John Steel, Artist of the Underwater World
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What Are Reasonable Expectations For
Beyond Evidence-Based Psychotherapy RT21601_C000.indd i 9/5/08 7:29:11 AM COUNSELING AND PSYCHOTHERAPY: INVESTIGATING PRACTICE FROM SCIENTIFIC, HISTORICAL, AND CULTURAL PERSPECTIVES A Routledge book series Editor, Bruce E. Wampold, University of Wisconsin Th is innovative new series is devoted to grasping the vast complexities of the practice of coun- seling and psychotherapy. As a set of healing practices delivered in a context shaped by health delivery systems and the attitudes and values of consumers, practitioners, and researchers, counseling and psychotherapy must be examined critically. By understanding the historical and cultural context of counseling and psychotherapy and by examining the extant research, these critical inquiries seek a deeper, richer understanding of what is a remarkably eff ective endeavor. Published Counseling and Th erapy With Clients Who Abuse Alcohol or Other Drugs Cynthia E. Glidden-Tracy Th e Great Psychotherapy Debate Bruce Wampold Th e Psychology of Working: Implications for Career Development, Counseling, and Public Policy David Blustein Neuropsychotherapy: How the Neurosciences Inform Eff ective Psychotherapy Klaus Grawe Principles of Multicultural Counseling Uwe P. Gielen, Juris G. Draguns, Jeff erson M. Fish Cognitive-Behavioral Th erapy for Deaf and Hearing Persons With Language and Learning Challenges Neil Glickman Forthcoming Th e Pharmacology and Treatment of Substance Abuse: Evidence and Outcomes Based Perspective Lee Cohen, Frank Collins, Alice Young, Dennis McChargue Making Treatment Count: Using Outcomes to Inform and Manage Th erapy Michael Lambert, Jeb Brown, Scott Miller, Bruce Wampold Th e Handbook of Th erapeutic Assessment Stephen E. Finn IDM Supervision: An Integrated Developmental Model for Supervising Counselors and Th era- pists, Th ird Edition Cal Stoltenberg and Brian McNeill Th e Great Psychotherapy Debate, Revised Edition Bruce Wampold Casebook for Multicultural Counseling Miguel E. -
If the Stones Were the Bohemian Bad Boys of the British R&B Scene, The
anEHEl s If the Stones were the bohemian bad boys of the British R&B scene, the Animals were its working-class heroes. rom the somber opening chords of the than many of his English R&B contemporaries. The Animals’ first big hit “House of the Rising Animals’ best records had such great resonance because Sun,” the world could tell that this band Burdon drew not only on his enthusiasm, respect and was up to something different than their empathy for the blues and the people who created it, but British Invasion peers. When the record also on his own English working class sensibilities. hitP #1 in England and America in the summer and fall of If the Stones were the decadent, bohemian bad boys 1964, the Beatles and their Mersey-beat fellow travellers of the British R&B scene, the Animals were its working- dominated the charts with songs like “I Want to Hold Your class heroes. “We Gotta Get Out of This Place” and “It’s My Hand” and “Glad All Over.” “House of the Rising Sun,” a tra Life,” two Brill Building-penned hits for the band, were ditional folk song then recently recorded by Bob Dylan on informed as much by working-class anger as by Burdons his debut album, was a tale of the hard life of prostitution, blues influences, and the bands anthemic background poverty and despair in New Orleans. In the Animals’ vocals underscored the point. recording it became a full-scale rock & roll drama, During the two-year period that the original scored by keyboardist Alan Price’s rumbling organ play Animals recorded together, their electrified reworkings of ing and narrated by Eric Burdons vocals, which, as on folk songs undoubtedly influenced the rise of folk-rock, many of the Animals’ best records, built from a foreboding and Burdons gritty vocals inspired a crop of British and bluesy lament to a frenetic howl of pain and protest. -
Drawing Upon Themselves: Women's Self-Portraits in A
