Benedict, vocals A Flower is A Lovesome Thing Billy Strayhorn (1915-1967) Erin Benedict, vocals Scott Kelley, tenor saxophone Bemsha Swing Thelonious Monk (1917-1982) Arr. Bill Holman Gary Walters, piano Mitchell Remington, trumpet Matt Pivec, alto saxophone Pure Spirit Steve Allee (b. 1950) Mitchell Remington, flugelhorn Sandy Williams, guitar Angel Eyes Matt Dennis (1914-2002) Arr. Mark Buselli Annie Brown, vocals Bird Count Maria Schneider (b. 1960) Gary Walters, piano Ethan Hodes, trumpet Richard Dole, trombone Zachary Weiler, baritone saxophone Jordan College of the Arts | Butler University | 4600 Sunset Ave | Indianapolis, IN | 46208 BUTLER UNIVERSITY GENERATIONS ENSEMBLE Brent Wallarab, director This performance marks the debut of the Butler University Generations Ensemble, comprised of current Butler students, recent graduates, and faculty. Rhythm Section Drums – Jonathan Padgett, Chelsea Hughey Bass – David Richards, Jesse Wittman* Guitar – Sandy
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Press Release
FOR IMMEDIATE RELEASE: MEDIA CONTACT: Kathy Brown September 29, 2005 614-325-0879 THE GRAND OPENING OF THE ROSEMARY CLOONEY HOUSE, INC. Former Kentucky Lt. Gov. Steve Henry and his wife Heather French Henry will be joined by members of Rosemary’s family and local dignitaries for the official Grand Opening of The Rosemary Clooney House, Inc. (Augusta, KY) - Former Kentucky Lieutenant Governor, Steve Henry, and his wife Heather French Henry, Miss America 2000, have announced plans for the Grand Opening and Ribbon Cutting Ceremony for The Rosemary Clooney House, Inc. In the midst of a weekend of festivities, the official Ribbon Cutting ceremony will take place in front of Rosemary’s home at 106 East Riverside Drive, Augusta, at 11 AM. on Saturday, October 1st, 2005. The Henry’s will be joined by Rosemary’s husband, Dante DiPaolo, her brother and his wife, Nick and Nina Clooney, her sister and her husband, Gail and Chris Darley, her childhood best friend, Blanchie Mae Chambers, and her friend and “Girl Singer” co-author, Joan Barthel. Local dignitaries on hand will include: John Laycock, Mayor of Augusta, David Cartmell, Mayor of Maysville, and Mike Denham, State Representative, District 70. The Grand Opening coincides with the annual Rosemary Clooney Concert held in Maysville, Kentucky, on the evening of October 1st. In addition to being able to tour the home where Rosemary spent a quarter of her time in the last two decades of her life, visitors to the home will be able to view exhibits that include: • The largest collection of “White Christmas” memorabilia anywhere.
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THE ROSEMARY CLOONEY MUSICAL Starring: Susan Haefner Who Originated the Role of Rosemary Clooney! “Susan… IS Rosemary Clooney
Become an Advertiser today for this exciting show about a true Hollywood Legend! Ticket sales alone do not cover the costs of producing live professional theatre productions; we have to supplement by fundraising through grants, sponsorship, program advertising, and individual donations. Rosemary Clooney was an American singer and actress. She came to prominence in the early 1950’s with the song “Come On-a My House.” Many other successful pop songs followed: “Botch-a-Me”, “Mambo Italiano”, “Tenderly”, “Half as Much”, “Hey There” and “This Ole House.” She also had success as a jazz vocalist. Rosemary’s career declined in the 1960’s, partly due to depression and drug addiction. In 1977, Bing Crosby asked her to appear with him at a show marking his 50th anniversary in show business, and her career was immediately revived! She continued recording until her death in 2002. TENDERLY: THE ROSEMARY CLOONEY MUSICAL Starring: Susan Haefner who originated the role of Rosemary Clooney! “Susan… IS Rosemary Clooney. Not only does she look like a young Rosemary Clooney, but she sounds like her, too” (Florida Weekly). January 15th - February 2nd, 2020 by Janet Yates Vogt and Mark Friedman Directed by Kyle Brand Music Direction by Robert James Tomasulo Choreography by MK Lawson A loving re-creation of 20 or so of Rosemary Clooney’s popular songs and a fresh, remarkably personal, and poignant picture of the woman whose unparalleled talent and unbridled personality made her a legend. With her signature songs woven in and out, we learn both the story of her successes on film, radio, and TV, as well as her struggles in her personal life.
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