To Kill a Vampire?: Through the Hearth Charlsie Lamos Clemson University, [email protected]
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This Is One of the Only Scary Stories That Actually Scared Me
"This is one of the only scary stories that actually scared me. This is quite a long book, so I decided to make it in 5 parts. The next 15 questions will come out soon! Test your memory and see how much you remember." 1. Chapter 1: Jonathan Harker's Journal-Where is Mr. Harker travelling to in the beginning of the novel? Budapest Borgo Pass Bucharest Bistritz 2. True or false: When Harker arrived at the lodge, he received a note from Count Dracula himself. True False 3. The horses were driven by "a tall man with a long brown beard." At first what was the only part of his face that Harker could see? his teeth his nose his ears his eyes 4. We now arrive at Dracula's castle. The door is answered by "a tall old man, clean shaven save for a long white moustache, and clad in black from head to foot, without a single speck of colour about him anywhere." What was it about this man that reminded Harker of the carriage driver? his ears his eyes his grip his teeth 5. A couple of nights later, Harker can't sleep much, so he decides to shave. He is startled by Count Dracula due to the fact that he could not see his reflection in the mirror. At the time he was startled, he cut his chin with the razor. How did Dracula react when he saw the blood? He did nothing He tried to hypnotize him He made a grab for his throat He moved slowly toward him 6. -
Tese De Charles Ponte
UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ESTUDOS DA LINGUAGEM CHARLES ALBUQUERQUE PONTE INDÚSTRIA CULTURAL, REPETIÇÃO E TOTALIZAÇÃO NA TRILOGIA PÂNICO Tese apresentada ao Instituto de Estudos da Linguagem, da Universidade Estadual de Campinas, para obtenção do Título de Doutor em Teoria e História Literária, na área de concentração de Literatura e Outras Produções Culturais. Orientador: Prof. Dr. Fabio Akcelrud Durão CAMPINAS 2011 i FICHA CATALOGRÁFICA ELABORADA POR CRISLLENE QUEIROZ CUSTODIO – CRB8/8624 - BIBLIOTECA DO INSTITUTO DE ESTUDOS DA LINGUAGEM - UNICAMP Ponte, Charles, 1976- P777i Indústria cultural, repetição e totalização na trilogia Pânico / Charles Albuquerque Ponte. -- Campinas, SP : [s.n.], 2011. Orientador : Fabio Akcelrud Durão. Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem. 1. Craven, Wes. Pânico - Crítica e interpretação. 2. Indústria cultural. 3. Repetição no cinema. 4. Filmes de horror. I. Durão, Fábio Akcelrud, 1969-. II. Universidade Estadual de Campinas. Instituto de Estudos da Linguagem. III. Título. Informações para Biblioteca Digital Título em inglês: Culture industry, repetition and totalization in the Scream trilogy. Palavras-chave em inglês: Craven, Wes. Scream - Criticism and interpretation Culture industry Repetition in motion pictures Horror films Área de concentração: Literatura e Outras Produções Culturais. Titulação: Doutor em Teoria e História Literária. Banca examinadora: Fabio Akcelrud Durão [Orientador] Lourdes Bernardes Gonçalves Marcio Renato Pinheiro -
Sexuality, Blood, Imperialism and the Mytho-Celtic Origins of Dracula
Droch Fhola: Sexuality, Blood, Imperialism and the Mytho-Celtic Origins of Dracula Author: Joseph A Mendes Persistent link: http://hdl.handle.net/2345/399 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2005 Copyright is held by the author, with all rights reserved, unless otherwise noted. 