DOCSLIB.ORG

Curriculum Vitae Peggy Kamuf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Kamuf Vita, 1 CURRICULUM VITAE PEGGY KAMUF Department of French and Italian University of Southern California University Park Los Angeles, CA 90089-0359 Tel.: 213-740-0101 Fax : 213-740-8058 email: [email protected] • EDUCATION B.A., French and English, Bucknell University, 1969 Ph.D., Romance Studies, Cornell University, 1975 • UNIVERSITY APPOINTMENTS 1975-80: Assistant Professor of French, Miami University. 1980-88: Associate Professor of French, Miami University. 1987-88: Visiting Associate Professor of Literature, University of California, San Diego 1988- : Professor of French, University of Southern California 1989-95: Directeur de Programme Correspondant, Collège International de Philosophie (concurrent appointment) 1991- : Professor of Comparative Literature, University of Southern California (joint appointment) 1998: Visiting Professor, Centre d’Etudes Féminines, Université de Paris 8, Vincennes- St. Denis 2001-2003: Guest Professor, Department of French, University of Nottingham, England 2001- Marion Frances Chevalier Professor of French, University of Southern California (named professorship) 2006: Visiting Professor, Centre d’Etudes Féminines, Université de Paris 8, Vincennes- St. Denis 2010- Distinguished International Fellow, London Graduate School, London, England 2015- Distinguished Visting Professor, Kingston University, London, England • GRANTS AND HONORS 1976: Sigma Chi Foundation Grant, Miami University 1978: American Council of Learned Societies, Research Fellowship 1980: Miami University Summer Research Grant 1983: Miami University Summer Research Grant 1991: Ida Beam Visiting Professorship, University of Iowa Kamuf Vita, 2 1995: Raubenheimer Distinguished Faculty Award, USC 1996-97: Mellon Dissertation Seminar in Literature and History (with Professor Marshall Cohen, Philosophy) 2002: Invited Senior Fellow, Society for the Humanities, Cornell University 2005: Colloquium grant, Albert and Elaine Borchard Foundation 2006: René C. Wellek Prize for Literary and Cultural Theory, American Comparative Literature Association, for Book of Addresses 2008: Advancing Scholarship in the Humanities and Social Sciences grant, USC 2009-2012: NEH Collaborative Research Grant, Project Director 2010-2012: Mellon Dissertation Seminars in the Humanities 2014: Named Chevalier dans l’Ordre des Palmes Académiques by the French government • PUBLICATIONS Monographs: Fictions of Feminine Desire: Disclosures of Heloise. University of Nebraska Press, 1982; paperback edition 1986. Signature Pieces: On the Institution of Authorship. Cornell University Press, 1988; French translation, Signatures, ou l’institution de l'auteur. Galilée, 1991. The Division of Literature, or the University in Deconstruction. University of Chicago Press, 1997; Serbo-Croatian translation, Univerzitet u Deknostrukciji, ili Podela Knjizevnosti. Belgrade: Belgrade Circle Press, 1999. Book of Addresses. Stanford University Press, Meridian Series, 2005; partial German translation: Adreßbuch, trans. by Rike Felke. Berlin: Brinkman & Bose, 2009. To Follow: The Wake of Jacques Derrida. Edinburgh University Press, 2010; paperback edition, 2012. Edited volumes: A Derrida Reader: Between the Blinds. Columbia University Press, 1991. Special Issue on the Work of Jean-Luc Nancy, Paragraph 16, 2 (July 1993). Without Alibi, by Jacques Derrida, edited, translated, and with an introduction, Stanford University Press, 2002. Psyche: Inventions of the Other, Vol. 1, by Jacques Derrida, co-edited with Elizabeth Rottenberg, Stanford University Press, 2007. Psyche: Inventions of the Other, Vol. 2, by Jacques Derrida, co-edited with Elizabeth Rottenberg, Stanford University Press, 2008. “The Word of War,” Oxford Literary Review 31, 2 (2009). “Death Sentences,” Oxford Literary Review 35, 2 (2013). General issue, Oxford Literary Review, 37.1 (2015). Kamuf Vita, 3 Articles in journals: “Rousseau's Politics of Visibility,” Diacritics, Winter 1975, 51-56. “Inside Julie's Closet,” Romanic Review Nov. 1978, 296-306. “Abraham's Wake,” Diacritics, Spring 1979, 32-43; same title in French translation, Cahiers Confrontation 8 (1981), 17-33. “Replacing Feminist Criticism,” Diacritics, Summer, 1982, 42-47. “Penelope at Work: Interruptions in A Room of One's Own,” Novel, Fall 1982, 5-21 “The Gift of Clothes: Of Mme de Lafayette and the Origin of Novels,” Novel, Spring 1983, 233-45. “Femmeninism,” Critical Exchange 18 (Spring 1985), 47-62. “Baudelaire au féminin,” Paragraph 8 (1986), 75-93. “Monumental De-Facement: On Paul de Man's The Rhetoric of Romanticism,” Comparative Literature, Fall 1986, 319-28. “Floating Authorship,” Diacritics, Winter 1986, 3-13. “La Fuite de Rousseau,” Cahiers Confrontation 18 (1987), 85-98. “Seeing Through Rousseau,” L'Esprit Créateur 28, no. 4 (Winter 1988), 