Measuring and Pricing the Risk of Corporate Failures
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Agenda Formation and the U.S. Supreme Court: a Topic Model Approach
AGENDA FORMATION AND THE U.S. SUPREME COURT: A TOPIC MODEL APPROACH Michael A. Livermore Allen B. Riddell Daniel Rockmore* February 29, 2016 Introduction ................................................................................................................................................... 3 I. Agenda formation and text analysis .......................................................................................................... 7 A. A simple model of agenda formation ................................................................................................... 7 B. Prior literature .................................................................................................................................... 11 C. Topic models ...................................................................................................................................... 18 II. Applying the Topic Model ..................................................................................................................... 23 A. Data .................................................................................................................................................... 23 B. Fitting a topic model to the legal corpus ............................................................................................ 25 C. Testing the topic model ...................................................................................................................... 27 III. Differences and trends ......................................................................................................................... -
Dear Shareholders, I Am Happy to Share with You That 2016 Was Another Truly Successful Year for Zwack Unicum Plc
Dear Shareholders, I am happy to share with you that 2016 was another truly successful year for Zwack Unicum Plc. This is due to the fact that our premium brands once again enjoyed a highly positive year, the sales figures of Unicum and Unicum Plum in- creased, and our Kalinka, as well as Hubertus brands were also very profitable. Last year our product portfolio was also enriched by Kalinka Gold, Kalinka’s premium variant, which we started to market before the end of the year through our top gastronomy and retail partners. Our Fütyülős product family has also contributed to our success with its excel- lent performance in top retail channels. We are proud that our marketing activities and communication campaigns proved to be exceptionally successful not only regarding their impact, but also from the professional point of view. The best proof of this are the recognition we were accorded by professionals in the advertising industry. Seven of the campaigns launched by us were rated among the top three at the most prestigious competitions like the Arany Penge creative contest, the Effie Awards for advertising effectiveness, the Prism PR contest, and the Lollipop advertising contest. Several of our projects finished in the best three. We received, among others, the Arany Penge, Effie, Silver Lollipop and Gold Prism awards. We pay growing attention to dig- italization, be it about a novel method of communication, or an internal information flow. Maintaining our traditions, it is important for us to support as many positive initiatives in Hungary as possible. We are permanent sponsors of the Children’s Clinic of Tűzoltó street which, due to our support in 2016 was able to acquire three important surgical instruments. -
August Strindbergs Arkiv – Från Privatarkiv Till Kulturarv En Studie I Proveniensprincipens Tillämpning Och Nationalistisk Historietolkning
MAGISTERUPPSATS I BIBLIOTEKS- OCH INFORMATIONSVETENSKAP VID BIBLIOTEKS- OCH INFORMATIONSVETENSKAP/BIBLIOTEKSHÖGSKOLAN 2003:9 August Strindbergs arkiv – från privatarkiv till kulturarv En studie i proveniensprincipens tillämpning och nationalistisk historietolkning OLA TÖRJAS © Författaren/Författarna Mångfaldigande och spridande av innehållet i denna uppsats – helt eller delvis – är förbjudet utan medgivande av författaren/författarna. Svensk titel: August Strindbergs arkiv – från privatarkiv till kulturarv: En studie i proveniensprincipens tillämpning och nationalistisk historietolkning. Engelsk titel: The Strindberg Archives – from Private Archives to Cultural Heritage: A Study of the Application of the Principle of Provenance and of a Nationalistic Interpretation of History. Författare: Ola Törjas Färdigställt: 2003 Handledare: Dick Kasperowski, Anders Burius Abstract: In this thesis I examine the events that followed the death of August Strindberg and resulted in his private belongings becoming an important part of Sweden’s cultural heritage. My purpose has been twofold: firstly, to identify which aims were sought to be achieved when dealing with Strindberg's archives and his home and to relate these to a nationalistic interpretation of history, secondly, to relate this work to the then newly introduced archival principle, the Principle of provenance. I identified three different aims: firstly the economic aim must be seen in the light of an increasingly expanding publishing market. I argue that the author gained a new and important role in the general social debate (a nationalistic one), an important point with regard to my following conclusions. Secondly, the aim to store and display the material in a museum is discussed in relation to different views of cultural history and the interpretation of history. -