DRAWING UPON THEMSELVES: WOMEN'S SELF-PORTRAITS IN A MAN'S WORLD Submitted by Monica Ann Mersch Department of Art In partial fulfillment of the requirements for the Degree of Master of Fine Arts Colorado State University Fort Collins, Colorado Spring 1996 CLEARANCE FOR ART HISTORY RESEARCH PAPER FOR M.F.A. CANDIDATES This paper must be completed and filed before the final examination of the candidate. This clearance sheet must be filled out and filed in the candidate's record. I have completed and filed the original term paper in art history in the Art Department office and I have given a copy to the course instructor. Course Number Year 0/tf I Yl~t1--~ Student signature Instructor signature ~a.~Adviser signature 1 Drawing Upon Themselves: Women's Self-Portraits in a Man's World A man can do well depending only upon himself and can brave public opinion; but a woman who has done well has only accomplished half her task; for what others think of her counts no less than what she in fact is (Radisch 441 ). As long as people who call themselves artists have depicted others, they have also created images of themselves. As far back as Hildegaard von Bingen in the twelfth century, and probably before, almost every artist or artisan who has picked up a pen, a brush, or a chisel has been concerned with the depiction of self. Male artists have had the ability to present themselves as they are, as subject and artist, without a division between the two. Women artists have historically traveled a slightly different, and considerably rougher path than their male counterparts. -
General Semantics Bulletin
General Semantics Bulletin Yearbook of the Institute of General Semantics Number 71, Membership Year 2004 Fort Worth, TX Honorary Trustees, 1940 Executive Director APPOINTED BY ALFRED KORZYBSKI Steve Stockdale Gaston Bachelard Maxim Bing Assistant Executive Director Abraham A. Brill Jennifer Carmack W. Burridge Ross McC. Chapman, George E. Coghill Arthur Stone Dewing Board of Trustees Franklin C. Ebaugh Officers P. H. Esser President, Andrea Johnson David Fairchild Vice President, Irene S. Ross Mayper Clarence B. Farrar Treasurer, Lynn Schuldt William Healy Lancelot Hogben Secretary, Susan Presby Kodish Earnest A. Hooten Recording Secretary, Robert R. Potter Smith Ely Jelliffe Edward Kasner Board Members Cassius J. Keyser George J. Barenholtz Nolan D. C. Lewis Sanford I. Berman Ralph S. Lillie Laura Bertone Bronislaw Malinowski Walter W. Davis Raymond W. McNealy Milton Dawes Adolf Meyer Allen Flagg Winfred Overholser James Douglas French Stewart Paton Raymond Pearl Gregg Hoffmann William F. Petersen Bruce Kodish Roscoe Pound Susan Presby Kodish George S. Stevenson Martin Levinson M. Tramer Harry Maynard Walter L. Treadway Jeffrey A. Mordkowitz Richard Weil, Jr. Gerard I. Nierenberg George K. Zipf Frank Scardilli Honorary Trustees APPOINTED 1963 AND SINCE Robert Blake, Joseph Brewer, Douglas G. Campbell, Hadley Cantril, Stuart Carter Dodd, R. Buckminster Fuller, Henri Laborit, Abraham Maslow, Myres S. McDougall, Joost A. M. Meerloo, Russell Meyers, E. DeAlton Partridge, Allen Walker Read, J. Gordon Roberts, F. J. Roethlisberger, Jesse H. Shera, Alvin M. Weinberg © Institute of General Semantics The Scientific Philosophy of General Semantics General Semantics (GS) qualifies as an unusual, tough- to-‘pin down’, interdisciplinary field. “Is it a science or a philosophy?” Perhaps GS may best be seen as neither ‘science’ nor ‘philosophy’ but rather as both/and––a scientific philosophy applicable moreover to the life concerns of ‘the man and woman in the street’. -
Red Ban Egiste Section One