82-94. “Baudelaire's Modern Woman,” Qui Parle 4, no. 2 (Spring 1991), 1-7. “The Impossible Science of the Unique Being,” Quarterly Journal of Film and Video no. 4 (1991), 77-91. “A Post Card from San Galgano,” Assemblage: A Critical Journal of Architecture and Design Culture 20, 46-47. “On the Subject of Ravishment (à même Jean-Luc Nancy),” Paragraph, 202-215. “To Give Place: Semi-Approaches to Hélène Cixous.” In Yale French Studies 85 (1995), edited by Lynne Huffer, 68-89. “The Replay's the Thing: Opéra de Pekin.” In Contretemps I, 1 (1995), 46-59. “Tel Quel and History,” Paragraph 18, 3 (November 1995), 240-47. “The Division of Literature,” Diacritics 25, 3 (Fall 1995), 53-72. “Interview with Peggy Kamuf,” Zenske Studije 10 (1998) “The Ghosts of Critique and Deconstruction,” Tympanum, I, 2 (1999) (online journal); reprinted in Deconstruction: A Reader, ed. Martin McQuillan (Edinburgh: Edinburgh University Press, 2001), 198-213. “The Experience of Deconstruction,” Angelaki: A Journal of the Theoretical Humanities 4, 3 (December 1999), 3-14. “Contexts (A Letter to the Translator),” Parallax 14 (2000), 86-90. “The University in Deconstruction,” Belgrade Circle No 3-4 (1997), 1-2 (1998) (appeared in 2000), 47-59. “Perpetual Calendar,” Tympanum II, 2 (online journal) “Translating Spectres: An Interview with Peggy Kamuf,” Parallax 20 (July-Sept. 2001), 43-50. “The Haunts of Scholarship,” Paroles Gelées, 19, 2 (2001), 1-18. “To Be Done Weeping,” Oxford Literary Review, vol. 23 (2001), 53-70. Kamuf Vita, 4 “Béance,” New Centennial Review, 2, 3 (Fall, 2002), 37-56. “Tape-Recorded Surprise: Derrida Interviewed,” in Nottingham French Studies, 42, 1 (Spring 2003), 87-96. “The University in the World It is Attempting to Think,” Culture Machine 6 (2004) (online journal) “Traduire dans l’urgence,” Magazine littéraire 430 (April 2004), p. 49. “L’autre différence sexuelle,” trans. Brigitte Weltman-Aron. In Europe: Revue littéraire mensuelle (May 2004), 163-90. “Peace Keeping the Other War,” Revue de littérature comparée, 312, (Oct.-Dec. 2004), 445-65. “To Follow,” Differences: A Journal of Feminist Cultural Studies, 16, 3 (Fall 2005), 1-15. “Experience,” ESC: English Studies in Canada, 30, 4 (December 2004), 24-29. “Afterburn: An Afterword to ‘The Flying Manuscript,’” New Literary History 37, 1 (Winter 2006), 47-55. “From Now On,” Epoché, 10 2 (Spring 2006), 203-20. “Deconstruction,” Year’s Work in Critical and Cultural Theory, vol. 14. 2006, (Oxford: Oxford University Press, 2007), 1-18. “Composition Displacement,” MLN 121 (2006), 872-92. “To Do Justice to ‘Rousseau,’ Irreducibly,” Eighteenth-Century Studies, 40:3 (2007), 395-404. “Accounterability,” Textual Practice, 21:2 (2007), 251-66; reprinted in Encountering Derrida: Legacies and Futures of Deconstruction, edited by Allison Weiner and Simon Morgan Wortham. London and New York: Continuum, 2007, 33-44. “Deconstruction,” Year’s Work in Critical and Cultural Theory, vol. 15, 2007 (Oxford: Oxford: University Press, 2008), 1-20. “Counting Madness,” Interview-article, The Oxford Literary Review, 28 (2008), 67-77 “Deconstruction,” Year’s Work in Critical and Cultural Theory, vol. 16, 2008 (Oxford: Oxford University Press, 2009), 1-21. “Reading Economies (Over Again),” The Oxford Literary Review, 30 (2008), 69-86. “Bowing to Necessity in the Idiom of Rodolphe Gasché,” New Centennial Review, 8:3 (2009), 85-105; shortened version in Philosophy Today, SPEP Supplement (2009), 71-76. “Signed Paine, or Panic in Literature,” Diacritics 38, 1-2 (Spring-Summer 2008), 30-43. “The Ear Who?” Discourse 30, 1-2 (Winter-Spring 2008), ed. Dragan Kujundzič, 177-90. “The Names of War,” The Oxford Literary Review 31, 2 (2009), ed. by Peggy Kamuf, 231-48. “Crossings: An Interview with Peggy Kamuf,” in Mosaic 42, 4 (December 2009), 1-17. “Outside in Analysis,” in Mosaic 42, 4 (December 2009), 19-34. “The Deconstitution of Psychoanalysis,” Mosaic 42, 4 (December 2009), 35-44. Kamuf Vita, 5 “Passing Strange: The Laws of Translation,” Nottingham French Studies, 24, 2 (Summer 2010), 80-91; shorter version in Profession 2010, 64-71. “Life in Storage,” Los Angeles Review of Books, February 4, 2012 (online). “‘This were kindness’: Economies of Differance in The Merchant of Venice,” The Oxford Literary Review 34 (2012), 71-87. “Protocol: Death Penalty Addiction,” The Southern Journal of Philosophy Vol. 50, Spindel Supplement (2012), 5-19. “Rousseau’s Knees,” L’Esprit créateur, 52, 4 (Winter 2012), 132-43. “Betrayals: An Entertainment,” New Centennial Review, 12, 3 (Winter 2012), 17-26. “The Time of Marx,” Los Angeles Review of Books, April 23, 2013 (online). “At the Heart of the Death Penalty,” The Oxford Literary Review, 35, 2 (2013), 241-51. “Rereading: Jacques Derrida’s ‘Point de folie—maintenant l’architecture,”
Recommended publications
  • | Society for Phenomenology and Existential Philosophy

