Download Full Issue

Total Page:16

File Type:pdf, Size:1020Kb

Download Full Issue International Society of Philosophy and Cosmology Future Human Image Volume 12 Kyiv, 2019 Future Human Image, Volume 12, 2019 Academic Journal ISSN 2519-2604 (Online), ISSN 2311-8822 (Print) The State Registration Certificate of the print media КВ №20662-10462Р, April 17 2014 http://fhijournal.org/ E-mail: [email protected] Printed as a collective monograph “Future Human Image: Whom and How to Educate in the Rising Generations?” since 2011. Printed Academic Journal “Future Human Image” since Volume 4, 2014. Printed according to resolution of Scientific Board of International Society of Philosophy and Cosmology (Minutes of meeting No 28 from November 10, 2019) Editor-in-Chief Sergii Rudenko, Doctor of Philosophical Sciences, Professor (Ukraine) Denys Svyrydenko, Doctor of Philosophical Sciences, Associate Professor (China) Editorial Board Anna Afonasina, Ph.D., Associate Professor (Russia) Mohamad Awwad, M.Sc., Lecturer, (Canada) Oleg Bazaluk, Doctor of Philosophical Sciences, Professor (Ukraine) Galyna Beregova, Doctor of Philosophical Sciences, Professor (Ukraine) Enric Cabrejas, M.Sc. (Spain) Danny Dubé, Ph.D. (Computer Science), Professor (Canada) Eric G. Frost, Ph.D., Professor (United States) Tracey Isaacs, Ph.D. (South Africa) Nataliia Kharchenko, Doctor of Science (Psychology), Assistant Professor (Ukraine) Serhiy Klepko, Doctor of Philosophical Sciences, Professor (Ukraine) Sergey Krichevskiy, Doctor of Philosophical Sciences, Professor (Russia) Tomasz Mróz, Ph.D., Professor (Poland) Olga Petriashvili, Doctor Philological Sciences, Professor (Georgia) Raushan Shindaulova, Doctor of Philosophical Sciences, Associate Professor (Kazakhstan) Bogdan Trocha, Dr. habil. (Liberal Arts, Philology), Professor (Poland) Arkady Ursul, Doctor of Philosophical Sciences, Professor (Russia) The Journal is indexed in the following international databases: Central and Eastern European Online Library (CEEOL); Directory of Open Access Journals (DOAJ); Directory of Open Access Repositories (OpenDOAR); EBSCO (Sociology Source Ultimate); ERIH Plus; Index Copernicus; Open Academic Journals Index; Registry of Open Access Repositories (ROAR); Science Index; ResearchBib; The Philosopher’s Index; Ulrich’s Periodicals Directory; WorldCat International Society of Philosophy and Cosmology: http://www.bazaluk.org/ © International Society of Philosophy and Cosmology, 2019 Table of Contents Adi Binhas................................................................................................................................ 5 Long Term Immigrants as Teachers of New Immigrant Students Kamila Gieba ......................................................................................................................... 22 Territory of Agon. Civilian Perspective in a Besieged City in the Computer Game This War of Mine Dan Howitt ............................................................................................................................. 28 Black Light and Condensed Space: The Image of the Universe Kamil Kleszczyński ............................................................................................................... 53 Games and the Future of Man. Gamification as a Transhumanist Program Vadim M. Rozin ..................................................................................................................... 64 System Approach for Cosmology: a Version of a High-Potential Philosophical Research Olena Shcherbyna and Liudmyla Shashkova .................................................................... 76 Silence in Argumentative Practices as a Manifestation of Tolerance Sergey Sukhonos ................................................................................................................... 85 Creating cyberspace in the Solar System: Future Human Image Serhii Terepyshchyi and Hleb Khomenko .......................................................................... 94 Development of Methodology for Applying Non-Violent Conflict Resolution in Academic Environment Bogdan Trocha .................................................................................................................... 104 Speculative Fiction for the Future of Man and Civilization Vitali Turenko ...................................................................................................................... 115 View on Human in the Ukrainian Philosophical Studies in the Interwar Period: from Past to Future Vadym Tytarenko ................................................................................................................ 121 Non-Classical Approach to a History of Philosophy: Modern Status and Research Prospects Jacek Zalesny and Vitaly Goncharov ................................................................................ 