RED BAN EGISTE SECTION ONE VOLUME LXIV, NO. i. RED BANK, N. J., THURSDAY, JUNE 26, 1941. PAGES! TO 16 Supper Tonight At 700 DogsEntered In Reformed Church Big Sailing Regatta $1,600 Cleared For Second Registration The second annual supper served Child Welfare by the ladles of the Red Bank Re- formed church on Shrewsbury ave- Mrs. Lewis S. Thompson, Jr., Annual Rumson Sfiow nue, will take place in the churoh On Fourth Of July of Brookdale farm, Llncroft, For Draft Next Tuesday 1 notified The Register Tuesday dining room tonight. Supper will be that there had been 1,100 paid served from 0:30 o'clock and will admissions at the annual Social consist of ham and all ths fixings. Service pet show, and that the Event Saturday At Rumson To The ohalnnan in charge of the af- Inter-Club Races Feature gross receipts totaled. $1,861.94. Instructions Issued By Re'd Bantc fair is Mrs. Wallace B. Ronkln. She She said that approximately Feature Water Test Exhibition will be assisted by tho following com- Event* On M. B. C. Program $1,600 had been cleared for child Board—Expect 15d to Register Here mlttees: Kitchen committee, Un. welfare work. John Weller chairman, Mrs. Eliza- An -unusual "water test" exhibition beth Estelle, Mrs. Victor Hembllng, Arrow and lightning class boats, She was especially apprecia- Instructions for the second draft will be one of the interesting fea- Mrs. Rusiel Clark, Mrs. H«It3r"£i- knockabouts, comets, sneakboxes, tive of the co-operation received registration for military service neat tures of the 13th annual dog show of Joseph Serpico telle and Mm. -
Burns Chronicle 1895
Robert BurnsLimited World Federation Limited www.rbwf.org.uk 1895 The digital conversion of this Burns Chronicle was sponsored by the Caledonian Society of Sheffield The digital conversion service was provided by DDSR Document Scanning by permission of the Robert Burns World Federation Limited to whom all Copyright title belongs. www.DDSR.com i&,teotton of Pat.ant o6.. TPade Map • Bl'aneh and Statlonen' Rall Regtatl'B.tlon. SPECIALTY IN WHISKY. "Jlnlb AS SUPPLIED TO THE BRITISH ROYAL COMMISSION, VICTORIA HOUSE, CHICAGO, AND LEADING CLUJIS AND MESSES IN L~DJA. As a Scotch Whisky there is nothing finer than " llul~ Scottie," made from the purest selected material, and blended with the greatest of care. Invalids requiring a genuine stimulant will find in " llul~ Scottie" Whisky one d the purest form. For Medicinal purposes it equals old Brandy. · The "LANCET1' says--" This Whisky contains 41 •75 per cent. of absolute alcohol, equal to 86·28 per cent. of proof spirit. The residue, dried at 100° C., amounts to 0·25 per cent. It is a well matured and excellent whisky." No hlghel' Medical Testimony ls enjoyed by any Bl'and. As a guarantee of the contents, every bottle is enveloped in wire and be&r11 the Proprietor's seal in lead, without which none is genuine. COLUJIBUN EXPOSITION, CHICAGO, 1808. UITBlUU.TIONil BXJIIBITlON, !JLASOOW, 1888. First Award at "World's Fair," Ohioago, For Purity of Quality, Superior Excellence, MellowneSB of Flavour and Highest Standard of Merit. Reffetered Proprietor: JAMES MENZIES, GLASGOW. res:-68 BATH "STREET. 1• ,_"_ ADVERTISEMENTS. ~~~~~~~~~~~~~~~~~~~~~~-~~~~~~ ,·:···-1 '1:0 the " Bul'ns Clubs " of Scotland. -
The Love of John Lennon's Life - and It Wasn't Cynthia Or Yoko
The Love Of John Lennon's Life - And It Wasn't Cynthia or Yoko Written by Andy Owen It was January 12th 1964. The Beatles were rehearsing at the London Palladium for their appearance that evening, on the top TV show, Val Parnell's Sunday Night at the London Palladium. They had first appeared on the show on October 13th 1963. But, only three months on from that debut, a massive change had taken place. Their profile had gone supersonic in that short time - as the scenes outside the theatre had shown. 'Beatlemania' was in full swing. Argyll Street was wall-to-wall with noisy Beatles fans from early morning. And they stayed there all day... 1 Their incredible popularity was also reflected in their fee for that performance - which had risen from £250 to £1,000. The Beatles topped the bill, which was broadcast at prime time, from 8.25pm to 9.25pm. Sunday Night At The London Palladium was an ATV show and attracted enormous viewing figures in the UK. The show was compèred by Bruce Forsyth - and all the acts appeared live. After doing a short skit with Bruce Forsyth earlier, the group closed the show with a five-song set - I Want to Hold You Hand, This Boy, All My Loving, Money and Twist and Shout. Also on the bill that night, were singer Alma Cogan and comedian Dave Allen. This was the first time The Beatles had met Alma Cogan. Alma was a big star in her own right and extremely popular. She was called the "Girl with the Giggle in Her Voice" and she had been the highest paid British female entertainer of her era. -
