Neeson's Back, Fighting on Thin

Total Page:16

File Type:pdf, Size:1020Kb

Neeson's Back, Fighting on Thin Talk show host stays true to form as he wraps his show Conan O’Brien ends TBS late-night show with snark, gratitude LOS ANGELES, June 26, (AP): Conan O’Brien stayed true to “It’s become (expletive) exhausting,” Ferrell replied. He then pro- Frank Sinatra standard, “My Way.” form as he wrapped his TBS show “Conan” after nearly 11 years, ceeded to perform farewells that he suggested O’Brien should bank “Conan, you are my friend. You are the best, and so is Andy,” bouncing between self-deprecating and smart-aleck humor be- for probable future need, including for his new HBO Max series. Black sang, switching up the lyrics to honor “Con’s way.” fore allowing himself a touch of sentiment. “People would say six episodes isn’t a lot, but you packed The host, whose gravity-defying, trademark swoop of red hair “Try to do what you love with people you love, and if you enough entertainment in them for eight episodes,” Ferrell said. has remained virtually unchanged through the years, wrapped up can manage that, it’s the defi nition of heaven on Earth,” he said, He then lauded him for a string of projected talk show fl ops on Al the show with heartfelt thanks to his colleagues, family and fans. marking the end of his third late-night show over 28 years. It’s Jazeera and Delta Airlines, and his YouTube “classic unboxing He also shared a slice of philosophy. a tenure second only to Johnny Carson’s 30 years on “Tonight.” videos.” ”I have devoted all of my adult life, all of it, to pursuing this O’Brien’s next venture is a weekly variety series for HBO strange, phantom intersection between smart and stupid,” things Max, set to arrive in 2022 with an as-yet unannounced format. Surprise he said many people believe can’t coexist. But when the two come The hour-long “Conan” fi nale Thursday was largely a trip O’Brien, a writer for “The Simpsons” in his salad days, sat for together, he said, there is a tiny fl icker of “what is a kind of magic.” down memory lane with clips of guests including Steve Mar- his exit interview with surprise HR rep Homer Simpson, who was O’Brien, formerly a writer for “Saturday Night Live,” was tin, Tom Hanks and Sarah Silverman, and highlights of specials unimpressed when reminded that O’Brien was a talk show host. championed by “SNL” creator Lorne Michaels to succeed Da- Television taped outside the United States. Will Ferrell appeared by Zoom “Wow, a dying breed,” Simpson told the animated version of vid Letterman as “Late Night” host. Letterman moved to CBS in from Boston, with Jack Black on hand to salute O’Brien. O’Brien. “There’s only like 800 of you left.” “The Late Show” after losing the post-Carson “Tonight” job to Ferrell noted that he’s been a guest for the conclusions of Black limped onto the stage wearing an orthopedic boot, which Jay Leno, a rivalry that became a media fi xation. O’Brien’s previous shows, “Late Night With Conan O’Brien” and he and O’Brien explained was because of a badly sprained ankle In an effort to design an orderly transition, NBC executives in “Tonight,” both on NBC but with widely varying runs: the former Black suffered during pre-taping of what was supposed to be a 2004 anointed O’Brien to take over for Leno in 2009. After rat- from 1993 to 2009, the latter for less than eight months in 2009-10. big-fi nish action and dancing skit. ings for “Tonight” faltered with O’Brien, Leno ended up reclaim- “It’s kind of become a tradition,” O’Brien said of Ferrell’s In its place, Black serenaded O’Brien and his longtime side- ing the show and O’Brien found a new home and, he said, more presence. kick Andy Richter with revamped lyrics set to the signature creative freedom at TBS. Variety s e r u t a This image released by Netfl ix shows Benjamin Walker, Amber Midthunder, Marcus Thomas and Liam Neeson in a scene from ‘The Ice Road.’ (AP) Film e Oscars to honor Elaine May, Danny Glover, Samuel L. Jackson NEW YORK: Ousted Grammys CEO Deborah Dugan and the Recording Academy have reached Neeson’s back, fi ghting on thin ice a confi dential settlement over why F Features the former leader was let go from By Jocelyn Noveck driver for whom the job is more personal than fi nancial has resonated across genres and generations and audi- the organization. — her brother’s trapped in the mine. ences worldwide, while Elaine May’s bold, uncompro- “The Recording Academy and t’s intriguing to imagine Liam Neeson’s management There’s one more passenger in the three-rig convoy: mising approach to fi lmmaking, as a writer, director and Deborah Dugan have agreed to Iteam, contemplating his next fi lm. Perhaps “Uber Ex- an insurance guy from the company that runs the mine, actress, reverberates as loudly as ever with movie lov- resolve their differences and to press”? Maybe “Lyfted Up”? apparently needed for his actuarial skills (Benjamin ers,” said David Rubin, academy president. “Liv Ul- keep the terms of their agreement There’s just something symbiotic about Neeson and Walker, whose considerable acting talents aren’t really lmann’s bravery and emotional transparency has gifted private,” the academy and Dugan vehicles — not only cars, but planes (“Non-Stop”), sub- mined here, if you’ll excuse the pun). audiences with deeply affecting screen portrayals, and said in a joint statement late urban commuter trains (“The Commuter”), even snow- Thursday. Scenery Danny Glover’s decades-long advocacy for justice and plows (“Cold Pursuit”). human rights refl ects his dedication to recognizing our Dugan was fi red days before the And now in “The Ice Road,” this durable action hero 2020 Grammys. She has since said In a fi lm that’s big on great scenery but skimps on shared humanity on and off the screen.” improbably pushing 70 is at the wheel of a big ol’ truck character development and backstory, we know from The honorary awards are given to honor extraordi- the awards show was rigged and — not your normal truck, but a 65,000-pound rig. And muddled with confl icts of interest. the outset who the good guys are — especially Mike nary distinction in lifetime achievement, exceptional The former CEO of Bono’s (RED) not on regular roads, of course. On ice roads, meaning and Gurty. We also know soon enough who the bad contributions to the state of motion picture arts and sci- charity organization was the fi rst frozen lakes or oceans, where the spring thaw brings guys are; they’re cartoonish as can be. As for the ice, ences, or for outstanding service to the academy. None woman to hold the title of presi- treacherous conditions and one wrong move sends you well, there’s lots, and it gets thinner and thinner — of the recipients have previously received an Academy dent and CEO at the academy. straight into the freezing abyss. which one could say of the plot if one wanted to grab Award. Luckily, Neeson has a way of lending his rough- The settlement comes weeks low-hanging fruit off the tree of potential puns. May was nominated twice for writing (1978’s after the academy said its interim hewn dignity to even the most perfunctory of plots — More low-hanging fruit is offered in the lyrics of the because this one, it must be said, is perfunctory. All you “Heaven Can Wait,” with Warren Beatty; and 1999’s leader, Harvey Mason jr., would Johnny Cash song on the country-infused soundtrack: “Primary Colors”). The 89-year-old made up half of the SUNDAY, JUNE 27, 2021 be its offi cial CEO. This week the need to understand are three elements: Good guys, bad “All I do is drive, drive, drive,” it goes (sung by Jason academy named Valeisha Butter- guys — no subtlety here — and the fact that ice is very legendary comedy team Nichols and May, with Mike Isbell here). “Try to stay alive.” And while you might Nichols, before embarking on a trailblazing career as a fi eld Jones and Panos A. Panay slippery, very cold, and has a tendency to melt in sun- be thinking back to these lyrics as you watch Neeson’s as co-presidents of the organiza- shine. Got it? fi lmmaker — writing, directing and acting in comedies Mike do just that — drive, drive, drive — you might like “A New Leaf,” “The Heartbreak Kid” and “Mikey tion. (AP) In this latest installment of the Neeson vehicular can- also focus on the “alive” part. and Nicky.” ❑ ❑ ❑ on, written and directed by Jonathan Hensleigh, Neeson That’s because Neeson’s durability as an action hero is Mike McCann, a long-haul trucker who’s also the seems more remarkable as the years go on. Yes, he’s Jackson, 72, was nominated for supporting actor for LOS ANGELES: Songwriter Di- 1994’s “Pulp Fiction.” In an explosive, often brilliantly ane Warren stepped in Thursday caretaker of his brother, Gurty, a war veteran suffering older and brittler and paler here, and there’s not even a from PTSD. Mike can’t manage to hold onto a job very hint of a love interest — unless you count Mike’s be- foul-mouthed career, Jackson’s fi lms have accounted to save the life of cow that eluded for some $27 billion in box offi ce.