129 Ontological Core of the Social Concept of Global Constitutionalism: a Socio-Philosophical Analysis of Content and Evolution Nataliia Zhukova ...............................................................................................................143 Imperative for the Future Human Happiness (Project of Volodymyr Vynnychenko) Authors...............................................................................................................................151 Information for Authors ...................................................................................................155 Long Term Immigrants as Teachers of New Immigrant Students Adi Binhas1 Ph.D, Mofet Institute (Tel-Aviv, Israel), Beit Berl Academic College (Kfar Saba, Israel) E-mail: [email protected] This article deals with veteran immigrant teachers who integrated successfully into Israel’s educational system and have been teaching immigrant students over the past few years. Their encounter with present (2018) new immigrants raises the following research question: How are patterns of integration into society reflected in the conceptions of veteran immigrant teachers in their work with immigrant students? The theoretical literature on which this study is based includes Berry’s transnationalism model and the concept of hybrid identity. The results displayed affinity between the teachers’ own migration stories and their educational conceptions regarding immigrant students. Patterns included both assimilation and integration. The conclusions declare that it is indeed appropriate to process the experiences and stories of veteran immigrant teachers because they transmit their conceptions to immigrant students and can serve as bridge builders within the educational system as former immigrants themselves. Keywords: Transnationalism, hybrid identity, immigrant teachers, narrative paradigm, melting pot, multiculturalism Received:May 29, 2019; accepted: September 3, 2019 Future Human Image, Volume 12, 2019: 5-21. https://doi.org/10.29202/fhi/12/1 Introduction In an era of globalization and migration, more and more people are moving from place to place around the world. Theories of migration present the various stages involved and describe the integration of immigrants into the host society [Berry, 1992]. Today, global migration is not only a physical change of residence, but also a measure affected by political, economic, cultural and family factors. Transnational theory expresses the various characteristics and components of identity that people take from place to place and how they cope with it. It effectively enables people to preserve their previous culture © Binhas, Adi, 2019 Acknowledgments: Thanks and appreciation to Dr. Gabriela Spector-Marzel for the professional support in the process of preparation the article. Thank you for your creative ideas that help me to improve the article. Future Human Image, Volume 12, 2019 5 Long Term Immigrants as Teachers of New Immigrant Students by Adi Binhas while adopting a new one, to be both, as it were, by maintaining a hybrid culture. Literature on migration in the modern era refers to this phenomenon as well [Glick et al., 2004]. The educational system and teachers are major players in the process of integration into a new society. Teachers who are themselves former immigrants can exert a more significant influence as role models for immigrant students, especially because they understand the process of migration and all its implications from personal experience. Research on migration aspires towards having the teachers’ room reflect the changing makeup of the population of teachers and students. Nevertheless, it lacks attention to the encounter between the former immigrant teacher and the immigrant student and the effects of this encounter on education itself, on the conceptions and actions of the teachers that originate in the experience and insights they accumulated over the years. This study analyzes teachers of immigrant students who are themselves veteran immigrants from the Former Soviet Union (FSU), applying narrative analysis to identify the significance they ascribe to their own stories of immigration. It seeks to acquire information about the actual conceptions and actions of veteran immigrant teachers (VITs) when working with their immigrant students. The article was written according to the findings of interviews with VITs who came to Israel over 20 years ago − a feature that was brought up during interviews (none of the participating teachers were hired specifically as “immigrant teachers” by their respective schools). Work with immigrant students apparently reawakened their own immigrant experiences, leading them to think and act according to the significance they
Recommended publications
  • Utopianism in Postcolonial Women's Science Fiction Impossible Things
    Possible Things: Utopianism in Postcolonial Women’s Science Fiction and Impossible Things: A Novel Lisa Dowdall A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy School of the Arts and Media UNSW Arts and Social Sciences March 2016 1 2 Acknowledgements I would first like to express my sincere thanks to my supervisors, Prof Bill Ashcroft and Dr Stephanie Bishop, for their support of both the creative and theoretical components of this thesis. Their patience, expertise and generosity helped me accomplish things I didn’t think I was capable of. Their guidance was invaluable not only in the writing of this thesis but also in learning to think, read and write in new and exciting ways. I could not imagine two better advisers or mentors for this project. Besides my supervisors, I’d like to thank the many people who provided their feedback on various drafts of the novel and the dissertation. Tanya Thaweeskulchai influenced my work in ways that extend far beyond the parameters of this dissertation, and her friendship is one of the most precious things I take away from this doctoral experience. Prue Gibson and Jayne Chapman offered much-needed comments on the novel and the dissertation respectively. I would also like to thank Anne Brewster for the rigorous feedback she gave on the third chapter on indigenous science fiction, along with Emily Maguire and Margo Lanagan for their formative feedback on early drafts of the novel. Thank you also to Roanna Gonsalves, Jessica Ford, Melanie Robson, Sameera Karam, Shaun Bell and Phoebe Macrossan for all the writing workshops.