The Concert of the Animals & Friends, Muzyczna Owczarnia, Szczawnica
The concert of the Animals & Friends, Muzyczna Owczarnia, Szczawnica-Jaworki, 10th and 11th April 2016. This place is magical, here we can all be together, No matter who we are, no matter where we come from, Here peace and goodwill fills the air, here we are closer to God, While the music brings us together in joy. Even the most abstractive dreams come true. When I read on the website of Muzyczna Owczarnia that the Animals & Friends would perform at Wietek Kołodziejski, I could not believe that. Theoretical and practical thoughts ran through my mind as quickly as lightning, and then I called Wietek to ask him for a ticket and to Grzegorz Kasprzyk to book accommodation at his Koliba (chalet). Muzyczna Owczarnia. The interest was so high that there were two concerts: on Sunday 10th and on Monday 11th. I arrived in Jaworki on Saturday to tune myself in this emotional atmosphere:) Sylwia, Wietk’s wife, had everything ready. The musicians came on Sunday at 3 p.m. with Łukasz Gorczyca and Sebastian Kowol. Their presence was meaningful so there is a short mention about them. Łukasz Gorczyca - basist, composer, author of numerous projects, known from cooperation with many famous domestic and foreign musicians. There are among others: Patsy Gamble, Jennifer Batten, Terry Man, Andy Egert, Wheatbread Johnson, Griff Hamlin, Barry Richman, Alvon Johnson, Keith Thompson, Rob Tognoni, Risto Toppola, Chuck Frazier, Kellie Rucker, Billy Hamilton, Chaz de Paolo, Alex Rossi, Grainne Duffy, Ian Sands Blues Band, Krissy Matthews, Dave Ellis Blues Band, Janet Robin, Leon Hendrix, Noel Coutts. -
![[TRACK 3: SURVIVOR STORIES: COMMUNICATING] John, Part I](https://docslib.b-cdn.net/cover/6417/track-3-survivor-stories-communicating-john-part-i-1596417.webp)
[TRACK 3: SURVIVOR STORIES: COMMUNICATING] John, Part I
[TRACK 3: SURVIVOR STORIES: COMMUNICATING] John, Part I [John] When my wife, Susan, was diagnosed with breast cancer we both went into shock. I felt angry and scared all at once, but I didn't think I should tell her. I didn't want her to worry about my feelings, too. The whole thing has taken a lot out of both of us. But, we've found out that it really does help to talk about it. [Narrator] Communicating, which involves sharing information and sharing feelings, is an important skill for everyone dealing with cancer. Yet, many studies confirm what people often say: Communication can be difficult for many cancer survivors and their caregivers. Those who care about each other may not want to share the strong feelings that come with a diagnosis of cancer, and these feelings may make it hard to talk about the questions and concerns they have with doctors, friends - even their own family members. The “Communicating” program in the Cancer Survival Toolbox teaches the communication skills of being assertive, using "I" statements, active listening, and expressing feelings. In that program, we review how you can use communication skills to improve your well-being, because when your well-being is maintained, you can do a better job of helping to maintain the well-being of those you care for. Let's hear how John used the communications skill, assertiveness, to solve a problem. [John] When Susan first got cancer and we were figuring out what we needed to do to keep our family going, I tried to avoid telling people at work about it. -
The Beatles and the Crisis of Self-Identity
