DOCSLIB.ORG

Black Students Association Play to Trace Life of Late Malcolm X

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Black Students Association Play to Trace Life of Late Malcolm X Volume 46, Number 13 • Universit_y High School, 1362 East 59th Street, Chicago, Illinois 60637 • Tuesday, May U, 1971 r Photo by Abram Katz A SCENE from the Black Students Association production," El Hojj Malik": Junior Brandon Balthazar, left, who at this point Black Students Association play portrays Malcolm X, subject of the play, describes his life in Boston and Harlem to, from left, Junior Leslie Riley, Sophomore Lorinzo Jeffries, Junior Linzey Jones, Sophomore Steve Brown, Sophomore Deborah Thomas, Freshman Gayle Hoard, Freshman to trace life of late Malcolm X Laurie Cox, Senior Helene Colvin, Sophomore Linda Pitts, Junior Leoneen Woodard and Junior David Cockrell. Intertwining the African tradition of storytelling with The play will emphasize respect for its subject through the Western concept of theater, 12 members of the Black use of 12 actors, each playing Malcolm with any one Students Association will perform a play tracing the life actor," Miss Patton explained. Shdrtage of funds endangers of Malcolm X, an American black leader assassinated in MISS PATTON hopes the play will educate the 1965. _ _ audience about Malcolm, correcting any mis­ The play, "El Hojj Malik," written by N.R. Davidson, conceptions. inner-city schdlarship program will be presented 7:30p.m., Wednesday-Friday, May 19- "Malcolm was a misunderstood person because of the 21, in Belfield 138. sensationalism of him by the news media," she feels. The Martin Luther King Jr. Schol­ his current tuition. He has been Tickets are 75 cents for students, $1.75for adults. She believes the play can help both black and white arship Fund may be discontinued if promised $1800 for his junior year. The actors chose the performance dates to com­ students and faculty understand Malcolm and his goals. necessary money is not raised, ac­ The sophomore boy is one of three memorate Malcolm's birthday, May 19. For the actors, the play should provide a subject with cording to Lab Schools Director students chosen for scholarships af­ EXPLAINING THE mixture of African storytelling which they identify, she added. Philip Jackson. ter the Fund was initiated in April, and Western theater, Director June Patton, social "He is a black man who lived black experiences," she The student-operated fund enables 1968, by Prentiss Taylor, who was studies teacher, explains that the play will use story­ said. "The actors are black people who are living black black students from the inner-city senior class president, in a speech at telling, music and dance, which Africans employed to experiences. Even if the play isn't successful, the cast to attend U-High. a Martin Luther King Jr. memorial pass on history. Dramatic scenes and skits that call for will have gained the experience of doing something for This year the Fund is supporting a assembly. straight acting will reflect Western theater. oneself and others." sophomore boy. It owes $969 towards Of the other two students, one left U-High for another school and the other no longer needs financial aid. Fund Committee Chairman Judy Lash of, senior, hopes that profits Council proposal awaited faculty decision from an art sale last weekend at the ScholarShip Shop, a May 6 junior By Craig Gordon, in case of serious rule-breaking, told the Midway why she opposes dicated to him that they want stu­ class party and other projects will be Political Editor arbitrate jurisdictional disputes replacement. dents on it. adequate to get the Fund out of debt among individuals and groups in the "I HAVE never believed," she · In a Midway interview Erwin and started on its program for next Faculty misgivings about how stu­ school and handle appeals of unre­ said, "that students should have said, "Students bring an important year. dent discipline cases would be han­ solvea disciplinary cases. access to confidential information viewpoint to the Committee ... stu­ ''The school needs more racial dled appeared last week to be the SLCC President Erwin Chem­ about other students.'' dents have a right, as well as a balance and we want to add more only stumbling block to formation of erinsky introduced the proposal to She added that for that reason she responsibility, to a trial by their black students," she explained. a student-teacher-administrator the faculty April 5. It decided to feels student representation on the peers." Council on Rules. continue discussion at a special Discipline Committee should be SOME FACULTY members, The faculty was to continue dis­ meeting April 19. eliminated. though agreeing that students cussion on the proposal at its meet­ Faculty members who spoke at "It's a breech of privacy," Mrs. should sit on disciplinary cases, said ing yesterday. that meeting supported a Council Matchett continued, "for a lay per­ that legislative and judicial func­ In The THE COUNCIL would