    [Show full text]
  • Reading the Post-Apartheid City. Durbanite and Capetonian Literary
    Olivier Moreillon Reading the Post-Apartheid City Durbanite and Capetonian Literary Topographies in Selected Texts Beyond 2000 λογοςλογος Olivier Moreillon Reading the Post-Apartheid City Durbanite and Capetonian Literary Topographies in Selected Texts Beyond 2000 Logos Verlag Berlin λογος Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Na- tionalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de c Logos Verlag Berlin GmbH 2019 Alle Rechte vorbehalten. ISBN 978-3-8325-4830-8 Logos Verlag Berlin GmbH Comeniushof, Gubener Str. 47, 10243 Berlin Tel.: +49 (0)30 / 42 85 10 90 Fax: +49 (0)30 / 42 85 10 92 http://www.logos-verlag.de Dedication For my parents, Hugo and Daniela Moreillon, whose love and guidance have made me the person I am. And for Helton, for being my home and for your patience and support all along this at times seemingly never-ending adventure. Acknowledgements But for the support, encouragement, and guidance of the many people I have had the pleasure to meet and collaborate with along the way, this book, which was submitted as my doctoral thesis in Anglophone Literary and Cultural Studies at the English Department of the University of Basel (Switzerland), would not exist. Most importantly, I owe a heartfelt, gargantuan thank you to the magnifi- cent Danyela Demir. Time and again you lent me a patient ear during one of our excessive (and more or less PhD-related) FaceTime conversations that left the Internet connection between Zürich and Augsburg, then Durban, and now Johannesburg temporarily overloaded.
    [Show full text]
  • Speculative Fiction for the Future of Man and Civilization
    Speculative Fiction for the Future of Man and Civilization Bogdan Trocha1 Doctor of Science (Philology), Professor, University of Zielona Góra (Zielona Góra, Poland) E-mail: [email protected] https://orcid.org/0000-0003-2348-4813 The main thesis of the article is the comparison of speculative fiction with the challenges facing modern man. Introductory questions are two issues. How can fantasy become the subject of cultural reflection on the future of human civilization? Can contemporary speculative fistion act as an instructional story about the unknown? The author indicates several basic models of using speculative fiction. However, it limits itself to creating an introductory canon, which is associated with literary speculations regarding the impact of man and technology on the future of civilization. Keywords: myth, speculative fiction, political fiction, space opera, postapocalyptic fiction, ecological science fiction Received: September 11, 2019; accepted: October 5, 2019 Future Human Image, Volume 12, 2019: 104-114. https://doi.org/10.29202/fhi/12/9 In the face of the unknown — in search of model stories: myth, fantasy, speculative fiction The notion of speculative fiction has been firmly established in popular culture for many years. However, while it is very easy to point to the essential features of the poetics of this type of novel, it is much more difficult to point to the cultural paradigm from which both speculative fiction and the need to use this type of poetics stems. The foundations of this type of cognitive and creative procedures should be found in two aspects of the human condition. The first one is certainly the aspiration to discover the sense of everything that man experiences in various ways in the world around him.
    [Show full text]
  • Re-Imagining Apartheid: Making Guilt Visible in Lauren Beukes's Zoo City
    Re-Imagining Apartheid: Making Guilt Visible in Lauren Beukes’s Zoo City (2010) Sara Martín Alegre Universitat Autònoma de Barcelona 2015 [email protected] NOTE: This is the presentation I offered at the International Conference Relations and Networks in Indian Ocean Writing, Universitat Autònoma de Barcelona, Spain, November 26th - 27th 2015. .Award-winning, best- selling novelist. .Also writes comics, graphic novels, screenplays, TV shows and occasionally journalism. Author of: .Broken Monsters (2014) .The Shining Girls (2013) .Zoo City (2010) .Moxyland (2008) .Maverick: Extraordinary Women From South Africa’s Past (2005) Lauren Beukes (rhymes with Lucas), a former journalist, is a popular South-African novelist with quite a varied career as a writer. Sara Martín Alegre, Re-Imagining Apartheid: Making Guilt Visible in Lauren Beukes’s Zoo City (2010) 1 First African Arthur C. Clarke winner (2011) Although her first novel–the cyberpunk tale Moxyland, set in Cape Town–is a much better work, her acclaimed second novel Zoo City was the first African winner of the Arthur C. Clarke, the prestigious British award for fantasy and science fiction. The award highlights not just the novel itself but Beukes’s spearheading of new trends welcoming fantasy and science-fiction into the diverse African Literatures in English. Sara Martín Alegre, Re-Imagining Apartheid: Making Guilt Visible in Lauren Beukes’s Zoo City (2010) 2 . Urban fantasy novel . Premise: the guilty conscience of criminals can materialize into familiars, provided they accept their guilt (the Undertow is the terrifying alternative, also the ultimate destiny) . Unclear whether the Zoo Plague or “AAF or Acquired Aposymbiotic Familiarism” (79) is supernatural .