Sosland Journal 77 THE BEATLES AND THE CRISIS OF SELF-IDENTITY Jared Gutzmer “Ringo- a lovely performer. George- a mystical unre- alized talent. But John and Paul, Saints John and Paul, were, and made, and aureoled and beatifi ed and eternalized the concept that shall always be known, remembered and deeply loved as The Beatles” -Leonard Bernstein The Beatles are one of the most popular bands of all time. This is an undisputed fact no matter the location. They were so popular that in America, they had to stop touring due to the screaming fans which caused the band not to be able to hear themselves. Never before was there a group that was so incredibly popular in history. This popularity and other fac- tors led the members of the Beatles to change as individuals and as a group as they matured musically and mentally. Their identity shifted from a group identity to a self-identity. From the Beatles fi rst album, Please Please Me, to their last, Let It Be, the shift in their identity can be seen through their music and the appearances that led to individualism and eventually their downfall. 78 Sosland Journal The Music “It would not seem quite so likely that the accompany- ing fever known as Beatlemania will also be success- fully exported. On this side of the Atlantic it is dazed stuff.” -Jack Gould, New York Times television critic The Beatles music and lyrics changed drastically from their fi rst to last album due to adapting to a changing soci- ety, musical maturity, and their increased popularity. -
FINAL FINAL Draft
Copyright by James Roslyn Jesson 2010 The Dissertation Committee for James Roslyn Jesson certifies that this is the approved version of the following dissertation: Radio Texts: The Broadcast Drama of Orson Welles, Dylan Thomas, Samuel Beckett, and Tom Stoppard Committee: ___________________________________ Alan Friedman, Supervisor ___________________________________ Elizabeth Cullingford ___________________________________ Michael Kackman ___________________________________ James Loehlin ___________________________________ Elizabeth Richmond-Garza Radio Texts: The Broadcast Drama of Orson Welles, Dylan Thomas, Samuel Beckett, and Tom Stoppard by James Roslyn Jesson, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2010 Acknowledgements I owe many people thanks for their encouragement and support during this project. I could not ask for a more generous and helpful committee. Alan Friedman introduced me to the drama of Samuel Beckett and shaped my understanding of Beckett’s approaches to writing and performance. Early in my graduate career he assured me that I could say something original about Beckett’s radio plays, and his praise for my work encouraged me to expand my focus to other authors’ radio drama. Over six years, Alan has been unfailingly supportive and generous with his time and advice on all matters academic and professional. Like Alan, James Loehlin has been a careful reader who has taught me much about my writing. I was inspired by his teaching in two seminars, and his guidance as the director of my Masters Report shaped my scholarship significantly. -
Psaudio Copper
Issue 142 AUGUST 2ND, 2021 Is there a reader among us who doesn’t dig ZZ Top? We mourn the passing of Joseph Michael “Dusty” Hill (72), bassist, vocalist and keyboardist for the tres hombres. Blending blues, boogie, bone-crushing rock, born-for-MTV visuals, humor and outrageousness – they once took a passel of live animals on stage as part of their 1976 – 1977 Worldwide Texas Tour – Hill, drummer Frank Beard and guitarist Billy F. Gibbons have scorched stages worldwide. As a friend said, “it’s amazing how just three guys could make that much sound.” Rest in peace, Mr. Hill. In this issue: Anne E. Johnson gets inspired by the music of Renaissance composer William Byrd, and understands The Animals. Wayne Robins reviews Native Sons, the superb new album from Los Lobos. Ray Chelstowski interviews The Immediate Family, featuring studio legends Waddy Wachtel, Lee Sklar, Russ Kunkel and others, in an exclusive video interview. I offer up more confessions of a record collector. Tom Gibbs finds much to like in some new SACD discs. John Seetoo winds up his coverage of the Audio Engineering Society’s Spring 2021 AES show. Ken Sander travels through an alternate California reality. WL Woodward continues his series on troubadour Tom Waits. Russ Welton interviews cellist Jo Quail, who takes a unique approach to the instrument. In another article, he ponders what's needed for sustaining creativity. Adrian Wu looks at more of his favorite analog recordings. Cliff Chenfeld turns us on to some outstanding new music in his latest Be Here Now column.