PRODUCT CATALOG
< 2014 > The objective of Artesanías de Objectives:To increase the share of the Colombia, since 1964, has been artisanal sector in the national economy CONTACT to increase the participation of in order to fetch higher incomes for the artisanal communities.To facilitate the artisans in the broader production marketing of handicrafts in national INFORMATION This has sector of the economy. and international markets by assisting resulted in sustained comprehensive producers and traders at different development evidenced by the stages of the value chain.To facilitate the improvement of living standards in exchange of technical knowledge and artisanal communities across the experience, as well as craft development country. The positioning of handicrafts in cooperation with national and foreign in national and international markets organizations. To improving production has resulted in greater income and processes by expanding the knowledge base, generation and adaptation of new Contact: Laura Herrera Florez social participation spaces for the technologies. artisans. Mobile phone: (057-1) 314-2173368 e-mail: [email protected] [email protected] _INDÍGENA Y CESTERÍA _INDÍGENA Y TRADICIONAL Basket Making TRADICIONAL Native and Traditional Native and Traditional
THE ANCIENT WORK THAT HAS BEEN PASSED DOWN THROUGH GENERATIONS IN THE DIFFERENT NATIVE CULTURES AND IS THE WAY IN WHICH THEY EXPRESS THEIR WISDOM CREATIVELY. _INDÍGENA Y TRADICIONAL _INDÍGENA Y TRADICIONAL
CESTERÍA CHOCÓ CESTERÍA CHOCÓ WERREGUE (TRAY) WERREGUE (TRAY)
REF: 11-02-042-C REF: 11-02-042-U
In the dense jungle of the In the dense jungle of the Chocó region live the Wounaan Chocó region live the Wounaan indigenous people, famous in the indigenous people, famous in the handicrafts world because of handicrafts world because of their fine woven baskets.They use their fine woven baskets.They use the fibers of the Astrocaryum standleyanum the fibers of the Astrocaryum standleyanum palm tree, known as “Werregue”, to make palm tree, known as “Werregue”, to make what is considered the finest basketry in what is considered the finest basketry in the country. 800 artisan families derive their the country. 800 artisan families derive their livelihood from this technique. livelihood from this technique.
*Available in different patterns *Available in different patterns
STYLE: NATIVE STYLE: NATIVE NAME: WERREGUE WOVWN TRAY NAME: WERREGUE WOVWN TRAY MATERIAL: WERREGUE MATERIAL: WERREGUE SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: 8.26” - 9.84” DIAMETER DIMENSIONS: 14.17” - 15.75” DIAMETER
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _INDÍGENA Y TRADICIONAL _INDÍGENA Y TRADICIONAL
CESTERÍA CHOCÓ CESTERÍA CHOCÓ WERREGUE (TRAY) WERREGUE (OVAL TRAY)
REF: 11-02-042-A REF: 11-02-045-C
In the dense jungle of the In the dense jungle of the Chocó region live the Wounaan Chocó region live the Wounaan indigenous people, famous in the indigenous people, famous in the handicrafts world because of handicrafts world because of their fine woven baskets.They use their fine woven baskets.They use the fibers of the Astrocaryum standleyanum the fibers of the Astrocaryum standleyanum palm tree, known as “Werregue”, to make palm tree, known as “Werregue”, to make what is considered the finest basketry in what is considered the finest basketry in the country. 800 artisan families derive their the country. 800 artisan families derive their livelihood from this technique. livelihood from this technique.
*Available in different patterns *Available in different patterns
STYLE: NATIVE STYLE: NATIVE NAME: WERREGUE WOVWN TRAY NAME: WERREGUE WOVWN OVAL TRAY MATERIAL: WERREGUE MATERIAL: WERREGUE SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: 12.20” - 13.78” DIAMETER DIMENSIONS: 8.26” - 9.84” DIAMETER
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _INDÍGENA Y TRADICIONAL _INDÍGENA Y TRADICIONAL
CESTERÍA CHOCÓ CESTERÍA CHOCÓ WERREGUE (OVAL TRAY) WERREGUE (OVAL TRAY)
REF: 11-02-045-A REF: 11-02-045-J
In the dense jungle of the In the dense jungle of the Chocó region live the Wounaan Chocó region live the Wounaan indigenous people, famous in the indigenous people, famous in the handicrafts world because of handicrafts world because of their fine woven baskets.They use their fine woven baskets.They use the fibers of the Astrocaryum standleyanum the fibers of the Astrocaryum standleyanum palm tree, known as “Werregue”, to make palm tree, known as “Werregue”, to make what is considered the finest basketry in what is considered the finest basketry in the country. 800 artisan families derive their the country. 800 artisan families derive their livelihood from this technique. livelihood from this technique.
*Available in different patterns *Available in different patterns
STYLE: NATIVE STYLE: NATIVE NAME: WERREGUE WOVWN OVAL TRAY NAME: WERREGUE WOVWN OVAL TRAY MATERIAL: WERREGUE MATERIAL: WERREGUE SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: 16.14” - 19.68” DIAMETER DIMENSIONS: 24” - 27.56” DIAMETER
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _INDÍGENA Y TRADICIONAL _INDÍGENA Y TRADICIONAL
CESTERÍA CHOCÓ CESTERÍA CHOCÓ WERREGUE (VASE - SMALL AMPHORA) WERREGUE (VASE - MEDIUM AMPHORA)
REF: 11-02-016-U REF: 11-02-016-A
In the dense jungle of the In the dense jungle of the Chocó region live the Wounaan Chocó region live the Wounaan indigenous people, famous in the indigenous people, famous in the handicrafts world because of handicrafts world because of their fine woven baskets.They use their fine woven baskets.They use the fibers of the Astrocaryum standleyanum the fibers of the Astrocaryum standleyanum palm tree, known as “Werregue”, to make palm tree, known as “Werregue”, to make what is considered the finest basketry in what is considered the finest basketry in the country. 800 artisan families derive their the country. 800 artisan families derive their livelihood from this technique. livelihood from this technique. Monthly output: 20 werregue pequeño Monthly output: 20 werregue
*Available in different patterns *Available in different patterns
STYLE: NATIVE STYLE: NATIVE NAME: WERREGUE WOVWN VASE NAME: WERREGUE WOVWN VASE MATERIAL: WERREGUE MATERIAL: WERREGUE SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: HEIGHT 1.96” - 3.92” DIMENSIONS: HEIGHT 4.33” - 5.90”
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _INDÍGENA Y TRADICIONAL _INDÍGENA Y TRADICIONAL
CESTERÍA CHOCÓ CESTERÍA CHOCÓ WERREGUE (VASE - MEDIUM AMPHORA) WERREGUE (VASE - MEDIUM AMPHORA)
REF: 11-02-016-B REF: 11-02-016-C
In the dense jungle of the In the dense jungle of the Chocó region live the Wounaan Chocó region live the Wounaan indigenous people, famous in the indigenous people, famous in the handicrafts world because of handicrafts world because of their fine woven baskets.They use their fine woven baskets.They use the fibers of the Astrocaryum standleyanum the fibers of the Astrocaryum standleyanum palm tree, known as “Werregue”, to make palm tree, known as “Werregue”, to make what is considered the finest basketry in what is considered the finest basketry in the country. 800 artisan families derive their the country. 800 artisan families derive their livelihood from this technique. livelihood from this technique.
*Available in different patterns *Available in different patterns
STYLE: NATIVE STYLE: NATIVE NAME: WERREGUE WOVWN VASE NAME: WERREGUE WOVWN VASE MATERIAL: WERREGUE MATERIAL: WERREGUE SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: HEIGHT 6.30” - 7.87” DIMENSIONS: HEIGHT 8.27” - 9.84”
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _INDÍGENA Y TRADICIONAL _INDÍGENA Y TRADICIONAL
CESTERÍA CHOCÓ CESTERÍA CHOCÓ WERREGUE (VASE - LARGE AMPHORA) WERREGUE (VASE - LARGE AMPHORA)
REF: 11-02-016-D REF: 11-02-016-F
In the dense jungle of the In the dense jungle of the Chocó region live the Wounaan Chocó region live the Wounaan indigenous people, famous in the indigenous people, famous in the handicrafts world because of handicrafts world because of their fine woven baskets.They use their fine woven baskets.They use the fibers of the Astrocaryum standleyanum the fibers of the Astrocaryum standleyanum palm tree, known as “Werregue”, to make palm tree, known as “Werregue”, to make what is considered the finest basketry in what is considered the finest basketry in the country. 800 artisan families derive their the country. 800 artisan families derive their livelihood from this technique. livelihood from this technique. Monthly output: 1 werregue Monthly output: 1 werregue
*Available in different patterns *Available in different patterns
STYLE: NATIVE STYLE: NATIVE NAME: WERREGUE WOVWN VASE NAME: WERREGUE WOVWN VASE MATERIAL: WERREGUE MATERIAL: WERREGUE SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: HEIGHT 10.23” - 11.81” DIMENSIONS: HEIGHT 14.17” - 15.75”
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _INDÍGENA Y TRADICIONAL _INDÍGENA Y TRADICIONAL
CESTERÍA CHOCÓ CESTERÍA CHOCÓ WERREGUE (SMALL WHIPPING TOP) WERREGUE (MEDIUM WHIPPING TOP)
REF: 90-11-333-C REF: 90-11-333-B
In the dense jungle of the In the dense jungle of the Chocó region live the Wounaan Chocó region live the Wounaan indigenous people, famous in the indigenous people, famous in the handicrafts world because of handicrafts world because of their fine woven baskets.They use their fine woven baskets.They use the fibers of the Astrocaryum standleyanum the fibers of the Astrocaryum standleyanum palm tree, known as “Werregue”, to make palm tree, known as “Werregue”, to make what is considered the finest basketry in what is considered the finest basketry in the country. 800 artisan families derive their the country. 800 artisan families derive their livelihood from this technique. livelihood from this technique. Monthly output: 10 werregue Monthly output: 10 werregue
*Available in different patterns *Available in different patterns
STYLE: NATIVE STYLE: NATIVE NAME: WERREGUE WOVWN VASE NAME: WERREGUE WOVWN VASE MATERIAL: WERREGUE MATERIAL: WERREGUE SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _INDÍGENA Y TRADICIONAL _INDÍGENA Y TRADICIONAL
CHOCÓ PUTUMAYO, CESTERÍA CESTERÍA VAUPÉS WERREGUE (LARGE WHIPPING TOP) CHOCOLATILLO (BALAY CURRIPACO)
REF: 90-11-333-A REF: 11-04-001-F
In the dense jungle of the The “Cubeo” weaving, as their Chocó region live the Wounaan ceramics obey to every day indigenous people, famous in the needs: construction of their homes, handicrafts world because of fishing nets, baskets to carry: among them their fine woven baskets.They use the “Balay” stands out for its beauty. It is a the fibers of the Astrocaryum standleyanum round and concave weave of different sizes, palm tree, known as “Werregue”, to make used to serve the “cazabe” (a cassava cake) what is considered the finest basketry in knitted using special skills to color the fiber the country. 800 artisan families derive their with natural pigments, capture different livelihood from this technique. figures with meanings and names on it. Monthly output: 10 werregue The Balay is one of the most representative objects of the Vaupes tribes, so daily as *Available in different patterns extraordinary. All the people of the region use it, but how it is made may vary; each STYLE: NATIVE STYLE: NATIVE town represents with different images and WERREGUE WOVWN VASE CHOCOLATILLO BALAY NAME: NAME: meanings and uses different fibers and MATERIAL: WERREGUE MATERIAL: CHOCOLATILLO finishing styles. SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: 12.60” DIAMETER *Available in different patterns
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. PUTUMAYO, PUTUMAYO, CESTERÍA VAUPÉS CESTERÍA VAUPÉS CHOCOLATILLO (BALAY CURRIPACO) CHOCOLATILLO (BALAY CURRIPACO)
REF: 11-04-001-H REF: 11-04-001-Q
The “Cubeo” weaving, as their The “Cubeo” weaving, as their ceramics obey to every day ceramics obey to every day needs: construction of their homes, needs: construction of their homes, fishing nets, baskets to carry: among them fishing nets, baskets to carry: among them the “Balay” stands out for its beauty. It is a the “Balay” stands out for its beauty. It is a round and concave weave of different sizes, round and concave weave of different sizes, used to serve the “cazabe” (a cassava cake) used to serve the “cazabe” (a cassava cake) knitted using special skills to color the fiber knitted using special skills to color the fiber with natural pigments, capture different with natural pigments, capture different figures with meanings and names on it. figures with meanings and names on it. The Balay is one of the most representative The Balay is one of the most representative objects of the Vaupes tribes, so daily as objects of the Vaupes tribes, so daily as extraordinary. All the people of the region extraordinary. All the people of the region use it, but how it is made may vary; each use it, but how it is made may vary; each STYLE: NATIVE town represents with different images and STYLE: NATIVE town represents with different images and CHOCOLATILLO BALAY CHOCOLATILLO BALAY NAME: meanings and uses different fibers and NAME: meanings and uses different fibers and MATERIAL: CHOCOLATILLO MATERIAL: CHOCOLATILLO finishing styles. finishing styles. SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: 18.50” DIAMETER DIMENSIONS: 19.68” DIAMETER *Available in different patterns *Available in different patterns PUTUMAYO, PUTUMAYO, CESTERÍA VAUPÉS CESTERÍA VAUPÉS CHOCOLATILLO (BALAY CUBEO) CHOCOLATILLO (BALAY CUBEO)
REF: 11-07-003-P REF: 11-07-003-I
The “Cubeo” weaving, as their The “Cubeo” weaving, as their ceramics obey to every day ceramics obey to every day needs: construction of their homes, needs: construction of their homes, fishing nets, baskets to carry: among them fishing nets, baskets to carry: among them the “Balay” stands out for its beauty. It is a the “Balay” stands out for its beauty. It is a round and concave weave of different sizes, round and concave weave of different sizes, used to serve the “cazabe” (a cassava cake) used to serve the “cazabe” (a cassava cake) knitted using special skills to color the fiber knitted using special skills to color the fiber with natural pigments, capture different with natural pigments, capture different figures with meanings and names on it. figures with meanings and names on it. The Balay is one of the most representative The Balay is one of the most representative objects of the Vaupes tribes, so daily as objects of the Vaupes tribes, so daily as extraordinary. All the people of the region extraordinary. All the people of the region use it, but how it is made may vary; each use it, but how it is made may vary; each STYLE: NATIVE town represents with different images and STYLE: NATIVE town represents with different images and CHOCOLATILLO BALAY CHOCOLATILLO BALAY NAME: meanings and uses different fibers and NAME: meanings and uses different fibers and MATERIAL: CHOCOLATILLO MATERIAL: CHOCOLATILLO finishing styles. finishing styles. SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: 13.78” DIAMETER DIMENSIONS: 19.68” DIAMETER *Available in different patterns *Available in different patterns PUTUMAYO, PUTUMAYO, CESTERÍA VAUPÉS CESTERÍA VAUPÉS CHOCOLATILLO (BALAY CUBEO) CHOCOLATILLO (BALAY CUBEO)
REF: 11-07-003-N REF: 11-07-003-M
