Pressemeldung Tortoise
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Feature Film Project Summary Logline Synopsis
HERE Feature Film Project Summary A Braden King Film Written by Braden King and Dani Valent Producers: Lars Knudsen, Jay Van Hoy Co-Producer: Jeff Kalousdian Executive Producers: Zoe Kevork, Julia King A Truckstop Media / Parts and Labor Production 302A W. 12th St., #223 New York, New York 10014 (212) 989-7105 / [email protected] www.herefilm.info Logline HERE is a dramatic, landscape-obsessed road movie that chronicles a brief but intense romantic relationship between an American satellite-mapping engineer and an expatriate Armenian art photographer who impulsively decide to travel together into uncharted territory. Synopsis Will Shepard is an American satellite-mapping engineer contracted to create a new, more accurate survey of the country of Armenia. Within the industry, his solitary work - land-surveying satellite images to check for accuracy and resolve anomalies - is called “ground-truthing”. He’s been doing it on his own, for years, all over the world. But on this trip, his measurements are not adding up. Will meets Gadarine Najarian at a rural hotel. Tough and intriguing, she’s an expatriate Armenian art photographer on her first trip back in ages, passionately trying to figure out what kind of relationship - if any - she still has with her home country and culture. Fiercely independent, Gadarine is struggling to resolve the life she’s led abroad with the Armenian roots that run so deeply through her. There is an instant, unconscious bond between these two lone travelers; they impulsively decide to continue together. HERE tells the story of their unique journey and the dramatic personal transformations it leads each of them through. -
Brazilian/American Trio São Paulo Underground Expands Psycho-Tropicalia Into New Dimensions on Cantos Invisíveis, a Global Tapestry That Transcends Place & Time
Bio information: SÃO PAULO UNDERGROUND Title: CANTOS INVISÍVEIS (Cuneiform Rune 423) Format: CD / DIGITAL Cuneiform Promotion Dept: (301) 589-8894 / Fax (301) 589-1819 Press and world radio: [email protected] | North American and world radio: [email protected] www.cuneiformrecords.com FILE UNDER: JAZZ / TROPICALIA / ELECTRONIC / WORLD / PSYCHEDELIC / POST-JAZZ RELEASE DATE: OCTOBER 14, 2016 Brazilian/American Trio São Paulo Underground Expands Psycho-Tropicalia into New Dimensions on Cantos Invisíveis, a Global Tapestry that Transcends Place & Time Cantos Invisíveis is a wondrous album, a startling slab of 21st century trans-global music that mesmerizes, exhilarates and transports the listener to surreal dreamlands astride the equator. Never before has the fearless post-jazz, trans-continental trio São Paulo Underground sounded more confident than here on their fifth album and third release for Cuneiform. Weaving together a borderless electro-acoustic tapestry of North and South American, African and Asian, traditional folk and modern jazz, rock and electronica, the trio create music at once intimate and universal. On Cantos Invisíveis, nine tracks celebrate humanity by evoking lost haunts, enduring love, and the sheer delirious joy of making music together. São Paulo Underground fully manifests its expansive vision of a universal global music, one that blurs edges, transcends genres, defies national and temporal borders, and embraces humankind in its myriad physical and spiritual dimensions. Featuring three multi-instrumentalists, São Paulo Underground is the creation of Chicago-reared polymath Rob Mazurek (cornet, Mellotron, modular synthesizer, Moog Paraphonic, OP-1, percussion and voice) and two Brazilian masters of modern psycho- Tropicalia -- Mauricio Takara (drums, cavaquinho, electronics, Moog Werkstatt, percussion and voice) and Guilherme Granado (keyboards, synthesizers, sampler, percussion and voice). -