1 Introduction: Dracula. Drac-ula . It is hard to ignore the menace in the name, the morbid delight one gets in pronouncing a name that is riddled with such meaning. At some level, human society is fascinated with the notion of a vampire: a revenant that ret urns from beyond the grave to extract the blood of the living in order to extend its unholy life. It plays on our basic fears as humans, the fear of the dead, the fear of dying, the fear of the unknown, and a fascination with this substance consisting of p lasma, platelets, and cells that runs through our veins. Bram Stoker took all of these fears to new heights when he wrote Dracula , one of the most enduring horror stories to ever be composed. The novel has generated enormous criticism that has chiefly been divided into the camps of Irishness, colonialism/imperialism, and sexuality. Whether it was intentional or not, Stoker’s novel is a breeding ground for almost every sexual fetish, deviance, and perversion that is known to mankind. Characters in the novel engage in mutilation, blood-drinking, perverted fellation, sexual acts in front of their spouse, female domination, male domination, group rape, homosexuality, male penetration, and sadomasochism. -
The Story a Ballet by David Nixon
The Story ACT I Jonathan Harker, a young lawyer, travels to Transylvania to conclude some business with the mysterious old nobleman, Count Dracula. A ballet by David Nixon OBE One night at the Count’s castle, three female Duration: approx. 115min + 20min interval vampires – the Brides of Dracula – try to seduce Harker. Angry, Dracula intervenes, feasts on Harker himself and is transformed into a younger man. Sponsored by Dracula Javier Torres Old Dracula Riku Ito Dracula travels to England, where Harker’s fiancée, Mina Murray Abigail Prudames Mina, is awaiting her beloved’s return. Meanwhile Lucy Westenra Antoinette Brooks-Daw Mina’s friend Lucy is choosing between two potential Taking Northern Ballet Jonathan Harker Lorenzo Trossello suitors, finally accepting the dashing Arthur Holmwood from stage to screen Dr Jack Seward Joseph Taylor over the morose Dr Seward. Arthur Holmwood Matthew Koon Renfield Kevin Poeung Dracula visits Dr Seward’s mental patient, Renfield, Dr Abraham Van Helsing Ashley Dixon and recruits him to do his bidding. He then lures Brides of Dracula Rachael Gillespie Lucy to a cemetery and bites her before feeding Sarah Chun her his own blood. The next day, Mina is concerned by Lucy’s odd behavior, but when Minju Kang she tries to help, she meets Dracula and the two are immediately drawn to each other. Tortured by the grasp Mina has on him, Dracula enacts his revenge on Lucy. Holmwood, Choreography, David Nixon OBE Seward and his mentor Van Helsing try to rescue her but are too late. Direction, Scenario & Costume Design 20 minute intermission, including a ‘behind the scenes’ featurette Set Design Ali Allen ACT II While everyone is mourning the loss of Lucy at her funeral, Mina can’t escape her Lighting Design Tim Mitchell thoughts of Dracula. -
The Speakers and Chairs 2016
WEDNESDAY 24 FESTIVAL AT A GLANCE 09:30-09:45 10:00-11:00 BREAK BREAK 11:45-12:45 BREAK 13:45-14:45 BREAK 15:30-16:30 BREAK 18:00-19:00 19:00-21:30 20:50-21:45 THE SPEAKERS AND CHAIRS 2016 SA The Rolling BT “Feed The 11:00-11:20 11:00-11:45 P Edinburgh 12:45-13:45 P Meet the 14:45-15:30 P Meet the MK London 2012 16:30-17:00 The MacTaggart ITV Opening Night FH People Hills Chorus Beast” Welcome F Revealed: The T Breakout Does… T Breakout Controller: T Creative Diversity Controller: to Rio 2016: SA Margaritas Lecture: Drinks Reception Just Do Nothing Joanna Abeyie David Brindley Craig Doyle Sara Geater Louise Holmes Alison Kirkham Antony Mayfield Craig Orr Peter Salmon Alan Tyler Breakfast Hottest Trends session: An App Taskmaster session: Charlotte Moore, Network Drinks: Jay Hunt, The Superhumans’ and music Shane Smith The Balmoral screening with Thursday 14.20 - 14.55 Wednesday 15:30-16:30 Thursday 15:00-16:00 Thursday 11:00-11:30 Thursday 09:45-10:45 Wednesday 15:30-16:30 Wednesday 12:50-13:40 Thursday 09:45-10:45 Thursday 10:45-11:30 Wednesday 11:45-12:45 The Tinto The Moorfoot/Kilsyth The Fintry The Tinto The Sidlaw The Fintry The Tinto The Sidlaw The Networking Lounge 10:00-11:30 in TV Formats for Success: Why Branded Content BBC A Little Less Channel 4 Struggle For The Edinburgh Hotel talent Q&A The Pentland Digital is Key in – Big Cash but Conversation, Equality Playhouse F Have I Got F Winning in F Confessions of FH Porridge Adam Abramson Dan Brooke Christiana Ebohon-Green Sam Glynne Alex Horne Thursday 11:30-12:30 Anne Mensah Cathy -