Recommended publications
  • 2019 Silent Auction List
    September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD,
    [Show full text]
  • DIRECTORS GUILD of AMERICA: FIFTIETH ANNIERSARY TRIBUTE ELAINE MAY, November 17 LOUIS MALLE, December 8
    The Museum of Modern Art For Immediate Release November 1986 DIRECTORS GUILD OF AMERICA: FIFTIETH ANNIERSARY TRIBUTE ELAINE MAY, November 17 LOUIS MALLE, December 8 Elaine May and Louis Malle will be honored by The Museum of Modern Art as part of the ongoing DIRECTORS GUILD OF AMERICA: FIFTIETH ANNIVERSARY TRIBUTE. Ms. May, film director, playwright, actress, and comedienne, is the subject of a tribute on Monday, November 17, at 6:00 p.m., when her 1976 revisionist buddy-movie Mikey and Nicky will be screened. Mr. Malle, a provocative director of sensual images who has experimented with a variety of film forms, will present his 1980 film Atlantic City, starring Burt Lancaster and Susan Sarandon, on Monday, December 8, at 6:00 p.m. In Mikey and Nicky Ms. May tailors the framing and dialogue to the personalities of the actors John Cassavetes and Peter Falk. Convinced that a contract is out for him, Nicky (Cassavetes), a small-time hood, calls his childhood friend Mikey (Falk), a syndicate man. Their one night encounter is the focus of the film. A seemingly casual approach cleverly disguises a tight, carefully-planned structure. From a screenplay by John Guare, Mr. Malle's Atlantic City uses the transitory character of the boardwalk town as a backdrop for a tale of decay and corruption. Mr. Lancaster plays the aging friend and protector of an ambitious nightclub croupier, played by Ms. Sarandon. As a child Ms. May appeared on stage and radio with her father, Jack Berlin. After collaborating with Mike Nichols on stage, radio, and television through the mid-sixties, she made her film acting debut in Clive - more - 11 West 53 Street, New York, N.Y 10019 Teh 212-708-9400 Cable: MODERNARI Telex: 62370MODART - 2 - Donner's Luv (1967) and Carl Reiner's Enter Laughing (1967).
    [Show full text]
  • AM Mike Nichols Production Bios FINAL
    Press Contact: Natasha Padilla, WNET, 212.560.8824, [email protected] Press Materials: http://pbs.org/pressroom or http://thirteen.org/pressroom Websites: http://pbs.org/americanmasters , http://facebook.com/americanmasters , @PBSAmerMasters , http://pbsamericanmasters.tumblr.com , http://youtube.com/AmericanMastersPBS , http://instagram.com/pbsamericanmasters , #AmericanMasters Mike Nichols: American Masters Premieres nationwide Friday, January 29 at 9 p.m. on PBS (check local listings) Production Biographies Elaine May Director Elaine May began in Second City where she formed a successful comedy team with Mike Nichols. She earned a Drama Desk Award for her play Adaptation ; wrote, directed and performed in A New Leaf ; directed The Heartbreak Kid (the original); wrote and directed Mikey & Nicky and Ishtar ; received an Oscar nomination for writing Heaven Can Wait ; reunited with Nichols to write The Birdcage and Primary Colors (a BAFTA-winner); and worked with producer Julian Schlossberg on six New York productions. She has done other things, but this is enough. Julian Schlossberg Producer Julian Schlossberg is an award-winning theater, film and television producer. For TV, he’s produced for HBO, AMC and PBS, including American Masters — Nichols & May: Take Two and American Masters: The Lives of Lillian Hellman . Plays produced by Schlossberg have earned many honors, including six Tony Awards, two Obie Awards, seven Drama Desk Awards and five Outer Critics Circle Awards, among them Bullets Over Broadway: The Musical , The Beauty Queen of Leenane and Fortune’s Fool . He also produced six of Elaine May’s plays: Relatively Speaking , Adult Entertainment , After the Night and the Music , Power Plays , Death Defying Acts and Taller Than a Dwarf .