Post-Rock, Chicago School, Jim O'rourke. Über Materialbehandlung in Der Avantgarde Der Populären Musik
Post-Rock, Chicago School, Jim O'Rourke. Über Materialbehandlung in der Avantgarde der populären Musik Magisterarbeit Universität Lüneburg, Juni 2006 Fakultät I – Bildungs-, Kultur- und Sozialwissenschaften (ehem. Fachbereich III – Angewandte Kulturwissenschaften) vorgelegt von: Tobias Ruderer (Matrikelnummer: 111517) Fasanenweg 5 21337 Lüneburg Tel. 04131-767561 [email protected] Erstgutachter: Dr. Rolf Großmann, Universität Lüneburg Zweitgutachter: Dr. Christian Bielefeldt, Universität Lüneburg Inhaltsverzeichnis Einleitung......................................................................................................................4 1. Theorie des musikalischen Materials.......................................................................8 1.1 Phänomenologische Besonderheiten der Vorstellung eines künstlerischen Materials.....8 1.2 Grundzüge von Adornos Materialtheorie.......................................................................11 1.2.a Materialveränderung als musikimmanenter Prozess...............................................11 1.2.b Der Zwang des Materials........................................................................................13 1.2.c Material und Gesellschaft.......................................................................................15 1.3 Kritik und Probleme des Materialbegriffs......................................................................18 1.4 Stil, Konstruktion, Technik.............................................................................................21 2. Material -
Development of Musical Ideas in Compositions by Tortoise
DEVELOPMENT OF MUSICAL IDEAS IN COMPOSITIONS BY TORTOISE Reiner Krämer Prologue For more than 25 years, the Chicago-based experimental rock band Tortoise has crossed over multiple popular music genres (ambient music, krautrock, dub, electronica, drums and bass, reggae, etc.) as well as different types of jazz music, and has made use of minimalist Western art music.1 The group is often labeled a pioneer of the »post-rock« genre. Allegedly, Simon Reynolds first used the term in his review of the album Hex by the English east Lon- don band Bark Psychosis (Reynolds 1994a) and shortly afterwards in his arti- cle »Shaking the Rock Narcotic« (Reynolds 1994b: 28-32). In connection to Tortoise he used »post-rock« in his review article of their 1996 album Mil- lions Now Living Will Never Die (Reynolds 1996). Reynolds describes music he labels as ›post-rock‹ where bands use guitars »in [non-rock] ways« to manipulate »timbre and texture rather than riff[s]« and »augment rock's basic guitar-bass-drums lineup with digital technology such as samplers and sequencers« (Reynolds 2017: 509). Most members of Tortoise act as multi- instrumentalists that play different combinations of instruments at different times. As Jeanette Leech (2017: 16) has stated, a typical Tortoise stage set- up can feature vibraphones, marimbas, two drum sets, and a multitude of synthesizers. With regards to the instrumental setup Leech draws up paral- lels with progressive rock of the 1970s but points to one decisive difference within the genres: »for Tortoise, the range of instrumentation [is] about creating mood, not showboating« (ibid.). -
Tortoise Galapagos 1 / Reference Resistance Gate Mp3, Flac, Wma
