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Williams, Hipness, Hybridity, and Neo-Bohemian Hip-Hop
HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Maxwell Lewis Williams August 2020 © 2020 Maxwell Lewis Williams HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA Maxwell Lewis Williams Cornell University 2020 This dissertation theorizes a contemporary hip-hop genre that I call “neo-bohemian,” typified by rapper Kendrick Lamar and his collective, Black Hippy. I argue that, by reclaiming the origins of hipness as a set of hybridizing Black cultural responses to the experience of modernity, neo- bohemian rappers imagine and live out liberating ways of being beyond the West’s objectification and dehumanization of Blackness. In turn, I situate neo-bohemian hip-hop within a history of Black musical expression in the United States, Senegal, Mali, and South Africa to locate an “aesthetics of existence” in the African diaspora. By centering this aesthetics as a unifying component of these musical practices, I challenge top-down models of essential diasporic interconnection. Instead, I present diaspora as emerging primarily through comparable responses to experiences of paradigmatic racial violence, through which to imagine radical alternatives to our anti-Black global society. Overall, by rethinking the heuristic value of hipness as a musical and lived Black aesthetic, the project develops an innovative method for connecting the aesthetic and the social in music studies and Black studies, while offering original historical and musicological insights into Black metaphysics and studies of the African diaspora. -
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performing redemption Metzian Theology in the Art of Kendrick Lamar evan goldstein the german catholic theologian johann baptist metz makes a convincing case that in the face of the catastrophes of the 20th century, christian theology can no lon- ger isolate itself from its role as a perpetrator of injustice. to that end, he seeks to challenge abstract answers to theological questions with a renewed sensitivity to past transgressions. for metz, christian faith cannot simply be a matter of assent to theoretical propositions, but rather a practical engagement with “dangerous memo- ries” of systematic injustice. in this paper, the author takes up metz’s conceptual framework for political theology and uses it to examine kendrick lamar’s “sing about me, i’m dying of thirst” as a theological, and specifically soteriological, per- formance. by re-telling in his own voice the stories of friends who have died, kend- rick both documents the struggle they lived and reveals his own vulnerability to the same conditions (of sin). but in addressing this vulnerability, he transcends it, protecting himself from sin precisely by telling the story. the paper closes with some reflections on how kendrick’s track might gesture towards a mode of doing theol- ogy that subverts the abstract tendencies of the hegemonic western tradition. Towards the end of his life, the philosopher Walter Benja- does not account for histories of suffering) reenacts the min wrote that, “the true picture of the past flits by…[and] bourgeois banishment of religion to the private (and thus, can be seized only as an image which flashes up at the non-political) sphere, thereby uncritically affirming the moment when it can be recognized and is never seen prevailing socio-political order. -
Listening to Compton's Hip-Hop Landscape" (2016)
