Broadcasting Decision CRTC 2007-359-1
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Middlesex Emergency Card
Before a disaster strikes: Local Radio – 100.5 FM CBC Radio 2 • Prepare a portable 72-hour emergency 980 AM CFPL 102.3 FM CHST 1290 AM CJBK 103.1 FM CFHK kit for your family 1410 AM CKSL 103.9 FM CKDK • Keep a smaller kit in your car 89.5 FM Eagle 105.7 FM CJMI 92.7 FM CJBX 106.9 FM CIXX • Post emergency numbers near the 93.5 FM CBCL Television – phone 94.9 FM CHRW CFPL CTV Two 95.9 FM CFPL CKCO CTV Kitchener • Learn how to shut off the water, gas 97.5 FM CIQM CICO TVOntario and electricity in your home 98.1 FM CKLO Cable 13 Rogers 99.9 FM CHJX www.theweathernetwork.com • Read your community’s emergency To report a life-threatening emergency, call 911 plan, accessible on the municipality’s Ontario Provincial Police 1-888-310-1122 website Strathroy-Caradoc Police 519-245-1250 Middlesex-London Health Unit 519-663-5317 or • Know the emergency procedures for visit www.healthunit.com your family’s workplaces and/or For information on emergencies in Ontario, schools visit www.emergencymanagementontario.ca For information on Community & Social • Take a first aid & CPR course Services, call 211 or visit www.211ontario.ca For more information on specific emergencies like tornadoes or winter storms, a series of self-help brochures is available at your local branch of the Middlesex County Library, or on the internet at www.GetPrepared.ca After a disaster occurs, you may be confused or disoriented. Stay calm and remember the following procedures: •Help the injured— use the first aid supplies in your emergency kit •Listen to the radio and follow -
ANDERTON Music Festival Capitalism
1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667). -
Channel Line-Up VIP Digital Cable (Markham)
Channel Line-Up VIP Digital Cable (Markham) Here are the channels included in your package CH# INCL CH# INCL CH# INCL Your World This Week 1 Sportsnet 360 44 DIY Network 89 TV Ontario (TVO - CICA) 2 OLN 45 Disney Junior 92 Global Toronto (CIII) 3 Turner Classic Movies 46 Disney Channel 93 OMNI.1 4 TELETOON (East) 47 Free Preview Channel 1 94 TV Listings 5 Family Channel (East) 48 FX 95 CBC Toronto (CBLT) 6 Peachtree TV 49 NBA TV Canada 96 Citytv Toronto 7 CTV Comedy Channel (East) 50 Leafs Nation Network 97 CTV Toronto (CTVTO) 8 FX 51 TSN2 98 YES TV 9 Food Network 52 Sportsnet ONE 99 CHCH 11 ABC Spark 53 Rogers On Demand 100 ICI Radio-Canada Télé (TOR) 12 History 54 TVA Montreal (CFTM) 101 TFO (CHLF) 13 CTV Sci-Fi Channel 55 ICI RDI 102 OMNI.2 14 MTV 56 TV5 103 FX 15 BET (Black Entertainment 57 CPAC English (& CPAC French- 104 CBS Bufalo (WIVB) 16 DTOUR 58 Ontario Legislature 105 Sportsnet ONE 17 Your World This Week 59 Makeful 106 ABC Bufalo (WKBW) 18 VisionTV 60 A.Side 107 Today's Shopping Choice 19 PBS Bufalo (WNED) 61 CTV Toronto (CTVTO) 108 CTV Two Toronto 20 CTV News Channel 62 CTV Kitchener/London (CTVSO) 109 FOX Bufalo (WUTV) 21 Free Preview Channel 1 63 CTV Winnipeg (CTVWN) 110 The Weather Network (Richmond) 22 CTV Life Channel 64 CTV Calgary (CTVCA) 111 CBC News Network/AMI-audio 23 Treehouse 65 CTV Vancouver (CTVBC) 112 CP24 24 BNN Bloomberg 66 CTV Two Atlantic 113 YTV (East) 25 Nat Geo Wild 67 CTV Atlantic Halifax (CJCH) 114 TSN4 26 Family Jr. -
Using Green Man Festival As a Case Study
