The Raspberry Reich
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Bruce Labruce Inizia La Sua Carriera a Metà Degli Anni Ottanta Con Una Serie Di Cortometraggi Sperimentali Girati in Super 8 E Creando Assieme a G
Bruce LaBruce inizia la sua carriera a metà degli anni Ottanta con una serie di cortometraggi sperimentali girati in Super 8 e creando assieme a G. B. Jones la rivista punk, «J.D.s», che segna l’inizio del movimento ‘queercore’. Tra il 1991 e il 1996, dirige tre lungometraggi nei quali è anche attore: No Skin Off My Ass, Super 8 1/2 e Hustler White. Negli anni Duemila realizza tre art/porn: Skin Flick, The Raspberry Reich e L.A. Zombie, oltre al film indipendente Otto; or, Up with Dead People. Nel 2010 dirige due documentari della serie Into the Night with... per ARTE: il primo con protagonisti Harmony Korine e Gaspar Noé, il secondo con Béatrice Dalle e Virginie Despentes. Nel 1997 scrive le sue memorie premature, The Reluctant Pornographer. L’anno seguente la Plug-In Gallery (Winnipeg, Canada) pubblica un libro sul suo lavoro, Ride Queer Ride. Dirige anche tre opere teatrali: Cheap Blacky (2007), The Bad Breast; or, The Strange Case of Theda Lange (2009) e Macho Family Romance (2009). Collabora con numerose riviste e giornali sia come scrittore che come fotografo. La sua prima mostra fotografica è presso l’Alleged Gallery di New York nel 1999, mentre la più recente, “Bruce LaBruce Retrospective”, viene inaugurata al MoMA di New York nel 2015. Tra le sue molteplici attività vanta anche la regia di un’opera, l’adattamento del Pierrot Lunaire di Arnold Schönberg, realizzata a Berlino nel 2011. Tre anni dopo, con la trasposizione cinematografica sempre del Pierrot Lunaire, si aggiudica il Teddy Award Special Jury Prize alla Berlinale. -
Jürgen Brüning Filmproduktion Präsentiert Einen Film Von Bruce Labruce Und Rick Castro HUSTLER WHITE Go See It with Someone Y
Jürgen Brüning Filmproduktion präsentiert einen Film von Bruce LaBruce und Rick Castro HUSTLER WHITE go see it with someone you have paid for Weltpremiere Sundance Filmfestival 1996 Länge 79 Minuten Format DVD 5 Code 0 Version Englisch mit deutschen Untertiteln EAN 4260065523548 Bestellnummer GMD338 Label: GMfilms Michael Höfner, Varziner Straße 3, 12159 Berlin Bildmaterial zum Download bei http://gmfilms.de/gmfilmsdownlo-12.html Vertrieb good!movies/Indigo FSK keine Jugendfreigabe SYNOPSIS Hustler White ist eine romantische Komödie über die Stricher auf dem Santa Monica Boulevard. Monti (Tony Ward), ein schlagfertiger Junge, der eher zufällig als Stricher auf dem Boulevard anschafft, wird von einem bohemienhaften Ausländer namens Jürgen Anger (Bruce LaBruce) beobachtet, der nach Los Angeles gekommen ist, um seine Memoiren zu schreiben. Monti begeht Fahrerflucht, nachdem er einen Kunden beraubt hat und überfährt dabei aus Versehen einen anderen Stricher. Jürgen sieht Monti nach dem Unfall und verfolgt ihn in seinem Wagen. Leider verliert er ihn aus den Augen, findet aber das zurückgelassene T-Shirt von Monti, mit dem der das Blut von seinem Auto abgewischt hat. Jürgen versucht weiterhin, Monti zu finden. Monti wird bei seinen alltäglichen Begegnungen mit anderen Strichern, Kunden oder bei einem Pornodreh beobachtet. Einige der Charaktere, die wir im Laufe des Films kennenlernen, sind Eigil (Kevin P. Scott), der Stricher, der von Monti überfahren wurde, Piglet (Ivar Johnson), der unglücklich in Eigil verliebt ist sowie die Kunden Stew Blake (Glen Meadmore), ein wiedergeborener Country- und Western-Sänger und Seymore Kasabian (RonAthey), ein Bestatter, ganz zu schweigen von den echten Pornostars Kevin Kramer und Alex Austin als sie selbst. -