    [Show full text]
  • L3702 LETHAL WEAPON 2 (USA, 1989) (Other Titles: Arma Lethale 2; Arme Fatale 2; Brennpunkt L.A.; Dodbringende Veben 2)
    L3702 LETHAL WEAPON 2 (USA, 1989) (Other titles: Arma lethale 2; Arme fatale 2; Brennpunkt L.A.; Dodbringende veben 2) Credits: director, Richard Donner ; writer, Jeffrey Boam. Cast: Mel Gibson, Danny Glover, Joe Pesci, Joss Ackland. Summary: Police thriller set in contemporary Los Angeles. Detectives Riggs (Gibson) and Murtaugh (Glover) must guard a free-wheeling witness (Pesci) in a drug money laundering scheme run by South African diplomats. A comedy of car chases, gun battles, and under-water escapes. Ansen, David. “The arts: Movies: Gibson and Glover return: ‘Lethal weapon 2’ serves up sadism with a smile” 114 Newsweek (Jul 17, 1989), p. 53. [Reprinted in Film review annual 1990] Avins, Mimi. “Shot by shot” Premiere 2/12 (Aug 1989), p. 72-6. Baumann, Paul D. “Screen: Scorching the screen” Commonweal 116 (Oct 6, 1989), p. 529-30. Blair, Iain. “Movies: Mel’s lethal appeal: He’s got killer looks, but shucks, Gibson’s just one of the guys” Chicago tribune (Jul 9, 1989), Arts, p. 4. Blois, Marco de. “Lethal weapon II” 24 images 44-45 (autumn 1989), p. 109. Broeske, Pat H. “A high-caliber Danny Glover” Los Angeles times (Jul 11, 1989), Calendar, p. 1. “Business: Talk about placements” Newsweek 114 (Jul 31, 1989), p. 50. Carr, Jay. “Three stooges with guns” Boston globe (Jul 7, 1989), Arts and film, p. 41. Christensen, Johs H. “Dodbringende veben 2” Levende billeder 5 (Sep 1989), p. 47. Clark, Mike. “‘Lethal 2’ is loaded with bang and blanks” USA today (Jul 7, 1989), p. 1D. Cliff, Paul. “Movie trax” Film monthly 1 (Dec 1989), p.
    [Show full text]
  • Film Essay for "Mccabe & Mrs. Miller"
    McCabe & Mrs. Miller By Chelsea Wessels In a 1971 interview, Robert Altman describes the story of “McCabe & Mrs. Miller” as “the most ordinary common western that’s ever been told. It’s eve- ry event, every character, every west- ern you’ve ever seen.”1 And yet, the resulting film is no ordinary western: from its Pacific Northwest setting to characters like “Pudgy” McCabe (played by Warren Beatty), the gun- fighter and gambler turned business- man who isn’t particularly skilled at any of his occupations. In “McCabe & Mrs. Miller,” Altman’s impressionistic style revises western events and char- acters in such a way that the film re- flects on history, industry, and genre from an entirely new perspective. Mrs. Miller (Julie Christie) and saloon owner McCabe (Warren Beatty) swap ideas for striking it rich. Courtesy Library of Congress Collection. The opening of the film sets the tone for this revision: Leonard Cohen sings mournfully as the when a mining company offers to buy him out and camera tracks across a wooded landscape to a lone Mrs. Miller is ultimately a captive to his choices, una- rider, hunched against the misty rain. As the unidenti- ble (and perhaps unwilling) to save McCabe from his fied rider arrives at the settlement of Presbyterian own insecurities and herself from her opium addic- Church (not much more than a few shacks and an tion. The nuances of these characters, and the per- unfinished church), the trees practically suffocate the formances by Beatty and Julie Christie, build greater frame and close off the landscape.
    [Show full text]
  • Christopher Plummer
    Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz,
    [Show full text]
  • It's a Conspiracy
    IT’S A CONSPIRACY! As a Cautionary Remembrance of the JFK Assassination—A Survey of Films With A Paranoid Edge Dan Akira Nishimura with Don Malcolm The only culture to enlist the imagination and change the charac- der. As it snows, he walks the streets of the town that will be forever ter of Americans was the one we had been given by the movies… changed. The banker Mr. Potter (Lionel Barrymore), a scrooge-like No movie star had the mind, courage or force to be national character, practically owns Bedford Falls. As he prepares to reshape leader… So the President nominated himself. He would fill the it in his own image, Potter doesn’t act alone. There’s also a board void. He would be the movie star come to life as President. of directors with identities shielded from the public (think MPAA). Who are these people? And what’s so wonderful about them? —Norman Mailer 3. Ace in the Hole (1951) resident John F. Kennedy was a movie fan. Ironically, one A former big city reporter of his favorites was The Manchurian Candidate (1962), lands a job for an Albu- directed by John Frankenheimer. With the president’s per- querque daily. Chuck Tatum mission, Frankenheimer was able to shoot scenes from (Kirk Douglas) is looking for Seven Days in May (1964) at the White House. Due to a ticket back to “the Apple.” Pthe events of November 1963, both films seem prescient. He thinks he’s found it when Was Lee Harvey Oswald a sleeper agent, a “Manchurian candidate?” Leo Mimosa (Richard Bene- Or was it a military coup as in the latter film? Or both? dict) is trapped in a cave Over the years, many films have dealt with political conspira- collapse.