Tortoise Galapagos 1 / Reference Resistance Gate mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Galapagos 1 / Reference Resistance Gate Country: UK Released: 1996 Style: Drum n Bass, Experimental MP3 version RAR size: 1184 mb FLAC version RAR size: 1774 mb WMA version RAR size: 1618 mb Rating: 4.2 Votes: 756 Other Formats: AHX AC3 TTA DXD MPC ADX MMF Tracklist Hide Credits Galapagos (Version One) (Remixed By Springheel Jack) A Remix – Springheel Jack* Reference Resistance Gate (Remixed By Jim O'Rourke Versus Bedouin Ascent) B Remix – Bedouin Ascent, Jim O'Rourke Companies, etc. Copyright (c) – City Slang Licensed From – Thrill Jockey Records Phonographic Copyright (p) – Thrill Jockey Records Published By – Wrapped in Rubber Music Published By – Rough Trade Pressed By – Damont Credits Design [Sleeve] – Subterrain Design Workshop Written-By [Original Version], Performer [Original Version] – Tortoise Notes Issued in a yellow die-cut sleeve with silver print. Barcode and Category appear on a sticker on back only. [On labels:] Original Version [...] From 'Millions Now Living Will Never Die'. ℗ 1996 Thrill Jockey. © 1996 City Slang. Made In England [On sleeve:] Tortoise Remixed City Slang Records Made Under License From Thrill Jockey Records. Barcode and Other Identifiers Barcode (Text on sticker): 5 024545 029369 Barcode: 5024545029369 Label Code: LC 6853 Matrix / Runout (Runout, side A, hand-etched, variant 1): SHELL 003 A1 M Matrix / Runout (Runout, side B, hand-etched, variant 1): SHELL 003 N BI Damont Matrix / Runout -
Indie Mixtape 20 Is with Kali Masi, Who Has a Very Speci C Technique for Gift Giving
:: View email as a web page :: The last time I spoke with Ryley Walker, he wasn't far removed from the darkest period of his life. In the spring of 2019, the inventive guitarist and songwriter — who's also known for his hilarious social media presence — checked himself into rehab for drug and alcohol dependency. The decision came after Walker came close to taking his own life while on tour in New Mexico. Thankfully, times are much better these days for the 31-year-old Illinois native. Last week, he released Course In Fable, his nest studio album to date. A die-hard fan of the English pop-prog band Genesis and a devout student of Chicago post-rock, Walker has somehow merged these inuences on Fable, stitching together multi-part songs heavy on wonky guitar solos and unexpected time signature changes. In the studio, he was assisted by John McEntire, a Chicago indie legend known for his work with Tortoise and The Sea And Cake. The result is one of 2021's most unabashedly gorgeous and grand indie records. Check out our interview with Ryley here. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening: Radiohead's "Kid A" and the Beginning of the 21st Century In case you missed it... The new Indiecast visualizer is all about lo- bedroom pop that took the indie scene by storm in the 2010s. Check it out above or right here. The latest episode of Indiecast also had Ian Cohen digging deep into Bandcamp for some new gems. Festivals are starting to gear up for a busy fall season. -
Completeandleft
MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003- -
Bellowing Sun MIND OVER MIRRORS Wide Lights Low Apr 6–7, 2018 Fri–Sat, Notes Program
Eyes Sun Bellowing MIRRORS MIND OVER Wide Lights Low Apr 6–7, 2018 Apr 6–7, Fri–Sat, Notes Program at MCA Stage Theater Neeson Edlis STAGE MCA Winter/Spring Bellowing Sun running 2018 time is ninety minutes with no intermission. SUPPORT FOR THIS Created and performed by Mind Over Mirrors in Sun Bellowing MIRRORS MIND OVER MCA STAGE PROJECT collaboration with Timothy Breen, Eliot Irwin, ABOUT THE WORK Lead support for the MCA Stage New Works and Keith Parham. Initiative is provided by Elizabeth A. Liebman. –––––––––––––––––––––––––––––––––––––––––––––– “For a moment of night we have a glimpse of Bellowing Sun is a PERFORMERS National Performance ourselves and of our world islanded in its Network/Visual Artists Network (NPN/VAN) Oberheim SEMs, Jaime Fennelly stream of stars—pilgrims of mortality, voyaging Creation