GLBT Historical Society Archives
GLBT Historical Society Archives - Periodicals List- Updated 01/2019 Title Alternate Title Subtitle Organization Holdings 1/10/2009 1*10 #1 (1991) - #13 (1993); Dec 1, Dec 29 (1993) 55407 Vol. 1, Series #2 (1995) incl. letter from publisher @ditup #6-8 (n.d.) vol. 1 issue 1 (Win 1992) - issue 8 (June 1994 [2 issues, diff covers]) - vol. 3 issue 15 10 Percent (July/Aug 1995) #2 (Feb 1965) - #4 (Jun 1965); #7 (Dec 1965); #3 (Winter 1966) - #4 (Summer); #10 (June 1966); #5 (Summer 1967) - #6 (Fall 1967); #13 (July 1967); Spring, 1968 some issues incl. 101 Boys Art Quarterly Guild Book Service and 101 Book Sales bulletins A Literary Magazine Publishing Women Whoever We Choose 13th Moon Thirteenth Moon To Be Vol. 3 #2 (1977) 17 P.H. fetish 'zine about male legs and feet #1 (Summer 1998) 2 Cents #4 2% Homogenized The Journal of Sex, Politics, and Dairy Products One issue (n.d.) 24-7: Notes From the Inside Commemorating Stonewall 1969-1994 issue #5 (1994) 3 in a Bed A Night in the Life 1 3 Keller Three Keller Le mensuel de Centre gai&lesbien #35 (Feb 1998), #37 (Apr 1998), #38 (May 1998), #48 (May 1999), #49 (Jun 1999) 3,000 Eyes Are Watching Me #1 (1992) 50/50 #1-#4 (June-1995-June 1996) 6010 Magazine Gay Association of Southern Africa (GASA) #2 (Jul 1987) - #3 (Aug 1987) 88 Chins #1 (Oct 1992) - #2 (Nov 1992) A Different Beat An Idea Whose Time Has Come... #1 (June 3, 1976) - #14 (Aug 1977) A Gay Dragonoid Sex Manual and Sketchbook|Gay Dragonoind Sex A Gallery of Bisexual and Hermaphrodite Love Starring the A Dragonoid Sex Manual Manual|Aqwatru' & Kaninor Dragonoid Aliens of the Polymarinus Star System vol 1 (Dec 1991); vol. -
Peres Projects Karl-Marx-Alle 82 PERES 10243 Berlin Tel +49 30 275 950 770 [email protected] PROJECTS
Peres Projects Karl-Marx-Alle 82 PERES 10243 Berlin tel +49 30 275 950 770 [email protected] PROJECTS www.peresprojects.com Bruce LaBRUCE Born 1964, Southampton, CA Lives and works in Toronto, CA Upcoming Solo Exhibitions The Haus of Bruce LaBruce, curated by Bren O’Callaghan and Andrew Ellerby, Gallery 46, London, UK Selected Solo Exhibitions 2017 Faggotry: Bruce LaBruce Photographs 1990 - 2016, La Fresh Gallery, Madrid, ES 2016 Born to be Wilde, Galerie Nivet-Carzon, Paris, FR Born to be Wilde, Galerie Le Braque, Paris, FR 2015 Bruce LaBruce Retrospective, MoMA, New York, US (April 2015) 2014 Skin Flicks: The Films of Bruce LaBruce, Bell Lightbox, Toronto, CA Obscenity, The Hole, New York, US Obscenity, Maguey Award International Film Festival, Guadalajara, ME Obscenity, 14th International Film Festival (FICPV), Puerto Vallarta, ME 2012 Obscenity, La Fresh Gallery, Madrid, ES 2011 Ulrike’s Brain, Die Toten: Life Sciences and Pulp Fiction, Kampnagel, Hamburg, DE Bruce LaBruce’s Polaroid Rage: Survey 2000-2010, Wrong Weather Gallery, Porto, PT 2010 LA Zombie: The Movie That Would Not Die, Peres Projects, Berlin, DE Peres Projects Karl-Marx-Alle 82 PERES 10243 Berlin tel +49 30 275 950 770 [email protected] PROJECTS www.peresprojects.com 2009 Untitled Hardcore Zombie Project, Peres Projects, Los Angeles, US Blowback, Antigua Casa Haiku, Barcelona, ES 2008 Explicit Fantastic: Sex(y) in Contemporary Culture, Keep Six Contemporary, Toronto, CA Otto; or, Up with Dead People, premiere at Museum of Modern Art, New York, US 2007 -