    [Show full text]
  • Easy Riders, Raging Bulls: How the Sex, Drugs and Rock and Roll Generation Saved Hollywood Pdf, Epub, Ebook
    EASY RIDERS, RAGING BULLS: HOW THE SEX, DRUGS AND ROCK AND ROLL GENERATION SAVED HOLLYWOOD PDF, EPUB, EBOOK Peter Biskind | 512 pages | 26 Apr 1999 | SIMON & SCHUSTER | 9780684857084 | English | New York, United States Easy Riders, Raging Bulls: How the Sex, Drugs and Rock and Roll Generation Saved Hollywood PDF Book My impression of this documentary wasn't so great due to the fact of already seeing and knowing a similar themed work a few years ago called "A Decade Under the Influence" , directed by Ted Demme and Richard LaGravenese, which was a better project for numerous reasons. Why do people go see them? The book is hefty with gossip of all kinds, which is too bad because he's talking about the revolution in films in the 60's to early 80's. It is chock full of interviews and choice information about the time period 60's's in American cinema that changed everything, for a lot better and some for not. Beatty likes to fuck alot. Biskind's book disappointed me tremendously. Return to the Books Home Page. Assassinations, cultural domination, drugging, spying, provocation: Talk about taking the fight to your opponents—the American people—and crippling them for generations! But in the kind of popularized pseudohistory ''Easy Riders, Raging Bulls'' exemplifies, anecdotes are valued above all else, bitchy gossip is privileged, dysfunction is automatically more fascinating than artistic success, aggrieved former friends and former lovers are granted the license to settle scores sometimes anonymously , documentation is disdained and historical analysis must be squeezed into the narrative quickly, so as not to disrupt the dishing.
    [Show full text]
  • First Friday News & Views
    MARCH 2007 First Friday VOLUME 12 News & Views ISSUE 3 THE MONTHLY NEWSLETTER OF THE A Haggard Miracle FIRST FRIDAY by Jonathan Wilson BREAKFAST CLUB, INC. fter three weeks of intense counseling, the not-so-Reverend Ted Haggard would have folks believe he’s 100% heterosexual. If such success is to be be- lieved, his counselors have something they need to take on the road. I think INSIDE Ted’ll be an excellent show pony so long as they keep him on a short leash and away from temptation. They dare not turn their backs on him. “Dreamgirls” Movie Re- 2 view by Gary Kaufman When interviewed, even the head of Exodus International, a group that touts the idea that homosexuality can be “cured,” doubted Ted’s conversion. No matter that the knowledgeable, even those who want to believe, doubt the account. We need to keep in mind the audience Hag- February Speaker Review 3 by Bruce Carr gard is playing to. These are people who profess to believe the earth is about 6000 years old; Methuselah lived 900 years; Jonah lived seven days in the belly of a whale, and survived; and Jesus was born of a virgin and went on to walk on water, turn water into wine, raise the dead, Briefs & Shorts 3 cure leprosy, and restore sight to the blind. In the ranks of the gullible, these folks are the crème From the Editor 4 de la crème. For them, Haggard’s conversion from gay to straight in record time would be no more than a minor miracle.