An Investigation to identify how festivals promotional techniques have developed over the years – using Green Man Festival as a case study Victoria Curran BA (hons) Events Management Cardiff Metropolitan University April 2018 i Declaration “I declare that this Dissertation has not already been accepted in substance for any degree and is not concurrently submitted in candidature for any degree. It is the result of my own independent research except where otherwise stated.” Name: Victoria Curran Signed: ii Abstract This research study was carried out in order to explore the different methods of marketing that Green Man Festival utilises, to discover how successful they are, and whether they have changed and developed throughout the years. The study intended to critically review the literature surrounding festivals and festival marketing theories, in order to provide conclusions supported by theory when evaluating the effectiveness of the promotional strategies. It aimed to discover how modern or digital marketing affected Green Man’s promotional techniques, to assess any identified promotional techniques and identify any connections with marketing theory, to investigate how they promote the festival towards their target market, and to finally provide recommendations for futuristic methods of promotion. The dissertation was presented coherently, consisting of five chapters. The first chapter was the introduction, providing a basic insight into the topics involved. The second contains a critical literature review where key themes were identified; the third chapter discussed the methodology used whilst the fourth chapter presents the results that were discovered, providing an analysis and discussion. The final chapter summarises the study, giving recommendations and identifying any limitations of the study. -
Dirty Pretty Things' Carl Barât Announced As Fifth Road to V Mentor
Dirty Pretty Things’ Carl Barât announced as Fifth Road to V Mentor Submitted by: onlinefire PR Wednesday, 9 April 2008 Virgin Mobile’s Road to V (http://www.roadtov.com/) in partnership with Sony Ericsson The final mentor for Virgin Mobile’s Road to V search for bands is confirmed. Song-writer, musician and DJ Carl Barât, formerly of The Libertines and current frontman of Dirty Pretty Things, is the final addition to the panel of advisers to the ‘next big thing’ in the UK’s biggest and best search for unsigned music (http://www.roadtov.com/)al talent - Road to V. The competition is now open and two bands, mentored by our very own panel of experts, will get to open the V Festival this summer, in Chelmsford and Stafford, on the 16th August. Unsigned bands (http://www.roadtov.com/) can go to www.roadtov.com and register their entry, upload their best track and tell us a bit about themselves. All the entries will then be judged by this year’s panel of music industry experts, which includes the just announced Carl Barât, Mags Revell, the promotor of V Festival, Mark Beaumont from NME, A&R man Sav Remzi and Paul Samuels from Crown Music Management. 14 bands will go through to the live stage of the competition – all of which will go on to play at either the Carling Academy in London or Liverpool, and each gig will be broadcast during the summer on Channel 4. Each judge will then give the unsigned bands (http://www.roadtov.com/) their pearls of wisdom to make it big in the music industry the viewers then decide who wins and gets the chance of a lifetime to open one of the UK’s biggest festivals. -
Thebestway FIFA 14 | GOOGLE GLASS | PS4 | DEAD MOUSE + MORE
THE LAUNCH ISSUE T.O.W.I.E TO MK ONLY THE BEST WE LET MARK WRIGHT WE TRAVEL TO CHELSEA AND JAMESIII.V. ARGENT MMXIIIAND TALK BUSINESS LOOSE IN MILTON KEYNES WITH REFORMED PLAYBOY CALUM BEST BAG THAT JOB THE ESSENTIAL GUIDE TO HOT HATCH WALKING AWAY WITH WE GET HOT AND EXCITED THE JOB OFFER OVER THE LATEST HATCHES RELEASED THIS SUMMER LOOKING HOT GET THE STUNNING LOOKS ONE TOO MANY OF CARA DEVEVINGNE DO YOU KNOW WHEN IN FIVE SIMPLE STEPS ENOUGH IS ENOUGH? THEBESTway FIFA 14 | GOOGLE GLASS | PS4 | DEAD MOUSE + MORE CONTENTS DOING IT THE WRIGHT WAY - THE TRENDLIFE LAUNCH PARTY The Only Way To launch TrendLife Magazine saw Essex boys Mark Wright and James ‘Arg’ Argent join us at Wonderworld in Milton Keynes alongside others including Corrie’s Michelle Keegen. Take a butchers at page 59 me old china. 14 MAIN FEATURES CALUM BEST ON CALUM BEST We sit down with Calum Best at 7 - 9 Chelsea’s Broadway House to discuss his new look on life, business and of course, the ladies. 12 MUST HAVES FOR SUMMER Get your credit card at the ready as 12 we give you ‘His and Hers’ essentials for this summer. You can thank us later. NEVER MIND THE SMALLCOCK Ladies, you have all been there and if 18 you have not, you will. What do you do when you are confronted with the ultimate let down? Fight or flight? #TRENDLIFEAWARDS REGISTER TODAY FOR THE EVENT OF 2013 WHATS NEW FIFA 14 PREVIEW | 35 No official release date. -