The Year of the Cinema Part Four
Gay, Lesbian, Bi, Trans, Leather, and Queer Community Seasonal • Winter 2019 free copy The Year of the Cinema Part Four Starring HIV/AIDS in Film * Bruce LaBruce * Reelout Also featuring guest stars Road Trippin in South Florida, Alison Reid, Canadian Filmmakers Distribution Centre, Fiction excerpt from Michael Rowe, Event Listings, From The Heart, Horoscopes, Looking Back with Kate Johnston Make sure to also check out PinkPlayMags Matrimony Special Presentation www.PinkPlayMags.com/matrimony Make sure to also check out PinkPlayMags Matrimony Special Presentation www.PinkPlayMags.com/matrimony Custom-Made Fantastical Fashion for Everyone! www.houseSMtdot.com CINEMA winterplay! 2019 3 4 winterplay! 2019 CINEMA From the Publisher he last of “The Year of the Cinema” is here and I am unsuspecting world. He did have a few more mainstream movies, but it is the ones that are very happy we did this. truly messed up that are my favourite of his T films. It was a cool theme, with lots of info over the four 4. Honourable mentions: Twelve Monkeys, editions of 2019 about the influence of queers on Brazil, and other assorted Terry Gilliam an art we all love very much (does anyone actually films. The Devils, The Lair of the White not love the movies, or at least some movies? lol). Worm, and other assorted Ken Russell I also hope you enjoyed our creative covers; films. Ex-Machine, I love this film, it is such PinkPlayMags’ 11 years in publishing has always a creepy sci-fi (and a dire warning for the been anchored by what have been called some of future of A.I.). -
Hustler White Ein Film Von Bruce Labruce & Rick Castro
Hustler White ein Film von Bruce LaBruce & Rick Castro Der liebeskranke Autor Jürgen Anger (Bruce LaBruce) reist nach Los An- geles, um dort die berüchtigte Sexworker-Szene zu erforschen. Als er dem bildhübschen Stricher Monti Ward (Tony Ward) begegnet, ist es um jede professionelle Distanz geschehen. Anger ist derart besessen von dem Objekt seiner Begierde, dass er Monti durch die ganze Stadt ver- folgt, vorbei an Szenarien eruptiver Gewalt und sexueller Lusterfüllung. Über allem schwebt die Frage: Haben die beiden in der rauen Realität käuflicher Liebe als Paar eine Chance? Kinostart: keiner · DVD: 26.06.2021 Inspiriert von „Sunset Boulevard“, „Tod in Venedig“ und den Sexfilmen Andy Warhols erzählt „Hustler White“ selbstreflexiv und verspielt von lustvoller Besessenheit und der großen Liebe an den äußersten Rändern der US-Traumfabrik. Mit festem Blick auf Authentizität haben Bruce La- DE/CA 1996, 79 Minuten, keine Jugendfreigabe, Bruce und Rick Castro ihre romantisch-explizite Stricher-Komödie an Dolby Digital 5.1, Region 2 Originalschauplätzen auf dem Santa Monica Boulevard gedreht. Neben LaBruce und Model Tony Ward sind zahlreiche queere Underground- Stars wie Ron Athey und Vaginal Davis in Nebenrollen zu sehen. Ein REGIE Bruce LaBruce & Rick Castro Klassiker des schwulen Stricherkinos – der zu seinem 25. Geburtstag in MIT Tony Ward, Bruce LaBruce, Kevin P. digital restaurierter zurückkehrt! Scott, Ivar Johnson, Kevin Kramer, Alex Austin u.a. SPRACHE englische Originalfassung „Eine merkwürdige Liebegeschichte – und eine anzügliche Ethnographie UNTERTITEL Deutsch männlicher Prostitution!“ (Museum of Modern Art) „Streng genommen kein Porno!“ (The New York Times) BESTELL-NR. D552 EAN 4040592008202 „Dreckig, krass, witzig und extrem originell!“ (GT) UVP 16,90 Euro „HUSTLER WHITE ist Pop. -