    | Society for Phenomenology and Existential Philosophy

    SOCIETY FOR PHENOMENOLOGY AND EXISTENTIAL PHILOSOPHY Executive Co-Directors Brian Schroeder, Rochester Institute of Technology Alia Al-Saji, McGill University Executive Committee Brian Schroeder, Rochester Institute of Technology Alia Al-Saji, McGill University Amy Allen, Pennsylvania State University Dermot Moran, University College Dublin Alan D. Schrift, Grinnell College Emily Zakin, Miami University Ohio, Secretary-Treasurer Graduate Assistant Jessica Ryan Sims, Stony Brook University Advisory Book Selection Committee Jason M. Wirth, Seattle University, Chair Megan Craig, Stony Brook University Bret W. Davis, Loyola University Maryland Samir Haddad, Fordham University Sebastian Luft, Marquette University Ladelle McWhorter, University of Richmond Eduardo Mendieta, Pennsylvania State University Elaine P. Miller, Miami University Ohio Annika Thiem, Villanova University Advocacy Committee Mary Beth Mader, University of Memphis, Chair John Protevi, Louisiana State University Kathryn T. Gines, Pennsylvania State University Committee on the Status of Women Pleshette DeArmitt, University of Memphis, Chair (†) Elaine P. Miller, Miami University Ohio, Chair Rocío Zambrana, University of Oregon Mariana Ortega, John Carroll University Racial and Ethnic Diversity Committee Kris Sealey, Fairfield University, Chair Dilek Huseyinzadegan, Emory University Camisha Russell, University of California Irvine LGBTQ Advocacy Committee Jami Weinstein, Linköping University, Chair Emanuela Bianchi, New York University Ronald R. Sundstrom, University of San Francisco Webmaster Christopher P. Long, Pennsylvania State University Local Arrangements Contacts Andrew J. Mitchell, Emory University, local contact and organizer Noëlle McAfee and Cynthia Willett, Emory University, book exhibit coordinators SPEP Graduate Assistants Jessica Ryan Sims, Stony Brook University Eric Murphy, McGill University, incoming assistant All sessions will be held at the Atlanta Marriott Buckhead Hotel and Conference Center, located at 3405 Lenox Road NE, Atlanta, GA, 30326.
  • The Work of Mourning 1St Edition Ebook Free Download