legislate with legislative functions, but sev­ son to make judgments about what is tions should be performed by sepa­ rules for student behavior, replace eral expressed disagreement with essentially a professional decision." rate bodies in order to effect a the Ad Hoc Committee on Discipline the provision replacing the Dis­ Erwin pointed out, however, that system of checks and balances. Wind which recommends to the Lab cipline Committee with the Council. students who have come before the Erwin responded that because Schools Director disciplinary action Math Teacher Margaret Matchett Discipline Committee have in- Discipline Committee deliberation is Today-Tennis, Quigley South, 3:30- secret, such a check and balance p.m., here; Baseball, Harvard, 4 would be impossible. If the Ad Hoc p.m.,here. SLCC president-elect hopes Committee were retained, he ex­ Wednesday, May 12 - Track, Lake plained, the Council would have no Forest Academy, 4 p.m., Stagg for aired discipline decisions assurance its rules were being fol­ Field, 56th Street at Cottage Grove lowed. Ave.; Tennis, Wheaton Academy, Two major goals of newly-elected Student Legislative Coordinating If the faculty were to pass the 4p.m.,here. Council (SLCC) President Jay Goiter, a sophomore, are to better inform proposal, Erwin said he would con­ Friday, May 14 __:Baseball, Latin, 4 students about disciplinary actions and modify school referendum proce­ duct a student referendum soon p.m.,here. dures. afterwards. He wasn't sure what he Saturday, May 15 - Tennis Dis­ Decisions concerning serious discipline cases presently are kept secret, would do if it wasn't passed. tricts, 10 a.m., Eisenhower High with no specific policy for specific offenses. Jay hopes to "set up case · Principal Margaret Fallers said School, Blue Island; Track Dis­ histories and work on a system of precedents" so students know what to she opposes the Council replacing tricts, 10 a.m., Hillcrest Country expect for certain offenses. the Discipline Committee on the Club. To place impetus behind SLCC decisions and better inform members of the basis that their powers should be Tuesday, May 18 - Tennis, Morgan desires of the student body, Jay says he will introduce a resolµtion to SLCC at separate though, she added, she Park, 4 p.m., there; Baseball, its first meeting stating that "if one third of the members of SLCC present at believes students should be repre­ Morgan Park, 4p.m., there: a meeting in which a vote is to be taken introduce a resolution asking for an sented on both. Wednesday, May 19-Friday, May all-school referendum, a referendum will be taken after which SLCC will Mrs. Fallers said that a check and 21 - Black Students Association vote on the bill.'' balance could be maintained if, as play, 7:30p.m., Belfield 138. Other winners in the election Wednesday, by office, with other candidate SLCC had proposed earlier, the Dis­ Wednesday, May 19 -Track, Elgin, names in parenthesis, are as follows: cipline Committee were to make 4 p.m., Stagg Field, 56th Street at SLCC - President (Junior Loren Hutter); vice president, Junior Peter public the offenses committed and Cottage Groye Ave. Shapiro (Sophomore Peter Getzels and Tom Gross); treasurer, Freshman punishments given without releas­ Thursday, May 20 - Friday, May 21 Paul Strauss; secretary, Freshman Susan John. ing the identity of students involved - ISL tennis tournament, 4 p.m., STUDENT BOARD - President, Junior Michael Letchinger (Freshman or other confidential information. here. Donald Spaeth); vice president, Junior Joel Friedman. If, however, faculty and students Saturday, May 22 - ISL track SOCIAL STUDENT UNION - Junior Eric Singer (Prefreshman Jim approve replacing the Discipline championships, 10 a.m., Stagg Henry); vice president, Sophomore Anne Timmons (Freshman Neils Committee, Mrs. Fallers said, ad­ Field, 56th Street at Cottage Grove Roizman). Photo by Abram Katz ministrators would not oppose it. Ave. CULTURAL STUDENT UNION - President, Junior Lance Sanders; vice JAYGOLTER "We'll live with it, but it's not the Tuesday, May 25 - Midway out president, Sophomore Blythe J aski; secretary, Junior Sue Lyon. SLCC President-elect best way," she commented. after school. Rebel-land Underground 'Chicago Seed' just keeps rollin' right on ... just like the L outside its window By Doug Patinkin Peck turns to a new subject: the Abe Peck, reporter for the Chicago Weathermen. Seed, underground newspaper, sits in a decrepit room, part of its office, "I personally am not altogether typing a book review for a coming with them," he says. "I'm all for issue. bombing of draft boards and things like that but there's no reason for The Seed, third largest under­ popping stores and synagogues. ground newspaper in the U.S., has a Something like Wisconsin is a real circulation of about 40,000. Most tragedy," he adds referring to the copies are sold downtown but small­ bombing at the University of Wis­ er quantities are on sale throughout consin which resulted in the death of the nation.