    [Show full text]
  • Notable SF&F Books
    Notable SF&F Books Version 2.0.13 Publication information listed is generally the first trade publication, excluding earlier limited releases. Series information is usually via ISFDB. Aaronovitch, Ben Broken Homes Gollancz, 2013 HC $14.99 \Rivers of London" #4. Aaronovitch, Ben Foxglove Summer Gollancz, 2014 HC $14.99 \Rivers of London" #5. Aaronovitch, Ben The Hanging Tree Gollancz, 2016 HC $14.99 \Rivers of London" #6. Aaronovitch, Ben Moon Over Soho Del Rey, 2011 PB $7.99 \Rivers of London" #2. Aaronovitch, Ben Rivers of London Gollancz, 2011 HC $12.99 \Rivers of London" #1. Aaronovitch, Ben Whispers Under Ground Gollancz, 2012 HC $12.99 \Rivers of London" #3. Adams, Douglas Dirk Gently's Holistic Detective Agency Heinemann, 1987 HC $9.95 \Dirk Gently" #1. Adams, Douglas The Hitch Hiker's Guide to the Galaxy Pan Books, 1979 PB $0.80 \Hitchhiker's Guide to the Galaxy" #1. Adams, Douglas Life, the Universe, and Everything Pan Books, 1982 PB $1.50 \Hitchhiker's Guide to the Galaxy" #3. Adams, Douglas Mostly Harmless Heinemann, 1992 HC $12.99 \Hitchhiker's Guide to the Galaxy" #5. Adams, Douglas The Long Dark Tea-Time of the Soul Heinemann, 1988 HC $10.95 \Dirk Gently" #2. Adams, Douglas The Restaurant at the End of the Universe Pan Books, 1980 PB $0.95 \Hitchhiker's Guide to the Galaxy" #2. Adams, Douglas So Long and Thanks for All the Fish Pan Books, 1984 HC $6.95 \Hitchhiker's Guide to the Galaxy" #4. Adams, Richard Watership Down Rex Collins, 1972 HC $3.95 Carnegie Medal.
    [Show full text]
  • Vampire Chronicles
    Publisher’s Note This new edition of the Critical Survey of Science Each article discusses an individual book or series Fiction & Fantasy Literature is a three-volume set and often comments on other works by the same offering plot summaries and analyses of 842 of author. Individual articles open with basic reference the most popular and frequently taught science information in a ready-reference format: author’s fiction and fantasy books and series. Articles are name, birth and death dates, identification of the alphabetically arranged by titles and range from work as either science fiction or fantasy, subgenre, such childhood fantasy classics as Lewis Carroll’s type of work (such as drama, novel, novella, series, Alice’s Adventures in Wonderland (1865) and L. or story), time and location of plot, and date of first Frank Baum’s The Wonderful Wizard of Oz (1900) publication. The main body of each essay contains to such pioneering science-fiction works as H. G. “The Story” which summarizes the work’s plot and Wells’s The War of the Worlds (1898) and modern identifies major characters, and “Analysis” which science-fiction and fantasy classics as Robert Hein- offers a critical interpretation of the title and iden- lein’s The Moon Is a Harsh Mistress (1966) and J. R. tifies literary devices and themes used in the work. R. Tolkien’s Lord of the Rings trilogy (1954-1955). Readers will find several reference tools at the Among other prominent writers whose works end of Volume 3: are included are Isaac Asimov, Arthur C. Clarke, Frank Herbert, John Crowley, Ellen Kushner, and • Annotated bibliography arranged by subject; C.