    The Work of Mourning 1St Edition Ebook Free Download

    THE WORK OF MOURNING 1ST EDITION PDF, EPUB, EBOOK Jacques Derrida | 9780226502496 | | | | | The Work of Mourning 1st edition PDF Book Derrida, Jacques. Gilles Deleuze Anyone who still thinks that Derrida is a facetious punster will find such resentful prejudice unable to survive a reading of this beautiful work. In each case, he is acutely aware of the questions of tact, taste, and ethical responsibility involved in speaking of the dead--the risks of using the occasion for one's own purposes, political calculation, personal vendetta, and the expiation of guilt. The book, gathered as a whole, essentially marks the end of an important era in the history of Western philosophy, it was the era of existentialism, phenomenology, structuralism, post-structuralism, Marxist theory, and deconstruction. Diomed Xanthus rated it really liked it Jun 20, Books by Jacques Derrida. Add to Basket. But he also inspires the respect that comes from an illustrious career, and, among many who were his colleagues and peers, he inspired friendship. Alissa Bourbonnais rated it it was amazing Sep 16, R Justin rated it it was ok Jun 06, New Hardcover Quantity Available: 2. With his words, Derrida bears witness to the singularity of a friendship and to the absolute uniqueness of each relationship. Jacques Derrida. More Details AM rated it it was amazing May 27, Showing He is aware of the questions of tact, taste and ethical responsibility involved in speaking of the dead, and the risk of using the occasion of death for one's own reason. With his words, Derrida bears witness to the singularity of a friendship and to the absolute uniqueness of each relationship.
  • RE-ANIMATING GHOSTS MATERIALITY and MEMORY in HAUNTOLOGICAL APPROPRIATION Abstract

    RE-ANIMATING GHOSTS MATERIALITY and MEMORY in HAUNTOLOGICAL APPROPRIATION Abstract

    INTERNATIONAL JOURNAL OF FILM AND MEDIA ARTS (2019) Vol. 4, Nº. 2 pp. 24-37 © 2019 BY-NC-ND ijfma.ulusofona.pt DOI: 10.24140/ijfma.v4.n2.02 RE-ANIMATING GHOSTS MATERIALITY AND MEMORY IN HAUNTOLOGICAL APPROPRIATION Abstract This research examines the spectrality of an- MICHAEL PETER SCHOFIELD imation and other media based on the photo- graphic trace. Using diverse examples from pop- ular culture and the author’s own investigative practice in media art, this paper looks at how ar- chival media is re-used and can be brought back to life in new moving image works, in a gesture we might call hauntological appropriation. While sampling and re-using old materials is nothing new, over the last 15 years we have seen an ongoing tendency to foreground the ghostly qualities of vintage recordings and found foot- age, and a recurrent fetishisation and simula- tion of obsolete technologies. Here we examine the philosophies and productions behind this hauntological turn and why the materiality of still and moving image media has become such a focus. We ask how that materiality effects the machines that remember for us, and how we re- use these analogue memories in digital cultures. Due to the multimodal nature of the author’s creative practice, photography, video art, doc- umentary film and animation, are interrogated here theoretically. Re-animating the ghosts of old media can reveal ontological differences between these forms, and a ghostly synergy be- tween the animated and the photographic. Keywords: hauntology, animation, memory, media * University of Leeds, United Kingdom archaeology, appropriation, ontology, animated [email protected] documentary 24 RE-ANIMATING GHOSTS MICHAEL PETER SCHOFIELD Every culture has its phantoms and the spectral- how we can foreground their specific materiality, and the ity that is conditioned by its technology (Derrida, haunting associations with personal and cultural memory Amelunxen, Wetzel, Richter, & Fort, 2010, p.
  • Saint Jacques: Derrida and the Ghost of Marxism