Talking Book Topics November-December 2016
Talking Book Topics November–December 2016 Volume 82, Number 6 About Talking Book Topics Talking Book Topics is published bimonthly in audio, large-print, and online formats and distributed at no cost to participants in the Library of Congress reading program for people who are blind or have a physical disability. An abridged version is distributed in braille. This periodical lists digital talking books and magazines available through a network of cooperating libraries and carries news of developments and activities in services to people who are blind, visually impaired, or cannot read standard print material because of an organic physical disability. The annotated list in this issue is limited to titles recently added to the national collection, which contains thousands of fiction and nonfiction titles, including bestsellers, classics, biographies, romance novels, mysteries, and how-to guides. Some books in Spanish are also available. To explore the wide range of books in the national collection, visit the NLS Union Catalog online at www.loc.gov/nls or contact your local cooperating library. Talking Book Topics is also available in large print from your local cooperating library and in downloadable audio files on the NLS Braille and Audio Reading Download (BARD) site at https://nlsbard.loc.gov. An abridged version is available to subscribers of Braille Book Review. Library of Congress, Washington 2016 Catalog Card Number 60-46157 ISSN 0039-9183 About BARD Most books and magazines listed in Talking Book Topics are available to eligible readers for download. To use BARD, contact your cooperating library or visit https://nlsbard.loc.gov for more information. -
The Dracula Film Adaptations
DRACULA IN THE DARK DRACULA IN THE DARK The Dracula Film Adaptations JAMES CRAIG HOLTE Contributions to the Study of Science Fiction and Fantasy, Number 73 Donald Palumbo, Series Adviser GREENWOOD PRESS Westport, Connecticut • London Recent Titles in Contributions to the Study of Science Fiction and Fantasy Robbe-Grillet and the Fantastic: A Collection of Essays Virginia Harger-Grinling and Tony Chadwick, editors The Dystopian Impulse in Modern Literature: Fiction as Social Criticism M. Keith Booker The Company of Camelot: Arthurian Characters in Romance and Fantasy Charlotte Spivack and Roberta Lynne Staples Science Fiction Fandom Joe Sanders, editor Philip K. Dick: Contemporary Critical Interpretations Samuel J. Umland, editor Lord Dunsany: Master of the Anglo-Irish Imagination S. T. Joshi Modes of the Fantastic: Selected Essays from the Twelfth International Conference on the Fantastic in the Arts Robert A. Latham and Robert A. Collins, editors Functions of the Fantastic: Selected Essays from the Thirteenth International Conference on the Fantastic in the Arts Joe Sanders, editor Cosmic Engineers: A Study of Hard Science Fiction Gary Westfahl The Fantastic Sublime: Romanticism and Transcendence in Nineteenth-Century Children’s Fantasy Literature David Sandner Visions of the Fantastic: Selected Essays from the Fifteenth International Conference on the Fantastic in the Arts Allienne R. Becker, editor The Dark Fantastic: Selected Essays from the Ninth International Conference on the Fantastic in the Arts C. W. Sullivan III, editor Library of Congress Cataloging-in-Publication Data Holte, James Craig. Dracula in the dark : the Dracula film adaptations / James Craig Holte. p. cm.—(Contributions to the study of science fiction and fantasy, ISSN 0193–6875 ; no. -
Adult Learning Courses Vampires