The CRTC's Enforcement of Canada's Broadcast Legislation: 'Concern', 'Serious Concern' and 'Grave Concern'
Canadian Journal of Law and Technology Volume 5 Number 3 Article 1 8-1-2006 The CRTC's Enforcement of Canada's Broadcast Legislation: 'Concern', 'Serious Concern' and 'Grave Concern' Monica Auer Follow this and additional works at: https://digitalcommons.schulichlaw.dal.ca/cjlt Part of the Computer Law Commons, Intellectual Property Law Commons, Internet Law Commons, Privacy Law Commons, and the Science and Technology Law Commons Recommended Citation Monica Auer, "The CRTC's Enforcement of Canada's Broadcast Legislation: 'Concern', 'Serious Concern' and 'Grave Concern'" (2006) 5:3 CJLT. This Article is brought to you for free and open access by the Journals at Schulich Law Scholars. It has been accepted for inclusion in Canadian Journal of Law and Technology by an authorized editor of Schulich Law Scholars. For more information, please contact [email protected]. The CRTC’s Enforcement of Canada’s Broadcasting Legislation: ‘‘Concern’’, ‘‘Serious Concern’’, and ‘‘Grave Concern’’ M.L. Auer, M.A., LL.M.† I. Introduction again in 2004, by the Parliamentary Standing Com- mittee on Heritage. Generally speaking, however, these his paper describes results from a quantitative study studies used case-based analyses wherein the conclusions T of the enforcement by the Canadian Radio-televi- necessarily depended on the cases reviewed. This paper sion and Telecommunications Commission 1 (CRTC or adopts a broadly based empirical approach to describe Commission) over the last several decades of Canada’s and analyze the CRTC’s regulation of its conventional, broadcasting legislation and its own regulations. Estab- over-the-air radio licensees from 1968 to 2005. lished by Parliament in 1968, the CRTC is a quasi-judi- This paper concludes that the CRTC uses informal cial regulatory agency that administers Canada’s Broad- sanctions, rather than the penalties set out by Parliament casting Act, 1991 2 as well as the nation’s in Canada’s broadcasting legislation, and that the telecommunications legislation. -
General Secretary's Report
GENERAL SECRETARY’S REPORT ANNUAL CONGRESS 2008 PLYMOUTH PAVILIONS CONGRESS - SUNDAY 8 JUNE 9.30 am - 12.30 pm, 2.00 pm - 5.00 pm CONGRESS - MONDAY 9 JUNE 9.30 am - 12.30 pm, 2.00 pm - 5.00 pm SECTION CONFERENCES – TUESDAY 10 JUNE 9.30 am - 12.30 pm, 2.00 pm - 5.00 pm SECTION CONFERENCES – WEDNESDAY 11 JUNE 9.30 am - 12.30 pm CONGRESS – WEDNESDAY 11 JUNE 2.00 pm - 5.00 pm CONGRESS – THURSDAY 12 JUNE 9.30 am - 12.30 pm, 2.00 pm - 5.00 pm CONTENTS General Secretary’s Introduction ……………………………………………………………….………..… 3 A Framework for the Future of the GMB: Update …………………………………………………..……. 5 National Organising Department Report ………………………………………………………………... 8 Communications Department ………………………………………….…………………………………… 9 Executive Policy ………………………………………………………………………………………….….. 13 Report on Motions & CEC Special Reports & Statements Carried by the 2007 Congress ….. 17 Report on Motions Referred to the CEC by the 2007 Congress ……………………................. 24 European Office …………………………………………………………………………………………….… 27 International Solidarity Report …………………...…………………………………………………………. 31 Health & Environment Department ……………………………………………………………………….... 35 Legal Department ……………………………………………………………………………………………. 38 Pensions Department ………………………………………………………………………………….……. 41 Political Department …………………………………………………………………………………………. 44 Appointment & Election of Officials ………………………………………………………………….......... 51 Gold Badge and Youth Awards 2007 …………………………………………………..……………..….. 52 Deputy General Secretary’s Report ………………………………………………………………………. 52 SECTION REPORTS: COMMERCIAL SERVICES -