University of Mary Washington Eagle Scholar Student Research Submissions Spring 4-29-2016 "Yo, Dre, I've Got Something To Say": Listening to Compton's Hip- Hop Landscape Ian T. Spangler Follow this and additional works at: https://scholar.umw.edu/student_research Part of the Geography Commons Recommended Citation Spangler, Ian T., ""Yo, Dre, I've Got Something To Say": Listening to Compton's Hip-Hop Landscape" (2016). Student Research Submissions. 55. https://scholar.umw.edu/student_research/55 This Honors Project is brought to you for free and open access by Eagle Scholar. It has been accepted for inclusion in Student Research Submissions by an authorized administrator of Eagle Scholar. For more information, please contact [email protected]. "YO, DRE, I'VE GOT SOMETHING TO SAY": LISTENING TO COMPTON'S HIP-HOP LANDSCAPE An honors paper submitted to the Department of Geography of the University of Mary Washington in partial fulfillment of the requirements for Departmental Honors Ian T Spangler April 2016 By signing your name below, you affirm that this work is the complete and final version of your paper submitted in partial fulfillment of a degree from the University of Mary Washington. You affirm the University of Mary Washington honor pledge: "I hereby declare upon my word of honor that I have neither given nor received unauthorized help on this work." Ian T. Spangler 04/29/16 (digital signature) o'Yo, Dre,I've Got Something to Say:" Listening to Compton's Hip-Hop Landscape By Ian Spangler A Thesis Submitted in Fulfillment of the Requirements for Honors in Geography Department of Geography University of Mary Washington Fredericksburg, VA 2240I April29,2016 Stephen P. -
Hip Hop Club Songs
Hip Hop Club Songs Did you Know? The credit of coining the term 'Hip-Hop' lies with Keith 'Cowboy' Wiggins, a member of Grandmaster Flash and the Furious Five. Around 1978, he used to tease his friend who was in the US Army by singing hip/hop/hip/hop. He was mimicking the cadence rhythm of the soldiers. Initially known as Disco Rap, hip-hop music is a stylized download mp3 rocket pro free 2010 rhythmic music form which contains rapping and beat boxing as its elements. This music developed as a part of the 'hip-hop culture' in New York, particularly among the African-Americans. Today, hip hop music has become extremely popular among the masses. With the commercialization of this genre of music, a new era of talent paved its path to give music a new feel and rhythm by using words in the interim as a form of expression. Artists like Snoop Dog, Eminem, Nicki Minaj, Black- Eyed Peas have popularized this particular genre even further. Certain artists, who were known for performing other genres also started experimenting with rap and hip-hop. Couple of such examples would be Beyonce and none other than the King of Pop, Michael Jackson. Another factor that has added to hip-hop's popularity is that this music is ideal for nightclubs and dance floors. So, are you arranging one such party for your friends and wondering which songs to play? Then here is a list of various hip-hop club songs that you can play. ? Baby Don't Do It - Lloyd ? Best Kept Secret - Raheem DeVaughn ? Bedroom Walkin' - Ne-Yo ? Tonight - Jason Derulo ? Almost There - Alicia Keys ? Stillettos And A Tee - Bobby Valentino ? Help Somebody - Maxwell Feat. -
Subpart 6-1 “Swimming Pools”
1 Chapter I State Sanitary Code Subpart 6-1 Swimming Pools (Statutory authority: Public Health Law, §225) Includes Amendments Effective July 6, 2011 NEW YORK STATE DEPARTMENT OF HEALTH Bureau of Community Environmental Health and Food Protection 1 Sections GENERAL PROVISIONS 6-1.1 Purpose 6-1.2 Definitions 6-1.3 Application 6-1.4 Enforcement 6-1.5 Permit for operation 6-1.6 Variance and waivers 6-1.7 Injury and illness incident reporting CONSTRUCTION 6-1.8 Approval of plans 6-1.9 Construction compliance certificate OPERATION, SUPERVISION AND MAINTENANCE 6-1.10 Pool operation 6-1.11 Treatment 6-1.12 Water supply 6-1.13 Sewage system 6-1.14 Garbage; refuse 6-1.15 Bathhouse and toilet facilities 6-1.16 Fencing 6-1.17 Lighting and electrical requirements 6-1.18 Ventilation 6-1.19 Water quality 6-1.20 Maximum permissible bather use 6-1.21 Operator and operating records 6-1.22 Inspections 6-1.23 Supervision 6-1.24 General requirements 6-1.25 Spa pools; additional requirements 6-1.26 Special-purpose pools 2 6-1.27 Movable-bottom pools 6-1.28 White-water slides 6-1.29 Swimming pool design standards 6-1.30 Saturation index for swimming pools 6-1.31 Aquatic supervisory skill requirements 3 GENERAL PROVISIONS Section 6-1.1 Purpose. The purpose of this Subpart is to assure a sanitary, healthful and safe environment for the public when using swimming pools. 6-1.2 Definitions. (a) Swimming pool shall mean a structure, together with buildings and appurtenances used in connection therewith, intended for bathing, swimming or diving purposes, made of concrete, masonry, metal, or other impervious material, located either indoors or outdoors. -
