Rosemary Clooney Demi-Centennial Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Rosemary Clooney Demi-Centennial mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Demi-Centennial Country: US Released: 1995 Style: Vocal MP3 version RAR size: 1493 mb FLAC version RAR size: 1704 mb WMA version RAR size: 1226 mb Rating: 4.7 Votes: 545 Other Formats: XM MPC FLAC RA AU AIFF AAC Tracklist Hide Credits 1 Danny Boy 3:02 The Coffee Song 2 2:43 Vocals – Cathi Campo 3 I'm Confessin' That I Love You 4:25 4 I Left My Heart In San Francisco 3:47 5 Old Friends 4:54 6 White Christmas 3:12 7 There Will Never Be Another You 3:20 8 Falling In Love Again 2:31 9 Sophisticated Lady 3:36 10 How Will I Remember You 4:12 11 Mambo Italiano 2:30 12 The Promise (I'll Never Say Goodbye) 4:04 13 Heart's Desire 4:01 14 We'll Meet Again 4:11 15 Time Flies 3:32 16 Dear Departed Past 6:23 Companies, etc. Recorded At – Group IV Recording Studios Recorded At – Sound On Sound, New York Remixed At – PER Credits Art Direction – Kent Judkins Coordinator [Production Coordinator] – Michael Hoaglin, Jr. Engineer [Recording] – Alan Varner (tracks: 1), Phil Edwards (tracks: 2 to 16) Mastered By – George Horn Music Director – John Oddo Photography By – David Fischer Producer – Carl E. Jefferson, John Burk Remix – Phil Edwards Notes Recorded at Group IV, Hollywood, CA Oct. 10-13, 1994, except track 1: recorded at Sound on Sound Recording, New York, NY Nov. 11, 1994 Barcode and Other Identifiers Barcode: 013431463320 Related Music albums to Demi-Centennial by Rosemary Clooney Jazz Rosemary Clooney And Duke Ellington And His Orchestra - Blue Rose Pop Rosemary Clooney - Hymns From The Heart Folk, World, & Country Rosemary Clooney - Half As Much Jazz / Rock / Blues / Pop Various - 1950s Discovered Jazz Bing Crosby, Rosemary Clooney & Friends - Over 1 Hour Of Festive Christmas Songs Pop Rosemary Clooney - Christmas With Rosemary Clooney Stage & Screen Rosemary Clooney - Theme From"Return To Peyton Place"(The Wonderful Season Of Love) Jazz / Classical Rosemary Clooney - The Classic Rosemary Clooney Other - For Dining And Dreaming I Left My Heart In San Francisco Funk / Soul Bobby Womack - I Left My Heart In San Francisco / Love, The Time Is Now.

Copy Link

Recommended publications

Song of Songs Case SS Class Part 7
Solomon and Sinatra: The Song of Songs and Romance in the Church Robert Case A Sunday School Class Faith Presbyterian Church Tacoma, Washington 2016 Part 7 Turning to an allegory from the American Songbook, I have two selections: “Ghost Riders in the Sky” "Ghost Riders in the Sky" is an allegorical song written in 1948 by the prolific Stan Jones. Members of the Western Writers of America chose it as the top western song of all time! Those of us from Ellensburg love this song. The song tells the allegorical folk tale of a lone cowboy who has a vision of “red-eyed, steel-hooved” cattle thundering across the sky, being chased by the spirits of Hell-bound cowboys. One cowboy warns our loner, like Dives in Luke 16:27, that “if he does not change his ways today,” he will be doomed to join them, forever "trying to catch the Devil's herd across these endless skies". The song lyrics also have a faint echo of Deuteronomy 33:26, “There is none like God, O Jeshurun, who rides through the heavens to your help, through the skies in his majesty.” I Kings 8:47, “if they turn their heart in the land to which they have been carried”; “Psalm 68:33, “to him who rides in the heavens, the ancient heavens; behold, he sends out his voice, his mighty voice.” and Psalm 7:12, “If he does not turn, [God] will whet his sword; he hath bent his bow, and made it ready.” Mr. Jones also wrote the music for the popular John Wayne western films The Horse Soldiers, The Searchers, Rio Grande and the television series Cheyenne, starring the Christian actor, Clint Walker.