Broadcasting Decision CRTC 2007-359
Broadcasting Decision CRTC 2007-359 Ottawa, 28 September 2007 Astral Media Radio (Toronto) Inc. and 4382072 Canada Inc., partners in a general partnership, carrying on business as Astral Media Radio G.P. Across Canada Application 2007-0769-8 Public Hearing in the National Capital Region 27 August 2007 Acquisition of assets The Commission approves an application by which Astral Media Radio (Toronto) Inc. and 4382072 Canada Inc., partners in a general partnership, carrying on business as Astral Media Radio G.P., will acquire the assets of the radio and television undertakings owned by Standard Radio Inc. The approval is subject to three conditions of approval, set out in Appendix 4 to this decision, which relate to the proposed tangible benefits package. Introduction 1. The Commission received an application by Astral Media Radio Inc. (Astral), initially filed on its own behalf, and on behalf of a general partnership consisting of two of its wholly-owned subsidiaries, to acquire the assets of the radio and television programming undertakings across Canada owned by Standard Radio Inc. (Standard). A list of the undertakings to be acquired is set out in Appendix 1 to this decision. Astral also applied for licences to continue the operation of these undertakings under the same terms and conditions as those set out in the current licences. 2. In a letter to the Commission dated 17 August 2007, Astral clarified that the assets of Standard would be acquired by a general partnership consisting of Astral Media Radio (Toronto) Inc. and 4382072 Canada Inc., both wholly-owned subsidiaries of Astral, carrying on business as Astral Media Radio G.P. -
Steele-To^Hmmeite Tom Dorer for Trustee in Cava
-• —T n QUOTE "A good lawyer, a bad neighbour." 35 * —Ben Franklin per copy ONE HUNDRED.NINETEENTH YEAR—No. 48 CHELSEA, MICHIGAN, WEDNESDAY, APRIL 25. 1990 24 Pones This Week Village Re-joins WDC, Plans To Market Park Through Three The village has made two moves However, that all began to change which it hopes will help market its in to two companies. Those companies dustrial park on Sibley Rd. when it appeared the village may be could use as many as seven lots. The on its way to obtaining two new park sticking point, said assistant village After several weeks of discussion, tenants. In addition, new council manager Tom Warstler, is McKer- council voted 5-1«-*- (Denniv • s Hal*l cas» t* vth e members Frank Hammer and Jack nan's clients have to work out some 23££3^£Sr^ suPP°rt details with the state before the deals Washtenaw Development 'Council for staying in the organization. can be closed. (WDC) for another year. In Also, village administration sup WDC director Gretchen Waters told November; council voted to drop out ported re-joining the organization for council she has seen industrial parks and not pay the $2,200 in annual dues. several reasons, including the timing marketed successfully in a variety of WDC is primarily concerned with job as well as WDC's expertise in dealing ways. She said Saline does not deal ex creation and retention in the county. with the state. clusively with a particular real estate It is often heavily involved in finding McKernan Realty Co., which company but has been successful, places for companies to relocate to. -
Subject Index