and Development Fund OB-6 synthesizer, and between horizons across eternal seas of space Project co-commissioned Indian harmonium by the Museum of and time.” Contemporary Art Chicago in partnership Lead vocals, zither, Janet Beveridge Bean —Henry Beston, The Outermost House (1928) with Alverno Presents and NPN. Additional and percussion support comes from the NPN Forth Fund and from the NPN Fiddle and vocals Jim Becker Performance Residency In 1925, a thirty-seven-year-old American writer and WWI Program. Major contributors of NPN Drums and vocals Jon Mueller vet named Henry Beston bought fifty acres of desolate include the Doris Duke Charitable Foundation, dune land on Coast Guard Beach on Cape Cod—the the Andrew W. Mellon –––––––––––––––––––––––––––––––––––––––––––––– Foundation, the Ford PRODUCTION peninsula’s furthest fingers reaching into the gray Atlantic— Foundation, and the National Endowment and designed and built a small cottage overlooking the for the Arts (a federal Artistic Director Jaime Fennelly agency). -
Dallas Tortoise - Dallas Observer 3/16/12 3:58 PM
Dallas Tortoise - Dallas Observer 3/16/12 3:58 PM Tortoise Standards (Thrill Jockey) By Jessica Parker published: March 29, 2001 The first discordant moment of Standards, the latest album from Tortoise, signals a new direction for the Chicago instrumentalists. Actually, it's as if Tortoise has not only changed directions but run the train completely off the track, the resulting sound being the freight engine barreling through pine and brush. The first two minutes of said track, "Seneca," play like Jimi Hendrix distorting the national anthem at Woodstock--raucous, fuzzed-up electric noise. (Coincidentally, a skewed American flag adorns the cover of Standards.) Drums beaten to a pulp, cymbals crashing louder than jets and an ambling electric guitar segue into a tight drum solo, bumping bass and an ornate harpsichord melody sharpened with handclaps. Brilliant. "Seneca" is a perfect mission statement to a near-perfect album. Like Radiohead, Tortoise exists in its own world, working from the inside out. The band takes cues from other genres, true, but emerges with a sound uniquely its own. Standards is the kind of album that demands to be heard through headphones so every scratch, effect and pin drop can be absorbed through the ears into the bones. You always knew they could do it. It just seemed inevitable that Tortoise would let loose on its funk tendencies and produce an album as percussive and provocative as Standards. Percussionist/studio genius John McEntire's funky, elastic production for Stereolab hinted that this white man could groove. A few other projects along the way, including the Warp Back to Earth Peter Thomas tribute, demonstrated McEntire's studio wizardry. -
Aymeric Morillon
#Top366 Aymeric Morillon 1 janv. 2016 – 31 déc. 2016 1 janv. 2016 #Top366, jour 1 Pour commencer, un hommage à la veille avec un top5 Sylvestre. 1. Sylvestre le chat 2. Anne Sylvestre 3. Terry Sylvester (des Hollies) 4. Sylvestre Dubois, de Merci, Sylvestre. 5. Sly (Stallone, quoi.) 2 janv. 2016 #Top366, jour 2 Top3 chansons du samedi 1. Samedi 22 octobre 4004 av.jc - L'Affaire Louis Trio 2. Il était tard ce samedi soir - Pierre Vassiliu 3. Samedi soir à Beyrouth - Bernard Lavilliers 3 janv. 2016 #Top366, jour 3 Top5 Michel de ma bibliothèque 1. Michel de Montaigne 2. Michel Rocard 3. Michel Ragon 4. Michel Chion 5. Michel Bakounine 4 janv. 2016 #Top366, jour 4 Noms propres ligériens à prononciation complexe 1. Clemenceau [klœmɑ̃so] 2. Beaupréau [bopʁo] 3. Rezé [rœze] 5 janv. 2016 #Top366, jour 5 Top5 morceaux épicés 1. Mount Harissa - Duke Ellington 2. Cinnamon Girl - Neil Young 3. Ginger and Spice - Hoagy Carmichael 4. Too Much Spice - Hüsker Dü 5. White Pepper Ice Cream - Cibo Matto 6 janv. 2016 #Top366, jour 6 Maîtres marteaux 1. Hammer & Chisel - John Adams (Composer) 2. Take This Hammer - Leadbelly 3.Bury The Hammer - Beat Happening 4. Under The Hammer - Gil Scott Heron & Brian Jackson 5. Mouvement décomposé d'un coup de marteau - Pascal Comelade. 