[Show full text]
100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary
[Show full text]
Pioneers of the Concept Album
Fancy Meeting You Here: Pioneers of the Concept Album Todd Decker Abstract: The introduction of the long-playing record in 1948 was the most aesthetically signi½cant tech- nological change in the century of the recorded music disc. The new format challenged record producers and recording artists of the 1950s to group sets of songs into marketable wholes and led to a ½rst generation of concept albums that predate more celebrated examples by rock bands from the 1960s. Two strategies used to unify concept albums in the 1950s stand out. The ½rst brought together performers unlikely to col- laborate in the world of live music making. The second strategy featured well-known singers in song- writer- or performer-centered albums of songs from the 1920s, 1930s, and 1940s recorded in contemporary musical styles. Recording artists discussed include Fred Astaire, Ella Fitzgerald, and Rosemary Clooney, among others. After setting the speed dial to 33 1/3, many Amer- icans christened their multiple-speed phonographs with the original cast album of Rodgers and Hammer - stein’s South Paci½c (1949) in the new long-playing record (lp) format. The South Paci½c cast album begins in dramatic fashion with the jagged leaps of the show tune “Bali Hai” arranged for the show’s large pit orchestra: suitable fanfare for the revolu- tion in popular music that followed the wide public adoption of the lp. Reportedly selling more than one million copies, the South Paci½c lp helped launch Columbia Records’ innovative new recorded music format, which, along with its longer playing TODD DECKER is an Associate time, also delivered better sound quality than the Professor of Musicology at Wash- 78s that had been the industry standard for the pre- ington University in St.
[Show full text]
AMERICAN MANHOOD in the CIVIL WAR ERA a Dissertation Submitted
UNMADE: AMERICAN MANHOOD IN THE CIVIL WAR ERA A Dissertation Submitted to the Graduate School of the University of Notre Dame in Partial Fulfillment of the Requirements for the Degree of Doctor in Philosophy by Michael E. DeGruccio _________________________________ Gail Bederman, Director Graduate Program in History Notre Dame, Indiana July 2007 UNMADE: AMERICAN MANHOOD IN THE CIVIL WAR ERA Abstract by Michael E. DeGruccio This dissertation is ultimately a story about men trying to tell stories about themselves. The central character driving the narrative is a relatively obscure officer, George W. Cole, who gained modest fame in central New York for leading a regiment of black soldiers under the controversial General Benjamin Butler, and, later, for killing his attorney after returning home from the war. By weaving Cole into overlapping micro-narratives about violence between white officers and black troops, hidden war injuries, the personal struggles of fellow officers, the unbounded ambition of his highest commander, Benjamin Butler, and the melancholy life of his wife Mary Barto Cole, this dissertation fleshes out the essence of the emergent myth of self-made manhood and its relationship to the war era. It also provides connective tissue between the top-down war histories of generals and epic battles and the many social histories about the “common soldier” that have been written consciously to push the historiography away from military brass and Lincoln’s administration. Throughout this dissertation, mediating figures like Cole and those who surrounded him—all of lesser ranks like major, colonel, sergeant, or captain—hem together what has previously seemed like the disconnected experiences of the Union military leaders, and lowly privates in the field, especially African American troops.
[Show full text]
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] KÜNSTLER Hank Williams TITEL The Legend Begins LABEL Bear Family Records KATALOG # TL 17258 PREIS-CODE CP FORMAT 3 CDs mit 16-seitigem Booklet GENRE Country ANZAHL TITEL 61 SPIELDAUER 70:35 G 3CDs im Schuber, 16-seitiges Booklet, 61 Einzeltitel. G Unglaublich, doch wahr! Es gibt noch immer unveröffentlichte Aufnahmen von Hank Williams zu entdecken. INFORMATIONEN Diese Momentaufnahmen zeigen einen Fünfzehnjährigen, der seine ersten Aufnahmen macht und – zwei Jahre später – einen schnodderigen jungen Sänger mit einer kleinen Fangemeinde in seiner Heimatstadt Montgomery, Alabama. Weitere neun Jahre später, soeben in Nashville angekommen, bekommt er seine erste landesweit ausgestrahlte Radiosendung. Schließlich, als der größte Star der Country Music, spielt er ab Herbst 1950 einige Shows für eine öffentliche Stiftung. Zwei Jahre nach der letzten dieser Shows sollte seine kurze, aufwieglerische Karriere abrupt zu Ende gehen. 1938 oder 39, Hank war fünf- zehn und litt nicht unter mangelndem Selbstbewußtsein, nahm er Fan It,einen ursprünglich dem Bluesmusiker Frankie 'Half Pint' Jackson zugeordneten Song auf. Die Rückseite war eine Version von Alexander's Ragtime Band. Zwei Jahre später, bei einer Wohnzimmer-Session im Jahre 1940, klingt Hank reifer und seine Musik 'rockte' im Vergleich zu dem, was man im Radio zu hören bekam. Die ersten Aufnahmen für die 'Health and Happiness'-Shows entstanden wohl im Oktober 1949 in Nashville. Auf dieser Zusammenstellung gibt es die Aufnahmen erstmals original und unverfälscht und ohne störende zusätzliche 'overdubs'. Diese Edition umfaßt einen Zeitraum von zwölf Jahren und dokumentiert Hanks Aufstieg vom 'singenden Jungen' beim Hei- matsender WSFA in Alabama zum alles überragenden Country-Star seiner Zeit.