    Saint Jacques: Derrida and the Ghost of Marxism

    Saint Jacques: Derrida and the Ghost of Marxism David Bedggood Introduction For the bourgeoisie, the collapse of "communism" made the world-historic victory of capitalism seem certain. Yet the contradictions of capitalism immediately called the new world order into question as globalisation brought with it what Jacques Derrida calls the "10 plagues". Apologists for capitalism are now fearful of the return of Marx's ghost. George Soros sees the ghost in the form of the anarchy of finance capital. Anthony Giddens sees the ghost in the rise of left or right fundamentalist ideology. Without realising it, they pose the problem in terms familiar to Marxists: the contradiction between dead and living labour and the rise of the dead reclaimed by the living. But is there a way out for capitalism? Jacques Derrida enters the fray with his book Specters of Marx. He returns to Marx, or at least, "one spirit" of Marx in the German Ideology. This is the "spirit" of Marx which became lost to totalitarian Marxism -- the "spirit" rediscovered in the extreme individualism of Max Stirner, who deluded himself that he was a free floating "unique" ego not subject to any social laws. By reclaiming the powers of alienated social being from the Hegelian god, Stirner worshipped his self as his personal god. By rediscovering this formerly unnoticed "spirit" of Marx, Derrida claims to find a way out of capitalism's plagues with the call for a "new International". Not a Marxist International on the side of living labour, but rather a reworked messianism of the religion of the abstract ego.
  • Selected Primary Bibliography (In Chronological Order of Publication)

    Selected Primary Bibliography (In Chronological Order of Publication)

    selected primary bibliography (in chronological order of publication) major works The Voyage Out. London: Duckworth, 1915; New York: Doran, 1920. Night and Day. London: Duckworth, 1919; New York: Doran, 1920. Jacob’s Room. London: Hogarth, 1922; New York: Harcourt, 1923. Mrs Dalloway. London: Hogarth, 1925; New York: Harcourt, 1925. To the Lighthouse. London: Hogarth, 1927; New York: Harcourt, 1927. Orlando: A Biography. London: Hogarth, 1928; New York: Harcourt, 1928. A Room of One’s Own. London: Hogarth, 1929; New York: Harcourt, 1929. The Waves. London: Hogarth, 1931; New York: Harcourt, 1931. Flush: A Biography. London: Hogarth, 1933; New York: Harcourt, 1933. The Years. London: Hogarth, 1937; New York: Harcourt, 1937. Three Guineas. London: Hogarth, 1938; New York: Harcourt, 1938. Roger Fry: A Biography. London: Hogarth, 1940; New York: Harcourt, 1941. Between the Acts. London: Hogarth, 1941; New York: Harcourt, 1941. essays and shorter fiction The Mark on the Wall. London: Hogarth, 1917. Kew Gardens. London: Hogarth, 1919. Monday or Tuesday. London: Hogarth, 1921; New York: Harcourt, 1921. Mr Bennett and Mrs Brown. London: Hogarth, 1924. The Common Reader. London: Hogarth, 1925; New York; Harcourt, 1925. The Common Reader, Second Series. London: Hogarth, 1932; The Second Common Reader. New York: Harcourt, 1932. The Death of the Moth and Other Essays. Ed. Leonard Woolf. London: Hogarth, 1942; New York: Harcourt, 1942. A Haunted House and other Short Stories. London: Hogarth, 1944; New York: Harcourt, 1944. The Moment and Other Essays. Ed. Leonard Woolf. London: Hogarth, 1947; New York, Harcourt, 1948. 253 254 palgrave advances in virginia woolf studies The Captain’s Death Bed and Other Essays.
  • Men, Masculinity and the Female Rebel in French Women's Fiction