GERONTOPHILIA Gerontophilia: (Jə-Rän-To-Fil-E-Ə)- - Noun - the Love Or Sexual Preference for the Elderly
GERONTOPHILIA Gerontophilia: (jə-rän-to-fil-e-ə)- - noun - the love or sexual preference for the elderly. Pier-Gabriel Lajoie Walter Borden Katie Boland Marie-Hélène Thibault FILMOPTION INTERNATIONAL presents a 1976 PRODUCTIONS / NEW REAL FILMS production GERONTOPHILIA A FILM BY BRUCE LABRUCE 82 minutes / Color / 2.35 / HD / 2013 SYNOPSIS 18-year-old Lake has a sweet activist girlfriend, but one day discovers he has an unusual attraction for the elderly. Fate conspires to land him a summer job at a nursing home where he develops a tender relationship with Mr. Peabody. Discovering that the patients are being over- medicated to make them easier to manage, Lake decides to wean Mr. Peabody off this medication and help him escape, resulting in a humorous and heartfelt road trip that strengthens their bond. The always provocative Bruce LaBruce is back with a new romantic comedy (of sorts). INTERVIEW WITH BRUCE LABRUCE How did you come to the idea of a romance between a young man and an elderly? Over the years I’ve encountered a number of young people with very specific fetishes involving relationships with much older people, and it’s always intrigued me. I’ve been told stories, most often by younger men, of their first sexual experience having been with a man in his sixties or older, and there always seemed to be a pedagogical aspect to the relationship, as well as a deep affection. Sometimes it’s a one time thing, but sometimes the fetish seems to persist. I also made a film, Hustler White, about male prostitutes and their relationships to their often much older johns. -
Participating Artists: Bruce Labruce, (Toronto, Gallery Peresprojects)
Participating Artists: Bruce LaBruce, (Toronto, Gallery Peresprojects) Vita: Solo Exhibitions: 2006 : Survey of Polaroids, 2001-2006: 313 Gallery, New York, 2005: Heterosexuality is the opiate of the masses, Peres Projects, Los Angeles, 2003: Blame Canada, John Connelly Presents, New York, 2002: Photographs, peres projects, San Francisco, 2002: Photographs, Bailey Fine Arts, Toronto, 2000 : Bruce LaBruce, MC MAGMA, Milan, Power Race – Bruce LaBruce, Pitt Gallery, Vancouver, 1999: Bruce LaBruce, Alleged Gallery, New York, Selected Group Exhibitions: 2007: “The Male Gaze,” The powerHouse Arena, Brooklyn, NY “Achtung FSK 18 – Vol 2,” Galerie Tristesse in conjunction with the Porfilmestival Berlin , 2006 : “The Brotherhood,” Neon Parc in conjunction with They Shoot Homos Don’t They, Melbourne Summer Festival, Australia; Australian Center for Photography, Sidney, Australia, Mid-Life Crisis, Salander-O’Reilly, New York, Self-Absorption and Theatricality in the Age of Mechanical Reproduction, The Drake Hotel, Toronto, Canada, Into Me / Out of Me, P.S. 1, New York, Kunst Werk Institute for Contemporary Art, Berlin Germany, MAC, Museo d'Arte Contemporanea Roma, Mega Zines, Visionaire Gallery, New York, 2005: Regarding Terror: the RAF-Exhibition, KW Institute for Contemporary Art, Berlin, 2004: The Sound of the Crowd, Ritter/Zamet, London, Likeness: Portraits of Artists by Other Artists, curated by Matthew Higgs, traveling show, California College of Arts Wattis Institute for Contemporary Arts San Francisco, CA (January 28–May 8, 2004), McColl -
