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CLASSIC P-200210 Nicolo Vicentino Musica prisca caput Giuseppe Tartini Devil’s Tril in G Minorl Johannes Brahms Trio in Eb Major Ludwig van Beethoven Trio in B Major Béla Bartok Presto Andreas Werckmeister Preludium und Fuga in G Major Johann Sebastian Bach A Musical Offering Douglas Frank Chorale Joshua Pierce, piano Gilad Harel, clarinet James Ferree, natural horn Johnny Reinhard, bassoon Dan Auerbach, violin Julianne Klopotic, violin Daniel Barrett, cello American Festival of Microtonal Music, Inc. © 2004 All Rights Reserved. Unauthorized duplication is a violation of applicable laws. www.afmm.org WORLD P-200211 Reza Derakhshani Chargah-Shur Cameron Hitami, kemanche Hearn Gadbois, percussion Theodosii Spassov Kaval Fryd Ensemble Brureslag Frå jerkreim & Jeg Ser Deg, O Guds Lam, Å Stå Frank J. Oteri Just Salsa Mark Rankin Will the Circle Be Unbroken? Svjetlana Bukvich-Nichols Before & After the Tekke Ana Milosavljevic, violin American Festival of Microtonal Music, Inc. © 2004 All Rights Reserved. Unauthorized duplication is a violation of applicable laws. www.afmm.org IDEAS P-200212 Charles Ives Unanswered Question Paolo Bellomia, conductor Julian Carrillo I Think of You Meredith Borden, soprano Johnny Reinhard, conductor Harry Partch Ulysseus Departs From the Edge of the Earth Johnny Reinhard, conductor Lou Harrison Simfony in Free Style Nathan Fuhr, conductor David Beardsley Sonic Bloom Percy Grainger Free Music Gloria Coates Lunar Loops Ruth Fischer & Stephen Steins, guitars Georgy Rimsky-Korsakov Prelude John Cage In the Name of the Holocaust Joshua Pierce, piano American Festival of Microtonal Music, Inc. © 2004 All Rights Reserved. Unauthorized duplication is a violation of applicable laws. www.afmm.org GEMS P-200213 Lou Harrison CANTICLE #3 Paul Price, conductor Harry Partch US HIGHBALL Johnny Reinhard, voice Jon Catler, electric guitar Joshua Pierce, electronic keyboard Skip La Plante, kithara Mordecai Sandberg PSALM #51 Dorein Verheijden, soprano American Festival of Microtonal Music Orchestra Paolo Bellomia, conductor Johnny Reinhard QOHELETH Meredith Borden, soprano Carol Flamm, soprano Jennifer Grim, flute Dan Barrett, cello Christine Bard, percussion Royce Dendler, lyrics Johnny Reinhard, conductor American Festival of Microtonal Music, Inc. © 2004 All Rights Reserved. Unauthorized duplication is a violation of applicable laws. www.afmm.org BASSOONIST: Johnny Reinhard P-200214 Johnny Reinhard The New Administration Dan Auerbach, violin Ana Milosavljevic, violin Anastasia Solberg, viola Daniel Barrett, cello Talibanned Buddhas Dave Eggar, cello Don Conreaux, gong Randee Ragin, bowls and bells Johnny Reinhard, contrabassoon Dune Zanzibar Anatol Vieru Trio Oren Fader, guitar Guy Tyler, double bass Joseph Pehrson One Small Step For Man Anton Rovner Jonny spielt auf Giacinto Scelsi Maknongan Louis Babin Mellow Tones for Johnny Gines-Didier Cano American Festival of Microtonal Music, Inc. © 2004 All Rights Reserved. Unauthorized duplication is a violation of applicable laws. www.afmm.org VIOLIST: Anastasia Solberg P-200210 Harry Partch POTION SCENE, LI PO SONGS Violetta Dinescu DIN CIPOIU Percy Grainger FREE MUSIC Ivan Wyschnegradsky ETUDE ULTRACHROMATIQUE Iannis Xenakis ENBELLIE Johnny Reinhard TRESPASS Anton Rovner APPEL A DEUX Daniel Adriaan Fokker SEPTIMES IN DE TATRABERGEN anonymous COIMBRA (c. 1500), HYMNUS (c. 1000) Meredith Borden, soprano Dorien Verheijden, soprano Andrew Bolotowsky, wood flute Michyo Suzuki, clarinet Johnny Reinhard, bassoon and voice Greg Evans, horn Dan Auerbach, violin Clemens Merkel, violin Jeroen Reuling, cello American Festival of Microtonal Music, Inc. © 2004 All Rights Reserved. Unauthorized duplication is a violation of applicable laws. www.afmm.org .

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Andrián Pertout
Andrián Pertout Three Microtonal Compositions: The Utilization of Tuning Systems in Modern Composition Volume 1 Submitted in partial fulfilment of the requirements of the degree of Doctor of Philosophy Produced on acid-free paper Faculty of Music The University of Melbourne March, 2007 Abstract Three Microtonal Compositions: The Utilization of Tuning Systems in Modern Composition encompasses the work undertaken by Lou Harrison (widely regarded as one of America’s most influential and original composers) with regards to just intonation, and tuning and scale systems from around the globe – also taking into account the influential work of Alain Daniélou (Introduction to the Study of Musical Scales), Harry Partch (Genesis of a Music), and Ben Johnston (Scalar Order as a Compositional Resource). The essence of the project being to reveal the compositional applications of a selection of Persian, Indonesian, and Japanese musical scales utilized in three very distinct systems: theory versus performance practice and the ‘Scale of Fifths’, or cyclic division of the octave; the equally-tempered division of the octave; and the ‘Scale of Proportions’, or harmonic division of the octave championed by Harrison, among others – outlining their theoretical and aesthetic rationale, as well as their historical foundations. The project begins with the creation of three new microtonal works tailored to address some of the compositional issues of each system, and ending with an articulated exposition; obtained via the investigation of written sources, disclosure
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