The “Cubeo” weaving, as their The “Cubeo” weaving, as their ceramics obey to every day ceramics obey to every day needs: construction of their homes, needs: construction of their homes, fishing nets, baskets to carry: among them fishing nets, baskets to carry: among them the “Balay” stands out for its beauty. It is a the “Balay” stands out for its beauty. It is a round and concave weave of different sizes, round and concave weave of different sizes, used to serve the “cazabe” (a cassava cake) used to serve the “cazabe” (a cassava cake) knitted using special skills to color the fiber knitted using special skills to color the fiber with natural pigments, capture different with natural pigments, capture different figures with meanings and names on it. figures with meanings and names on it. The Balay is one of the most representative The Balay is one of the most representative objects of the Vaupes tribes, so daily as objects of the Vaupes tribes, so daily as extraordinary. All the people of the region extraordinary. All the people of the region use it, but how it is made may vary; each use it, but how it is made may vary; each STYLE: NATIVE town represents with different images and STYLE: NATIVE town represents with different images and CHOCOLATILLO BALAY CHOCOLATILLO BALAY NAME: meanings and uses different fibers and NAME: meanings and uses different fibers and MATERIAL: CHOCOLATILLO MATERIAL: CHOCOLATILLO finishing styles. finishing styles. SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: 23.62” DIAMETER DIMENSIONS: 27.56” DIAMETER *Available in different patterns *Available in different patterns _INDÍGENA Y TRADICIONAL
2.TEJEDURÍA _INDÍGENA Y TEJEDURÍA WAYÚU GUAJIRA TRADICIONAL Weaving MOCHILAS (MOCHILA CONSOLERO CENTER) Native and Traditional REF: 11-03-002-Z
The northern peninsula of La Guajira, surrounded by the Caribbean Sea, is the ancestral home of the Wayúu indigenous people. The women have developed the weaving techniques over centuries and developed Kanáas, which are their traditional designs. The patterns woven into the mochilas represent the physical world and cosmology of the Wayuu people. The mochila has become popular beyond the Wayúu culture and is now a priced accessory in urban fashion. 450 artisan families derive their livelihood from this technique. STYLE: SHOULDER BAG Monthly output: 2000 mochilas NAME: MOCHILA WAYUÚ MATERIAL: THREAD SIZES: ONE SIZE FITS ALL *Available in other sizes DIMENSIONS: HEIGHT 14.5´´ / WIDTH 9´´
*All artisanal products are handmade, therefore each item is unique and has no exact replica. _INDÍGENA Y TRADICIONAL _INDÍGENA Y TRADICIONAL
TEJEDURÍA WAYÚU GUAJIRA TEJEDURÍA WAYÚU GUAJIRA MOCHILAS (MOCHILA GAZA OSONUCHI) MOCHILAS (LOW COST MOCHILA)
REF: 11-03-011-J REF: 11-03-040-I
The northern peninsula of La The northern peninsula of La Guajira, surrounded by the Guajira, surrounded by the Caribbean Sea, is the ancestral Caribbean Sea, is the ancestral home of the Wayúu indigenous home of the Wayúu indigenous people. The women have developed the people. The women have developed the weaving techniques over centuries and weaving techniques over centuries and developed Kanáas, which are their traditional developed Kanáas, which are their traditional designs. The patterns woven into the designs. The patterns woven into the mochilas represent the physical world and mochilas represent the physical world and cosmology of the Wayuu people. The mochila cosmology of the Wayuu people. The mochila has become popular beyond the Wayúu has become popular beyond the Wayúu culture and is now a priced accessory in culture and is now a priced accessory in urban fashion. 450 artisan families derive urban fashion. 450 artisan families derive their livelihood from this technique. their livelihood from this technique. STYLE: SHOULDER BAG STYLE: SHOULDER BAG Monthly output: 2000 mochilas Monthly output: 2000 mochilas NAME: MOCHILA WAYUÚ NAME: MOCHILA WAYUÚ MATERIAL: THREAD MATERIAL: THREAD SIZES: ONE SIZE FITS ALL *Available in other sizes SIZES: ONE SIZE FITS ALL *Available in other sizes DIMENSIONS: HEIGHT 14.5´´ / WIDTH 9´´ DIMENSIONS: HEIGHT 14.5´´ / WIDTH 9´´
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _INDÍGENA Y TRADICIONAL _INDÍGENA Y TRADICIONAL
TEJEDURÍA WAYÚU GUAJIRA TEJEDURÍA WAYÚU GUAJIRA MOCHILAS (MOCHILA GAZA PALETIADA) MOCHILAS (MOCHILA PALETIADA - 38 A 38)
REF: 11-03-011-K REF: 11-03-011-H
The northern peninsula of La The northern peninsula of La Guajira, surrounded by the Guajira, surrounded by the Caribbean Sea, is the ancestral Caribbean Sea, is the ancestral home of the Wayúu indigenous home of the Wayúu indigenous people. The women have developed the people. The women have developed the weaving techniques over centuries and weaving techniques over centuries and developed Kanáas, which are their traditional developed Kanáas, which are their traditional designs. The patterns woven into the designs. The patterns woven into the mochilas represent the physical world and mochilas represent the physical world and cosmology of the Wayuu people. The mochila cosmology of the Wayuu people. The mochila has become popular beyond the Wayúu has become popular beyond the Wayúu culture and is now a priced accessory in culture and is now a priced accessory in urban fashion. 450 artisan families derive urban fashion. 450 artisan families derive their livelihood from this technique. their livelihood from this technique. STYLE: SHOULDER BAG STYLE: SHOULDER BAG Monthly output: 2000 mochilas Monthly output: 2000 mochilas NAME: MOCHILA WAYUÚ NAME: MOCHILA WAYUÚ MATERIAL: THREAD MATERIAL: THREAD SIZES: ONE SIZE FITS ALL *Available in other sizes SIZES: ONE SIZE FITS ALL *Available in other sizes DIMENSIONS: HEIGHT 14.5´´ / WIDTH 9´´ DIMENSIONS: HEIGHT 14.5´´ / WIDTH 9´´
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _INDÍGENA Y TRADICIONAL _INDÍGENA Y TRADICIONAL
TEJEDURÍA WAYÚU GUAJIRA TEJEDURÍA WAYÚU GUAJIRA MOCHILAS (MOCHILA 32 X 35) MOCHILAS (MOCHILA PALETIADA - MINI)
REF: 11-03-012-F REF: 11-03-041-A
The northern peninsula of La The northern peninsula of La Guajira, surrounded by the Guajira, surrounded by the Caribbean Sea, is the ancestral Caribbean Sea, is the ancestral home of the Wayúu indigenous home of the Wayúu indigenous people. The women have developed the people. The women have developed the weaving techniques over centuries and weaving techniques over centuries and developed Kanáas, which are their traditional developed Kanáas, which are their traditional designs. The patterns woven into the designs. The patterns woven into the mochilas represent the physical world and mochilas represent the physical world and cosmology of the Wayuu people. The mochila cosmology of the Wayuu people. The mochila has become popular beyond the Wayúu has become popular beyond the Wayúu culture and is now a priced accessory in culture and is now a priced accessory in urban fashion. 450 artisan families derive urban fashion. 450 artisan families derive their livelihood from this technique. their livelihood from this technique. STYLE: SHOULDER BAG STYLE: SHOULDER BAG Monthly output: 2000 mochilas Monthly output: 2000 mochilas NAME: MOCHILA WAYUÚ NAME: MOCHILA WAYUÚ MATERIAL: THREAD MATERIAL: THREAD SIZES: ONE SIZE FITS ALL *Available in other sizes SIZES: ONE SIZE FITS ALL *Available in other sizes DIMENSIONS: HEIGHT 14.5´´ / WIDTH 9´´ DIMENSIONS: HEIGHT 6´´ / WIDTH 5´´
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _INDÍGENA Y TRADICIONAL _INDÍGENA Y TRADICIONAL
TEJEDURÍA WAYÚU GUAJIRA TEJEDURÍA WAYÚU GUAJIRA CHINCHORROS (BLANCO SENCILLO) CAPATERRAS (MEDIUM)
REF: 11-03-800-A REF: 11-03-038-A
The northern peninsula of La The northern peninsula of La Guajira, surrounded by the Guajira, surrounded by the Caribbean Sea, is the ancestral Caribbean Sea, is the ancestral home of the Wayúu indigenous home of the Wayúu indigenous people. The women have developed the people. The women have developed the weaving techniques over centuries and weaving techniques over centuries and developed Kanáas, which are their traditional developed Kanáas, which are their traditional designs. The patterns woven into the designs. The patterns woven into the mochilas represent the physical world and mochilas represent the physical world and cosmology of the Wayuu people. The mochila cosmology of the Wayuu people. The mochila has become popular beyond the Wayúu has become popular beyond the Wayúu culture and is now a priced accessory in culture and is now a priced accessory in urban fashion. 450 artisan families derive urban fashion. 450 artisan families derive their livelihood from this technique. their livelihood from this technique. STYLE: TRADITIONAL STYLE: SHOULDER BAG Monthly output: 2000 mochilas NAME: WAYUÚ NAME: CAPATERRA WAYÚU MATERIAL: THREAD *Available in other sizes MATERIAL: THREAD SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL *Available in other sizes
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _INDÍGENA Y TRADICIONAL _INDÍGENA Y TRADICIONAL
TEJEDURÍA ARHUACOS MAGDALENA TEJEDURÍA ARHUACOS MAGDALENA MOCHILAS (EXTRA LARGE) MOCHILAS (LARGE)
REF: 11-03-009-N REF: 11-03-009-W
The Ika or Arhuaco indigenous The Ika or Arhuaco indigenous people live on the southern folds people live on the southern folds of the Sierra Nevada de Santa of the Sierra Nevada de Santa Marta. They are descendents of the Marta. They are descendents of the Tayrona culture and belong to the Chibcha Tayrona culture and belong to the Chibcha linguistic family. Their territory is marked linguistic family. Their territory is marked by “The Black Line”, a sacred circle that by “The Black Line”, a sacred circle that encompasses everything from the humid encompasses everything from the humid lowlands to the snow-covered peaks and is lowlands to the snow-covered peaks and is protected by the mamos, the community’s protected by the mamos, the community’s spiritual leaders. The Sacred Geometry of spiritual leaders. The Sacred Geometry of the Sierra Nevada Threads Women express the Sierra Nevada Threads Women express the Arhuaco cosmological beliefs through the Arhuaco cosmological beliefs through weaving. The mochila, more than just an weaving. The mochila, more than just an STYLE: SHOULDER BAG STYLE: SHOULDER BAG object, represents an extension of every object, represents an extension of every NAME: MOCHILA ARHUACA NAME: MOCHILA ARHUACA women’s as well as Mother Nature’s own women’s as well as Mother Nature’s own MATERIAL: THREAD MATERIAL: THREAD SIZES: ONE SIZE FITS ALL womb. SIZES: ONE SIZE FITS ALL womb. DIMENSIONS: HEIGHT 17´´ / WIDTH 12´´ DIMENSIONS: HEIGHT 14.5´´ / WIDTH 9´´ *Available in larger sizes *Available in larger sizes
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _INDÍGENA Y TRADICIONAL _INDÍGENA Y TRADICIONAL
TEJEDURÍA ARHUACOS MAGDALENA TEJEDURÍA ARHUACOS MAGDALENA MOCHILAS (MEDIUM) MOCHILAS (MINI UNICOLOR)
REF: 11-03-009-X REF: 11-03-013-X
The Ika or Arhuaco indigenous The Ika or Arhuaco indigenous people live on the southern folds people live on the southern folds of the Sierra Nevada de Santa of the Sierra Nevada de Santa Marta. They are descendents of the Marta. They are descendents of the Tayrona culture and belong to the Chibcha Tayrona culture and belong to the Chibcha linguistic family. Their territory is marked linguistic family. Their territory is marked by “The Black Line”, a sacred circle that by “The Black Line”, a sacred circle that encompasses everything from the humid encompasses everything from the humid lowlands to the snow-covered peaks and is lowlands to the snow-covered peaks and is protected by the mamos, the community’s protected by the mamos, the community’s spiritual leaders. The Sacred Geometry of spiritual leaders. The Sacred Geometry of the Sierra Nevada Threads Women express the Sierra Nevada Threads Women express the Arhuaco cosmological beliefs through the Arhuaco cosmological beliefs through weaving. The mochila, more than just an weaving. The mochila, more than just an STYLE: SHOULDER BAG STYLE: SHOULDER BAG object, represents an extension of every object, represents an extension of every NAME: MOCHILA ARHUACA NAME: MOCHILA ARHUACA women’s as well as Mother Nature’s own women’s as well as Mother Nature’s own MATERIAL: THREAD MATERIAL: THREAD SIZES: ONE SIZE FITS ALL womb. SIZES: ONE SIZE FITS ALL womb. DIMENSIONS: HEIGHT 12´´ / WIDTH 8´´ DIMENSIONS: HEIGHT 6´´ / WIDTH 5´´ *Available in larger sizes *Available in larger sizes
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _INDÍGENA Y TRADICIONAL _INDÍGENA Y TRADICIONAL
TEJEDURÍA KANKUAMOS MAGDALENA TEJEDURÍA KANKUAMOS MAGDALENA MOCHILAS (TERCERA DISEÑO) MOCHILAS (TERCERA)
REF: 02-04-624-C REF: 02-04-624-G
The Kankuamo are one of four The Kankuamo are one of four indigenous groups that live in indigenous groups that live in the region of the Sierra Nevada the region of the Sierra Nevada of Santa Marta. Their population is of Santa Marta. Their population is estimated at around 15,000 people and estimated at around 15,000 people and it is one of the indigenous groups which it is one of the indigenous groups which historically had the least contact with historically had the least contact with outsiders due to their adopted survival outsiders due to their adopted survival strategy of isolation from the ‘civilised’ strategy of isolation from the ‘civilised’ world (etniasdecolombia). Today however, world (etniasdecolombia). Today however, along with the Kogui, Arhuaco and Wiwa, along with the Kogui, Arhuaco and Wiwa, the Kankuamo are subject to a process the Kankuamo are subject to a process of cultural assimilation and is facing a of cultural assimilation and is facing a substantial loss of its unique culture and substantial loss of its unique culture and STYLE: SHOULDER BAG STYLE: SHOULDER BAG identity. identity. NAME: MOCHILA KANKUAMA NAME: MOCHILA KANKUAMA MATERIAL: THREAD MATERIAL: THREAD SIZES: ONE SIZE FITS ALL *Available in other patterns SIZES: ONE SIZE FITS ALL *Available in other patterns DIMENSIONS: HEIGHT 12´´ / WIDTH 8´´
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _INDÍGENA Y TRADICIONAL _INDÍGENA Y TRADICIONAL
TEJEDURÍA KANKUAMOS MAGDALENA TEJEDURÍA KANKUAMOS MAGDALENA MOCHILAS (CARGUERA) MOCHILAS (SEMI TERCERA DISEÑO)
REF: 02-04-624-F REF: 02-04-624-E
The Kankuamo are one of four The Kankuamo are one of four indigenous groups that live in indigenous groups that live in the region of the Sierra Nevada the region of the Sierra Nevada of Santa Marta. Their population is of Santa Marta. Their population is estimated at around 15,000 people and estimated at around 15,000 people and it is one of the indigenous groups which it is one of the indigenous groups which historically had the least contact with historically had the least contact with outsiders due to their adopted survival outsiders due to their adopted survival strategy of isolation from the ‘civilised’ strategy of isolation from the ‘civilised’ world (etniasdecolombia). Today however, world (etniasdecolombia). Today however, along with the Kogui, Arhuaco and Wiwa, along with the Kogui, Arhuaco and Wiwa, the Kankuamo are subject to a process the Kankuamo are subject to a process of cultural assimilation and is facing a of cultural assimilation and is facing a substantial loss of its unique culture and substantial loss of its unique culture and STYLE: SHOULDER BAG STYLE: SHOULDER BAG identity. identity. NAME: MOCHILA KANKUAMA NAME: MOCHILA KANKUAMA MATERIAL: THREAD MATERIAL: THREAD SIZES: ONE SIZE FITS ALL *Available in other patterns SIZES: ONE SIZE FITS ALL *Available in other patterns DIMENSIONS: HEIGHT 12´´ / WIDTH 8´´ DIMENSIONS: HEIGHT 12´´ / WIDTH 8´´
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _INDÍGENA Y TRADICIONAL _INDÍGENA Y TRADICIONAL
TEJEDURÍA TELA SOBRE TELA CHOCÓ TEJEDURÍA TELA SOBRE TELA CHOCÓ MOLA KUNA (TAPIZ 4 MOLAS) MOLA KUNA (TAPIZ 6 MOLAS)
REF: 15-03-080-G REF: 15-03-080-F
The Cuna are a horticulturalist The Cuna are a horticulturalist indigenous community that indigenous community that inhabit the Gulf of Uraba, and inhabit the Gulf of Uraba, and call themselves Tule (people). call themselves Tule (people). Cuna women make molas, rectangles made Cuna women make molas, rectangles made by inversely applying (appliqué) fabrics by inversely applying (appliqué) fabrics as decoration on their shirts - a technique as decoration on their shirts - a technique learned from European missionaries. Cuna learned from European missionaries. Cuna women then transported the designs of women then transported the designs of their body paintings on their clothes, made their body paintings on their clothes, made easy by the import of fabrics, knits, fabrics, easy by the import of fabrics, knits, fabrics, needles and thimbles. 200 artisan families needles and thimbles. 200 artisan families derive their livelihood from this technique. derive their livelihood from this technique.