[Show full text]
Hank Williams with His Drifting Cowboys I'm Satisfied with You / I Ain't Got Nothin' but Time Mp3, Flac, Wma
Hank Williams With His Drifting Cowboys I'm Satisfied With You / I Ain't Got Nothin' But Time mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: I'm Satisfied With You / I Ain't Got Nothin' But Time Country: US Released: 1954 Style: Country MP3 version RAR size: 1138 mb FLAC version RAR size: 1373 mb WMA version RAR size: 1327 mb Rating: 4.2 Votes: 278 Other Formats: AU MOD FLAC ASF MIDI AA DTS Tracklist Hide Credits I'm Satisfied With You A Written-By – Rose* I Ain't Got Nothin' But Time B Written-By – Hank Williams Notes ®Metrolite Non-Breakable under normal use. Barcode and Other Identifiers Matrix / Runout (Side A label): 47-S-6006 Matrix / Runout (Side B label): 53-S-6115 Matrix / Runout (Side A runout): D 47S6006 B Matrix / Runout (Side B runout): A 53S6115 B Other versions Category Artist Title (Format) Label Category Country Year Hank Williams I Ain't Got Nothin' With His But Time / I'm MGM K 11768 K 11768 US 1954 Drifting Satisfied With You Records Cowboys (7", Single) Hank Williams I'm Satisfied With With His You / I Ain't Got MGM MGM-SP-1102 MGM-SP-1102 Netherlands 1959 Drifting Nothin' But Time Records Cowboys (7", Single) Hank Williams I'm Satisfied With With His You / I Ain't Got MGM MGM-SP-1102 MGM-SP-1102 UK Unknown Drifting Nothin' But Time Records Cowboys (7", Single) Related Music albums to I'm Satisfied With You / I Ain't Got Nothin' But Time by Hank Williams With His Drifting Cowboys Hank Williams With His Drifting Cowboys - Hey, Good Lookin' / My Heart Would Know Hank Williams And His Drifting
[Show full text]
1 POPULAR MUSIC in the MERCER ERA, 1910-1970 Building Bridges
1 POPULAR MUSIC IN THE MERCER ERA, 1910-1970 Building Bridges: Hank Williams and the Hit Parade (Draft version submitted November 2010) By Dr. Steve Goodson University of West Georgia Carrollton, GA Hank Williams is widely regarded as the archetypal country music singer, songwriter, and performer. Phenomenally successful during his brief lifetime, he has become -- in the nearly six decades since his death -- something of a national cultural institution. He appeared on a U.S. postage stamp in 1993, he was the focus of a Smithsonian Institution symposium in 1999 – the first country artist to be so honored – and he was the subject of a documentary featured on the PBS American Masters series in 2004. When Mercury Records released a 10-CD compilation of his work – The Complete Hank Williams – the groundbreaking set received substantial reviews from a remarkable array of prestigious mainstream publications, including The New York Times, The Wall Street Journal, the Village Voice, and the Times and the Guardian of London. Fans – most of them too young to remember Williams personally, continue to trek to his grave in his hometown of Montgomery, Alabama, often visiting as well as the city's Hank Williams museum and the nearby Williams statue. Artists continue to record his songs, not only in the country field, but in a variety of genres – Norah Jones and Van Morrison being recent examples. The enduring popularity of and ever-growing esteem – even reverence – for this star- crossed performer are remarkable given that his recording career lasted but six years, and that he did not live to see thirty years of age.