Ein Film Von Bruce Labruce Kanada 2013, Ca. 83 Minuten, Englische OF/Dt. UT, FSK 16 Kinostart 30.10.2014 Im Verleih Des PRO-FUN
GERON Ein Film von Bruce LaBruce Kanada 2013, ca. 83 Minuten, englische OF/dt. UT, FSK 16 Kinostart 30.10.2014 Im Verleih des PRO-FUN MEDIA Filmverleih Pressebetreuung: Christos Acrivulis PRO-FUN MEDIA GmbH Rödelheimer Landstraße 13 A 60487 Frankfurt am Main Telefon: 069- 70 76 77 79 Fax: 069- 70 76 77 17 [email protected] www.pro-fun.de GERON GERON (Gerontophilia) Ein Film von Bruce LaBruce Kanada 2013, ca. 83 Minuten, englische OF / dt. UT, FSK 16 Kinostart 30.10.2014 Im Verleih des PRO-FUN MEDIA Filmverleih Regie Bruce LaBruce Drehbuch Bruce LaBruce, Daniel Allen Cox Produzenten Nicolas Comeau, Leonard Farlinger, Jennifer Jonas Kamera Nicolas Canniccioni Schnitt Glenn Berman SYNOPSIS Musik Ramachandra Borcar Cast Walter Borden Aus Kanada kommen oft besondere Meisterwerke, so auch GERON von Skandal-Maestro, Provokateur und TEDDY- Pier-Gabriel Lajoie Preisträger Bruce LaBruce (''Hustler White'', ''The Raspberry Reich''). Statt wie bisher auf einen sexuell expliziten Trashfilm Marie-Hélène Thibault zu setzen, beweist LaBruce, dass er auch anders kann und er- zählt auf liebevolle Weise die Geschichte des bildhübschen 18- jährigen Lake, der seine Vorliebe für ältere Männer entdeckt. Katie Boland Als Pfleger kommt er dem charmanten und charismatischen Mr. Peabody (wundervoll gespielt von Walter Borden) näher Yardly Kavanagh und beschert dem Grand Seigneur einen zweiten Frühling. Jean-Alexandre Létourneau E i n r o m a n t i s c h e s R oadmovie ganz im Stil von ''Harold & Maude'' kühn, zärtlich und herausfordernd, doch gleichzeitig humorvoll und herzlich. FESTIVALTEILNAHMEN / AUSZEICHNUNGEN (Auswahl): ''GRAND PRIX FOCUS'' - Festival du Nouveau Cinéma, Montreal Kanada ''Venice Days Opening Film'' - 70. -
The Role of Creative Communities and Entrepreneurs in Producing Digital
The role of creative communities and entrepreneurs in producing digital content without formal intellectual property : the case of alternative pornography Kim-Marlène Le To cite this version: Kim-Marlène Le. The role of creative communities and entrepreneurs in producing digital content without formal intellectual property : the case of alternative pornography. Economics and Finance. Université de Strasbourg; Scuola superiore Sant’Anna di studi universitari e di perfezionamento (Pise, Italie), 2018. English. NNT : 2018STRAB007. tel-02376556 HAL Id: tel-02376556 https://tel.archives-ouvertes.fr/tel-02376556 Submitted on 22 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. UNIVERSITÉ DE STRASBOURG - SCUOLA SUPERIORE DI STUDI UNIVERSITARI E DI PERFEZIONAMENTO SANT’ANNA ÉCOLE DOCTORALE ED221 AUGUSTIN COURNOT Bureau d’économie théorique et appliquée - UMR 7522 En cotutelle avec le Laboratory of Economics and Management THÈSE présentée par : Kim-Marlène LE soutenue le : 12 septembre 2018 pour obtenir le grade de : Docteur de l’université de Strasbourg -
Between the Gothic and Surveillance: Gay (Male) Identity, Fiction Film, and Pornography (1970-2015)