    [Show full text]
  • Thesis Hum 2020 Roux Rowan.Pdf
    Post-apartheid Speculative Fiction and the South African City A thesis submitted in fulfilment of the requirements for the degree of Doctorate of Philosophy Town of UNIVERSITY OF CAPE TOWN Rowan RouxCape Departmentof of English Supervisors: Dr Christopher Ouma and Prof. Harry Garuba Date of submission: UniversityFebruary 2020 The copyright of this thesis vests in theTown author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only.Cape Published by the Universityof of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University Acknowledgments To my supervisors, family and friends, thank you for all your support and encouragement over the last three years. Every cup of coffee, every bit of advice, and every word of reassurance made each step that little bit easier. The financial assistance of the National Research Foundation (NRF) towards this research project is hereby acknowledged. Opinions expressed and conclusions arrived at are those of the author and should not be attributed to the NRF. Declaration I, Rowan Roux , hereby declare that the work on which this thesis is based is my original work (except where acknowledgements indicate otherwise) and that neither the whole work nor any part of it has been, is being, or is to be submitted for another degree in this or any other university. I authorise the University to reproduce for the purpose of research either the whole or any portion of the contents in any manner whatsoever.
    [Show full text]
  • Inscriptions of the Body and Embodiment in the Novels of Lauren Beukes
    University of KwaZulu-Natal Bodylands: Inscriptions of the Body and Embodiment in the Novels of Lauren Beukes. Key terms: South African literature, inscriptions of the body and space, gender, abjection, the disciplined body, the grotesque and classical body. By Natasha King 209512897 A dissertation submitted in fulfilment of the requirements for the degree of Master of Arts in English Studies at the University of Kwa-Zulu Natal, Howard College Campus, Durban Supervised by Professor Ileana Dimitriu Co-supervised by Professor Corinne Sandwith (UP) 2015 1 Declaration The Registrar (Academic) UNIVERSITY OF KWAZULU-NATAL I hereby declare that this dissertation is the result of my own investigation and research and that it has not been submitted in part or in full for any other degree or to any other university. All citations references and borrowed ideas have been duly acknowledged. ………………… Natasha King November 2015 2 Abstract This dissertation takes up the question of the body and embodiment(s) in contemporary South African fiction, paying particular attention to the novels of award- wining author, Lauren Beukes. In the first three fictional works published to date, namely Moxyland (2008), Zoo City (2010) and The Shining Girls (2013), the body emerges as a persistent focus of narrative interest and attention. My aim in this dissertation is to explore how these fictional bodies are imagined and constructed; to ask what kinds of bodies predominate in Beukes’s texts and to consider their thematic, narrative, aesthetic and political significance. Taking my cue from contemporary cultural theory (the work of Foucault, Bakhtin and Scarry), and various studies in feminist theory (such as Gatens, Grosz and Butler), I hope to bring renewed attention to the body and its inscriptions within discourse by offering a reading of the body in Beukes’s first three fictional works: Moxyland (2008), Zoo City (2010) and The Shining Girls (2013).
    [Show full text]
  • Table of Contents
    Complete List of Contents Volume 1 Publisher’s Note ................................................... xi Area X: The Southern Reach Trilogy ................ 46 Contributors .......................................................xiii Arthur Rex ........................................................... 48 List of Genres ..................................................... xxi The Artificial Kid ................................................ 50 Introduction .......................................................xxv Science Fiction and Fantasy ............................ xxix At the Back of the North Wind .......................... 51 At the Mountains of Madness and Other Novels ................................................... 53 The Absolute at Large .......................................... 1 The Atlan Series .................................................. 54 Accelerando .......................................................... 2 Babel 17 ............................................................... 57 Adam and Eve ....................................................... 4 Barefoot in the Head .......................................... 58 Adventures of Vlad Taltos ..................................... 5 Baron Munchausen’s Narrative of His Aegypt, Love and Sleep, Daemonomania Marvellous Travels and Campaigns in and Endless Things ........................................... 8 Russia ............................................................... 60 Against Infinity .................................................... 10 The
    [Show full text]
  • The Poēsis of Decay: a Painter's Response to the Dystopian Aesthetic
    THE POĒSIS OF DECAY: A PAINTER’S RESPONSE TO THE DYSTOPIAN AESTHETIC By THEA LAURETTE DE JAGER THE POĒSIS OF DECAY: A PAINTER’S RESPONSE TO THE DYSTOPIAN AESTHETIC By THEA LAURETTE DE JAGER Submitted in accordance with the requirements for the degree of MASTER OF VISUAL ARTS At the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: ANDREW JAMES SMITH DATE: 31 January 2019 “I declare that THE POĒSIS OF DECAY: A PAINTER’S RESPONSE TO THE DYSTOPIAN AESTHETIC is my own work and that all the sources that I have used or quoted have been indicated and acknowledged by means of complete references. I further declare that I submitted the dissertation to originality checking software and that it falls within the accepted requirements for originality. I further declare that I have not previously submitted this work, or part of it, for examination at Unisa for another qualification or at any other higher education institution.” ………………………………….. (Signature) T.L. DE JAGER Title: THE POĒSIS OF DECAY: A PAINTER’S RESPONSE TO THE DYSTOPIAN AESTHETIC Summary: This study focuses on the investigation and deconstruction of the phenomena of the South African dystopian society, as reflected in the novels of Lauren Beukes and films by Neill Blomkamp. The characteristics and signifiers of a uniquely South African dystopian society are established and investigated through a posthuman lens. The theoretical framework of this study is principally concerned with the critical posthuman writings of Rosi Braidotti, Donna Haraway and, to a lesser extent, Cary Wolfe. Feminism and post-colonialism, and their influences on posthuman theory, are applied as the secondary theoretical framework, in this study.