[Show full text]
FLORIDA REPERTORY THEATRE GREG LONGENHAGEN, Artistic Director • JOHN MARTIN, Managing Director 2018-2019 SEASON ARTSTAGE STUDIO THEATRE • FORT MYERS RIVER DISTRICT
FLORIDA REPERTORY THEATRE GREG LONGENHAGEN, Artistic Director • JOHN MARTIN, Managing Director 2018-2019 SEASON ARTSTAGE STUDIO THEATRE • FORT MYERS RIVER DISTRICT PRESENTS THE ROSEMARY CLOONEY MUSICAL BY JANET YATES VOGT & MARK FRIEDMAN SPONSORED BY SAM GALLOWAY FORD LINCOLN STARRING SUSAN HAEFNER* • MICHAEL MAROTTA* DIRECTED BY ELEANOR HOLDRIDGE** MUSICAL DIRECTOR CHOREOGRAPHER VICTORIA CASELLA MK LAWSON SET DESIGNER COSTUME DESIGNER LIGHTING DESIGNER JORDAN MOORE CHARLENE GROSS*** TODD O. WREN*** ensemble member SOUND DESIGNER PRODUCTION STAGE ASST. STAGE MANAGER KATIE LOWE MANAGER KATELYNN FOSTER AMY L. MASSARI* ensemble member TENDERLY, THE ROSEMARY CLOONEY MUSICAL is presented through special arrangement with and all authorized performance materials are supplied by Theatrical Rights Worldwide (TRW), 1180 Avenue of the Americas, Suite 640, New York, NY 10036. (866) 378-9758 www.theatricalrights.com 2018-19 GRAND SEASON SPONSORS IN THE KNOW. IN THE NOW. This entire season sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs, and the Florida Council on Arts and Culture. Florida Repertory Theatre is a fully professional non-profit LOA/LORT Theatre company on contract with the Actors’ Equity Association that proudly employs members of the national theatrical labor unions. *Member of Actors’ Equity Association. **Member of the Stage Directors and Choreographers Society. ***Member of United Scenic Artists. ABOUT THE PLAYWRIGHTS MARK FRIEDMAN fell in love with musicals at THE an early age when he
[Show full text]
II: Teresa Brewer Collections
CONTENTS Teresa’s Singles Section I Teresa’s Collections Section II Multi-Artist Collections featuring Teresa Brewer Section III Radio, TV & Movie Appearances by Teresa Brewer Section IV Sheet Music of Teresa Brewer Songs Section V Reprinted from the Teresa Brewer Center, http://www.teresafans.org 6/7/2019 t Section II CONTENTS Teresa’s Collections (by Title) Page A – B III-2 C – K III-5 L – N III-9 O – S III-15 T III-19 U – Z III-34 Reprinted from the Teresa Brewer Center, http://www.teresafans.org 6/7/2019 Page II-1 Teresa Brewer ProduCt List – SeCtion II / Teresa’s ColleCtions (by title) Teresa’s Collections: (BY TITLE) A Bouquet of Hits from Teresa Brewer (1954) Original release: October 20, 1954 Jilted Baby Baby Baby Orchestra directed by Jack Pleis. My Sweetie Went Away (10" LP/Mono Coral 56072) [B0010] ChiCago Style Skinnie Minnie I Had Someone Else Before I Had You Danger Signs Au ReVoir A Sophisticated Lady (1981) With Shelly Manne & His Men. Featuring Benny Carter, It Don't Mean a Thing If It Ain't Got That Swing Oscar Brashear, Chuck Domanico & Mike Lang. Don't Get Around MuCh Anymore Recorded at TTG Studios in Los Angeles. SophistiCated Lady (Instrumental) Solitude (LP Columbia FC 37363) [B0080] Duke's PlaCe Come Sunday (Cassette Columbia FCT 37363) [B0090] I'm Beginning to See the Light (CD Columbia CK 37363) [B0100] I Got It Bad and That Ain't Good I Let a Song Go Out of My Heart (CD My Music Boutique TB131 – 2010) [B0081] A Sweet Old Fashioned Girl (1995) Collection of previously released recordings.