48 / Aboriginal Art Media Names & Numbers 2009 Alternative Energy Sources SUBJECT INDEX Aboriginal Art Anishinabek News . 188 New Internationalist . 318 Ontario Beef . 321 Inuit Art Quarterly . 302 Batchewana First Nation Newsletter. 189 Travail, capital et société . 372 Ontario Beef Farmer. 321 Journal of Canadian Art History. 371 Chiiwetin . 219 African/Caribbean-Canadian Ontario Corn Producer. 321 Native Women in the Arts . 373 Aboriginal Rights Community Ontario Dairy Farmer . 321 Aboriginal Governments Canadian Dimension . 261 Canada Extra . 191 Ontario Farmer . 321 Chieftain: Journal of Traditional Aboriginal Studies The Caribbean Camera . 192 Ontario Hog Farmer . 321 Governance . 370 Native Studies Review . 373 African Studies The Milk Producer . 322 Ontario Poultry Farmer. 322 Aboriginal Issues Aboriginal Tourism Africa: Missing voice. 365 Peace Country Sun . 326 Aboriginal Languages of Manitoba . 184 Journal of Aboriginal Tourism . 303 Aggregates Prairie Hog Country . 330 Aboriginal Peoples Television Aggregates & Roadbuilding Aboriginal Women Pro-Farm . 331 Network (APTN) . 74 Native Women in the Arts . 373 Magazine . 246 Aboriginal Times . 172 Le Producteur de Lait Québecois . 331 Abortion Aging/Elderly Producteur Plus . 331 Alberta Native News. 172 Canadian Journal on Aging . 369 Alberta Sweetgrass. 172 Spartacist Canada . 343 Québec Farmers’ Advocate . 333 Academic Publishing Geriatrics & Aging. 292 Regional Country News . 335 Anishinabek News . 188 Geriatrics Today: Journal of the Batchewana First Nation Newsletter. 189 Journal of Scholarly Publishing . 372 La Revue de Machinerie Agricole . 337 Canadian Geriatrics Society . 371 Rural Roots . 338 Blackfly Magazine. 255 Acadian Affairs Journal of Geriatric Care . 371 Canadian Dimension . 261 L’Acadie Nouvelle. 162 Rural Voice . 338 Aging/Elderly Care & Support CHFG-FM, 101.1 mHz (Chisasibi). -
FACTOR 2006-2007 Annual Report
THE FOUNDATION ASSISTING CANADIAN TALENT ON RECORDINGS. 2006 - 2007 ANNUAL REPORT The Foundation Assisting Canadian Talent on Recordings. factor, The Foundation Assisting Canadian Talent on Recordings, was founded in 1982 by chum Limited, Moffat Communications and Rogers Broadcasting Limited; in conjunction with the Canadian Independent Record Producers Association (cirpa) and the Canadian Music Publishers Association (cmpa). Standard Broadcasting merged its Canadian Talent Library (ctl) development fund with factor’s in 1985. As a private non-profit organization, factor is dedicated to providing assistance toward the growth and development of the Canadian independent recording industry. The foundation administers the voluntary contributions from sponsoring radio broadcasters as well as two components of the Department of Canadian Heritage’s Canada Music Fund which support the Canadian music industry. factor has been managing federal funds since the inception of the Sound Recording Development Program in 1986 (now known as the Canada Music Fund). Support is provided through various programs which all aid in the development of the industry. The funds assist Canadian recording artists and songwriters in having their material produced, their videos created and support for domestic and international touring and showcasing opportunities as well as providing support for Canadian record labels, distributors, recording studios, video production companies, producers, engineers, directors– all those facets of the infrastructure which must be in place in order for artists and Canadian labels to progress into the international arena. factor started out with an annual budget of $200,000 and is currently providing in excess of $14 million annually to support the Canadian music industry. Canada has an abundance of talent competing nationally and internationally and The Department of Canadian Heritage and factor’s private radio broadcaster sponsors can be very proud that through their generous contributions, they have made a difference in the careers of so many success stories.