Load more

Recommended publications
  • 2019 Silent Auction List
    September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD,
    [Show full text]
  • DIRECTORS GUILD of AMERICA: FIFTIETH ANNIERSARY TRIBUTE ELAINE MAY, November 17 LOUIS MALLE, December 8
    The Museum of Modern Art For Immediate Release November 1986 DIRECTORS GUILD OF AMERICA: FIFTIETH ANNIERSARY TRIBUTE ELAINE MAY, November 17 LOUIS MALLE, December 8 Elaine May and Louis Malle will be honored by The Museum of Modern Art as part of the ongoing DIRECTORS GUILD OF AMERICA: FIFTIETH ANNIVERSARY TRIBUTE. Ms. May, film director, playwright, actress, and comedienne, is the subject of a tribute on Monday, November 17, at 6:00 p.m., when her 1976 revisionist buddy-movie Mikey and Nicky will be screened. Mr. Malle, a provocative director of sensual images who has experimented with a variety of film forms, will present his 1980 film Atlantic City, starring Burt Lancaster and Susan Sarandon, on Monday, December 8, at 6:00 p.m. In Mikey and Nicky Ms. May tailors the framing and dialogue to the personalities of the actors John Cassavetes and Peter Falk. Convinced that a contract is out for him, Nicky (Cassavetes), a small-time hood, calls his childhood friend Mikey (Falk), a syndicate man. Their one night encounter is the focus of the film. A seemingly casual approach cleverly disguises a tight, carefully-planned structure. From a screenplay by John Guare, Mr. Malle's Atlantic City uses the transitory character of the boardwalk town as a backdrop for a tale of decay and corruption. Mr. Lancaster plays the aging friend and protector of an ambitious nightclub croupier, played by Ms. Sarandon. As a child Ms. May appeared on stage and radio with her father, Jack Berlin. After collaborating with Mike Nichols on stage, radio, and television through the mid-sixties, she made her film acting debut in Clive - more - 11 West 53 Street, New York, N.Y 10019 Teh 212-708-9400 Cable: MODERNARI Telex: 62370MODART - 2 - Donner's Luv (1967) and Carl Reiner's Enter Laughing (1967).
    [Show full text]
  • AM Mike Nichols Production Bios FINAL
    Press Contact: Natasha Padilla, WNET, 212.560.8824, [email protected] Press Materials: http://pbs.org/pressroom or http://thirteen.org/pressroom Websites: http://pbs.org/americanmasters , http://facebook.com/americanmasters , @PBSAmerMasters , http://pbsamericanmasters.tumblr.com , http://youtube.com/AmericanMastersPBS , http://instagram.com/pbsamericanmasters , #AmericanMasters Mike Nichols: American Masters Premieres nationwide Friday, January 29 at 9 p.m. on PBS (check local listings) Production Biographies Elaine May Director Elaine May began in Second City where she formed a successful comedy team with Mike Nichols. She earned a Drama Desk Award for her play Adaptation ; wrote, directed and performed in A New Leaf ; directed The Heartbreak Kid (the original); wrote and directed Mikey & Nicky and Ishtar ; received an Oscar nomination for writing Heaven Can Wait ; reunited with Nichols to write The Birdcage and Primary Colors (a BAFTA-winner); and worked with producer Julian Schlossberg on six New York productions. She has done other things, but this is enough. Julian Schlossberg Producer Julian Schlossberg is an award-winning theater, film and television producer. For TV, he’s produced for HBO, AMC and PBS, including American Masters — Nichols & May: Take Two and American Masters: The Lives of Lillian Hellman . Plays produced by Schlossberg have earned many honors, including six Tony Awards, two Obie Awards, seven Drama Desk Awards and five Outer Critics Circle Awards, among them Bullets Over Broadway: The Musical , The Beauty Queen of Leenane and Fortune’s Fool . He also produced six of Elaine May’s plays: Relatively Speaking , Adult Entertainment , After the Night and the Music , Power Plays , Death Defying Acts and Taller Than a Dwarf .