Kendrick Lamar Album Downloads CLICK HERE to DOWNLOAD
kendrick lamar album downloads CLICK HERE TO DOWNLOAD. 1. Wesley’s Theory 2. For Free? (Interlude) 3. King Kunta 4. Institutionalized 5. These Walls 6. U 7. Alright 8. For Sale? (Interlude) 9. Momma 10. Hood Politics 11. How Much A Dollar Cost 12. Complexion 13. The Blacker The Berry 14. You Ain’t Gotta Lie (Momma Said) 15. I 16. Mortal Man. “Oh My God!” Is what would have screamed the legendary Joseph Joestar learning that Kendrick Lamar suddenly swung his album on the net! Writing MCM.fr should admit she is sort of shocked. The promotion was going thus slowly … yet instead of reveal everything directly, Kendrick Lamar had initial proclaimed the discharge date of his album referred to as Untitled at the time (which was scheduled for March twenty three at the base) before revealing the title, cowl and tracklist. whereas we have a tendency to sagely waited to own the names of these UN agency contributed to his CD, well no! The rapper skip this step so as to supply USA to concentrate to the album in its entireness per week before the discharge date! Indulge yourself by throwing a word of this project! Since the album is formally downloadable, we have a tendency to currently apprehend UN agency collaborated with the creative person Pimp To A Butterfly. we discover once more Thundercat, Bilal and Pakistani monetary unit Wise UN agency were within the single Untitled Kendrick Lamar, the legendary Snoop Dogg and President Clinton, and at last the gifted Californian rapper Rapsody! On the assembly facet we’ve got no data, however we have a tendency to bet the presence of Flying Lotus (K.Dot UN agency has already worked for the wonderful song ne'er Catch Me) Sounwave, Dr. -
Jazzletter 93023
Gene Lees ' P.O. Ojai, Calif. V Jazzletter 93023 April I985 VOl. 4 NO. 9 lt’s a Fine Scheme hose playing on the roof and the garden all one night as the ashes and glowing cinders fell. The firefighters, who came here I wrote a little ditty, that I thought was very pretty, from all over the country, did a sensational job. The work of And I sent it to a New York music firm; firefighters is not always appreciated, but these firefighters were They wrote back, in manner nifty, they would publish it overwhelmed by the outpouring of love from the community.‘ for fifty, There were signs everyone saying, one way or another, Thank And they pointed out the money I could earn. you firefighters for saving our town. People opened their homes Yes, they showed me how to do it, said I‘d never, never rue it, and swimming pools to them, and nearly engulfed them in food And when I sold five hundred copies, see! i and orange juice. They said they had never seen such behavior (After all my money blowin‘, if the song showed signs of from a town. - . goin‘), I got home a few days later and drove around in these . They would push it then and pay me royalty. magnificent mountains, appalled .at the endless acres of black skeletons of trees and shrubs and the ‘gray ash on the ground, - Cnonus ' the bare mountain slopes that will come thundering down as It’s a fine scheme — for some one — mud and debris when the rains hit next winter. -
Rock Music's Crusade of Authenticity