    [Show full text]
  • Science Fiction and Fantasy: the Oc Smic Players Kristin Laughtin-Dunker Chapman University, [email protected]
    Chapman University Chapman University Digital Commons Library Presentations, Posters, and Videos Leatherby Libraries 7-11-2012 Science Fiction and Fantasy: The oC smic Players Kristin Laughtin-Dunker Chapman University, [email protected] Follow this and additional works at: http://digitalcommons.chapman.edu/library_presentations Part of the English Language and Literature Commons, Fiction Commons, Modern Literature Commons, and the Reading and Language Commons Recommended Citation Laughtin-Dunker, K. (2012). Science fiction and fantasy: The osc mic players. Retrieved from http://digitalcommons.chapman.edu/ library_presentations/9 This Article is brought to you for free and open access by the Leatherby Libraries at Chapman University Digital Commons. It has been accepted for inclusion in Library Presentations, Posters, and Videos by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. Science Fiction and Fantasy: The oC smic Players Comments Presented at the UCLA Graduate School of Education and Information Studies on July 11, 2012. Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 License. This article is available at Chapman University Digital Commons: http://digitalcommons.chapman.edu/library_presentations/9 Science Fiction and Fantasy: The Cosmic Players Kristin Laughtin, MLIS July 11, 2012 Things to Know about SF/Fantasy Readers ●They are very technologically savvy and will often adopt new technologies before most of the public (e.g. e-readers). ●They are voracious readers who demand a lot of content and a wide selection. ●Many of their favorite books are published in series, and they will be upset if volumes are missing. ●They are very social and will often show up in support of authors, readings, etc.
    [Show full text]
  • Full Schedule
    WELCOME TO LONCON 3 This spiral-bound pocket programme is your guide to the convention: it contains everything you need to know about the programme items and participants, the main events and opening hours, and maps of our convention centre as well as maps of London Transport and the Docklands Light Railway (DLR). It also includes a restaurant guide. In addition, you’ll nd information about our Code of Conduct, plus areas like Registration, Childcare, Disabled Access, and Emergency Services, among the large number of useful things. All this information we hope will help make your visit to Loncon 3 a memorable one. We apologise for the small print in some sections of this pocket programme, but there is a lot to include, as we on the Loncon 3 team have gone out of our way to make this con really awesome. — Steve Cooper and Alice Lawson “World Science Fiction Society”, “WSFS”, “World Science Fiction Convention”, “Worldcon”, “NASFiC”, “Hugo Award”, the Hugo Award Logo, and the distinctive design of the Hugo Award Trophy Rocket are service marks of the World Science Fiction Society, an unincorporated literary society. Loncon 3 is the trading name of London 2014 Ltd, a company limited by guarantee, registered in England, company number: 7989510. Registered Ofce: 176 Portland Road, Jesmond, Newcastle Upon Tyne, NE2 1DJ, UK. The Restaurant Guide was complied by Kake Pugh, Shana Worthen, Martin Petto, Lizzy Allen, Billy Abbott, and Edward James, and edited by Kake Pugh. The Programme Schedules were produced by the Programme team. General Read Me information was edited by Flick, and proofread by Janice Gelb.
    [Show full text]