    [Show full text]
  • Christopher Plummer
    Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz,
    [Show full text]
  • Stand-Up Comedy in Theory, Or, Abjection in America John Limon 6030 Limon / STAND up COMEDY / Sheet 1 of 160
    Stand-up Comedy in Theory, or, Abjection in America John Limon Tseng 2000.4.3 18:27 6030 Limon / STAND UP COMEDY / sheet 1 of 160 Stand-up Comedy in Theory, or, Abjection in America 6030 Limon / STAND UP COMEDY / sheet 2 of 160 New Americanists A series edited by Donald E. Pease Tseng 2000.4.3 18:27 Tseng 2000.4.3 18:27 6030 Limon / STAND UP COMEDY / sheet 3 of 160 John Limon Duke University Press Stand-up Comedy in Theory, or, Abjection in America Durham and London 2000 6030 Limon / STAND UP COMEDY / sheet 4 of 160 The chapter ‘‘Analytic of the Ridiculous’’ is based on an essay that first appeared in Raritan: A Quarterly Review 14, no. 3 (winter 1997). The chapter ‘‘Journey to the End of the Night’’ is based on an essay that first appeared in Jx: A Journal in Culture and Criticism 1, no. 1 (autumn 1996). The chapter ‘‘Nectarines’’ is based on an essay that first appeared in the Yale Journal of Criticism 10, no. 1 (spring 1997). © 2000 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ! Typeset in Melior by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data appear on the last printed page of this book. Tseng 2000.4.3 18:27 6030 Limon / STAND UP COMEDY / sheet 5 of 160 Contents Introduction. Approximations, Apologies, Acknowledgments 1 1. Inrage: A Lenny Bruce Joke and the Topography of Stand-Up 11 2. Nectarines: Carl Reiner and Mel Brooks 28 3.
    [Show full text]
  • Painfully Funny the Complete Directorial Works of Elaine May
    THE BADLANDS COLLECTIVE presents PAINFULLY FUNNY THE COMPLETE DIRECTORIAL WORKS OF ELAINE MAY INSTITUTE OF CONTEMPORARY ARTS, LONDON SEPTEMBER 21-23, 2018 PAINFULLY FUNNY THE COMPLETE DIRECTORIAL WORKS OF ELAINE MAY Elaine May is a legend in the world of comedy – acknowledged as an influence by comics such as Steve Martin, Lily Tomlin, Woody Allen and countless others – but her work as a movie director has become curiously and unjustly obscure. While other filmmakers who emerged in the New Hollywood of the 1970s have become venerated icons, Elaine May’s films have fallen out of the conversation, and in some cases have fallen out of circulation entirely. With this retrospective, we’re pleased to bring her back into the limelight and hail her as one of the most brilliant artists from that exalted generation of American directors. May directed four theatrical feature films, three of which resulted in fierce behind-the- scenes battles before they finally reached cinemas, with May fighting to protect the integrity of her vision. Her background in improvisation – developed with the Compass Players, before she and Mike Nichols revolutionised American comedy in the late 1950s – led to her taking an exacting, exploratory approach to filmmaking. She would shoot dozens of takes for a single scene, exhausting every possible variation and often filming with multiple cameras in a constant attempt to capture spontaneous moments of inspiration, humour and truth. When editing she relished pauses, dead spots and extended moments of awkwardness, adding a tension underneath the films’ comic surface. May’s filmmaking style inevitably led to her amassing mountains of footage, missing deadlines, going over budget and falling out of favour with the studios, but it also produced films with an energy, rhythm and edge that distinguishes them from their contemporaries and elevates them beyond genre conventions.