Between the Gothic and Surveillance: Gay (Male) Identity, Fiction Film, and Pornography (1970-2015) Evangelos Tziallas A Thesis In the Department of The Mel Hoppenheim School of Cinema Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in Film and Moving Image Studies Concordia University Montreal, Quebec, Canada October 2015 © Evangelos Tziallas, 2015 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis is prepared By: Evangelos Tziallas Entitled: Between the Gothic and Surveillance: Gay (Male) Identity, Fiction Film, and Pornography (1970-2015) and submitted in partial fulfillment of the requirements for the degree of Doctorate of Philosophy (Film and Moving Image Studies) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final Examining Committee: Chair Amy Swifen Examiner John Mercer Examiner Ara Osterweil Examiner Juliann Pidduck Supervisor Thomas Waugh Approved by Chair of Department of Graduate Program Director 2015 Dean of Faculty Abstract Between the Gothic and Surveillance: Gay (Male) Identity, Fiction Film, and Pornography (1970-2015) Evangelos Tziallas, Ph.D. Concordia University, 2015 In this thesis I make the case for rethinking fictional and explicit queer representation as a form of surveillance. I put recent research in surveillance studies, particularly work on informational doubling, in conversation with the concepts of the uncanny and the doppelgänger to reconsider the legacy of screen theory and cinematic discipline in relation to the ongoing ideological struggle between normativity and queerness. I begin my investigation in and around the Stonewall era examining the gothic roots and incarnation of gay identity. -
The Believer Logger - Brucito Subversivo — Brucito Subversivo 20/07/2014 18:04
The Believer Logger - Brucito Subversivo — Brucito Subversivo 20/07/2014 18:04 BELIEVERMAG.COM SUBSCRIBE STORE CURRENT ISSUE Enjoy the special features below and please consider subscribing to the Believer. MAY 29, 2014 BRUCITO SUBVERSIVO Photograph of Bruce LaBruce by Maxime Ballesteros http://logger.believermag.com/post/87209818064/brucito-subversivo Page 1 sur 20 The Believer Logger - Brucito Subversivo — Brucito Subversivo 20/07/2014 18:04 An Interview with Auteur of Pornology, Bruce LaBruce “Now raise your hand up out of the grave. That’s it. Raise it as a protest against all the injustices perpetrated against your kind. Raise it in solidarity with the weak and the lonely and the dispossessed of the earth, for the misfits and the sissies and the plague-ridden faggots who have been buried and forgotten by the heartless, merciless, hetero-fascist majority. Rise! Rise!” So declares Medea Yarn, the strident radical filmmaker in Bruce LaBruce’s film-within-a-film, Otto; or, Up with Dead People (2008). A zombie-political-porno, which, like most of La Bruce’s work, arouses, amuses, and repels at once, Otto is an incisive critique of gay consumer culture, and its mindless assimilation of bourgeoisie values. The critique has remained fundamental to the director’s queercore aesthetic since the mid-1980s, when BLAB (the artist’s chosen acronym) developed his prescient queer punk zine, J.D.s (co-edited with G.B. Jones). http://logger.believermag.com/post/87209818064/brucito-subversivo Page 2 sur 20 The Believer Logger - Brucito Subversivo — Brucito Subversivo 20/07/2014 18:04 Not surprisingly, his first feature films, No Skin off My Ass (1993), Super 8½(1993), and Hustler White (1996), with their B-movie depictions of taboo desire, from a skinhead fetish to gang rape and amputee sex, cemented BLAB’s cult status as the reigning daddy of queercore film.