Adult Learning Courses www.bl.uk/events/adult-learning-courses Course Description Vampires Dates Thursdays 27 October and 3, 10, 17, 24 November 2016 Times 18.00–20.00 Location Harry M Weinrebe Learning Centre Level All levels – some preparatory reading required Class size Maximum 16 participants Course description “Dearest, your little heart is wounded; think me not cruel because I obey the irresistible law of my strength and weakness” says Sheridan Le Fanu’s Carmilla to her fascinated victim. Seductive yet repellent, ancient yet new, the vampire is a creature of contradictions – hero, villain and victim all in one. An accomplished crosser of thresholds, the vampire has travelled from the page to the stage, and to screens both big and small. Timed for Halloween, our five-week course is devoted to vampire narratives of the last 200 years. We’ll consider the vampire’s victims – those who are ‘innocent’, those who are negligent, and those who are made complicit by their confused and confusing desires. We’ll also discuss the often strangely unattractive characters who are the vampire’s would-be destroyers, the hinterlands they inhabit and the instruction manuals they take with them. And, of course, we’ll be looking at vampires themselves, following their transformations through time and across a variety of genres and media. Amongst those making an appearance will be vampires male and female; Byronic heroes; femmes fatales; the mixed-race vampires of Victorian fiction; vampires who threaten the very psychic survival of their all-too-willing victims; and (a more recent development) comic vampires. -
Revampings of Dracula in Contemporary Fiction
Revampings of Dracula in Contemporary Fiction Margaret L Carter [Margaret L Carter, author of The Vampire in Literature: A Critical Bibliography and editor of Dracula: The Vampire and the Critics, has recently published Different Blood: The Vampire as Alien (www.xlibris.com/DifferentBlood.html).] Although Count Dracula is slain in the final pages of Bram Stoker’s 1897 novel, throughout the subsequent century he has enjoyed innumerable resurrections in film and literature. Many of these incarnations might be unrecognizable to Stoker as the character he created. Fictional treatments of Dracula, especially those that have appeared within the past thirty years, reflect changes in attitudes toward vampires in general. In contrast to the characterization of vampires in Stoker’s own fiction and that of his contemporaries, in recent decades various authors have rendered these “monsters” sympathetically. Earlier nineteenth-century works do contain a few hints of sympathy for their vampire characters. They inspire sympathy or attraction, however, despite their inhuman nature rather than because of it. They still must be destroyed. The eponymous monster in Varney the Vampyre (1847) displays remorse for his bloodthirsty past and finally commits suicide by leaping into a volcano. Carmilla, in J Sheridan Le Fanu’s novella (1872), presents herself initially as victim rather than predator, and the narrator, Laura, finds her attractive, yet Carmilla’s existence nevertheless ends in violent destruction. Nina Auerbach characterizes pre-Stoker vampires as “not demon lovers or snarling aliens ... but singular friends” in a literary period when “it was a privilege to walk with a vampire” (13). This “sinister, superior sharer” enjoys an “intimate intercourse with mortals,” even though a “dangerously close” one (13). -
The Originals: the Loss by Julie Plec
The Originals: The Loss by Julie Plec Ebook The Originals: The Loss currently available for review only, if you need complete ebook The Originals: The Loss please fill out registration form to access in our databases Download here >> Series:::: The Originals+++Paperback:::: 336 pages+++Publisher:::: HQN; Original edition (March 31, 2015)+++Language:::: English+++ISBN- 10:::: 0373788908+++ISBN-13:::: 978-0373788903+++Product Dimensions::::5.4 x 1 x 8.2 inches++++++ ISBN10 0373788908 ISBN13 978-0373788 Download here >> Description: Family is power. The Original vampire family swore it to each other a thousand years ago. They pledged to remain together always and forever. But even when youre immortal, promises are hard to keep.After a hurricane destroyed their city, Klaus, Elijah and Rebekah Mikaelson have rebuilt New Orleans to even greater glory. The year is 1766. The witches live on the fringes