NATIVE NATIVE STYLE: *Available in larger sizes and different STYLE: *Available in larger sizes and different NAME: MOLA NAME: MOLA patterns patterns MATERIAL: FABRIC MATERIAL: FABRIC SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _INDÍGENA Y TRADICIONAL _INDÍGENA Y TRADICIONAL
TEJEDURÍA TELA SOBRE TELA CHOCÓ TEJEDURÍA TELA SOBRE TELA CHOCÓ MOLA KUNA (TAPIZ 9 MOLAS) MOLA KUNA (TAPIZ 12 MOLAS)
REF: 5-03-080-A REF: 15-03-080-B
The Cuna are a horticulturalist The Cuna are a horticulturalist indigenous community that indigenous community that inhabit the Gulf of Uraba, and inhabit the Gulf of Uraba, and call themselves Tule (people). call themselves Tule (people). Cuna women make molas, rectangles made Cuna women make molas, rectangles made by inversely applying (appliqué) fabrics by inversely applying (appliqué) fabrics as decoration on their shirts - a technique as decoration on their shirts - a technique learned from European missionaries. Cuna learned from European missionaries. Cuna women then transported the designs of women then transported the designs of their body paintings on their clothes, made their body paintings on their clothes, made easy by the import of fabrics, knits, fabrics, easy by the import of fabrics, knits, fabrics, needles and thimbles. 200 artisan families needles and thimbles. 200 artisan families derive their livelihood from this technique. derive their livelihood from this technique.
NATIVE NATIVE STYLE: *Available in larger sizes and different STYLE: *Available in larger sizes and different NAME: MOLA NAME: MOLA patterns patterns MATERIAL: FABRIC MATERIAL: FABRIC SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _INDÍGENA Y TRADICIONAL _INDÍGENA Y TRADICIONAL
TEJEDURÍA TELA SOBRE TELA CHOCÓ TEJEDURÍA TELA SOBRE TELA CHOCÓ MOLA KUNA (TAPIZ 15 MOLAS) MOLA KUNA (CORRIENTE SMALL)
REF: 15-03-080-C REF: 11-03-013-B
The Cuna are a horticulturalist The Cuna are a horticulturalist indigenous community that indigenous community that inhabit the Gulf of Uraba, and inhabit the Gulf of Uraba, and call themselves Tule (people). call themselves Tule (people). Cuna women make molas, rectangles made Cuna women make molas, rectangles made by inversely applying (appliqué) fabrics by inversely applying (appliqué) fabrics as decoration on their shirts - a technique as decoration on their shirts - a technique learned from European missionaries. Cuna learned from European missionaries. Cuna women then transported the designs of women then transported the designs of their body paintings on their clothes, made their body paintings on their clothes, made easy by the import of fabrics, knits, fabrics, easy by the import of fabrics, knits, fabrics, needles and thimbles. 200 artisan families needles and thimbles. 200 artisan families derive their livelihood from this technique. derive their livelihood from this technique.
NATIVE NATIVE STYLE: *Available in larger sizes and different STYLE: *Available in larger sizes and different NAME: MOLA NAME: MOLA patterns patterns MATERIAL: FABRIC MATERIAL: FABRIC SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _INDÍGENA Y TRADICIONAL _INDÍGENA Y TRADICIONAL
TEJEDURÍA TELA SOBRE TELA CHOCÓ TEJEDURÍA TELA SOBRE TELA CHOCÓ MOLA KUNA (CORRIENTE MEDIUM) MOLA KUNA (LARGE WALLET)
REF: 11-03-013-C REF: 03-02-025-F
The Cuna are a horticulturalist The Cuna are a horticulturalist indigenous community that indigenous community that inhabit the Gulf of Uraba, and inhabit the Gulf of Uraba, and call themselves Tule (people). call themselves Tule (people). Cuna women make molas, rectangles made Cuna women make molas, rectangles made by inversely applying (appliqué) fabrics by inversely applying (appliqué) fabrics as decoration on their shirts - a technique as decoration on their shirts - a technique learned from European missionaries. Cuna learned from European missionaries. Cuna women then transported the designs of women then transported the designs of their body paintings on their clothes, made their body paintings on their clothes, made easy by the import of fabrics, knits, fabrics, easy by the import of fabrics, knits, fabrics, needles and thimbles. 200 artisan families needles and thimbles. 200 artisan families derive their livelihood from this technique. derive their livelihood from this technique.
NATIVE NATIVE STYLE: *Available in larger sizes and different STYLE: *Available in larger sizes and different NAME: MOLA NAME: MOLA patterns patterns MATERIAL: FABRIC MATERIAL: FABRIC SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _INDÍGENA Y TRADICIONAL _INDÍGENA Y TRADICIONAL
TEJEDURÍA TELA SOBRE TELA CHOCÓ TEJEDURÍA TELA SOBRE TELA CHOCÓ MOLA KUNA (CARD HOLDER) MOLA KUNA (HANDBAG)
REF: 90-03-172-L REF: 15-03-080-H
The Cuna are a horticulturalist The Cuna are a horticulturalist indigenous community that indigenous community that inhabit the Gulf of Uraba, and inhabit the Gulf of Uraba, and call themselves Tule (people). call themselves Tule (people). Cuna women make molas, rectangles made Cuna women make molas, rectangles made by inversely applying (appliqué) fabrics by inversely applying (appliqué) fabrics as decoration on their shirts - a technique as decoration on their shirts - a technique learned from European missionaries. Cuna learned from European missionaries. Cuna women then transported the designs of women then transported the designs of their body paintings on their clothes, made their body paintings on their clothes, made easy by the import of fabrics, knits, fabrics, easy by the import of fabrics, knits, fabrics, needles and thimbles. 200 artisan families needles and thimbles. 200 artisan families derive their livelihood from this technique. derive their livelihood from this technique.
NATIVE NATIVE STYLE: *Available in larger sizes and different STYLE: *Available in larger sizes and different NAME: MOLA NAME: MOLA patterns patterns MATERIAL: FABRIC MATERIAL: FABRIC SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _INDÍGENA Y TRADICIONAL _INDÍGENA Y TRADICIONAL
TEJEDURÍA TELA SOBRE TELA CHOCÓ BARNIZ _INDÍGENA Y MOLA KUNA (PURSE) TRADICIONAL DE PASTO Native and Traditional REF: 15-03-080-I Varnish of Pasto
The Cuna are a horticulturalist indigenous community that inhabit the Gulf of Uraba, and call themselves Tule (people). Cuna women make molas, rectangles made by inversely applying (appliqué) fabrics as decoration on their shirts - a technique learned from European missionaries. Cuna women then transported the designs of their body paintings on their clothes, made easy by the import of fabrics, knits, fabrics, needles and thimbles. 200 artisan families derive their livelihood from this technique.
NATIVE STYLE: *Available in larger sizes and different NAME: MOLA patterns MATERIAL: FABRIC SIZES: ONE SIZE FITS ALL
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _INDÍGENA Y TRADICIONAL _INDÍGENA Y TRADICIONAL
BARNIZ DE PASTO NARIÑO BARNIZ DE PASTO NARIÑO JARRÓN CUELLO BARBA JARRÓN ESTILIZADO
REF: 06-04-132-E REF: 06-04-132-Q
The Barnizados of the The Barnizados of the department of Nariño practice department of Nariño practice the ancient technique of the the ancient technique of the Barniz de Pasto, using the resin Barniz de Pasto, using the resin of the Mopa-Mopa tree, covering of the Mopa-Mopa tree, covering pieces in wood. This technique pieces in wood. This technique exclusive form the southern part of Colombia exclusive form the southern part of Colombia has been developed since pre colombian has been developed since pre colombian times that were then inherited by the mongrels. times that were then inherited by the mongrels. The Indians, use to recollect the resin for the The Indians, use to recollect the resin for the elaboration of necklaces and for covering the elaboration of necklaces and for covering the ceremonial glasses. Artisans from different ceremonial glasses. Artisans from different times have worked skillfully giving life to times have worked skillfully giving life to representative images of the Indian cosmology, representative images of the Indian cosmology, STYLE: NATIVE STYLE: NATIVE NAME: MOPA MOPA European cultural elements, animals and NAME: MOPA MOPA European cultural elements, animals and MATERIAL: MOPA MOPA WOOD landscapes. 200 artisan families derive their MATERIAL: MOPA MOPA WOOD landscapes. 200 artisan families derive their SIZES: ONE SIZE FITS ALL livelihood from this technique. SIZES: ONE SIZE FITS ALL livelihood from this technique. DIMENSIONS: 13.77” x 7.87” DIAMETER *Available in larger sizes *Available in larger sizes
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _INDÍGENA Y TRADICIONAL _INDÍGENA Y TRADICIONAL
BARNIZ DE PASTO NARIÑO BARNIZ DE PASTO NARIÑO COSTURERO VIRGEN CAMPESINA
REF: 06-04-132-O REF: 06-04-134-A
The Barnizados of the The Barnizados of the department of Nariño practice department of Nariño practice the ancient technique of the the ancient technique of the Barniz de Pasto, using the resin Barniz de Pasto, using the resin of the Mopa-Mopa tree, covering of the Mopa-Mopa tree, covering pieces in wood. This technique pieces in wood. This technique exclusive form the southern part of Colombia exclusive form the southern part of Colombia has been developed since pre colombian has been developed since pre colombian times that were then inherited by the mongrels. times that were then inherited by the mongrels. The Indians, use to recollect the resin for the The Indians, use to recollect the resin for the elaboration of necklaces and for covering the elaboration of necklaces and for covering the ceremonial glasses. Artisans from different ceremonial glasses. Artisans from different times have worked skillfully giving life to times have worked skillfully giving life to representative images of the Indian cosmology, representative images of the Indian cosmology, STYLE: NATIVE STYLE: NATIVE NAME: MOPA MOPA European cultural elements, animals and NAME: MOPA MOPA European cultural elements, animals and MATERIAL: MOPA MOPA WOOD landscapes. 200 artisan families derive their MATERIAL: MOPA MOPA WOOD landscapes. 200 artisan families derive their SIZES: ONE SIZE FITS ALL livelihood from this technique. SIZES: ONE SIZE FITS ALL livelihood from this technique. DIMENSIONS: HEIGHT: 7.08” *Available in larger sizes *Available in larger sizes
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _INDÍGENA Y TRADICIONAL _INDÍGENA Y TRADICIONAL
BARNIZ DE PASTO NARIÑO BARNIZ DE PASTO NARIÑO CANDELABRO TAZAS MADERA
REF: 06-04-132-T REF: 06-04-134-C
The Barnizados of the The Barnizados of the department of Nariño practice department of Nariño practice the ancient technique of the the ancient technique of the Barniz de Pasto, using the resin Barniz de Pasto, using the resin of the Mopa-Mopa tree, covering of the Mopa-Mopa tree, covering pieces in wood. This technique pieces in wood. This technique exclusive form the southern part of Colombia exclusive form the southern part of Colombia has been developed since pre colombian has been developed since pre colombian times that were then inherited by the mongrels. times that were then inherited by the mongrels. The Indians, use to recollect the resin for the The Indians, use to recollect the resin for the elaboration of necklaces and for covering the elaboration of necklaces and for covering the ceremonial glasses. Artisans from different ceremonial glasses. Artisans from different times have worked skillfully giving life to times have worked skillfully giving life to representative images of the Indian cosmology, representative images of the Indian cosmology, STYLE: NATIVE STYLE: NATIVE NAME: MOPA MOPA European cultural elements, animals and NAME: MOPA MOPA European cultural elements, animals and MATERIAL: MOPA MOPA WOOD landscapes. 200 artisan families derive their MATERIAL: MOPA MOPA WOOD landscapes. 200 artisan families derive their SIZES: ONE SIZE FITS ALL livelihood from this technique. SIZES: ONE SIZE FITS ALL livelihood from this technique. DIMENSIONS: HEIGHT 11.81´´ x WIDTH 3.94´´ DIMENSIONS: 4.72” *Available in larger sizes *Available in larger sizes
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _INDÍGENA Y TRADICIONAL _INDÍGENA Y TRADICIONAL
ENCHAPADO _INDÍGENA Y ENCHAPADO EN TAMO NARIÑO TRADICIONAL BOMBONERA TORNADO EN TAMO Native and Traditional Tamo Inlay REF: 06-05-013-B
This technique consists of decorating wooden pieces by covering them with the colored wheat stubble gathered after harvest. After selecting the dried stalks, artisans carefully open them and apply them directly to the wood by following the shape of a drawing previously sketched. 100 artisan families derive their livelihood from this technique
*Available in other sizes
STYLE: TABLE AND DECORATION NAME: BOMBONERA TAMO MATERIAL: WOOD, TAMO SIZES: ONE SIZE FITS ALL DIMENSIONS: 7.87” DIAMETER
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _INDÍGENA Y TRADICIONAL _INDÍGENA Y TRADICIONAL
ENCHAPADO EN TAMO NARIÑO ENCHAPADO EN TAMO NARIÑO BOMBONERA TORNADO BOMBONERA CUADRADA TAPA
REF: 06-05-013-C REF: 06-05-013-L
This technique consists of This technique consists of decorating wooden pieces by decorating wooden pieces by covering them with the colored covering them with the colored wheat stubble gathered after wheat stubble gathered after harvest. After selecting the dried stalks, harvest. After selecting the dried stalks, artisans carefully open them and apply them artisans carefully open them and apply them directly to the wood by following the shape directly to the wood by following the shape of a drawing previously sketched. of a drawing previously sketched. 100 artisan families derive their livelihood 100 artisan families derive their livelihood from this technique from this technique
*Available in other sizes *Available in other sizes
STYLE: TABLE AND DECORATION STYLE: TABLE AND DECORATION NAME: BOMBONERA TAMO NAME: BOMBONERA TAMO MATERIAL: WOOD, TAMO MATERIAL: WOOD, TAMO SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: 5.90” DIAMETER
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _INDÍGENA Y TRADICIONAL _INDÍGENA Y TRADICIONAL
ENCHAPADO EN TAMO NARIÑO ENCHAPADO EN TAMO NARIÑO TARJETEROS CAJA LAPICEROS
REF: 06-05-027-C REF: 06-05-027-D
This technique consists of This technique consists of decorating wooden pieces by decorating wooden pieces by covering them with the colored covering them with the colored wheat stubble gathered after wheat stubble gathered after harvest. After selecting the dried stalks, harvest. After selecting the dried stalks, artisans carefully open them and apply them artisans carefully open them and apply them directly to the wood by following the shape directly to the wood by following the shape of a drawing previously sketched. of a drawing previously sketched. 100 artisan families derive their livelihood 100 artisan families derive their livelihood from this technique from this technique
*Available in other patterns *Available in other patterns
STYLE: TABLE AND DECORATION STYLE: TABLE AND DECORATION NAME: TAMO NAME: TAMO MATERIAL: WOOD, TAMO MATERIAL: WOOD, TAMO SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _INDÍGENA Y TRADICIONAL _INDÍGENA Y TRADICIONAL
ENCHAPADO EN TAMO NARIÑO ENCHAPADO EN TAMO NARIÑO SALSERAS MANICERA
REF: 06-05-076-A REF: 06-05-110-B
This technique consists of This technique consists of decorating wooden pieces by decorating wooden pieces by covering them with the colored covering them with the colored wheat stubble gathered after wheat stubble gathered after harvest. After selecting the dried stalks, harvest. After selecting the dried stalks, artisans carefully open them and apply them artisans carefully open them and apply them directly to the wood by following the shape directly to the wood by following the shape of a drawing previously sketched. of a drawing previously sketched. 100 artisan families derive their livelihood 100 artisan families derive their livelihood from this technique from this technique
*Available in other patterns *Available in other patterns
STYLE: TABLE AND DECORATION STYLE: TABLE AND DECORATION NAME: TAMO NAME: TAMO MATERIAL: WOOD, TAMO MATERIAL: WOOD, TAMO SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _INDÍGENA Y TRADICIONAL _INDÍGENA Y TRADICIONAL
ENCHAPADO EN TAMO NARIÑO ESFERA TAMO NO. 15
REF: 06-05-063-H
This technique consists of decorating wooden pieces by covering them with the colored wheat stubble gathered after harvest. After selecting the dried stalks, artisans carefully open them and apply them directly to the wood by following the shape of a drawing previously sketched. 100 artisan families derive their livelihood from this technique
*Available in other patterns
STYLE: TABLE AND DECORATION NAME: TAMO MATERIAL: WOOD, TAMO SIZES: ONE SIZE FITS ALL
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica.