[Show full text]
Hank Williams Eight Classic Albums Mp3, Flac, Wma
Hank Williams Eight Classic Albums mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Eight Classic Albums Country: Europe Released: 2013 Style: Country MP3 version RAR size: 1357 mb FLAC version RAR size: 1156 mb WMA version RAR size: 1184 mb Rating: 4.6 Votes: 454 Other Formats: AHX WMA APE XM MPC AC3 DTS Tracklist I Saw The Light 1-1 I Saw The Light 2:45 1-2 Calling You 2:52 1-3 Dear Brother 2:45 1-4 Wealth Won't Save Your Soul 2:46 1-5 I'm Gonna Sing 1:54 1-6 Message To My Mother 2:40 1-7 How Can You Refuse Him Now 2:50 1-8 When God Comes And Gathers His Jewels 2:49 1-9 Jesus Remembered Me 2:51 1-10 A House Of Gold 2:21 1-11 Thank God 2:19 1-12 The Angel Of Death 2:34 Ramblin' Man 1-13 Ramblin' Man 3:01 1-14 My Son Calls Another Man Daddy 2:32 1-15 I Can't Escape From You 2:23 1-16 Nobody's Lonesome For Me 2:30 1-17 I Can't Help It (If I'm Still In Love With You) 2:23 1-18 There'll Be No Tear Drops Tonight 2:49 1-19 (I Heard That) Lonesome Whistle 2:25 1-20 I Just Don't Like This Kind Of Livin' 2:47 1-21 Take These Chains From My Heart 2:36 1-22 Why Don't You Love Me 2:23 1-23 My Heart Would Know 2:24 1-24 You're Gonna Change (Or I'm Gonna Leave) 2:56 As Luke The Drifter 2-1 Pictures From Life's Other Side 2:50 2-2 Men With Broken Hearts 3:08 2-3 Help Me Understand 2:55 2-4 Too Many Parties And Too Many Pals 2:58 2-5 Please Make Up Your Mind 2:48 2-6 I've Been Down That Road Before 2:55 2-7 Be Careful Of Stones That You Throw 2:57 2-8 I Dreamed About Mama Last Night 2:59 2-9 The Funeral 3:04 2-10 Beyond
[Show full text]
State Highlights 10/1/1952
Western Michigan University ScholarWorks at WMU Western's high school newspaper Western Michigan University 10-1-1952 State Highlights 10/1/1952 Western State High School Follow this and additional works at: https://scholarworks.wmich.edu/high-school-news Part of the Secondary Education Commons WMU ScholarWorks Citation Western State High School, "State Highlights 10/1/1952" (1952). Western's high school newspaper. 173. https://scholarworks.wmich.edu/high-school-news/173 This Newspaper is brought to you for free and open access by the Western Michigan University at ScholarWorks at WMU. It has been accepted for inclusion in Western's high school newspaper by an authorized administrator of ScholarWorks at WMU. For more information, please contact wmu- [email protected]. State Highlights Volume IX Kalamazoo, Michigan, October 11 1952 Number 1 Summer Survey Mr. Sack Welcomed Library It seems that teachers too, like to Gets Face make the most out of the summer break. For instance, Mr. Stauffer Lifting turned his talents to managing his resort-restaurant up north and enter- Big things have happened in our tai.ning the customers by playing the library since we left school last Hammond organ during the supper hour, while Miss Crisman spent a Spring. Miss Lowrie is very pleased relaxing summer at home "just keep- with the improvement of facilities ing house." and she is certain that the wholt. Westward bound were two of the school will benefit from the changes. luckier faculty members. Miss Steke- tee got a first-hand view of the Cana- The old eighth grade room has been dian Rockies and saw a real rodeo directly connected to the main Ii" complete with cowboys.
[Show full text]
CD) June 7, 2019 Artist Various Artists Title Sun Shines on Hank Williams Sun Artists Sing the Songs of Hank Williams Label Bear Family Productions Catalog No
PRODUCT INFO (CD) June 7, 2019 Artist Various Artists Title Sun Shines On Hank Williams Sun Artists Sing The Songs Of Hank Williams Label Bear Family Productions Catalog no. BCD17504 Price code: AH EAN 5397102175046 Format CD with 28-page booklet Genre Country, Rock 'n' Roll No. of tracks 26 57:41 mns Release date June 7, 2019 INFO: Sun Records recording artists sing the songs of the great Hank Williams. A total of 26 country recordings from the years 1957 to 1963. Next to famous artists like Johnny Cash and Jerry Lee Lewis we present lesser known recordings by Sonny Burgess, Warren Smith or Carl Mann. A total of eight previously unreleased masters! Well-known titles combined with several unreleased alternate versions and demos! Extensive liner notes by Hank Davis, carefully remastered for the best possible sound. Hank Williams died too soon to know about Sun Records, but the folks at Sun surely knew about him. This CD collects for the first time the response to Hank Williams by Sun Records artists and producers. We present issued records by major artists (Johnny Cash, Jerry Lee Lewis) – as well as lesser known Sun lights (Sonny Burgess, Warren Smith, Carl Mann) – along with originally unissued alternate takes, undubbed recordings and demos. It’s quite a range: male and female, black and white – they all took on Hank Williams. Sixteen different artists singing 16 different songs. Twenty-six tracks in total. The contrast is amazing. You’ll also hear some candid moments of Sam Phillips working as a producer in the studio.
[Show full text]