in the bayou. The werewolves have fled. But still, Klaus isnt satisfied. He wants more. He wants power. But when Klaus finally finds a witch who will perform a spell to give him what he desires most, she secretly uses Klaus to unleash a curse—one that brings back hundreds of her ancestors—and begins a war to reclaim New Orleans. As the siblings fight off the attack, only one things for certain—the result will be a bloodbath. I am a huge fan of the TV series and the two books in this series have followed the thread of the tv series. Someone who watches this series can picture what these siblings are doing and what they look like. -
Alien Invasions, Vulnerable Bodies: Science Fiction and the Biopolitics of Embodiment from H
1 Alien Invasions, Vulnerable Bodies: Science Fiction and the Biopolitics of Embodiment from H. G. Wells to Octavia Butler By Rosalind Diaz A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Katherine Snyder, Chair Professor Mark Goble Professor Mel Chen Fall 2018 1 Alien Invasions, Vulnerable Bodies: Science Fiction and the Biopolitics of Embodiment from H. G. Wells to Octavia Butler © 2018 Rosalind Diaz 1 Abstract Alien Invasions, Vulnerable Bodies: Science Fiction and the Biopolitics of Embodiment from H. G. Wells to Octavia Butler by Rosalind Diaz Doctor of Philosophy in English University of California, Berkeley Professor Katherine Snyder, Chair This dissertation turns to alien invasion narratives to elucidate the social, ethical and political consequences associated with the modern body as an entity with clearly defined borders. The imperatives of liberalism and neoliberalism constitute the modern body as a white, male, heteronormative body, navigating appropriate relationships to production and consumption. How does the human body emerge as a bounded entity in science and science fiction from the nineteenth century onward? Alien invasion narratives offer a fruitful way to trace this concept and its development over time. These narratives model proper ways of attending to one’s body as well as proper ways of defending oneself—and, by extension, the planet—from alien invasion. The present inquiry focuses on three different alien invasion narratives, beginning with H. G. Wells’s influential The War of the Worlds (1897), before moving to consider a pair of twentieth- century American texts: Philip Kaufman’s film Invasion of the Body Snatchers (1978) and Octavia Butler’s novel Fledgling (2005). -
Find PDF / the Originals: the Resurrection: Book 3 (Paperback)
DDZLSQFKU6OT » Doc » The Originals: The Resurrection: Book 3 (Paperback) Download Book THE ORIGINALS: THE RESURRECTION: BOOK 3 (PAPERBACK) Hachette Children s Group, United Kingdom, 2015. Paperback. Condition: New. Language: English . Brand New Book. As the oldest vampires in the world, Klaus, Elijah and Rebekah Mikaelson are less than thrilled that they must share New Orleans with the werewolves. Klaus decides to build an army to take them out once and for all. He s turning vampires left and right, with Rebekah by his side. The new vampires are killing any werewolf they can get their hands on,... Read PDF The Originals: The Resurrection: Book 3 (Paperback) Authored by Julie Plec Released at 2015 Filesize: 5.01 MB Reviews This ebook is fantastic. It is probably the most awesome book i actually have read. I found out this ebook from my i and dad suggested this book to understand. -- Ethel Mills I actually started reading this article ebook. I have got read and so i am certain that i will going to study once more yet again in the future. I am just very happy to inform you that this is the finest publication we have read in my personal lifestyle and may be he finest ebook for ever. -- Mrs. Clotilde Hansen II Unquestionably, this is the finest work by any publisher. I really could comprehended every little thing using this published e book. You will not sense monotony at anytime of your respective time (that's what catalogs are for regarding should you question me). -- Joe K essler TERMS | DMCA.