Notices of the American Mathematical Society May 2011 Communications
ISSISISSSSNN0 00000200202-99-999992020 of the American Mathematical Society May 2011 Volume 58, Number 5 Discrete Wavelet Transformations and Undergraduate Education page 656 Mathematical Intimidation: Driven by the Data page 667 Remembering Leon Ehrenpreis (1930–2010) page 674 How a Medieval Troubadour Became a Mathematical Figure page 682 Abouut thhe CoC vever:r Wava ellete s inin imamagege comomprprese sionon (sesee ppaagege 71717) “SORRY , THAT ’S NOT CORRECT .” “THAT ’S CORRECT .” TWO ONLINE HOMEWORK SYstEMS WENT HEAD TO HEAD. ONLY ONE MADE THE GRADE. What good is an online homework system if it can’t recognize right from wrong? Our sentiments exactly. Which is why we decided to compare WebAssign with the other leading homework system for math. The results were surprising. The other system failed to recognize correct answers to free response questions time and time again. That means students who were actually answering correctly were receiving failing grades. WebAssign, on the other hand, was designed to recognize and accept more iterations of a correct answer. In other words, WebAssign grades a lot more like a living, breathing professor and a lot less like, well, that other system. So, for those of you who thought that other system was the right answer for math, we respectfully say, “Sorry, that’s not correct.” 800.955.8275 webassign.net/math WA ad Notices.indd 1 10/1/10 11:57:36 AM QUANTITATIVE FINANCE RENAISSANCE TECHNOLOGIES, a quantitatively based financial management firm, has openings for research and programming positions at its Long Island, NY research center. Research & Programming Opportunities We are looking for highly trained professionals who are interested in applying advanced methods to the modeling of global financial markets. -
Statens Konstsamlingars Tillväxt Och Förvaltning 1974
STATENS KONSTSAMLINGARS TILLVÄXT OCH FÖRVALTNING 1974 MEDDELANDEN FRÄN NATIONALMUSEUM Nr 99 STATENS KONSTSAMLINGARS TILLVÄXT OCH FÖRVALTNING 1974 Berättelse avgiven av överintendenten och chefen för NATIONALMUSEUM MEDDELANDEN FRÅN NATIONALMUSEUM Nr 9^ Kvinna hållande ett vinkärl. Gravfigurin. T’ang. Gåva av konung Gustaf VI Adolf, enl. testamente Till REGERINGEN Utbildningsdep artemente t Även om vi inte med bestämdhet vet hur många besökare som kan betrak tas som museets fasta publik, finns det mycket som talar för att den fasta museipubliken relativt sett inte alls är så stor som den en gång var i ett mer statiskt samhälle än vårt nuvarande. Det vill säga mängden av de männi skor, som gjort sig så hemmastadda i museets samlingar att de kommer utan att behöva någon extra lockelse i form av en utställning eller annat evenemang, den mängden har blivit betydligt mindre än för ett halvsekel sedan. Nationalmuseum har haft ett gott publikår 1974. Mer än miljonen - besökare har kunnat inräknas i de samlingar och på de utställningar, vilkas besökssiffror redovisas under Nationalmuseum. Förutom den egentliga museienheten i Stockholm gäller det slotten på Drottningholm och Gripsholm samt Nationalmuseums vandringsutställningar landet runt. Årets besökssiffra är den högsta som någonsin noterats. Det är utställningarna som ger museet större delen av dess publik. Det är inte svårt att iaktta inom de institutioner, där sådana görs. Men det finns undantag. Gripsholms slott med sina historiska minnen och stora samlingar av framför allt porträtt har under senare år visat en snabbt ökande dragningskraft. Är det ett tilltagande historiskt intresse, som fört allt flera människor till Gripsholm? Insikten om. utställningarnas betydelse har gett den verksamheten en allt större spännvidd och variation. -
August Strindberg - Poems
Classic Poetry Series August Strindberg - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive August Strindberg(22 January 1849 – 14 May 1912) Johan August Strindberg was a Swedish playwright, novelist, poet, essayist and painter. A prolific writer who often drew directly on his personal experience, Strindberg's career spanned four decades, during which time he wrote over 60 plays and more than 30 works of fiction, autobiography, history, cultural analysis, and politics. A bold experimenter and iconoclast throughout, he explored a wide range of dramatic methods and purposes, from naturalistic tragedy, monodrama, and history plays, to his anticipations of expressionist and surrealist dramatic his earliest work, Strindberg developed forms of dramatic action, language, and visual composition so innovative that many were to become technically possible to stage only with the advent of film. He is considered the "father" of modern Swedish literature and his The Red Room (1879) has frequently been described as the first modern Swedish novel. The Royal Theatre rejected his first major play, Master Olof, in 1872; it was not until 1881, at the age of 32, that its première at the New Theatre gave him his theatrical breakthrough. In his plays The Father (1887), Miss Julie (1888), and Creditors (1889), he created naturalistic dramas that—building on the established accomplishments of Henrik Ibsen's prose problem plays while rejecting their use of the structure of the well-made play—responded to the call- to-arms of Émile Zola's manifesto "Naturalism in the Theatre" (1881) and the example set by André Antoine's newly established Théâtre Libre (opened 1887).