_HOGAR Y TEJIDO EN _HOGAR Y DECORACIÓN DECORACIÓN Home and Decoration TELAR Home and Decoration Loom Weaving
THE INDIGENOUS PEOPLE, BASED ON THEIR KNOWLEDGE OF THE RAINFORESTS, COLLECTED NATURAL MATERIALS TO MANUFACTURE DIFFERENT OBJECTS. _HOGAR Y DECORACIÓN _HOGAR Y DECORACIÓN
TEJIDO EN TELAR BOLIVAR TEJIDO EN TELAR BOLIVAR SAN JACINTO HAMACA RAYAS CABESTRO CRUDO SAN JACINTO HAMACA RAYAS CABESTRO CRUDO
REF: 15-02-026-A REF: 15-02-026-U
In the town of San Jacinto, In the town of San Jacinto, Bolivar, artisan women transform Bolivar, artisan women transform natural cotton thread giving it natural cotton thread giving it color with natural and synthetic color with natural and synthetic dyes. They use vertical loom, they dyes. They use vertical loom, they transform it into these valuable pieces, transform it into these valuable pieces, handling with precision the technique that handling with precision the technique that allows having loom without seams. allows having loom without seams.
2000 artisan families derive their livelihood 2000 artisan families derive their livelihood from this technique. from this technique.
*Available in other sizes and colors *Available in other sizes and colors
STYLE: TABLE AND DECORATION STYLE: TABLE AND DECORATION NAME: TEJIDO EN TELAR NAME: TEJIDO EN TELAR MATERIAL: NATURAL COTTON MATERIAL: NATURAL COTTON SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: HEIGHT 94.49” / WIDTH 59.05” DIMENSIONS: HEIGHT 86.61” / WIDTH 55.12”
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _HOGAR Y DECORACIÓN _HOGAR Y DECORACIÓN
TEJIDO EN TELAR BOLIVAR TEJIDO EN TELAR BOLIVAR SAN JACINTO HAMACA LABRADA CON FLECOS NUDO SAN JACINTO HAMACA
REF: 15-02-150-Q REF: 15-02-192-D
In the town of San Jacinto, In the town of San Jacinto, Bolivar, artisan women transform Bolivar, artisan women transform natural cotton thread giving it natural cotton thread giving it color with natural and synthetic color with natural and synthetic dyes. They use vertical loom, they dyes. They use vertical loom, they transform it into these valuable pieces, transform it into these valuable pieces, handling with precision the technique that handling with precision the technique that allows having loom without seams. allows having loom without seams.
2000 artisan families derive their livelihood 2000 artisan families derive their livelihood from this technique. from this technique.
*Available in other sizes and colors *Available in other sizes and colors
STYLE: TABLE AND DECORATION STYLE: TABLE AND DECORATION NAME: TEJIDO EN TELAR NAME: TEJIDO EN TELAR MATERIAL: NATURAL COTTON MATERIAL: NATURAL COTTON SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: HEIGHT 94.49” / WIDTH 59.05” DIMENSIONS: HEIGHT 102.36” / WIDTH 66.93”
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _HOGAR Y DECORACIÓN _HOGAR Y DECORACIÓN
ALFARERÍA _HOGAR Y ALFARERÍA BARRO NEGRO TOLIMA Pottery DECORACIÓN CHAMBA CAZUELAS CORRIENTE Home and Decoration REF: 01-03-023-B
La Chamba, a town of potters, is located on the banks of the Magdalena River, in the department of El Tolima. May generations have mantained alive the traditions of their ancestors, the Panche and Pijao peoples, who elaborated ceremonial ceramics, being the heirs of these techniques. They elaborated domestic objects and filled their canoes with these vessels and navigated towards markets in neighbouring towns.
*Available in other sizes
STYLE: TABLE AND DECORATION NAME: CHAMBA MATERIAL: BLACK MUD SIZES: ONE SIZE FITS ALL
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _HOGAR Y DECORACIÓN _HOGAR Y DECORACIÓN
ALFARERÍA BARRO NEGRO TOLIMA ALFARERÍA PITALITO HUILA CHAMBA GALLINA No.5 CHIVA PEQUEÑA GORDA
REF: 01-03-011-G REF: 01-02-041-J
La Chamba, a town of potters, Pitalito is a town and is located on the banks of the municipality in the Huila Magdalena River, in the department of Department, Colombia. El Tolima. May generations have mantained Huila (Spanish pronunciation: [wila] is located alive the traditions of their ancestors, the in the southwest of the country, and its Panche and Pijao peoples, who elaborated capital is Neiva. The south of the department ceremonial ceramics, being the heirs of is located in the Colombian Massif. The these techniques. They elaborated domestic Cordillera Oriental is born in this place. objects and filled their canoes with these Colombia’s second highest peak, the vessels and navigated towards markets in Nevado del Huila volcano, is located in Huila neighbouring towns. department. The Magdalena River rises in Huila *Available in other sizes department. Some of Huila’s most important towns are placed in the Magdalena River STYLE: TABLE AND DECORATION STYLE: TABLE AND DECORATION Valley. NAME: CHAMBA NAME: PITALITO MATERIAL: BLACK MUD MATERIAL: MUD *Available in other sizes SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _HOGAR Y DECORACIÓN _HOGAR Y DECORACIÓN
ALFARERÍA PITALITO HUILA ALFARERÍA PITALITO HUILA CHIVA MEDIANA GORDA WILLYS GRANDE
REF: 01-02-041-K REF: 01-02-049-E
Pitalito is a town and Pitalito is a town and municipality in the Huila municipality in the Huila Department, Colombia. Department, Colombia. Huila (Spanish pronunciation: [wila] is located Huila (Spanish pronunciation: [wila] is located in the southwest of the country, and its in the southwest of the country, and its capital is Neiva. The south of the department capital is Neiva. The south of the department is located in the Colombian Massif. The is located in the Colombian Massif. The Cordillera Oriental is born in this place. Cordillera Oriental is born in this place. Colombia’s second highest peak, the Colombia’s second highest peak, the Nevado del Huila volcano, is located in Huila Nevado del Huila volcano, is located in Huila department. department. The Magdalena River rises in Huila The Magdalena River rises in Huila department. Some of Huila’s most important department. Some of Huila’s most important towns are placed in the Magdalena River towns are placed in the Magdalena River STYLE: TABLE AND DECORATION Valley. STYLE: TABLE AND DECORATION Valley. NAME: PITALITO NAME: PITALITO MATERIAL: MUD MATERIAL: MUD *Available in other sizes *Available in other sizes SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: HEIGHT 7.08”
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _HOGAR Y DECORACIÓN _HOGAR Y DECORACIÓN
ALFARERÍA PITALITO HUILA ALFARERÍA PITALITO HUILA WILLYS PEQUEÑOS ARCA NOE GRANDE
REF: 01-02-049-D REF: 01-02-042-A
Pitalito is a town and Pitalito is a town and municipality in the Huila municipality in the Huila Department, Colombia. Department, Colombia. Huila (Spanish pronunciation: [wila] is located Huila (Spanish pronunciation: [wila] is located in the southwest of the country, and its in the southwest of the country, and its capital is Neiva. The south of the department capital is Neiva. The south of the department is located in the Colombian Massif. The is located in the Colombian Massif. The Cordillera Oriental is born in this place. Cordillera Oriental is born in this place. Colombia’s second highest peak, the Colombia’s second highest peak, the Nevado del Huila volcano, is located in Huila Nevado del Huila volcano, is located in Huila department. department. The Magdalena River rises in Huila The Magdalena River rises in Huila department. Some of Huila’s most important department. Some of Huila’s most important towns are placed in the Magdalena River towns are placed in the Magdalena River STYLE: TABLE AND DECORATION Valley. STYLE: TABLE AND DECORATION Valley. NAME: PITALITO NAME: PITALITO MATERIAL: MUD MATERIAL: MUD *Available in other sizes *Available in other sizes SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: HEIGHT 3.94”
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _HOGAR Y DECORACIÓN _HOGAR Y DECORACIÓN
ALFARERÍA PITALITO HUILA ALFARERÍA PITALITO HUILA ARCA NOE MEDIANA ARCA NOE PEQUEÑA
REF: 01-02-042-B REF: 01-02-042-C
Pitalito is a town and Pitalito is a town and municipality in the Huila municipality in the Huila Department, Colombia. Department, Colombia. Huila (Spanish pronunciation: [wila] is located Huila (Spanish pronunciation: [wila] is located in the southwest of the country, and its in the southwest of the country, and its capital is Neiva. The south of the department capital is Neiva. The south of the department is located in the Colombian Massif. The is located in the Colombian Massif. The Cordillera Oriental is born in this place. Cordillera Oriental is born in this place. Colombia’s second highest peak, the Colombia’s second highest peak, the Nevado del Huila volcano, is located in Huila Nevado del Huila volcano, is located in Huila department. department. The Magdalena River rises in Huila The Magdalena River rises in Huila department. Some of Huila’s most important department. Some of Huila’s most important towns are placed in the Magdalena River towns are placed in the Magdalena River STYLE: TABLE AND DECORATION Valley. STYLE: TABLE AND DECORATION Valley. NAME: PITALITO NAME: PITALITO MATERIAL: MUD MATERIAL: MUD *Available in other sizes *Available in other sizes SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _HOGAR Y DECORACIÓN _HOGAR Y DECORACIÓN
ALFARERÍA PITALITO HUILA CESTERÍA _HOGAR Y PLAZA DE TOROS No.1 Basket Making DECORACIÓN Home and Decoration REF: 01-09-333-H
Pitalito is a town and municipality in the Huila Department, Colombia. Huila (Spanish pronunciation: [wila] is located in the southwest of the country, and its capital is Neiva. The south of the department is located in the Colombian Massif. The Cordillera Oriental is born in this place. Colombia’s second highest peak, the Nevado del Huila volcano, is located in Huila department. The Magdalena River rises in Huila department. Some of Huila’s most important towns are placed in the Magdalena River STYLE: TABLE AND DECORATION Valley. NAME: PITALITO MATERIAL: MUD *Available in other sizes SIZES: ONE SIZE FITS ALL
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _HOGAR Y DECORACIÓN _HOGAR Y DECORACIÓN
CESTERÍA FIQUE BOYACÁ CESTERÍA FIQUE BOYACÁ GUACAMAYAS CONTENEDOR TUBO PEQUEÑO GUACAMAYAS FRUTERO
REF: 02-04-015-A REF: 02-04-117-U
The peasant community of The peasant community of Guacamayas, of pre-Hispanic Guacamayas, of pre-Hispanic origin, inhabits the mountains origin, inhabits the mountains of Boyacá. This region was home to the of Boyacá. This region was home to the Laches indigenous people, whose legacy Laches indigenous people, whose legacy decidedly marks the local identity. Women decidedly marks the local identity. Women of this community combine agriculture and of this community combine agriculture and cattle herding with colorful and diverse cattle herding with colorful and diverse basket weaving. This ancestral art form basket weaving. This ancestral art form employs the spiral technique, the use of employs the spiral technique, the use of fique, vegetable dyes and mordents like salt, fique, vegetable dyes and mordents like salt, aloe, plantain carpels, orange and lemon. aloe, plantain carpels, orange and lemon. The rolled technique is employed to develop The rolled technique is employed to develop products for different uses like cheese products for different uses like cheese STYLE: TABLE AND DECORATION STYLE: TABLE AND DECORATION weights, woven shoulder bags, and baskets weights, woven shoulder bags, and baskets NAME: GUACAMAYAS WEAVING NAME: GUACAMAYAS WEAVING for storing foods. for storing foods. MATERIAL: FIQUE, VEGETABLE DYES MATERIAL: FIQUE, VEGETABLE DYES SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: BASE 7.48” / HEIGHT 11.81” *Available in other sizes DIMENSIONS: BASE 5.11” HEIGHT 5.11” DIAMETER 9.45” *Available in other sizes
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _HOGAR Y DECORACIÓN _HOGAR Y DECORACIÓN
CESTERÍA FIQUE BOYACÁ CESTERÍA FIQUE BOYACÁ GUACAMAYAS INDIVIDUALES GUACAMAYAS INDIVIDUALES
REF: 02-04-139-A REF: 02-04-139-B
The peasant community of The peasant community of Guacamayas, of pre-Hispanic Guacamayas, of pre-Hispanic origin, inhabits the mountains origin, inhabits the mountains of Boyacá. This region was home to the of Boyacá. This region was home to the Laches indigenous people, whose legacy Laches indigenous people, whose legacy decidedly marks the local identity. Women decidedly marks the local identity. Women of this community combine agriculture and of this community combine agriculture and cattle herding with colorful and diverse cattle herding with colorful and diverse basket weaving. This ancestral art form basket weaving. This ancestral art form employs the spiral technique, the use of employs the spiral technique, the use of fique, vegetable dyes and mordents like salt, fique, vegetable dyes and mordents like salt, aloe, plantain carpels, orange and lemon. aloe, plantain carpels, orange and lemon. The rolled technique is employed to develop The rolled technique is employed to develop products for different uses like cheese products for different uses like cheese STYLE: TABLE AND DECORATION STYLE: TABLE AND DECORATION weights, woven shoulder bags, and baskets weights, woven shoulder bags, and baskets NAME: GUACAMAYAS WEAVING NAME: GUACAMAYAS WEAVING for storing foods. for storing foods. MATERIAL: FIQUE, VEGETABLE DYES MATERIAL: FIQUE, VEGETABLE DYES SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL *Available in other sizes *Available in other sizes
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _HOGAR Y DECORACIÓN _HOGAR Y DECORACIÓN
BOYACÁ HUILA, CUNDINAMARCA, CESTERÍA FIQUE CESTERÍA IRACA CALDAS, SANTANDER GUACAMAYAS PORTAVASOS TORTUGA PANERA TAPA GRANDE
REF: 02-04-237-U REF: 02-04-002-B