ROCK MUSIC’S CRUSADE OF AUTHENTICITY by DANIEL BROMFIELD A THESIS Presented to the Department of Journalism and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2016 An Abstract of the Thesis of Daniel Bromfield for the degree of Bachelor of Arts in the School of Journalism and Communications to be taken June 2016 Title: Rock Music's Crusade Of Authenticity Prof. Thomas Wheeler This thesis attempts to define rock music's standards of authenticity and explore their origins. Included are comparison of rock's standards of authenticity to those of other genres and an exploration of how authenticity has been perceived throughout the history of rock music. This study argues that rock's standards of authenticity are unusual among pop music genres in that they entail artists both writing their own songs and playing their own instruments. This is in contrast to genres like hip hop, contemporary pop, and R&B, which have their own quite different standards of authenticity. Quotes from rock fans, critics, and musicians are used to provide insight into rock's standards of authenticity and how they developed over time. ii Acknowledgements I would like to first and foremost thank my father for introducing me to music. If not for his decision to turn me on to the Beatles one sunny day in June 2006, I would surely be pursuing a far more boring career – and thesis topic. And I would like to thank my mother for giving me a great life and being endlessly supportive. -
Kendrick Lamar Lyrics
Kendrick Lamar Lyrics 『ケンドリック・ラマー・リリック帳 -合唱編- 』 YAPPARIHIPHOP.COM ! 目次 ! good kid, m.A.A.d city 3 02. “Bitch, Don’t Kill My Vibe 5 03. “Backseat Freestyle” 7 05. “Money Trees” (featuring Jay Rock) 9 06. “Poetic Justice” (featuring Drake) 10 08. “m.A.A.d city” (featuring MC Eiht 12 09. “Swimming Pools (Drank)” (Extended Version) 14 13. “The Recipe” (featuring Dr. Dre) Section 80 16 01. “Fuck Your Ethnicity” 18 02. “Hol’ Up” 20 03. “A.D.H.D” 23 05. “Tammy's Song (Her Evils)” 24 06. “Chapter Six” 25 14. “Blow My High (Members Only)” 27 16. “HiiiPoWeR” Overly Dedicated 28 04. “P&P 1.5 (feat. Ab-Soul)” 30 05. “Alien Girl (Today With Her)” 31 07. “Michael Jordan (feat. Schoolboy Q)” 33 12. “H.O.C” 34 13. “Cut You Off (To Grow Closer)” 36 15. “She Needs Me (Remix) [feat. Dom Kennedy and Murs]“ Other 37 ASAP Rocky “Fucking Problem” ft. Drake, 2 Chainz & Kendrick Lamar 38 “Look Out For Detox” 40 “Westside, Right On Time” ft. Young Jeezy 41 “Cartoon & Cereal” ft. Gunplay 2 Bitch, Don't Kill My Vibe [Hook] I am a sinner who's probably gonna sin again Lord forgive me, Lord forgive me Things I don't understand Sometimes I need to be alone Bitch don't kill my vibe, bitch don't kill my vibe I can feel your energy from two planets away I got my drink, I got my music I would share it but today I'm yelling Bitch don't kill my vibe, bitch don't kill my vibe Bitch don't kill my vibe, bitch don't kill my vibe [Verse 1] Look inside of my soul and you can find gold and maybe get rich Look inside of your soul and you can find out it never exist I can feel the -
Music 10378 Songs, 32.6 Days, 109.89 GB
Page 1 of 297 Music 10378 songs, 32.6 days, 109.89 GB Name Time Album Artist 1 Ma voie lactée 3:12 À ta merci Fishbach 2 Y crois-tu 3:59 À ta merci Fishbach 3 Éternité 3:01 À ta merci Fishbach 4 Un beau langage 3:45 À ta merci Fishbach 5 Un autre que moi 3:04 À ta merci Fishbach 6 Feu 3:36 À ta merci Fishbach 7 On me dit tu 3:40 À ta merci Fishbach 8 Invisible désintégration de l'univers 3:50 À ta merci Fishbach 9 Le château 3:48 À ta merci Fishbach 10 Mortel 3:57 À ta merci Fishbach 11 Le meilleur de la fête 3:33 À ta merci Fishbach 12 À ta merci 2:48 À ta merci Fishbach 13 ’¡¡ÒàËÇèÒ 3:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 14 ’¡¢ÁÔé’ 2:29 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 15 ’¡à¢Ò 1:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 16 ¢’ÁàªÕ§ÁÒ 1:36 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 17 à¨éÒ’¡¢Ø’·Í§ 2:07 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 18 ’¡àÍÕé§ 2:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 19 ’¡¡ÒàËÇèÒ 4:00 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 20 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:49 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 21 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 22 ¡ÅèÍÁÅÙ¡â€ÃÒª 1:58 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 23 ¡ÅèÍÁÅÙ¡ÅéÒ’’Ò 2:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 24 Ë’èÍäÁé 3:21 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 25 ÅÙ¡’éÍÂã’ÍÙè 3:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 26 ’¡¡ÒàËÇèÒ 2:10 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 27 ÃÒËÙ≤˨ђ·Ãì 5:24 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… -