    Men, Masculinity and the Female Rebel in French Women's Fiction

    MEN, MASCULINITY AND THE FEMALE REBEL IN FRENCH WOMEN’S FICTION, 1900-1913 A thesis submitted to The University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2011 LUCY C. STONE SCHOOL OF LANGUAGES, LINGUISTICS AND CULTURES 2 Contents Abbreviations 3 Abstract 4 Declaration and Copyright Statement 5 Acknowledgements 6 Introduction 7 Chapter 1 Cries for Help: Men in Trouble in Colette Yver’s Les Cervelines (1903) and Daniel Lesueur’s Nietzschéenne (1908) 53 Les Cervelines: Dreaming of a Doctor for a Wife 55 Nietzschéenne: Propping up the Boss 77 Chapter 2 Anxious Seducers: Jeanne Marni’s Pierre Tisserand (1907) and Lucie Delarue-Mardrus’s Douce moitié (1913) 97 Pierre Tisserand: Misandry and Masculine Anxiety 99 Douce moitié: A Beleaguered Man 123 Chapter 3 Triangular Shackles: Masculinity, Male Homosociality and the Female Rebel in Marcelle Tinayre’s La Maison du péché (1902) and Colette’s L’Entrave (1913) 145 La Maison du péché: Objects of Faith 148 L’Entrave: Double Binds 165 Chapter 4 Giving and Taking Away: Rachilde’s La Jongleuse (1900) and Gabrielle Réval’s Le Ruban de Vénus (1906) 191 La Jongleuse: A ‘tour de passe-passe élégant’ 194 Le Ruban de Vénus: Loving Men, Laughing at Men 218 Conclusion 246 Bibliography 256 WORD COUNT 80,453 3 Abbreviations DM = Lucie Delarue-Mardrus, Douce moitié (Paris: Fasquelle, 1913) E = Colette, L’Entrave, in Œuvres, ed. by Claude Pichois, 4 vols (Paris: Gallimard, 1984- 2001), II, 325-474 LC = Colette Yver, Les Cervelines (Paris: Calmann-Lévy, 1928 [1903]) LJ = Rachilde, La Jongleuse (Paris: Des femmes, 1982 [1900]) MP = Marcelle Tinayre, La Maison du péché (Paris: Calmann-Lévy, 1902) N = Daniel Lesueur, Nietzschéenne (Paris: Plon, 1908) PT = J.
  • (2018) Page 1 H-France Review Vol. 18 (June 2018), No. 133 Manon

    (2018) Page 1 H-France Review Vol. 18 (June 2018), No. 133 Manon

    H-France Review Volume 18 (2018) Page 1 H-France Review Vol. 18 (June 2018), No. 133 Manon Mathias, Vision in the Novels of George Sand. Oxford: Oxford University Press, 2016. 192 pp. $110.00 U.S. (hb). ISBN 978-0-19-873539-7. Review by Pratima Prasad, University of Massachusetts, Boston. For some time now, scholars have been questioning the received idea that George Sand was an idealist writer whose novelistic art stood in opposition to the realism of her (male) contemporaries. Manon Mathias’s exploration of vision in Sand’s novels brings a refreshing and unique perspective to this conversation. The book’s central claim is that Sand’s œuvre was aimed at “bridging the gap between physical sight and abstract vision” (p. 3). As such, Mathias throws into sharp relief the ways in which Sand’s novels disrupt the divide between realism and idealism and blur the boundaries between the two canonized modes of novelistic production in nineteenth-century France: Romanticism (which we tend to associate with introspection and abstract vision) and Realism (which emphasized physical observation and mimetic representation). Vision in the Novels of George Sand is conceptually profound in its articulation of vision and the visual; at the same time, it is lucidly written and accessible. The book also casts a wide net, relating the concept of vision to literary esthetics, social utopianism, painting, and scientific investigation. Mathias’s study moves chronologically through Sand’s corpus. Chapter one reads Sand’s early novels, such as Indiana, Valentine, and Lélia, as they engage with what may be termed as visual realism, or the practice of reproducing social reality.
  • Political Animals Geoffrey Bennington, Emory University