The peasant community of In the artisanal geography Guacamayas, of pre-Hispanic of Colombia, the iraca palm origin, inhabits the mountains (Carludovica palmata) is one of of Boyacá. This region was home to the the plants more frequently used. Indigenous, Laches indigenous people, whose legacy peasant-like, urban and afro American decidedly marks the local identity. Women groups have approached the iraca palm and of this community combine agriculture and have learned to transform it, making of it a cattle herding with colorful and diverse fundamental element of their economy and basket weaving. This ancestral art form material culture. Artisans from all regions employs the spiral technique, the use of have developed diverse weaving and dying fique, vegetable dyes and mordents like salt, techniques to create infinity of hats, baskets, aloe, plantain carpels, orange and lemon. bags and mats. The rolled technique is employed to develop products for different uses like cheese STYLE: TABLE AND DECORATION STYLE: TABLE AND DECORATION weights, woven shoulder bags, and baskets *Available in other sizes NAME: GUACAMAYAS WEAVING NAME: IRACA for storing foods. MATERIAL: FIQUE, VEGETABLE DYES MATERIAL: IRACA PALM SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: DIAMETER 3.93” *Available in other sizes
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _HOGAR Y DECORACIÓN _HOGAR Y DECORACIÓN
HUILA, CUNDINAMARCA, HUILA, CUNDINAMARCA, CESTERÍA IRACA CALDAS, SANTANDER CESTERÍA IRACA CALDAS, SANTANDER CAZUELA MEDIANA JUEGO INDIVIDUAL x6
REF: 02-04-179-B REF: 02-04-179-A
In the artisanal geography In the artisanal geography of Colombia, the iraca palm of Colombia, the iraca palm (Carludovica palmata) is one of (Carludovica palmata) is one of the plants more frequently used. Indigenous, the plants more frequently used. Indigenous, peasant-like, urban and afro American peasant-like, urban and afro American groups have approached the iraca palm and groups have approached the iraca palm and have learned to transform it, making of it a have learned to transform it, making of it a fundamental element of their economy and fundamental element of their economy and material culture. Artisans from all regions material culture. Artisans from all regions have developed diverse weaving and dying have developed diverse weaving and dying techniques to create infinity of hats, baskets, techniques to create infinity of hats, baskets, bags and mats. bags and mats.
STYLE: TABLE AND DECORATION *Available in other sizes STYLE: TABLE AND DECORATION *Available in other sizes NAME: IRACA NAME: IRACA MATERIAL: IRACA PALM MATERIAL: IRACA PALM SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: DIAMETER 14.17´´
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _HOGAR Y DECORACIÓN _HOGAR Y DECORACIÓN
HUILA, CUNDINAMARCA, HUILA, CUNDINAMARCA, CESTERÍA IRACA CALDAS, SANTANDER CESTERÍA IRACA CALDAS, SANTANDER CANASTO CAJA RECTANGULAR
REF: 02-04-001-R REF: 02-04-653-A
In the artisanal geography In the artisanal geography of Colombia, the iraca palm of Colombia, the iraca palm (Carludovica palmata) is one of (Carludovica palmata) is one of the plants more frequently used. Indigenous, the plants more frequently used. Indigenous, peasant-like, urban and afro American peasant-like, urban and afro American groups have approached the iraca palm and groups have approached the iraca palm and have learned to transform it, making of it a have learned to transform it, making of it a fundamental element of their economy and fundamental element of their economy and material culture. Artisans from all regions material culture. Artisans from all regions have developed diverse weaving and dying have developed diverse weaving and dying techniques to create infinity of hats, baskets, techniques to create infinity of hats, baskets, bags and mats. bags and mats.
STYLE: TABLE AND DECORATION *Available in other sizes STYLE: TABLE AND DECORATION *Available in other sizes NAME: IRACA NAME: IRACA MATERIAL: IRACA PALM MATERIAL: IRACA PALM SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: DIAMETER 8.26´´ / HEIGHT 21.65´´
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _HOGAR Y DECORACIÓN _HOGAR Y DECORACIÓN
HUILA, CUNDINAMARCA, CALDAS CESTERÍA IRACA CALDAS, SANTANDER CESTERÍA TARRO MANIJAS CAÑA BRAVA CANASTO IRACA-CAÑA BRAVA
REF: 02-04-002-E REF: 02-02-082-E
In the artisanal geography Caña Brava work comes from of Colombia, the iraca palm Caldas, a department of named (Carludovica palmata) is one of after Colombian patriotic figure the plants more frequently used. Indigenous, Francisco José de Caldas. It’s peasant-like, urban and afro American part of the Paisa Region and its capital groups have approached the iraca palm and is Manizales. The population of Caldas is have learned to transform it, making of it a 1,030,062, and its area is 7,291 km². Caldas fundamental element of their economy and is also part of the Colombian Coffee-Growers material culture. Artisans from all regions Axis region along with the Risaralda and have developed diverse weaving and dying Quindio departments. techniques to create infinity of hats, baskets, bags and mats. *Available in larger sizes
STYLE: TABLE AND DECORATION *Available in other sizes STYLE: TABLE AND DECORATION NAME: IRACA NAME: TAMO DIPPING BOWL MATERIAL: IRACA PALM MATERIAL: WOOD, TAMO SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: DIAMETER 14.96´´ / HEIGHT 9.05´´ DIMENSIONS: 37 X 24 X 16
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _HOGAR Y DECORACIÓN _HOGAR Y DECORACIÓN
GUAINÍA GUAINÍA CESTERÍA CHIQUI-CHIQUI Y BARRO CESTERÍA CHIQUI-CHIQUI Y BARRO CANASTO BASURERO GRANDE CANASTO BASURERO MEDIANO
REF: 11-04-055-E REF: 11-04-055-F
The chiquichiqui or marama The chiquichiqui or marama palm (Leopoldinia piassaba) grows palm (Leopoldinia piassaba) grows on the banks of the Guainía and is used by on the banks of the Guainía and is used by local communities for many things including local communities for many things including roofing their homes, eating its fruit, and roofing their homes, eating its fruit, and making brooms and fish traps. Presently, making brooms and fish traps. Presently, the Curripaco people are known for their the Curripaco people are known for their chiquichiqui baskets, made in roll technique chiquichiqui baskets, made in roll technique and woven in a spiral form. Originally basket- and woven in a spiral form. Originally basket- weaving was a male technique, but increased weaving was a male technique, but increased demands for them motivated female demands for them motivated female involvement. In this community’s mythology, involvement. In this community’s mythology, the chiquichiqui palm represents Awakaruna the chiquichiqui palm represents Awakaruna (mother nature), and the fibers extracted from (mother nature), and the fibers extracted from STYLE: TABLE AND DECORATION it symbolize the hair (tsikure) that she gives STYLE: TABLE AND DECORATION it symbolize the hair (tsikure) that she gives NAME: CHIQUI - CHIQUI to the people that live in her jungles. NAME: CHIQUI - CHIQUI to the people that live in her jungles. MATERIAL: CHIQUI CHIQUI PALM AND CLAY MATERIAL: CHIQUI CHIQUI PALM AND CLAY SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL *Available in other sizes *Available in other sizes
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _HOGAR Y DECORACIÓN _HOGAR Y DECORACIÓN
CESTERÍA BOYACÁ CESTERÍA BOYACÁ PAJA BLANCA JUEGO x6 INDIVIDUALES PAJA BLANCA BANDEJA OJIVAL GRANDE
REF: 02-04-011-J REF: 02-04-009-I
In the town of Guacamayas, In the town of Guacamayas, objects made out of “fique” and objects made out of “fique” and “paja blanca” had been made for “paja blanca” had been made for the past 40 years using the “spiral the past 40 years using the “spiral rolling” technique. Originally, by this type rolling” technique. Originally, by this type of work were produced baskets and jars to of work were produced baskets and jars to store grain. In the last decades, this craft has store grain. In the last decades, this craft has become in a productive alternative for many become in a productive alternative for many inhabitants of the town that have grouped inhabitants of the town that have grouped into cooperatives to achieve a better way to into cooperatives to achieve a better way to put the products on the market. put the products on the market.
*Available in other sizes *Available in other sizes
STYLE: TABLE AND DECORATION STYLE: TABLE AND DECORATION NAME: PAJA BLANCA NAME: PAJA BLANCA MATERIAL: WHITE STRAW MATERIAL: WHITE STRAW SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: DIAMETER 14.17´´ DIMENSIONS: DIAMETER 16.53´´ / HEIGHT 3.54´´ / WIDTH 11.41´´
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _HOGAR Y DECORACIÓN _HOGAR Y DECORACIÓN CESTERÍA BOYACÁ TALLA _HOGAR Y PAJA BLANCA BANDEJA TRIANGULAR Carving DECORACIÓN Home and Decoration REF: 02-04-011-F
In the town of Guacamayas, objects made out of “fique” and “paja blanca” had been made for the past 40 years using the “spiral rolling” technique. Originally, by this type of work were produced baskets and jars to store grain. In the last decades, this craft has become in a productive alternative for many inhabitants of the town that have grouped into cooperatives to achieve a better way to put the products on the market.
*Available in other sizes
STYLE: TABLE AND DECORATION NAME: PAJA BLANCA MATERIAL: WHITE STRAW SIZES: ONE SIZE FITS ALL DIMENSIONS: DIAMETER 11.81´´ / WIDTH 11.81´´
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _HOGAR Y DECORACIÓN _HOGAR Y DECORACIÓN
TALLA MADERA ATLÁNTICO TALLA MADERA ATLÁNTICO GALAPA LAPIZ CARNAVAL GALAPA PORTALAPIZ CILÍNDRICO CARNAVAL
REF: 06-02-002-O REF: 06-02-063-U
Declared by UNESCO as Cultural Declared by UNESCO as Cultural Heritage of the World, the Barranquilla Heritage of the World, the Barranquilla Carnival is one of the most important Carnival is one of the most important events in Colombia. Filled with music, events in Colombia. Filled with music, dancing and history, it carries strong elements of dancing and history, it carries strong elements of popular African-American culture. The Carnival popular African-American culture. The Carnival has its origins in the colonial festivities of has its origins in the colonial festivities of Mompox and Cartagena, where emancipated Mompox and Cartagena, where emancipated slaves would gather in palenques to dance and slaves would gather in palenques to dance and drum after the day of the Virgin of Candelaria. drum after the day of the Virgin of Candelaria. Traditional characters are recreated through Traditional characters are recreated through masks, costumes and turbans, which have masks, costumes and turbans, which have become strong folkloric and artisanal symbols. become strong folkloric and artisanal symbols. Zoomorphic masks, made of wood and fabrics, Zoomorphic masks, made of wood and fabrics, evoke totemic clans and ancient tribes that evoke totemic clans and ancient tribes that STYLE: CARNIVAL STYLE: CARNIVAL NAME: CARNIVAL PENCIL transform the beholder into a sacred animal. NAME: CARNIVAL PENCIL HOLDER transform the beholder into a sacred animal. MATERIAL: WOOD 200 artisan families derive their livelihood from MATERIAL: WOOD 200 artisan families derive their livelihood from SIZES: ONE SIZE FITS ALL this technique. SIZES: ONE SIZE FITS ALL this technique.
*Available in other sizes *Available in other sizes
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _HOGAR Y DECORACIÓN _HOGAR Y DECORACIÓN
TALLA / MADERA ATLÁNTICO TALLA MADERA ATLÁNTICO GALAPA LLAVEROS GALAPA FIGURA ANIMAL ENTERO
REF: 06-02-006-U REF: 06-02-005-E
Declared by UNESCO as Cultural Declared by UNESCO as Cultural Heritage of the World, the Barranquilla Heritage of the World, the Barranquilla Carnival is one of the most important Carnival is one of the most important events in Colombia. Filled with music, events in Colombia. Filled with music, dancing and history, it carries strong elements of dancing and history, it carries strong elements of popular African-American culture. The Carnival popular African-American culture. The Carnival has its origins in the colonial festivities of has its origins in the colonial festivities of Mompox and Cartagena, where emancipated Mompox and Cartagena, where emancipated slaves would gather in palenques to dance and slaves would gather in palenques to dance and drum after the day of the Virgin of Candelaria. drum after the day of the Virgin of Candelaria. Traditional characters are recreated through Traditional characters are recreated through masks, costumes and turbans, which have masks, costumes and turbans, which have become strong folkloric and artisanal symbols. become strong folkloric and artisanal symbols. Zoomorphic masks, made of wood and fabrics, Zoomorphic masks, made of wood and fabrics, evoke totemic clans and ancient tribes that evoke totemic clans and ancient tribes that STYLE: CARNIVAL STYLE: CARNIVAL NAME: CARNIVAL KEYCHAIN transform the beholder into a sacred animal. NAME: CARNIVAL ANIMAL transform the beholder into a sacred animal. MATERIAL: WOOD 200 artisan families derive their livelihood from MATERIAL: WOOD 200 artisan families derive their livelihood from SIZES: ONE SIZE FITS ALL this technique. SIZES: ONE SIZE FITS ALL this technique. DIMENSIONS: HEIGHT 2´´ / WIDTH 1´´ Monthly output: 630 llaveros DIMENSIONS: HEIGHT 9.84 ´´ *Available in other sizes *Available in larger sizes *All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _HOGAR Y DECORACIÓN _HOGAR Y DECORACIÓN
TALLA MADERA ATLÁNTICO GALAPA IMÁN CARNAVAL MÁSCARA
REF: 06-02-063-V
Declared by UNESCO as Cultural Heritage of the World, the Barranquilla Carnival is one of the most important events in Colombia. Filled with music, dancing and history, it carries strong elements of popular African-American culture. The Carnival has its origins in the colonial festivities of Mompox and Cartagena, where emancipated slaves would gather in palenques to dance and drum after the day of the Virgin of Candelaria. Traditional characters are recreated through masks, costumes and turbans, which have become strong folkloric and artisanal symbols. Zoomorphic masks, made of wood and fabrics, evoke totemic clans and ancient tribes that STYLE: CARNIVAL NAME: CARNIVAL MASK MAGNET transform the beholder into a sacred animal. MATERIAL: WOOD 200 artisan families derive their livelihood from SIZES: ONE SIZE FITS ALL this technique.