Cyclical Time in Fairy Tale and Rap Lyrics
© 2021 Lege artis. Language yesterday, today, tomorrow Research article LEGE ARTIS Language yesterday, today, tomorrow Vol. VI. No 1 2021 CYCLICAL TIME IN FAIRY TALE AND RAP LYRICS: POINTS OF INTERSECTION Nataliia Kravchenko Kyiv National Linguistic University, Kyiv, Ukraine Marianna Goltsova* National University of Life and Environmental Sciences of Ukraine, Kyiv, Ukraine Valentyna Snitsar Borys Grinchenko Kyiv University, Kyiv, Ukraine Corresponding author* Bibliographic description: Kravchenko, N., Goltsova, M. & Snitsar, V. (2021). Сyclical time in fairy tale and rap lyrics: Points of intersection. In Lege artis. Language yesterday, today, tomorrow. The journal of University of SS Cyril and Methodius in Trnava. Trnava: University of SS Cyril and Methodius in Trnava, 2021, VI (1), June 2021, p. 75-108. ISSN 2453-8035 Abstract: This paper focuses on cyclical time in modern rap lyrics in comparison with the archaic time of fairy tales. The study is the first attempt to prove the existence of archaic time in a metamodernistic genre. Narrative and stylistic analyses coupled with intertextual and archetypal analyses have revealed the symbolic, narrative, and stylistic devices foregrounding cyclical time with an emphasis on its shared and different manifestations in the genres being compared. Key words: cyclical time, rap lyrics, fairy tale, narrative devices, stylistic devices. 1. Introduction The notion of cyclical time remains unexplored in linguistic and interdisciplinary studies; there exist only a few works, which dwell on archaic consciousness and its reflection in ancient literary sources. However, considering that some mechanisms of archaic thinking, such as symbolization, ritualization, magic, mythologization, and anthropomorphization, are generally inherent in humans (Першин 2013) and embodied in the "ineradicable" archetypes of human behavior (Jung 1969); the study 75 ISSN 2453-8035 of those temporal features of modern texts that specifically reinterpret archaic time can be considered a new and promising aspect of research. -
Final Nominations List
NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 60th Annual GRAMMY® Awards For recordings released during the Eligibility Year October 1, 2016 through September 30, 2017 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 Category 2 Record Of The Year Album Of The Year Award to the Artist and to the Producer(s), Recording Engineer(s) Award to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, and/or Mixer(s) and mastering engineer(s), if other than the artist. Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with at least 33% playing time of the album, if other than Artist. 1. REDBONE Childish Gambino 1. "AWAKEN, MY LOVE!" Childish Gambino Donald Glover & Ludwig Goransson, producers; Donald Donald Glover & Ludwig Goransson, producers; Bryan Carrigan, Glover, Ludwig Goransson, Riley Mackin & Ruben Rivera, Chris Fogel, Donald Glover, Ludwig Goransson, Riley Mackin & engineers/mixers; Bernie Grundman, mastering engineer Ruben Rivera, engineers/mixers; Donald Glover & Ludwig 2. DESPACITO Goransson, songwriters; Bernie Grundman, mastering engineer Luis Fonsi & Daddy Yankee Featuring Justin Bieber 2. 4:44 Josh Gudwin, Mauricio Rengifo & Andrés Torres, JAY-Z producers; Josh Gudwin, Jaycen Joshua, Chris ‘TEK’ JAY-Z & No I.D., producers; Jimmy Douglass & Gimel "Young O’Ryan, Mauricio Rengifo, Juan G Rivera “Gaby Music,” Guru" Keaton, engineers/mixers; Shawn Carter & Dion Wilson, Luis “Salda” Saldarriaga & Andrés Torres, songwriters; Dave Kutch, mastering engineer engineers/mixers; Dave Kutch, mastering engineer 3.