    [Show full text]
  • Lahr Nichols 2/21.L
    TNY—2/21 & 28/00—PAGE 196—LIVE OPI—AVEDON SPREAD-#1—140 SC.—#2 PAGE PROFILES MAKING IT REAL How Mike Nichols re-created comedy and himself. BY JOHN LAHR we do now, Mr. Success?” she said. Nichols, who has a sharp American wit but courtly European manners, bit his tongue. “All those ‘Mr. Success’ years would have been hard to explain to anybody if I tried,” Nichols, now sixty- eight, says. “What I really wanted to say to that envious woman was ‘Don’t worry.There’s still nothing happening in- side me. I’m not experiencing success or anything much.’ ” But feelings aren’t facts. From the moment Nichols made his name, in the late fifties, as the lanky deadpan half of the comedy team Nichols and May, he took up residence in success. As early as 1961, a letter addressed to “Famous Actor, Mike Nichols, U.S.A.” reached him. And, by the seventies, Nichols repre- sented the high-water mark in not just one but three areas of American enter- tainment. As a comedian, he improvised routines with Elaine May which are among the treasures of American humor; as a stage director, beginning in the early nce, in the early seventies, Mike sixties, he had a string of commercial hits ONichols was sitting in a commer- that made him the most successful Broad- cial jet as it took off from J.F.K. Mo- way director since George Abbott; as a ments after it was airborne, the plane film director, he made the bold, intelli- went into what Nichols recalls as “an gent “Who’s Afraid of Virginia Woolf?” unnervingly steep bank.
    [Show full text]
  • UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011
    UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011 i UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011 FESTIVAL SPONSOR Additional programming support provided, in part, by The Hollywood Foreign Press Association ii 1 FROM THE DIRECTOR As director of UCLA Film & Television Archive, it is my great pleasure to Mysel has completed several projects, including Cry Danger (1951), a introduce the 2011 UCLA Festival of Preservation. As in past years, we have recently rediscovered little gem of a noir, starring Dick Powell as an unjustly worked to put together a program that reflects the broad and deep efforts convicted ex-con trying to clear his name, opposite femme fatale Rhonda of UCLA Film & Television Archive to preserve and restore our national mov- Fleming, and featuring some great Bunker Hill locations long lost to the Los ing image heritage. Angeles wrecking ball. An even darker film noir, Kiss Tomorrow Goodbye (1950), stars James Cagney as a violent gangster (in fact, his last great This year’s UCLA Festival of Preservation again presents a wonderful cross- gangster role) whose id is more monstrous than almost anything since Little section of American film history and genres, silent masterpieces, fictional Caesar. Add crooked cops and a world in which no one can be trusted, and shorts, full-length documentaries and television works. Our Festival opens you have a perfect film noir tale. with Robert Altman’s Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (1982). This restoration is the first fruit of a new project to preserve Our newsreel preservationist, Jeff Bickel, presents his restoration of John and restore the artistic legacy of Mr.
    [Show full text]
  • Neeson's Back, Fighting on Thin
    Talk show host stays true to form as he wraps his show Conan O’Brien ends TBS late-night show with snark, gratitude LOS ANGELES, June 26, (AP): Conan O’Brien stayed true to “It’s become (expletive) exhausting,” Ferrell replied. He then pro- Frank Sinatra standard, “My Way.” form as he wrapped his TBS show “Conan” after nearly 11 years, ceeded to perform farewells that he suggested O’Brien should bank “Conan, you are my friend. You are the best, and so is Andy,” bouncing between self-deprecating and smart-aleck humor be- for probable future need, including for his new HBO Max series. Black sang, switching up the lyrics to honor “Con’s way.” fore allowing himself a touch of sentiment. “People would say six episodes isn’t a lot, but you packed The host, whose gravity-defying, trademark swoop of red hair “Try to do what you love with people you love, and if you enough entertainment in them for eight episodes,” Ferrell said. has remained virtually unchanged through the years, wrapped up can manage that, it’s the defi nition of heaven on Earth,” he said, He then lauded him for a string of projected talk show fl ops on Al the show with heartfelt thanks to his colleagues, family and fans. marking the end of his third late-night show over 28 years. It’s Jazeera and Delta Airlines, and his YouTube “classic unboxing He also shared a slice of philosophy. a tenure second only to Johnny Carson’s 30 years on “Tonight.” videos.” ”I have devoted all of my adult life, all of it, to pursuing this O’Brien’s next venture is a weekly variety series for HBO strange, phantom intersection between smart and stupid,” things Max, set to arrive in 2022 with an as-yet unannounced format.