    Political Animals Geoffrey Bennington, Emory University

    Political Animals Geoffrey Bennington, Emory University Journal Title: Diacritics Volume: Volume 39, Number 2 Publisher: Johns Hopkins University Press | 2009, Pages 21-35 Type of Work: Article | Final Publisher PDF Publisher DOI: 10.1353/dia.2009.0015 Permanent URL: http://pid.emory.edu/ark:/25593/ckwxz Final published version: http://muse.jhu.edu/journals/diacritics/v039/39.2.bennington.html Copyright information: © 2012 by the Johns Hopkins University Press Accessed September 30, 2021 1:49 PM EDT Political Animals Geoffrey Bennington diacritics, Volume 39, Number 2, Summer 2009, pp. 21-35 (Article) Published by The Johns Hopkins University Press DOI: 10.1353/dia.2009.0015 For additional information about this article http://muse.jhu.edu/journals/dia/summary/v039/39.2.bennington.html Access Provided by Emory University Libraries at 10/24/12 4:52PM GMT Political animals GEOFFREY BENNINGTON in this essay, as my title might already suggest, i want to look again at a very famous pas- sage from the opening of aristotle’s Politics (indeed one of the most famous passages in all Western philosophy), according to which man is by nature a political animal and is so, more at any rate than some other political animals, because he, and he alone, is an animal possessed of logos. more especially, i want to look at this passage in the light of more or less recent readings of it offered by lyotard (especially) and Derrida (somewhat). in passing, i’ll also look at what is a little less obviously a reading of this passage in aris- totle, in Hobbes’s chapter “of commonwealth,” that opens part 2 of the Leviathan.
  • Pembroke Center for Teaching and Research on Women

    Pembroke Center for Teaching and Research on Women

    brown university spring 2010 Pembroke Center for teaching and research on women 2010-2011 Pembroke Dedication of the Feminist Seminar: The Power and Mystery of Theory Papers Expertise Formally dedicated on February 5, 2010, for the preservation of – and scholarly the Feminist Theory Papers project has access to – the papers. Each set of docu- collected—and will continue to collect— ments is unique, representing that David Kennedy, Professor of Law at Har- materials of scholars who, in the last scholar’s contributions to feminist the- vard Law School and Faculty Director of several decades, have changed the intel- ory as well as to her discipline and, in the Institute for Global Law and Policy will lectual landscape of universities in the some cases, to political work and institu- lead the 2010-2011 Pembroke Seminar. United States and The seminar will explore the question of internationally. expertise. The significance of expertise for Although distin- rulership today is easy to see – in the ver- guished collections nacular of national politics, the manage- of women’s scholar- The Feminist Theory Papers ment of international economic life, the ship exist elsewhere, arrangement of family and gender rela- such as in the tions, and more. But what is “expertise”? Schlesinger History What part knowledge, what part common- of Women in Amer- sense – what portion analytics, argument, ica Collection at Har- lifestyle, character? Expertise is often asso- vard, Brown’s Femi- ciated with professional or disciplinary for- nist Theory Papers is mations; how important are these institu- the only collection tional forms to the practice and that offers a rare reproduction of expert rulership? How perspective on the does expertise write itself into power? rigorous interdisci- plinary work that brought feminism to tion building.
  • 2004 Catalog

    2004 Catalog

    Mission Statement i Mission Statement When Grinnell College framed its charter in the Iowa Territory of the Untied States in 1846, it set forth a mission to educate its students “for the different professions and for the honorable discharge of the duties of life.” The College pursues that mission by educating young men and women in the liberal arts through free inquiry and the open exchange of ideas. As a teaching and learning community, the College holds that knowledge is a good to be pursued both for its own sake and for the intellectual, moral, and physical well-being of individuals and of society at large. The College exists to provide a lively academic community of students and teachers of high schol- arly qualifications from diverse social and cultural circumstances. The College aims to graduate women and men who can think clearly, who can speak and write persuasively and even eloquently, who can evaluate critically both their own and others’ ideas, who can acquire new knowledge, and who are prepared in life and work to use their knowledge and their abilities to serve the common good. ii Core Values Core Values of Grinnell College Excellence in Education for Students in the Liberal Arts ■ varied forms of learning, in and out of the classroom and beyond college ■ creative and critical thinking stimulated by the free, open exchange of ideas ■ education that reflects on its own process ■ excellent teaching as the highest priority of the faculty ■ active scholarship in traditional and interdisciplinary fields ■ need-blind admission
  • Don't Panic. the Apocalypse in Theory and Culture Ghosts in The