*Available in other sizes
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _HOGAR Y DECORACIÓN _HOGAR Y DECORACIÓN
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _MODA Y TEJEDURÍA _MODA Y ACCESORIOS ACCESORIOS Accessories (TEJIDO) Accessories Weaving
ACCORDING TO THE LEGEND, THE SPIDER WALE’KERÜ TAUGHT THE WAYUU WOMEN THEIR TRADE. SINCE THEN, WOMEN HAVE LEARN THE WEAVING TECHNIQUES AND DEVELOPED KANÁAS, THEIR TRADITIONAL DESIGNS. _MODA Y ACCESORIOS _MODA Y ACCESORIOS
TEJEDURÍA CÓRDOBA y SUCRE TEJEDURÍA CÓRDOBA y SUCRE TUCHIN (caña flecha) BRACELET TUCHIN (caña flecha) BRACELET
REF: 02-04-230-M REF: 02-04-230-I
The work in caña flecha is The work in caña flecha is a tradition from the Zenú a tradition from the Zenú community of San Andrés de community of San Andrés de Sotavento, Tuchin, department of Sotavento, Tuchin, department of Córdoba, Palmito and Sampués, department Córdoba, Palmito and Sampués, department of Sucre. With imagination and creativity of Sucre. With imagination and creativity these families combine the fibers to create these families combine the fibers to create valuable pieces such as Vueltiao hat, valuable pieces such as Vueltiao hat, accesories, fashion and decoration. accesories, fashion and decoration. 2000 artisan families derive their livelihood 2000 artisan families derive their livelihood from this technique. from this technique. Monthly output: 1500 manillas Monthly output: 1500 manillas
*Available in other sizes and patterns *Available in other sizes and patterns STYLE: NATIVE STYLE: NATIVE NAME: CAÑA FLECHA BRACELET NAME: CAÑA FLECHA BRACELET MATERIAL: CAÑA FLECHA MATERIAL: CAÑA FLECHA SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: HEIGHT 1/2´´ / DIAMETER 4´´ DIMENSIONS: HEIGHT 1´´ / DIAMETER 4´´ WEIGHT: 0.02 lbs WEIGHT: 0.06 lbs
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _MODA Y ACCESORIOS _MODA Y ACCESORIOS
TEJEDURÍA CÓRDOBA y SUCRE TEJEDURÍA CÓRDOBA y SUCRE TUCHIN (caña flecha) BRACELET TUCHIN (caña flecha) BRACELET
REF: 02-04-230-A REF: 02-04-230-I
The work in caña flecha is The work in caña flecha is a tradition from the Zenú a tradition from the Zenú community of San Andrés de community of San Andrés de Sotavento, Tuchin, department of Sotavento, Tuchin, department of Córdoba, Palmito and Sampués, department Córdoba, Palmito and Sampués, department of Sucre. With imagination and creativity of Sucre. With imagination and creativity these families combine the fibers to create these families combine the fibers to create valuable pieces such as Vueltiao hat, valuable pieces such as Vueltiao hat, accesories, fashion and decoration. accesories, fashion and decoration. 2000 artisan families derive their livelihood 2000 artisan families derive their livelihood from this technique. from this technique. Monthly output: 1500 manillas Monthly output: 1500 manillas
*Available in other sizes and patterns *Available in other sizes and patterns STYLE: NATIVE STYLE: NATIVE NAME: CAÑA FLECHA BRACELET NAME: CAÑA FLECHA BRACELET MATERIAL: CAÑA FLECHA MATERIAL: CAÑA FLECHA SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: HEIGHT 1´´ / DIAMETER 4´´ DIMENSIONS: HEIGHT 1´´ / DIAMETER 4´´ WEIGHT: 0.02 lbs WEIGHT: 0.04 lbs
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _MODA Y ACCESORIOS _MODA Y ACCESORIOS
TEJEDURÍA CÓRDOBA y SUCRE TEJEDURÍA CÓRDOBA y SUCRE TUCHIN (caña flecha) BRACELET TUCHIN (caña flecha) BRACELET
REF: 02-04-230-I REF: 02-04-230-I
The work in caña flecha is The work in caña flecha is a tradition from the Zenú a tradition from the Zenú community of San Andrés de community of San Andrés de Sotavento, Tuchin, department of Sotavento, Tuchin, department of Córdoba, Palmito and Sampués, department Córdoba, Palmito and Sampués, department of Sucre. With imagination and creativity of Sucre. With imagination and creativity these families combine the fibers to create these families combine the fibers to create valuable pieces such as Vueltiao hat, valuable pieces such as Vueltiao hat, accesories, fashion and decoration. accesories, fashion and decoration. 2000 artisan families derive their livelihood 2000 artisan families derive their livelihood from this technique. from this technique. Monthly output: 1500 manillas Monthly output: 1500 manillas
*Available in other sizes and patterns *Available in other sizes and patterns STYLE: NATIVE STYLE: NATIVE NAME: CAÑA FLECHA BRACELET NAME: CAÑA FLECHA BRACELET MATERIAL: CAÑA FLECHA MATERIAL: CAÑA FLECHA SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: HEIGHT 1´´ / DIAMETER 4´´ DIMENSIONS: HEIGHT 2´´ / DIAMETER 3´´ WEIGHT: 0.08 lbs WEIGHT: 0.03 lbs
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _MODA Y ACCESORIOS _MODA Y ACCESORIOS
TEJEDURÍA CÓRDOBA y SUCRE TEJEDURÍA NARIÑO TUCHIN (caña flecha) HAND FAN IRACA PALM HANGBAG (MEDIUM)
REF: 02-04-184-J REF: 02-04-417-E
The work in caña flecha is Using the fiber of the “Iraca” a tradition from the Zenú palm or “paja toquilla” community of San Andrés de (Carludovica palmata), weavers Sotavento, Tuchin, department of make clothing accessories and objects for Córdoba, Palmito and Sampués, department ornamental use. Iraca weaving comes from of Sucre. With imagination and creativity the south region of Colombia, and products these families combine the fibers to create made with this technique have become valuable pieces such as Vueltiao hat, fashionable due to their beauty and high- accesories, fashion and decoration. quality. 2300 artisan families derive their 2000 artisan families derive their livelihood livelihood from this technique. from this technique. Monthly output: 800 handbag Monthly output: 1000 abanicos. *Available in larger sizes and patterns *Available in other sizes
STYLE: FASHION STYLE: FASHION NAME: HAND FAN NAME: IRACA HANDBAG MATERIAL: CAÑA FLECHA MATERIAL: IRACA PALM SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: HEIGHT 12´ / WIDTH 10´´ DIMENSIONS: HEIGHT 10´´ / WIDTH 14´´ WEIGHT: 0.8 lbs
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _MODA Y ACCESORIOS _MODA Y ACCESORIOS
TEJEDURÍA NARIÑO TEJEDURÍA NARIÑO IRACA PALM BEACH BAG (LARGE) IRACA PALM BEACH BAG (LARGE)
REF: 02-04-004-A REF: 02-04-009-F
Using the fiber of the “Iraca” Using the fiber of the “Iraca” palm or “paja toquilla” palm or “paja toquilla” (Carludovica palmata), weavers (Carludovica palmata), weavers make clothing accessories and objects for make clothing accessories and objects for ornamental use. Iraca weaving comes from ornamental use. Iraca weaving comes from the south region of Colombia, and products the south region of Colombia, and products made with this technique have become made with this technique have become fashionable due to their beauty and high- fashionable due to their beauty and high- quality. 2300 artisan families derive their quality. 2300 artisan families derive their livelihood from this technique. livelihood from this technique. Monthly output: 600 palm beach bag Monthly output: 600 palm handbag
*Available in other sizes *Available in other sizes
STYLE: FASHION STYLE: FASHION NAME: IRACA BEACH BAG NAME: IRACA HANDBAG MATERIAL: IRACA PALM MATERIAL: IRACA PALM SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: HEIGHT 14´´ / WIDTH 20´´ DIMENSIONS: HEIGHT 12´´ / WIDTH 18´´ WEIGHT: 0.8 lbs WEIGHT: 1.5 lbs
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _MODA Y ACCESORIOS _MODA Y ACCESORIOS CESTERÍA _MODA Y CESTERÍA CHOCÓ Basketmaking ACCESORIOS WERREGUE BRACELET Accessories REF: 11-02-055-B
In the dense jungle of the Chocó region live the Wounaan indigenous people, famous in the handicrafts world because of their fine woven baskets.They use the fibers of the Astrocaryum standleyanum palm tree, known as “Werregue”, to make what is considered the finest basketry in the country. 800 artisan families derive their livelihood from this technique. They also make accesories such as bracelets
*Available in different colors, sizes and patterns STYLE: FASHION NAME: WERREGUE BRACELET MATERIAL: WERREGUE PALM SIZES: ONE SIZE FITS ALL DIMENSIONS: HEIGHT 2 1/2´´ / DIAMETER 4´´ WEIGHT: 0.1 lbs
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _MODA Y ACCESORIOS _MODA Y ACCESORIOS
CESTERÍA CHOCÓ CESTERÍA CHOCÓ WERREGUE BRACELET WERREGUE BRACELET
REF: 11-02-055-A REF: 11-05-055-P
In the dense jungle of the In the dense jungle of the Chocó region live the Wounaan Chocó region live the Wounaan indigenous people, famous in the indigenous people, famous in the handicrafts world because of handicrafts world because of their fine woven baskets.They use their fine woven baskets.They use the fibers of the Astrocaryum standleyanum the fibers of the Astrocaryum standleyanum palm tree, known as “Werregue”, to make palm tree, known as “Werregue”, to make what is considered the finest basketry in what is considered the finest basketry in the country. 800 artisan families derive their the country. 800 artisan families derive their livelihood from this technique. They also livelihood from this technique. They also make accesories such as bracelets make accesories such as bracelets
*Available in different colors, sizes and *Available in different colors, sizes and patterns patterns STYLE: FASHION STYLE: FASHION NAME: WERREGUE BRACELET NAME: WERREGUE BRACELET MATERIAL: WERREGUE PALM MATERIAL: WERREGUE PALM SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: HEIGHT 1/2´´ / DIAMETER 4´´ DIMENSIONS: HEIGHT 2 1/2´´ / DIAMETER 4´´ WEIGHT: 0.6 lbs WEIGHT: 0.6 lbs
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _MODA Y ACCESORIOS _MODA Y ACCESORIOS CESTERÍA CHOCÓ BARNIZ DE _MODA Y WERREGUE BRACELET ACCESORIOS PASTO Accessories REF: 11-02-055-G Varnish of Pasto
In the dense jungle of the Chocó region live the Wounaan indigenous people, famous in the handicrafts world because of their fine woven baskets.They use the fibers of the Astrocaryum standleyanum palm tree, known as “Werregue”, to make what is considered the finest basketry in the country. 800 artisan families derive their livelihood from this technique. They also make accesories such as bracelets
*Available in different colors, sizes and patterns STYLE: FASHION NAME: WERREGUE BRACELET MATERIAL: WERREGUE PALM SIZES: ONE SIZE FITS ALL DIMENSIONS: HEIGHT 1/2´´ / DIAMETER 4´´ WEIGHT: 0.6 lbs
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _MODA Y ACCESORIOS _MODA Y ACCESORIOS
BARNIZ DE PASTO NARIÑO BARNIZ DE PASTO NARIÑO WOODEN BRACELET (MOPA-MOPA) WOODEN BRACELET (MOPA-MOPA)
REF: 06-04-005-C REF: 06-04-005-C
The Barnizados of the The Barnizados of the department of Nariño practice department of Nariño practice the ancient technique of the the ancient technique of the Barniz de Pasto, using the resin Barniz de Pasto, using the resin of the Mopa-Mopa tree, covering of the Mopa-Mopa tree, covering pieces in wood. This technique pieces in wood. This technique exclusive form the southern part of Colombia exclusive form the southern part of Colombia has been developed since pre colombian has been developed since pre colombian times that were then inherited by the mongrels. times that were then inherited by the mongrels. The Indians, use to recollect the resin for the The Indians, use to recollect the resin for the elaboration of necklaces and for covering the elaboration of necklaces and for covering the ceremonial glasses. Artisans from different ceremonial glasses. Artisans from different times have worked skillfully giving life to times have worked skillfully giving life to representative images of the Indian cosmology, representative images of the Indian cosmology, STYLE: FASHION STYLE: FASHION NAME: MOPA - MOPA BRACELET European cultural elements, animals and NAME: MOPA - MOPA BRACELET European cultural elements, animals and MATERIAL: WOOD AND MOPA - MOPA landscapes. 200 artisan families derive their MATERIAL: WOOD AND MOPA - MOPA landscapes. 200 artisan families derive their SIZES: ONE SIZE FITS ALL livelihood from this technique. SIZES: ONE SIZE FITS ALL livelihood from this technique. DIMENSIONS: HEIGHT 2 1/2´´ / DIAMETER 4´´ DIMENSIONS: HEIGHT 4´´ / WIDTH 2´´ WEIGHT: 0.3 lbs *Available different sizes, colors and WEIGHT: 0.5 lbs *Available different sizes, colors and patterns patterns *All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _MODA Y ACCESORIOS _MODA Y ACCESORIOS BARNIZ DE PASTO NARIÑO BISUTERÍA _MODA Y WOODEN BRACELET (MOPA-MOPA) ACCESORIOS EN CHAQUIRAS Accessories REF: 06-04-005-C “Chaquira Work”
The Barnizados of the department of Nariño practice the ancient technique of the Barniz de Pasto, using the resin of the Mopa-Mopa tree, covering pieces in wood. This technique exclusive form the southern part of Colombia has been developed since pre colombian times that were then inherited by the mongrels. The Indians, use to recollect the resin for the elaboration of necklaces and for covering the ceremonial glasses. Artisans from different times have worked skillfully giving life to representative images of the Indian cosmology, STYLE: FASHION NAME: MOPA - MOPA BRACELET European cultural elements, animals and MATERIAL: WOOD AND MOPA - MOPA landscapes. 200 artisan families derive their SIZES: ONE SIZE FITS ALL livelihood from this technique. DIMENSIONS: HEIGHT 4´´ / WIDTH 2´´ WEIGHT: 0.5 lbs *Available different sizes, colors and patterns *All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _MODA Y ACCESORIOS _MODA Y ACCESORIOS
BISUTERÍA CHAQUIRAS PUTUMAYO BISUTERÍA CHAQUIRAS PUTUMAYO SIBUNDOY BRACELET IN “CHAQUIRAS” SIBUNDOY BRACELET IN “CHAQUIRAS”
REF: 11-05-003-N REF: 11-05-003-N
This ancestral technique is used This ancestral technique is used by the Siona, Inga and Kamentza by the Siona, Inga and Kamentza peoples. The artisans elaborate peoples. The artisans elaborate these objects to accompany these objects to accompany ceremonies and serve as ceremonies and serve as vehicles of communication with vehicles of communication with a higher spiritual dimension. a higher spiritual dimension.