    [Show full text]
  • Ammast 03 Lettrhd Press 3 Holed
    offset usage 4-color process Output is set for 2500dpi 450 West 33rd Street New York NY 10001-2605 thirteen.org press information AMERICAN MASTERS BRINGS BIG SCREEN MAGIC TO THE SMALL SCREEN WITH YOU MUST REMEMBER THIS: THE WARNER BROS. STORY Series from Thirteen/WNET Premieres This Fall on PBS AMERICAN MASTERS is produced for PBS by Thirteen/WNET The colorful 85-year legacy of Warner Bros. is documented in an unprecedented film project, New York AMERICAN MASTERS You Must Remember This: The Warner Bros. Story, narrated by Clint Eastwood. The five-hour film, a Lorac production in partnership with AMERICAN MASTERS and Warner Bros. Entertainment, premieres nationally, September 23, 24 and 25 at 9 p.m. (ET) on PBS (check local listings). The film is directed, written and produced by award-winning filmmaker and film critic Richard Schickel. Eastwood is executive producer. “I think it’s wonderful and fitting that Richard Schickel, who produced his first big series The Men Who Made the Movies for public television in 1973, is returning to public television with this project – the epic and historic and thoroughly juicy Warner Bros. story,” says Susan Lacy, creator and Executive Producer of AMERICAN MASTERS, a five-time winner of the Emmy Award for Outstanding Primetime Non-Fiction Series. Through movie clips, rare archival interviews, newly photographed material, and insightful on-camera discussions with talent such as Martin Scorsese, Steven Spielberg, George Clooney, Warren Beatty, Sidney Lumet, Jack Nicholson, and many others, You Must Remember This gives us the history of 20th century America on the big screen.
    [Show full text]
  • California Hall of Fame FAQ Sheet 2016
    California Hall of Fame FAQ Sheet What is the California The California Museum’s California Hall of Fame was established in 2006 to honor Hall of Fame? legendary people who embody California’s innovative spirit and have made their mark on history. The California Hall of Fame is a landmark destination featured in the Museum, which serves to inspire visitors by exhibiting the diverse, creative and extraordinary stories of trailblazers, leaders and legends who have called California home. The California Hall of Fame celebrates inductees by: . Installing the inductees into the California Hall of Fame in a formal state ceremony each year, at which inductees (or their families, if a posthumous award) receive the Spirit of California medal; . Making inductees and their accomplishments part of the permanent record in the California State Archives; . Recording the unique stories and personal achievements of inductees in an exhibit at the California Museum, serving as the visual, encyclopedic record of the California Hall of Fame, to which new inductees are added each year; and . Highlighting the inspirational achievements of inductees through a year-round education campaign. Where is it located? The California Hall of Fame is a both a signature program and a permanent exhibit at the California Museum, located at 1020 O Street in Sacramento. Who are the tenth class The 10th class of inductees includes: Isabel Allende, Harrison Ford, Tony Gwynn, Corita of inductees? Kent, William J. Perry, Maria Shriver, Russ Solomon and George Takei. What are the criteria for The California Hall of Fame inductees come from all walks of life and are people who have induction? made distinguished achievements across many fields, including the arts, education, business and labor, science, sports, philanthropy and public service.
    [Show full text]
  • Brett Ratner
    SLATE Brett Ratner Brett Ratner is one of Hollywood’s most successful filmmakers. His diverse films resonate with audiences worldwide and, as director, his films have grossed over $2 billion at the global box office. Brett began his career directing music videos before making his feature directorial debut at 26 years old with the action comedy hit Money Talks. He followed with the blockbuster Rush Hour and its successful sequels. Brett also directed The Family Man, Red Dragon, After the Sunset, X- Men: The Last Stand, Tower Heist and Hercules. Ratner has also enjoyed critical acclaim and box office success as a producer. He has served as an executive producer on the Golden Globe and Oscar winning The Revenant, starring Leonardo DiCaprio, Black Mass, starring Johnny Depp, and War Dogs, starring Jonah Hills ; and as a producer on Truth, starring Robert Redford and Cate Blanchett; I Saw the Light, starring Tom Hiddleston and Elizabeth Olsen; and Rules Don’t Apply, written, directed and produced by Warren Beatty. His other produced films include the smash hit comedy Horrible Bosses and its sequel, and the re-imagined Snow White tale Mirror Mirror. His additional producing credits include the documentaries Author: The JT LeRoy Story, Catfish, the Emmy-nominated Woody Allen - A Documentary, Helmut by June, I Knew It Was You: Rediscovering John Cazale, Chuck Norn's vs. Communism, the 5-time Emmy nominated and Peabody Award winning Night Will Fall, HBO’s Bright Lights, and National Geographic’s Before the Flood, with Fisher Stevens and Leonardo DiCaprio. He also executive produced and directed the Golden Globe-nominated FOX series Prison Break, and executive produced the television series Rush Hour, based on his hit films.
    [Show full text]