    Don't Panic. the Apocalypse in Theory and Culture Ghosts in The

    Volume 6 Winter 2014-2015 Don’t Panic. The Apocalypse in Theory and Culture Failure and the Phantastikon: Ezra Pound and Apocalypse James Leveque: University of Edinburgh Contesting Capitalist Sorcery: ‘Peak Everything’ as Apocalyptic Prophecy Paul Reid-Bowen: Bath Spa University The Projection of an Ending and Systems Theory: a Sociological Reading of Apocalypse as a Genre Anita Dremel: University of Zagreb Apocalypse as Religious and Secular Discourse in Battlestar Galactica and its Prequel Caprica Diane Langlumé: University of Paris VIII Saint-Denis Ghosts in the Flesh Walking Dead April Lodge: University of Huddersfield From Hungry Ghost to Phallic Mother: Linda Lê’s Doubling of the Vietnamese Ancestor in French Exile Alexandra Kurmann: Macquarie University, Sydney ISSNISSN: 1758-2679 1758-2679 COVER IMAGE: ‘The Destruction of Sodom and Gomorrha’ (1852) — John Martin (1789–1854) Volume 6 2014-15 APOCALYPSE & GHOSTS The Skepsi Editorial Board Marine Authier Melanie Dilly Rocío García-Romero Adina Stroia Honorary members Alvise Sforza Tarabochia Harriet Clements kepsi is an online research journal based in the School of European Culture and S Languages at the University of Kent (SECL) and is entirely run by research students. The aim of Skepsi’s editorial board is twofold: to honour the spirit of SECL by striving to take advantage of its unique position as a crossroads in academic studies in Europe and to become a forum for European postgraduate researchers and postdoctoral scholars by developing collective thinking processes in the context of academic research. Our title, Skepsi — which comes from the Ancient Greek ‘σεφς [skepsis]’ or ‘enquiry’ and the Modern Greek ‘σχέφς [sképsis]’ or ‘thought’ — symbolises our will to explore new areas and new methods in the traditional fields of academic research in the Humanities and Social Sciences.
  • The Death Penalty the Seminars of Jacques Derrida Edited by Geoffrey Bennington and Peggy Kamuf the Death Penalty Volume I

    The Death Penalty the Seminars of Jacques Derrida Edited by Geoffrey Bennington and Peggy Kamuf the Death Penalty Volume I

    the death penalty the seminars of jacques derrida Edited by Geoffrey Bennington and Peggy Kamuf The Death Penalty volume i h Jacques Derrida Edited by Geoffrey Bennington, Marc Crépon, and Thomas Dutoit Translated by Peggy Kamuf The University of Chicago Press ‡ chicago and london jacques derrida (1930–2004) was director of studies at the École des hautes études en sciences sociales, Paris, and professor of humanities at the University of California, Irvine. He is the author of many books published by the University of Chicago Press, most recently, The Beast and the Sovereign Volume I and The Beast and the Sovereign Volume II. peggy kamuf is the Marion Frances Chevalier Professor of French and Comparative Literature at the University of Southern California. She has written, edited, or translated many books, by Derrida and others, and is coeditor of the series of Derrida’s seminars at the University of Chicago Press. Publication of this book has been aided by a grant from the National Endowment for the Humanities. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2014 by The University of Chicago All rights reserved. Published 2014. Printed in the United States of America Originally published as Séminaire: La peine de mort, Volume I (1999–2000). © 2012 Éditions Galilée. 23 22 21 20 19 18 17 16 15 14 1 2 3 4 5 isbn- 13: 978- 0- 226- 14432- 0 (cloth) isbn- 13: 978- 0- 226- 09068- 9 (e- book) doi: 10.7208 / chicago / 9780226090689.001.0001 Library of Congress Cataloging- in- Publication Data Derrida, Jacques, author.