    [Show full text]
  • American Blockbuster Movies, Technology, and Wonder
    MOVIES, TECHNOLOGY, AND WONDER MOVIES, TECHNOLOGY, charles r. acland AMERICAN BLOCKBUSTER SIGN, STORAGE, TRANSMISSION A series edited by Jonathan Sterne and Lisa Gitelman AMERICAN BLOCKBUSTER MOVIES, TECHNOLOGY, AND WONDER charles r. acland duke university press · Durham and London · 2020 © 2020 duke university press All rights reserved Printed in the United States of Amer i ca on acid- free paper ∞ Designed by Matthew Tauch Typeset in Whitman and Helvetica lt Standard by Westchester Publishing Ser vices Library of Congress Cataloging- in- Publication Data Names: Acland, Charles R., [date] author. Title: American blockbuster : movies, technology, and wonder / Charles R. Acland. Other titles: Sign, storage, transmission. Description: Durham : Duke University Press, 2020. | Series: Sign, storage, transmission | Includes bibliographical references and index. Identifiers: lccn 2019054728 (print) lccn 2019054729 (ebook) isbn 9781478008576 (hardcover) isbn 9781478009504 (paperback) isbn 9781478012160 (ebook) Subjects: lcsh: Cameron, James, 1954– | Blockbusters (Motion pictures)— United States—History and criticism. | Motion picture industry—United States— History—20th century. | Mass media and culture—United States. Classification:lcc pn1995.9.b598 a25 2020 (print) | lcc pn1995.9.b598 (ebook) | ddc 384/.80973—dc23 lc record available at https://lccn.loc.gov/2019054728 lc ebook record available at https://lccn.loc.gov/2019054729 Cover art: Photo by Rattanachai Singtrangarn / Alamy Stock Photo. FOR AVA, STELLA, AND HAIDEE A technological rationale is the rationale of domination itself. It is the coercive nature of society alienated from itself. Automobiles, bombs, and movies keep the whole thing together. — MAX HORKHEIMER AND THEODOR ADORNO, Dialectic of Enlightenment, 1944/1947 The bud get is the aesthetic. — JAMES SCHAMUS, 1991 (contents) Acknowl edgments ...........................................................
    [Show full text]
  • John Cassavetes
    Cassavetes on Cassavetes Ray Carney is Professor of Film and American Studies and Director of the undergraduate and graduate Film Studies programs at Boston Uni- versity. He is the author or editor of more than ten books, including the critically acclaimed John Cassavetes: The Adventure of Insecurity; The Films of Mike Leigh: Embracing the World; The Films of John Cas- savetes: Pragmatism, Modernism, and the Movies; American Vision: The Films of Frank Capra; Speaking the Language of Desire: The Films of Carl Dreyer; American Dreaming; and the BFI monograph on Cas- savetes’ Shadows. He is an acknowledged expert on William James and pragmatic philosophy, having contributed major essays on pragmatist aesthetics to Morris Dickstein’s The Revival of Pragmatism: New Essays on Social Thought, Law, and Culture and Townsend Ludington’s A Modern Mosaic: Art and Modernism in the United States. He co- curated the Beat Culture and the New America show for the Whitney Museum of American Art in New York, is General Editor of the Cam- bridge Film Classics series, and is a frequent speaker at film festivals around the world. He is regarded as one of the world’s leading authori- ties on independent film and American art and culture, and has a web site with more information at www.Cassavetes.com. in the same series woody allen on woody allen edited by Stig Björkman almodóvar on almodóvar edited by Frédéric Strauss burton on burton edited by Mark Salisbury cronenberg on cronenberg edited by Chris Rodley de toth on de toth edited by Anthony Slide fellini on
    [Show full text]
  • SHSU Video Archive Basic Inventory List Department of Library Science
    SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films.
    [Show full text]