The use of Walkas, or colored beads, The use of Walkas, or colored beads, represents the “pintas” or visions that the represents the “pintas” or visions that the indigenous people recieve while drinking indigenous people recieve while drinking hallucinogenic yagé. 4400 artisan families hallucinogenic yagé. 4400 artisan families derive their livelihood from this technique. derive their livelihood from this technique. STYLE: FASHION STYLE: FASHION NAME: “CHAQUIRAS” BRACELET *Available in other sizes, colors and NAME: “CHAQUIRAS” BRACELET *Available in other sizes, colors and MATERIAL: “CHAQUIRAS” 22 patterns MATERIAL: “CHAQUIRAS” 22 patterns SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: HEIGHT 5´´ / WIDTH 2´´ DIMENSIONS: HEIGHT 5´´ / WIDTH 1 1/2´´ WEIGHT: 0.009 lbs WEIGHT: 0.009 lbs
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _MODA Y ACCESORIOS _MODA Y ACCESORIOS
BISUTERÍA CHAQUIRAS PUTUMAYO BISUTERÍA CHAQUIRAS PUTUMAYO SIBUNDOY BRACELET IN “CHAQUIRAS” SIBUNDOY BRACELET IN “CHAQUIRAS”
REF: 11-05-003-N REF: 11-05-004-D
This ancestral technique is used This ancestral technique is used by the Siona, Inga and Kamentza by the Siona, Inga and Kamentza peoples. The artisans elaborate peoples. The artisans elaborate these objects to accompany these objects to accompany ceremonies and serve as ceremonies and serve as vehicles of communication with vehicles of communication with a higher spiritual dimension. a higher spiritual dimension.
The use of Walkas, or colored beads, The use of Walkas, or colored beads, represents the “pintas” or visions that the represents the “pintas” or visions that the indigenous people recieve while drinking indigenous people recieve while drinking hallucinogenic yagé. 4400 artisan families hallucinogenic yagé. 4400 artisan families derive their livelihood from this technique. derive their livelihood from this technique. STYLE: FASHION STYLE: FASHION NAME: “CHAQUIRAS” BRACELET *Available in other sizes, colors and NAME: “CHAQUIRAS” BRACELET *Available in other sizes, colors and MATERIAL: “CHAQUIRAS” 22 patterns MATERIAL: “CHAQUIRAS” 14 patterns SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: HEIGHT 5´´ / WIDTH 1 1/2´´ DIMENSIONS: HEIGHT 4´´ / WIDTH 1 1/2´´ WEIGHT: 0.009 lbs WEIGHT: 0.009 lbs
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _MODA Y ACCESORIOS _MODA Y ACCESORIOS
BISUTERÍA CHAQUIRAS PUTUMAYO BISUTERÍA CHAQUIRAS PUTUMAYO SIBUNDOY BRACELET IN “CHAQUIRAS” SIBUNDOY NECKLACE IN “CHAQUIRAS”
REF: 11-05-003-V REF: 11-05-110-C
This ancestral technique is used This ancestral technique is used by the Siona, Inga and Kamentza by the Siona, Inga and Kamentza peoples. The artisans elaborate peoples. The artisans elaborate these objects to accompany these objects to accompany ceremonies and serve as ceremonies and serve as vehicles of communication with vehicles of communication with a higher spiritual dimension. a higher spiritual dimension.
The use of Walkas, or colored beads, The use of Walkas, or colored beads, represents the “pintas” or visions that the represents the “pintas” or visions that the indigenous people recieve while drinking indigenous people recieve while drinking hallucinogenic yagé. 4400 artisan families hallucinogenic yagé. 4400 artisan families derive their livelihood from this technique. derive their livelihood from this technique. STYLE: FASHION STYLE: FASHION NAME: “CHAQUIRAS” BRACELET *Available in other sizes, colors and NAME: “CHAQUIRAS” NECKLACE *Available in other sizes, colors and MATERIAL: “CHAQUIRAS” 25 patterns MATERIAL: “CHAQUIRAS” patterns SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: HEIGHT 6´´ / WIDTH 2´´ DIMENSIONS: HEIGHT 6´´ / WIDTH 2´´ WEIGHT: 0.009 lbs WEIGHT: 0.009 lbs
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _MODA Y ACCESORIOS _MODA Y ACCESORIOS
MARROQUINERÍA _MODA Y MARROQUINERÍA ANTIOQUIA ACCESORIOS Leatherwork JERICÓ CARRIEL “MADE OF LEATHER” Accessories REF: 03-02-050-U
The carriel is the cultural symbol of the coffee-growing region known as the “Coffee Axis”. Popularized during colonial times by muleteers traversing the difficult dirt roads of the time, it was a functional variation of the leather saddlebags used by the Spaniards. Though artisans once produced the carriel using otter or feline fur, nowadays they use cow hide due to the scarcity of those species. It is common for men to own more than one carriel, worn according to the occasion, and despite it being a male element, it is sometimes used by women as a purse. One of the most traditional designs is the oval shaped “Jericoano”. 3227 artisan families STYLE: LEATHER CARRY-ALL derive their livelihood from this technique. NAME: OVAL CARRIEL Monthly output: 200 carrieles. MATERIAL: LEATHER SIZES: ONE SIZE FITS ALL DIMENSIONS: LENGTH 11´´ / WIDTH 9´´ *Available in other sizes WEIGHT: 1 lbs
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _MODA Y ACCESORIOS _MODA Y ACCESORIOS
MARROQUINERÍA ANTIOQUIA MARROQUINERÍA ANTIOQUIA JERICÓ CARRIEL “MADE OF LEATHER” JERICÓ CARRIEL “MADE OF LEATHER”
REF: 03-02-050-B REF: 03-02-050-D
The carriel is the cultural symbol The carriel is the cultural symbol of the coffee-growing region of the coffee-growing region known as the “Coffee Axis”. known as the “Coffee Axis”. Popularized during colonial times by Popularized during colonial times by muleteers traversing the difficult dirt roads of the muleteers traversing the difficult dirt roads of the time, it was a functional variation of the leather time, it was a functional variation of the leather saddlebags used by the Spaniards. Though saddlebags used by the Spaniards. Though artisans once produced the carriel using otter or artisans once produced the carriel using otter or feline fur, nowadays they use cow hide due to the feline fur, nowadays they use cow hide due to the scarcity of those species. It is common for men scarcity of those species. It is common for men to own more than one carriel, worn according to own more than one carriel, worn according to the occasion, and despite it being a male to the occasion, and despite it being a male element, it is sometimes used by women as a element, it is sometimes used by women as a purse. One of the most traditional designs is the purse. One of the most traditional designs is the oval shaped “Jericoano”. 3227 artisan families oval shaped “Jericoano”. 3227 artisan families STYLE: LEATHER CARRY-ALL STYLE: LEATHER CARRY-ALL derive their livelihood from this technique. derive their livelihood from this technique. NAME: BLACK SPEAR CARRIEL NAME: SMALL CARRIEL Monthly output: 200 carrieles. Monthly output: 200 carrieles. MATERIAL: LEATHER MATERIAL: LEATHER SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: LENGHT 7´´ / WIDTH 10´´ *Available in other sizes DIMENSIONS: LENGHT 7´´ / WIDTH 5´´ *Available in other sizes WEIGHT: 1 lbs WEIGHT: 1 lbs
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _MODA Y ACCESORIOS _MODA Y ACCESORIOS
MARROQUINERÍA ANTIOQUIA MARROQUINERÍA ANTIOQUIA JERICÓ CARRIEL “MADE OF LEATHER” JERICÓ CARRIEL “MADE OF LEATHER”
REF: 03-02-050-E REF: 03-02-050-A
The carriel is the cultural symbol The carriel is the cultural symbol of the coffee-growing region of the coffee-growing region known as the “Coffee Axis”. known as the “Coffee Axis”. Popularized during colonial times by Popularized during colonial times by muleteers traversing the difficult dirt roads of the muleteers traversing the difficult dirt roads of the time, it was a functional variation of the leather time, it was a functional variation of the leather saddlebags used by the Spaniards. Though saddlebags used by the Spaniards. Though artisans once produced the carriel using otter or artisans once produced the carriel using otter or feline fur, nowadays they use cow hide due to the feline fur, nowadays they use cow hide due to the scarcity of those species. It is common for men scarcity of those species. It is common for men to own more than one carriel, worn according to own more than one carriel, worn according to the occasion, and despite it being a male to the occasion, and despite it being a male element, it is sometimes used by women as a element, it is sometimes used by women as a purse. One of the most traditional designs is the purse. One of the most traditional designs is the oval shaped “Jericoano”. 3227 artisan families oval shaped “Jericoano”. 3227 artisan families STYLE: LEATHER CARRY-ALL STYLE: LEATHER CARRY-ALL derive their livelihood from this technique. derive their livelihood from this technique. NAME: CARRIEL NAME: CARRIEL Monthly output: 200 carrieles. Monthly output: 200 carrieles. MATERIAL: LEATHER MATERIAL: LEATHER SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: LENGHT 11´´ / WIDTH 9´´ *Available in other sizes DIMENSIONS: LENGHT 11´´ / WIDTH 8´´ *Available in other sizes WEIGHT: 1 lbs WEIGHT: 1 lbs
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _MODA Y ACCESORIOS _MODA Y ACCESORIOS
MARROQUINERÍA ANTIOQUIA MARROQUINERÍA ANTIOQUIA JERICÓ CARRIEL “MADE OF LEATHER” JERICÓ BELTS “MADE OF LEATHER”
REF: 03-02-050-X REF: 03-02-050-Z
The carriel is the cultural symbol The carriel is the cultural symbol of the coffee-growing region of the coffee-growing region known as the “Coffee Axis”. known as the “Coffee Axis”. Popularized during colonial times by Popularized during colonial times by muleteers traversing the difficult dirt roads of the muleteers traversing the difficult dirt roads of the time, it was a functional variation of the leather time, it was a functional variation of the leather saddlebags used by the Spaniards. Though saddlebags used by the Spaniards. Though artisans once produced the carriel using otter or artisans once produced the carriel using otter or feline fur, nowadays they use cow hide due to the feline fur, nowadays they use cow hide due to the scarcity of those species. It is common for men scarcity of those species. It is common for men to own more than one carriel, worn according to own more than one carriel, worn according to the occasion, and despite it being a male to the occasion, and despite it being a male element, it is sometimes used by women as a element, it is sometimes used by women as a purse. One of the most traditional designs is the purse. One of the most traditional designs is the oval shaped “Jericoano”. 3227 artisan families oval shaped “Jericoano”. 3227 artisan families STYLE: LEATHER CARRY-ALL STYLE: LEATHER CARRY-ALL derive their livelihood from this technique. derive their livelihood from this technique. NAME: CARRIEL NAME: CARRIEL BELT Monthly output: 200 carrieles. Monthly output: 200 carrieles. MATERIAL: LEATHER MATERIAL: LEATHER SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: LENGHT 11´´ / WIDTH 8´´ *Available in other sizes DIMENSIONS: HEIGHT 43´´ / WIDTH 3´´ *Available in other sizes WEIGHT: 1 lbs
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _MODA Y ACCESORIOS _MODA Y ACCESORIOS
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _SOMBRERERÍA _SOMBRERERÍA Hat Making TEJEDURÍA Hat Making Weaving
ON A DAILY BASIS, THE HANDS OF CRAFTSMEN IN COLOMBIA BRAID AND COMBINE FIBERS, CONTINUING THE ANCESTRAL TRADITION OF HATS MADE WITH ANCIENT WEAVES, AN IMPORTANT PIECE OF CLOTHING TO PEOPLE OF THE TOWN. _SOMBRERERÍA _SOMBRERERÍA
CÓRDOBA y SUCRE CÓRDOBA y SUCRE TEJEDURÍA TUCHÍN (caña flecha) TEJEDURÍA TUCHÍN (caña flecha) “VUELTIAO” HAT (19 TURNS HAT - REGULAR) “VUELTIAO” HAT (19 TURNS HAT - FINE)
REF: 02-03-007-B REF: 02-03-007-E
Traditionally made in the Traditionally made in the Caribbean plains of the country, Caribbean plains of the country, it was declared a cultural symbol it was declared a cultural symbol of Colombia and maintains the of Colombia and maintains the legacy of the pre-Columbian legacy of the pre-Columbian Zenú ethnic group. Woven from Zenú ethnic group. Woven from “caña flecha” (Gynerium sagittatum) fibers, “caña flecha” (Gynerium sagittatum) fibers, some of these are whitened with sour cane (caña some of these are whitened with sour cane (caña agria). Others are stained black with “jagua”, agria). Others are stained black with “jagua”, “dividivi” and plantain skin. Skilled craftsmen “dividivi” and plantain skin. Skilled craftsmen braid figures with which the weaver’s families can braid figures with which the weaver’s families can identify. The hat enlarges as the weaver braids identify. The hat enlarges as the weaver braids the fibers in circles. For more circles that are the fibers in circles. For more circles that are woven, the quality of the hat becomes finer. 2000 woven, the quality of the hat becomes finer. 2000 STYLE: VUELTIAO HAT artisan families derive their livelihood from this STYLE: VUELTIAO HAT artisan families derive their livelihood from this NAME: “VUELTIAO” HAT technique. NAME: “VUELTIAO” HAT technique. MATERIAL: CAÑA FLECHA Monthly output: 1000 hats MATERIAL: CAÑA FLECHA Monthly output: 1000 hats SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: HEIGHT 4´´ / WIDTH 16´´ *Available in other grades DIMENSIONS: HEIGHT 4´´ / WIDTH 16´´ *Available in other grades WEIGHT: 0.8 lbs WEIGHT: 0.8 lbs
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _SOMBRERERÍA _SOMBRERERÍA
CÓRDOBA y SUCRE CÓRDOBA y SUCRE TEJEDURÍA TUCHÍN (caña flecha) TEJEDURÍA TUCHÍN (caña flecha) “VUELTIAO” BLACK HAT (21 TURNS HAT) “VUELTIAO” HAT (21 TURNS HAT)
REF: 02-03-007-F REF: 02-03-007-F