7 janv. 2016 #Top366, jour 7 Livres de musiciens 1. Julian Cope - Krautrocksampler 2. Donald Fagen - Eminent Hipsters 3. Pierre Schaeffer - Les Antennes de Jéricho 4. David Toop - Ocean of Sound 5. Ben Sidran - There Was a Fire 8 janv. 2016 #Top366, jour 8 Vendredi : variations filmées sur Robinson 1.Les Naufragés de l'île de la Tortue - Jacques Rozier 2. -
The History of Rock Music - the Nineties
The History of Rock Music - The Nineties The History of Rock Music: 1995-2001 Drum'n'bass, trip-hop, glitch music History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Post-post-rock (These are excerpts from my book "A History of Rock and Dance Music") The Louisville alumni 1995-97 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The Squirrel Bait and Rodan genealogies continued to dominate Kentucky's and Chicago's post-rock scene during the 1990s. Half of Rodan, i.e. Tara Jane O'Neil (now on vocals and guitar) and Kevin Coultas, formed Sonora Pine with keyboardist and guitarist Sean Meadows, violinist Samara Lubelski and pianist Rachel Grimes. Their debut album, Sonora Pine (1996), basically applied Rodan's aesthetics to the format of the folk lullaby. Another member of Rodan, guitarist Jeff Mueller, formed June Of 44 (11), a sort of supergroup comprising Sonora Pine's guitarist Sean Meadows, Codeine's drummer and keyboardist Doug Scharin, and bassist and trumpet player Fred Erskine. Engine Takes To The Water (1995) signaled the evolution of "slo-core" towards a coldly neurotic form, which achieved a hypnotic and catatonic tone, besides a classic austerity, on the mini-album Tropics And Meridians (1996). Sustained by abrasive and inconclusive guitar doodling, mutant rhythm and off-key counterpoint of violin and trumpet, Four Great Points (1998) metabolized dub, raga, jazz, pop in a theater of calculated gestures. -
Cyclic Defrost Issue 8
ISSUE 8 CDITORIAL CONTENTS Welcome to issue 8 and the end of our second year. It has been a 4 COVER DESIGNER: MARK GOWING upward curve since Sonar last year, and Cyclic Defrost is back at Sonar by Bim Ricketson this year and continuing to build connections with Europe. Good Australian electronic music has been starting to spread more broadly 6 PURDY overseas and the next couple of months sees the number of Australian by Sebastian Chan PO Box a2073 acts overseas growing substantially. Sydney South 10 CITY CITYCITY This issue’s cover art is by Sydney-based graphic designer Mark NSW 1235 Australia by Bob Baker Fish Gowing, whose logos and other work should be familiar to a lot of We welcome your contributions 11 ANTHONY PATERAS Sydney locals. Inside you’ll find interviews with the old guard – Kevin and contact: by Bob Baker Fish Purdy, Coldcut, Tortoise’s Jeff Parker, as well as the spring chickens – [email protected] Perth’s IDM youngster Pablo Dali, Melbourne post-rockers City City www.cyclicdefrost.com 14 PABLO DALI by melinda Taylor City, Lali Puna and Anthony Pateras. After the continual hectoring ISSUE 9 DEADLINE: AUGUST 12, 2004 about MP3 politics in previous issues, one of our writers, Vaughan 16 COLDCUT Healey finally got hold of an iPod for a fortnight and went about trying Publisher & Editor-in-Chief by Clark Nova to learn the art of iPod krumping, and Degrassi gives solid holiday tips. Sebastian Chan 18 LALI PUNA By the time you’ve waded through those in this 44 page bumper issue, Art Director & Co-Editor by Peter Hollo you’ll come to the treasure chest of reviews and this issue’s sleeve Dale Harrison 20 TORTOISE design look at embossing.