Traditionally made in the Traditionally made in the Caribbean plains of the country, Caribbean plains of the country, it was declared a cultural symbol it was declared a cultural symbol of Colombia and maintains the of Colombia and maintains the legacy of the pre-Columbian legacy of the pre-Columbian Zenú ethnic group. Woven from Zenú ethnic group. Woven from “caña flecha” (Gynerium sagittatum) fibers, “caña flecha” (Gynerium sagittatum) fibers, some of these are whitened with sour cane (caña some of these are whitened with sour cane (caña agria). Others are stained black with “jagua”, agria). Others are stained black with “jagua”, “dividivi” and plantain skin. Skilled craftsmen “dividivi” and plantain skin. Skilled craftsmen braid figures with which the weaver’s families can braid figures with which the weaver’s families can identify. The hat enlarges as the weaver braids identify. The hat enlarges as the weaver braids the fibers in circles. For more circles that are the fibers in circles. For more circles that are woven, the quality of the hat becomes finer. 2000 woven, the quality of the hat becomes finer. 2000 STYLE: VUELTIAO HAT artisan families derive their livelihood from this STYLE: VUELTIAO HAT artisan families derive their livelihood from this NAME: “VUELTIAO” HAT technique. NAME: “VUELTIAO” HAT technique. MATERIAL: CAÑA FLECHA Monthly output: 1000 hats MATERIAL: CAÑA FLECHA Monthly output: 1000 hats SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: HEIGHT 4´´ / WIDTH 16´´ *Available in other grades DIMENSIONS: HEIGHT 4´´ / WIDTH 16´´ *Available in other grades WEIGHT: 0.8 lbs WEIGHT: 0.8 lbs
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _SOMBRERERÍA _SOMBRERERÍA
CÓRDOBA y SUCRE CÓRDOBA y SUCRE TEJEDURÍA TUCHÍN (caña flecha) TEJEDURÍA TUCHÍN (caña flecha) “VUELTIAO” WHITE HAT “CAÑA FLECHA” BEACH HAT
REF: 02-03-008-B REF: 02-03-007-X
Traditionally made in the The work in caña flecha is a Caribbean plains of the country, tradition of the Zenú community it was declared a cultural symbol living in the coastal states of of Colombia and maintains the Córdoba and Sucre. With imagination legacy of the pre-Columbian and creativity, the weavers combine the fibers to create emblematic pieces such as the Vueltiao Zenú ethnic group. Woven from hat, clothing accesories and home decorations. “caña flecha” (Gynerium sagittatum) fibers, 2000 artisan families derive their livelihood from some of these are whitened with sour cane (caña this technique. agria). Others are stained black with “jagua”, Monthly output: 1000 pavas. “dividivi” and plantain skin. Skilled craftsmen braid figures with which the weaver’s families can *Available in other grades identify. The hat enlarges as the weaver braids the fibers in circles. For more circles that are woven, the quality of the hat becomes finer. 2000 STYLE: VUELTIAO HAT artisan families derive their livelihood from this STYLE: BEACH HAT NAME: “VUELTIAO” HAT technique. NAME: BEACH HAT BLACK AND WHITE MATERIAL: CAÑA FLECHA Monthly output: 1000 hats MATERIAL: CAÑA FLECHA SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: HEIGHT 4´´ / WIDTH 16´´ *Available in other grades DIMENSIONS: HEIGHT 6´´ / WIDTH 20´´ WEIGHT: 0.8 lbs WEIGHT: 0.8 lbs
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _SOMBRERERÍA _SOMBRERERÍA
CÓRDOBA y SUCRE NARIÑO TEJEDURÍA TUCHÍN (caña flecha) TEJEDURÍA SANDONÁ (iraca) “CAÑA FLECHA” VISOR HAT “IRACA” HAT
REF: 02-03-007-Z REF: 02-03-001-E
The work in caña flecha is a Sandoná, a town of farmers and tradition of the Zenú community artisans, is located in the Nariño living in the coastal states of Valley, traditionally known as Córdoba and Sucre. With imagination the “Plain of the Avocados”. Using and creativity, the weavers combine the fibers to the fiber of the “Iraca” palm or “paja toquilla” create emblematic pieces such as the Vueltiao (Carludovica palmata), the Sandoná people have hat, clothing accesories and home decorations. become an important artisanal cluster. Men are in 2000 artisan families derive their livelihood from charge of collecting the straw, preferably during this technique. waning moon, classifying it according to color Monthly output: 1000 pavas. and fineness. After drying and bleaching the fiber, and in some cases dying it, girls, women and *Available in other grades elders dedicate their time to weave in a family workshop. 2300 artisan families derive their livelihood from this technique. STYLE: BEACH HAT STYLE: BORSALINO SIZES: 4 - 4 1/2 - 5 - 5 1/2 - 6 - 6 1/2 - 7 Monthly output: 1500 hats NAME: BEACH HAT BLACK AND WHITE NAME: “IRACA” HAT MATERIAL: CAÑA FLECHA MATERIAL: IRACA PALM *Available in other grades SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: HEIGHT 6´´ / WIDTH 20´´ DIMENSIONS: HEIGHT 5´´ / WIDTH 13´´ WEIGHT: 0.8 lbs WEIGHT: 0.66 lbs
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _SOMBRERERÍA _SOMBRERERÍA
NARIÑO NARIÑO TEJEDURÍA SANDONÁ (iraca) TEJEDURÍA SANDONÁ (iraca) “IRACA” HAT “AGUADEÑO” HAT
REF: 02-03-001-E REF: REGULAR: 02-03-005-U
Sandoná, a town of farmers and Sandoná, a town of farmers and artisans, is located in the Nariño artisans, is located in the Nariño Valley, traditionally known as Valley, traditionally known as the “Plain of the Avocados”. Using the “Plain of the Avocados”. Using the fiber of the “Iraca” palm or “paja toquilla” the fiber of the “Iraca” palm or “paja toquilla” (Carludovica palmata), the Sandoná people have (Carludovica palmata), the Sandoná people have become an important artisanal cluster. Men are in become an important artisanal cluster. Men are in charge of collecting the straw, preferably during charge of collecting the straw, preferably during waning moon, classifying it according to color waning moon, classifying it according to color and fineness. After drying and bleaching the fiber, and fineness. After drying and bleaching the fiber, and in some cases dying it, girls, women and and in some cases dying it, girls, women and elders dedicate their time to weave in a family elders dedicate their time to weave in a family workshop. 2300 artisan families derive their workshop. 2300 artisan families derive their livelihood from this technique. livelihood from this technique. STYLE: BORSALINO SIZES: 4 - 4 1/2 - 5 - 5 1/2 - 6 - 6 1/2 - 7 Monthly output: 1500 hats STYLE: BORSALINO SIZES: 4 - 4 1/2 - 5 - 5 1/2 - 6 - 6 1/2 - 7 Monthly output: 1500 hats NAME: “IRACA” HAT NAME: “AGUADEÑO” HAT MATERIAL: IRACA PALM *Available in other grades MATERIAL: IRACA PALM *Available in other grades SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: HEIGHT 5´´ / WIDTH 13´´ DIMENSIONS: HEIGHT 5´´ / WIDTH 13´´ WEIGHT: 0.66 lbs WEIGHT: 0.8 lbs
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _SOMBRERERÍA _SOMBRERERÍA
NARIÑO NARIÑO TEJEDURÍA SANDONÁ (iraca) TEJEDURÍA SANDONÁ (iraca) “AGUADEÑO” HAT “AGUADEÑO” HAT
REF: 02-03-005-C REF: MAN FINE: 02-03-020-L WOMAN FINE: 02-03-020-M
Sandoná, a town of farmers and Sandoná, a town of farmers and artisans, is located in the Nariño artisans, is located in the Nariño Valley, traditionally known as Valley, traditionally known as the “Plain of the Avocados”. Using the “Plain of the Avocados”. Using the fiber of the “Iraca” palm or “paja toquilla” the fiber of the “Iraca” palm or “paja toquilla” (Carludovica palmata), the Sandoná people have (Carludovica palmata), the Sandoná people have become an important artisanal cluster. Men are in become an important artisanal cluster. Men are in charge of collecting the straw, preferably during charge of collecting the straw, preferably during waning moon, classifying it according to color waning moon, classifying it according to color and fineness. After drying and bleaching the fiber, and fineness. After drying and bleaching the fiber, and in some cases dying it, girls, women and and in some cases dying it, girls, women and elders dedicate their time to weave in a family elders dedicate their time to weave in a family workshop. 2300 artisan families derive their workshop. 2300 artisan families derive their livelihood from this technique. livelihood from this technique. STYLE: BORSALINO Monthly output: 1500 hats STYLE: BORSALINO Monthly output: 1500 hats NAME: “AGUADEÑO” HAT NAME: “AGUADEÑO” HAT MATERIAL: IRACA PALM *Available in other grades MATERIAL: IRACA PALM *Available in other grades SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: HEIGHT 5´´ / WIDTH 13´´ DIMENSIONS: HEIGHT 5´´ / WIDTH 13´´ WEIGHT: 0.8 lbs WEIGHT: 0.8 lbs
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _SOMBRERERÍA _SOMBRERERÍA
NARIÑO NARIÑO TEJEDURÍA SANDONÁ (iraca) TEJEDURÍA SANDONÁ (iraca) “GARDELIANO” HAT “IRACA” PALM ROLLED BEACH HAT
REF: 02-03-021-P REF: 02-03-020-K
Sandoná, a town of farmers and Using the fiber of the “Iraca” artisans, is located in the Nariño palm or “paja toquilla” Valley, traditionally known as (Carludovica palmata), the the “Plain of the Avocados”. Using weavers have astonished the art the fiber of the “Iraca” palm or “paja toquilla” crafts world with their hats and (Carludovica palmata), the Sandoná people have other objects of domestic and become an important artisanal cluster. Men are in 2300 artisan families charge of collecting the straw, preferably during ornamental use. derive their livelihood from this technique. waning moon, classifying it according to color Monthly output: 400 rolled beach hat and fineness. After drying and bleaching the fiber, and in some cases dying it, girls, women and *Available in other grades elders dedicate their time to weave in a family workshop. 2300 artisan families derive their livelihood from this technique. STYLE: BORSALINO Monthly output: 1500 hats STYLE: BEACH HAT NAME: “GARDELIANO” HAT NAME: IRACA “PAVA” HAT MATERIAL: IRACA PALM *Available in other grades MATERIAL: IRACA PALM SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: HEIGHT 5´´ / WIDTH 13´´ DIMENSIONS: HEIGHT 6´´ / WIDTH 20´´ WEIGHT: 0.8 lbs WEIGHT: 0.8 lbs
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _SOMBRERERÍA _SOMBRERERÍA
NARIÑO NARIÑO TEJEDURÍA SANDONÁ (iraca) TEJEDURÍA SANDONÁ (iraca) “IRACA” PALM ROLLED BEACH HAT “IRACA” PALM BEACH HAT
REF: 02-03-020-K REF: 02-03-021-Q
Using the fiber of the “Iraca” Using the fiber of the “Iraca” palm or “paja toquilla” palm or “paja toquilla” (Carludovica palmata), the (Carludovica palmata), the weavers have astonished the art weavers have astonished the art crafts world with their hats and crafts world with their hats and other objects of domestic and other objects of domestic and ornamental use. Artisans from all regions ornamental use. Artisans from all regions have developed diverse weaving and dying have developed diverse weaving and dying techniques to create infinity of hats, baskets, techniques to create infinity of hats, baskets, bags and mats. bags and mats. Monthly output: 400 rolled beach hat Monthly output: 400 rolled beach hat
*Available in other grades *Available in other grades
STYLE: BEACH HAT STYLE: BEACH HAT NAME: IRACA “PAVA” HAT NAME: IRACA “PAVA” HAT MATERIAL: IRACA PALM MATERIAL: IRACA PALM SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: DIAMETER 18´´ / WIDTH 6´´ DIMENSIONS: DIAMETER 18´´ / WIDTH 6´´ WEIGHT: 0.8 lbs WEIGHT: 0.8 lbs
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _SOMBRERERÍA _SOMBRERERÍA
NARIÑO NARIÑO TEJEDURÍA SANDONÁ (iraca) TEJEDURÍA SANDONÁ (iraca) “IRACA” PALM BEACH HAT “IRACA” PALM HAT
REF: 02-03-001-G REF: 02-03-021-E
Using the fiber of the “Iraca” Using the fiber of the “Iraca” palm or “paja toquilla” palm or “paja toquilla” (Carludovica palmata), the (Carludovica palmata), the weavers have astonished the art weavers have astonished the art crafts world with their hats and crafts world with their hats and other objects of domestic and other objects of domestic and ornamental use. Artisans from all regions ornamental use. Artisans from all regions have developed diverse weaving and dying have developed diverse weaving and dying techniques to create infinity of hats, baskets, techniques to create infinity of hats, baskets, bags and mats. bags and mats. Monthly output: 400 rolled beach hat Monthly output: 400 rolled beach hat
*Available in other grades *Available in other grades
STYLE: BEACH HAT STYLE: HAT NAME: IRACA “PAVA” HAT NAME: IRACA HAT MATERIAL: IRACA PALM MATERIAL: IRACA PALM SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: DIAMETER 18´´ / WIDTH 6´´ DIMENSIONS: DIAMETER 18´´ / WIDTH 6´´ WEIGHT: 0.8 lbs WEIGHT: 0.8 lbs
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _SOMBRERERÍA _SOMBRERERÍA
NARIÑO NARIÑO TEJEDURÍA SANDONÁ (iraca) TEJEDURÍA SANDONÁ (iraca) “IRACA” PALM HAT “IRACA” PALM HAT (GIRLS)
REF: 02-03-021-E REF: 02-03-021-V
Using the fiber of the “Iraca” Using the fiber of the “Iraca” palm or “paja toquilla” palm or “paja toquilla” (Carludovica palmata), the (Carludovica palmata), the weavers have astonished the art weavers have astonished the art crafts world with their hats and crafts world with their hats and other objects of domestic and other objects of domestic and ornamental use. Artisans from all regions ornamental use. Artisans from all regions have developed diverse weaving and dying have developed diverse weaving and dying techniques to create infinity of hats, baskets, techniques to create infinity of hats, baskets, bags and mats. bags and mats. Monthly output: 400 rolled beach hat Monthly output: 400 rolled beach hat
*Available in other grades *Available in other grades
STYLE: HAT STYLE: HAT NAME: IRACA HAT NAME: IRACA GIRL HAT MATERIAL: IRACA PALM MATERIAL: IRACA PALM SIZES: ONE SIZE FITS ALL SIZES: ONE SIZE FITS ALL DIMENSIONS: DIAMETER 18´´ / WIDTH 6´´ DIMENSIONS: DIAMETER 10´´ / WIDTH 5´´ WEIGHT: 0.8 lbs WEIGHT: 0.8 lbs
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. _SOMBRERERÍA _SOMBRERERÍA
*All artisanal products are handmade, therefore each item is unique and has no exact replica. *All artisanal products are handmade, therefore each item is unique and has no exact replica. www.artesaniasdecolombia.com.co